Songs of experience
Swift uses many literary analyses in her song, two in which are theme and style. Here you will be guided through my interpretation and analysis of one of these songs. I chose to analyze mystery song 2. I chose this song because of the prominence of a saxophone and because of the way it makes me feel, discussed later.
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Content:
- Songs of Innocence and of Experience Themes
- Songs of Innocence
- Songs of Innocence and of Experience
- U2 / Songs of Experience box set
- Commentary on Songs of Innocence and Songs of Experience
- Citation Styles for "Songs of innocence : and, Songs of experience"
- Oh no, there's been an error
- Songs of Experience: U2’s welcome return to form
- Review: U2 Faces Down Mortality, Reconnects With the Power of Music
Songs of Innocence and of Experience Themes
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Hear the voice of the Bard! Who Present, Past, and Future see; Whose ears have heard the Holy Word That walked among the ancient trees, Calling the lapsed Soul And weeping in the evening dew That might control the starry pole, And fallen, fallen light renew!
Arise from out the dewy grass; Night is worn, and [the morn] 1 rises from the slumbering mass. The starry floor, the watery shore, Is given thee till break of day. View original text without footnotes 1 Mitchell: morning Researcher for this text: Victoria Brago. Earth rais'd up her head From the darkness dread and drear. Her light fled, Stony dread! And her locks cover'd with grey despair.
Cruel, jealous, selfish Fear! Can delight, Chain'd in night, The virgins of youth and morning bear? Does the sower Sow by night, Or the ploughman in darkness plough? Eternal bane! That free Love with bondage bound. Researcher for this text: Emily Ezust [ Administrator ]. Little Fly, Thy summer's play My thoughtless hand Has brush'd away. Am not I A fly like thee? Or art not thou A man like me? I went to the Garden of Love, and saw what I never had seen: A chapel was built in the midst, where I used to play on the green.
And the gates of this chapel were shut, and "Thou shalt not" writ over the door; So I turn'd to the Garden of Love, that so many, many sweet flowers bore; And I saw it was filled with graves, and tombstones where flowers should be; and priests in black gowns were walking their rounds, and binding with briars my joys and desires. I asked a thief to steal me a peach: He turned up his eyes.
I ask'd a lithe lady to lie her down: Holy and meek, she cries. As soon as I went An Angel came: He wink'd at the thief, And smil'd at the dame; And without one word [said] 1 Had a peach from the tree, [And still as a maid] 2 Enjoy'd the lady. View original text without footnotes 1 Mitchell: "spoke" 2 Mitchell: "And between earnest and joke" Researcher for this text: Emily Ezust [ Administrator ]. Tyger Tyger, burning bright, In the forests of the night; What immortal hand or eye, Could frame thy fearful symmetry?
In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand, dare sieze the fire? And when thy heart began to beat, What dread hand?
What the hammer? What the anvil? When the stars threw down their spears And water'd heaven with their tears: Did he smile his work to see? Did he who made the Lamb make thee? Tyger Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry? I acknowledge the use of cookies.
Songs of Innocence
Piping down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me:. Old John, with white hair, Does laugh away care, Sitting under the oak, Among the old folk. Round the laps of their mothers Many sisters and brothers, Like birds in their nest, Are ready for rest, And sport no more seen On the darkening green. Little lamb, who made thee? Does thou know who made thee? He is meek, and He is mild, He became a little child. Little lamb, God bless thee!
Songs of Innocence and of Experience
Blake romanticizes the children of his poems, only to place them in situations common to his day, in which they find their simple faith in parents or God challenged by harsh conditions. Songs of Experience is an attempt to denounce the cruel society that harms the human soul in such terrible ways, but it also calls the reader back to innocence, through Imagination, in an effort to redeem a fallen world. Throughout his works, Blake frequently refers to the redemptive work of Jesus Christ. While he alludes to the atoning act of Christ Crucified, more often Blake focuses on the Incarnation, the taking on of human form by the divine Creator, as the source of redemption for both human beings and nature. The men who should be shepherds to their flocks are in fact reinforcing a political and economic system that turns children into short-lived chimney sweepers and that represses love and creative expression in adults. Blake is a strong proponent of the value of human creativity, or Imagination, over materialistic rationalism, or Reason. As a poet and artist, Blake sees the power of art in its various forms to raise the human spirit above its earth-bound mire.
U2 / Songs of Experience box set
In the late s, en route to Memphis on the mission that would be dubiously immortalized by the documentary U2: Rattle and Hum , Bono hitched a ride with a stranger whose car stereo dashed his spirits. Bono was awed. It is hard to believe that U2 were galvanized to write Achtung Baby! The pursuit of relevance seems above all what motivates them to create.
Commentary on Songs of Innocence and Songs of Experience
It is difficult to assess a U2 album on its individual merits. Each new album carries the weight of significant expectation. U2 have held the mantle of the biggest rock band in the world for thirty years and each recent album seems to be a studied effort in trying to retain that title despite the ever-shifting trends of contemporary music. The recent track record of U2 albums has been disappointing. Their albums have a frustratingly long gestation with glimpses and hints of what is to come, with the final product often bearing little resemblance to what the band has promised in the lead-up.
Citation Styles for "Songs of innocence : and, Songs of experience"
Throughout both Songs of Innocence and Songs of Experience , Blake repeatedly addresses the destruction of childlike innocence, and in many cases of children's lives, by a society designed to use people for its own selfish ends. Blake romanticizes the children of his poems, only to place them in situations common to his day, in which they find their simple faith in parents or God challenged by harsh conditions. Songs of Experience is an attempt to denounce the cruel society that harms the human soul in such terrible ways, but it also calls the reader back to innocence, through Imagination, in an effort to redeem a fallen world. Throughout his works, Blake frequently refers to the redemptive work of Jesus Christ. While he alludes to the atoning act of Christ Crucified, more often Blake focuses on the Incarnation, the taking on of human form by the divine Creator, as the source of redemption for both human beings and nature. He emphasizes that Christ "became a little child" just as men and women need to return to a state of childlike grace in order to restore the innocence lost to the social machinery of a cruel world. In such poems as "Holy Thursday" and "The Little Vagabond," Blake critiques the religious leaders of his day for their abuse of spiritual authority.
Oh no, there's been an error
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Songs of Experience: U2’s welcome return to form
Generally favorable reviews - based on 28 Critic Reviews What's this? Generally favorable reviews - based on Ratings. See all 28 Critic Reviews. Songs of Experience. User Score.
Review: U2 Faces Down Mortality, Reconnects With the Power of Music
Follow us on Facebook. We use cookies for internal analytics and to earn much-needed advertising revenue. Did you know you can help support us by turning off ad-blockers? To learn more, see our Privacy Policy. To learn how to opt out of cookies, please visit this site. Hear the voice of the Bard! Who Present, Past, and Future see; Whose ears have heard the Holy Word That walked among the ancient trees, Calling the lapsed Soul And weeping in the evening dew That might control the starry pole, And fallen, fallen light renew!
It's not merely a turn of phrase. Two months after U2 unleashed Songs of Innocence on the world, Bono injured himself in a bicycle accident so severe he suspected he may never play guitar again. He recovered, but his misfortune derailed plans for the band to wrap up Songs of Experience swiftly, so U2 decided to take their time. A version of the record neared completion in , but that year's twin elections of Brexit and Trump spurred U2 to revise the album, as they decided they couldn't release a record that didn't address such cataclysmic political events.
Bravo, this very good idea will come in handy.