Bruce springsteen letter to you
Why not do it again? Only a year later, The Boss is back with another album and another companion film from director Thom Zimny , this one sharing the name of his new work, Letter to You. This one has a larger sound as fits the more arena-friendly work with the E Street Band, but the themes are incredibly similar. The film is straightforward and simple, interspersing Springsteen anecdotes and commentary with excellent, full performances. Reoccurring themes work their way into the narration and lyrics, but the most common are the communal and healing power of music. Viewers may be expecting an E Street history lesson, but Springsteen and Zimny dig deeper, unearthing archival footage and photos of Bruce before he hooked up with the band.
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- Bruce Springsteen’s 'Letter to You' remembers ghosts, 'hard times and good'
- Review: Documentary ‘Bruce Springsteen’s Letter to You’ celebrates E Street ‘blood brothers’
- Letter to You: - Bruce Springsteen [CD]
- Bruce Springsteen: Letter to You review — the Boss plays it loose, and wins
- Review: Bruce Springsteen finds renewed life, amid death, with the E Street Band on ‘Letter to You’
- Letter To You
Bruce Springsteen’s 'Letter to You' remembers ghosts, 'hard times and good'
Bruce Springsteen unleashed a force of nature into the ethos a few days ago, as Letter to You , a new studio album recorded with the E Street Band is now available everywhere, and is worth listening to if you are reading this, though, we assume you have.
And once you listen to it once, you'll find yourself listening to it again. And humming it throughout your day. Because it's a true rock album, and one of the best works of art to come from Springsteen in his illustrious year career. Instead of musing on with a cliche review of the album, we've decided to — like we do in the sports section of PhillyVoice all the time — hand out a few superlatives. Well, I have impeccable Springsteen credentials.
As a kid, my dad brought me up the right way, with everything from Greetings from Asbury Park to Tunnel of Love echoing through the car as he shuttled me around in my youth. Eventually in , I got my first live taste of Bruce, and hearing him and the Band jam to "Kitty's Back" for about 15 minutes during a live performance was enough to get me hooked. In the 18 years since then, I've seen The Boss in concert around 30 times, including seven on one tour in and twice on Broadway.
We'll get into this song more a bit later, but the guitar riff after the chorus is kind of a throwback-sounding melody carried by the low-echoing guitar sounds that makes for quintessential Springsteen. I am also a fan of the "Letter To You" riff, and the "Ghosts" riff. Really, there are hooks in almost every song that get your head nodding — but we'll give the throwback song written in the "award" for the best riff. This one shreds. At about into the third song on the album, a pure Darkness on the Edge of Town era-sounding guitar solo steals this song and takes it to another level.
Springsteen himself likes it so much he fires it up a second time. I can't say for sure, but this sounds like a Nils Lofgren special. I dare you to listen to "Ghosts" and not sing along with the ear-wormy chorus:. I saw a few outlets complain about it, with one even calling the song the worst on the album. But it's actually fantastic, if you can get through the fact that it has a very unusual and more or less nonsensical chorus.
The song is the only real political one on the album, urging listers to agree with Springsteen that "it's alright yeah it's alright," something that is easier said than done.
Lyrics aside, the song kind of takes on a new essence of beauty at the very end, when Springsteen sings A Capella with Roy Bittan's delicate piano. It's absolutely incredible that a year-old man is creating the bone-chillingly perfect vocals that Springsteen does at the end of the song. As a typical Springsteen fan boy, I watched a handful of interviews with the artist himself during my intense dive into all things Bruce on the day the album dropped.
There was a story he told in one about the real reason he wrote "Last Man Standing", the No. Bruce explained that he has recently become the last living member of his original band The Castiles.
That's a burden that comes with age, health, and prosperity. As a year-old man, it's hard for me to relate to that seemingly abstract notion, until I listen to the song.
Hear him ask "rock of ages come save me now," and try not to feel something. Springsteen reached back, way back to record three never-released pieces of music that he penned in the early 70s, before he was even a signed musician.
They are all fantastic. If you aren't sure which ones are the oldies and can't tell from the titles , it's easy. They're the three songs longer than six minutes. Because of course they are. The lyrics are dense, but the melody is on point and catchy. This is another one I am eager to hear the band nail in a live performance.
The final song on the album is an absolute masterpiece, where Springsteen looks death between the eyes and tries to make enough sense of pain and loss and does the enviable — he turns it into a battle cry. And one of the things that unites, well, everyone, is the inevitability and mysteriousness of death. You can see the band hearing their creation for the first time in the recording studio, with longtime producer Jon Landau breaking down into tears and saying the song had "something magnificent" to it.
The look on Bruce's face himself as he sits down and hears the song is very moving. From the opening drums to Springsteen telling his fans "I hear the sound of your guitar," the song starts with a slowly building tenseness that will eventually manifest in the aforementioned chorus that you'll memorize within one listen.
And then you'll picture a packed Meadowlands full of baby boomers plus, of course, myself all yelling "I'm Alive" in unison with fists pumping. There is not a wasted note, a wasted lyric, nothing. This song is the true product of almost half a century of Springsteen honing his craft for writing songs and for performing them with the E Street Band.
When the band recorded Born To Run , they famously took weeks to even settle on a drum sound good enough fit with Springsteen's perfectionist vision of how his music should sound. That recording Letter To You took just four days is not a knock against its quality.
Rather, it's a testament to how incredibly good Springsteen has become at doing this. Like us on Facebook: PhillyVoice Sports. Evan Macy PhillyVoice Staff. Philly's zero-waste delivery service. How to tackle football season sober.
How to save thousands buying a home. IBX offers health plans with free virtual care. Menu PhillyVoice. Music Bruce Springsteen. So who am I to be making these claims about music, as a sportswriter and not a music critic? Anyway, "Letter to You" is a masterpiece, and here are some of the reasons why: Best guitar riff: " If I Was The Priest " We'll get into this song more a bit later, but the guitar riff after the chorus is kind of a throwback-sounding melody carried by the low-echoing guitar sounds that makes for quintessential Springsteen.
Best guitar solo: " Burnin' Train " This one shreds. Best chorus: "I'm alive" refrain, Ghosts "Ghosts" is one of the best songs Springsteen has written in decades and it will surely bring the house down when it is finally performed live — hopefully safely in front of 30, people, hundreds of times, in I dare you to listen to "Ghosts" and not sing along with the ear-wormy chorus: Alive, I can feel the blood shiver in my bones I'm alive and I'm out here on my own I'm alive and I'm coming home Best vocal performance: The end of " House of 1, Guitars " "House of 1, Guitars" is kind of a weird song.
Best story behind a song: " Last Man Standing " As a typical Springsteen fan boy, I watched a handful of interviews with the artist himself during my intense dive into all things Bruce on the day the album dropped. Best song originally written before " If I Was The Priest " Springsteen reached back, way back to record three never-released pieces of music that he penned in the early 70s, before he was even a signed musician.
Best excuse to have a good cry: " I'll See You In My Dreams " The final song on the album is an absolute masterpiece, where Springsteen looks death between the eyes and tries to make enough sense of pain and loss and does the enviable — he turns it into a battle cry. Best song: " Ghosts " From the opening drums to Springsteen telling his fans "I hear the sound of your guitar," the song starts with a slowly building tenseness that will eventually manifest in the aforementioned chorus that you'll memorize within one listen.
Best line: "We leave no one alive Count the band in then kick into overdrive By the end of the set we leave no one alive God, I miss live music. Government Pennsylvania now allowing businesses to expand space for outdoor cocktail service from.
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Review: Documentary ‘Bruce Springsteen’s Letter to You’ celebrates E Street ‘blood brothers’
Bruce Springsteen unleashed a force of nature into the ethos a few days ago, as Letter to You , a new studio album recorded with the E Street Band is now available everywhere, and is worth listening to if you are reading this, though, we assume you have. And once you listen to it once, you'll find yourself listening to it again. And humming it throughout your day. Because it's a true rock album, and one of the best works of art to come from Springsteen in his illustrious year career. Instead of musing on with a cliche review of the album, we've decided to — like we do in the sports section of PhillyVoice all the time — hand out a few superlatives.
Letter to You: - Bruce Springsteen [CD]
This documentary depicts the recording sessions through the precise and probing eye of Springsteen's longtime collaborator Thom Zimny, the filmmaker who both captured "Springsteen on Broadway" for Netflix and co-directed last year's film of the "Western Stars" album. In the most searing moment of "Letter to You," arriving during a year that has seen so much unfathomable loss, Springsteen answers his own question. I'm alive and I'm coming home. It's an optimistic chorus, not the one you might expect out of a song predicated around memories of times gone by and the people who once stood among us but no longer do. And yet it encapsulates the spirit of this album, which engages as directly with the inexorable passage of time and the loss that comes with it as anything Springsteen has written, but stands out most as a tribute to the friendship that has provided the foundation of this band since its earliest days. Zimny recognizes the fundamental character of the piece and the efficacy of the behind-the-scenes documentary format to capture it. But this movie is so much more than simply a glorified extra feature. Utilizing the clarity and raw emotional quality of black-and-white cinematography, the filmmaker takes us inside the studio as Springsteen and the band get to work once more.
Bruce Springsteen: Letter to You review — the Boss plays it loose, and wins
Columbia An album about fallen comrades sees the E Street Band deliver the distilled elixir of their best stadium-filling form. W hile Bruce Springsteen was performing Springsteen on Broadway , the stage iteration of his memoir, his former teenage bandmate, George Theiss, was dying of cancer. Well before the E Street Band, there were the Castiles, an incubator where Springsteen first played guitar, then sang, from to As the end neared, Springsteen held a vigil at the North Carolina bedside of his former musical sparring partner.
Review: Bruce Springsteen finds renewed life, amid death, with the E Street Band on ‘Letter to You’
How To Watch on Peacock. Springsteenies will devour it whole, no doubt. He expresses these sentiments in a voiceover drenched in gravelly poignancy as we see images of the countryside — battered barns, winding roads, sprawling plains — covered with fresh snow. Inside a studio, Bruce sits assembled in the studio with the E Street Band, which, after working together for decades, he now compares to a fine-tuned racing engine. Band members take notes as Springsteen shares basic song structures with them, and they kick in suggestions for the arrangements.
Letter To You
Learn about us. Recorded live in-studio, the album finds Springsteen and company returning to the sound and, on a few occasions, the songs that made them famous. Introducing the album with a hushed whisper of a song, he mourns lost friends without much help from his ostensible backing band. Jake: Are we in agreement that this is the worst song on the album? Ryan: The first half of the album most often finds Springsteen making one final attempt at self-understanding.
The earliest memory I can access with ease from the reserves of my mind, is a distinct visual of watching my uncle in skin-tight 80s-style jeans, flapping his legs and clapping hands a la Bruce Springsteen, swirling me around as the newly-released ' Dancing in the Dark ' plays on loop. And again. Perhaps, watching old home videos ad nauseum over the years have played their part in keeping these memories alive so vividly.
Behind-the-scenes look at Springsteen's creative process with full performances from The E Street Band, in-studio footage, and never-before-seen archival material. Bruce Springsteen : I'm in the middle of a 45 year conversation with these men and women I'm surrounded by and with some of you. Sign In. Play trailer Documentary Biography Music. Director Thom Zimny.
Springsteen, 71, assembled his longtime group, the E Street Band, for five days of recording last November. But when the legend becomes fact, print the legend. He remains vital. Some of the songs are indeed about death Springsteen was shaken by the passing of George Theiss, leaving him the last surviving member of his first band, the Castiles ; others, like the title track, are love letters to his long-standing comrades in amps. Each recording session ends with a toast, the E Streeters honoring their music, their friendship and those who have passed on.
He sang about first loves and teenage runaways; he dressed like a greaser and worshipped at the altar of jukeboxes and summer nights on the boardwalk. Many of his influences—Elvis Presley, Roy Orbison, Phil Spector—were at least a decade past the peak of their cultural impact. Springsteen has spent much of his career wrestling with this penchant for nostalgia. Some artists evolve through reinvention and others through refinement, but Springsteen has often compared the span of his career to a long conversation: He can revisit certain themes, even repeat himself, but the idea is to keep it moving.
I consider, that you are mistaken.
Which words ...