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Yg who do you love bass boosted speakers

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I wrote about it several times. I find an interesting product or interesting manufacturer, collect information about it and apply for a test. I usually get a reply to my email, and sometimes we come to an understanding and the manufacturer sends me his loudspeakers, amplifier, source, or some other product for a review. Often, it takes a some time for the company to get to know me better, sometimes we have to meet first — usually in Munich during the High End Show - and only then, when a trust is built, I get a "blessing" and green light for a review.

Never before though, a story like this one happened: I have been waiting for a chance to review Lumen White's loudspeakers for about 15 years. I do not remember who wrote to me, I mean which of the three owners, but they kept their words — the Lumen White loudspeakers appeared in just a few tests, mostly in Germany. Let's add that in its th edition this one of the most important audio magazines in the world named these speakers "one of the best audio components in the history of our magazine".

I saw and listened to these loudspeakers numerous times in Munich, but for the first time I could take a closer look in my friend's, Dirk Sommer home that is also his mastering studio. Because Dirk was actually the first journalist in the world to review these speakers in As a result of this test, the Lumen White White Flame loudspeakers stayed in his studio as his listening monitors, and he used them while working on a few hundred of remasters and masters of original recordings, almost all of which were released as analogue records.

That's how the legend of this brand was born. Lets fast-forward. Gerhard joins the company to help voicing the loudspeaker, as well as to organize production and sales. Together they form a "dream team". They met years ago under completely different circumstances. Gerhard at the time was still a distributor of several high-end brands in Austria, and a beginner manufacturer Ayon Audio , and Hartmut was his customer. At that time he liked a lot the Avalon speakers with their distinctive ceramic drivers.

Despite their obvious advantages, in his ears, they still lacked something, even the most expensive models. Frustrated, he finally asked Gerhard whether he would be interested in making "the best loudspeakers in the world". He was.

And so began the story of Lumen White. The assumptions were, of course in theory, simple: transducers, cabinets, crossovers and components were to be designed, selected and paired in order to obtain precise signal impulses, phase and time coherence, energy balance between successive octaves, controlled rise and setting times, and elimination of the effect of energy building - both in transducers, crossover and cabinets.

The theory and practice, however, are half siblings, they sometimes differ dramatically. The theory must be skillfully translated into the language of practice through appropriate techniques, technologies and studies.

The most important development that was then put into production was the unique cabinet for the loudspeakers. Hartmut had reservations about both the bass-reflex and the closed designs. In the former, bass is assisted by adding to the base signal a narrow band of signal from the back of the diaphragm generated by the bass reflex port - this solution, he says, causes an unnatural bass boost, which in addition is blurred.

The latter causes loss of sound energy, because the back of the diaphragm must be heavily damped with dissipative materials such as wool or foam. In general, the cabinet was supposed to simulate an open baffle but without its issues, i. The baffle was thus "rolled" into a shape that, in general terms, resembles a lute, formerly developed and popularized by Frank Serblin of Sonus faber.

However, the similarity is only general - the side walls of the LW loudspeakers come together in the rear with their edges bend inward, which looks more like an engine exhaust than the lute. On the acoustics point of view, this design resembles a cabinet with a variovent.

On the narrow rear wall there is a narrow, longitudinal opening, which can be reduced by means of plywood strips screwed on if necessary. This is not a bass reflex or a horn design because it is not tuned to boost bass. This is a part of the acoustic system that is supposed to suppress the sound coming from the rear of drivers' diaphragms, but in such a way that will not create any air turbulence or cause any loss of energy. Researching proper solution consumed a lot of time and money, but the effect satisfied Hartmut to such an extent that it is the primary distinguishing feature of all his loudspeakers.

The cabinets of Lumen White loudspeakers are build of specially formulated 3cm thick plywood. Curving this type of material is nothing new, because other manufacturers did it before but here a super-precision was required because the internal shape was calculated so that it would work with drivers in a very wide frequency range. Any deviation could result in a failure to achieve the goal. After many years a secret came out that explained a fantastic sound of these loudspeakers.

As recently Gerhard told me, the plywood for his loudspeakers is made specifically for LW and it's made using natural glue made of bones, rather than widely used synthetic adhesives. The company never shared this information because there were no other commercially available loudspeakers featuring cabinets made of such plywood. Because this plywood was custom made for their needs, it also had a different construction than commercially available materials - the individual layers of wood, selected for their mechanical properties, differed in thickness.

During the study, an optimal pattern of interlacing of thicker, thinner and even thinner layers of different types of wood was established. The wood was machined so that its fibers were not cut, which was equally important for the final result. The Lumen White loudspeakers' cabinets therefore feature no internal damping, but are internally reinforced with ribs. Working in such an environment is a real challenge for transducers because any problems within the frequency range can not be solved by damping or smoothing impulse, etc.

As I said, Hartmut was interested in the loudspeakers made by the American company, Avalon. And Avalon is one of the pioneers and promoters of extremely demanding in application, but potentially excellent transducers from the German company Accuton.

A corundum is the aluminum trioxide, enriched with other oxides, often used as abrasive. Sources say that it is one of the hardest minerals in the world, just after the diamond. In short: ceramics. The diaphragms of this type are absolutely rigid, i.

Their problem is their own high Q resonance. To remedy this, Thiel drilled whole in the membranes and put Sorbotan inside to damp these resonances. After Thiel founded his own company, that today is known as Accuton , his drivers became available for other loudspeaker manufacturers, such as: Avalon Acoustics and Kharma.

Volume One: Loudspeakers , ed. Robert Harley, Austin , p. The latest series of Lumen White loudspeakers uses the latest versions of these transducers with an extremely distinctive shape: the honeycomb-shaped membrane is convex and not concave. It is no longer pure ceramics, but a 3D ceramic-aluminum sandwich which is surprisingly thick, yet very light and incredibly rigid. For his speakers Hartmut ordered a special version with custom made neodymium-cobalt magnets.

These drivers feature the "overhung" coil that ensures very low distortion. There are three bass woofers. Above there is the ceramic midrange driver and a small, also ceramic, inverted dome tweeter. Upon order, it can be replaced by a more expensive version with a diamond diaphragm. Accuton's new transducers have much better internal damping than their older versions, so their diaphragms have not been modified for a long time.

Yet, there are still significant parasitic resonances outside the frequency range, which resembles some drivers with metal membranes. Manufacturers usually deal with this issue by using high-order crossovers - see Isophon and now Gauder Akustik. But do you remember what the company wanted to accomplish and why did they develop this particular type of cabinet for their speakers? One of the primary goals was to preserve the signal's energy. The easiest way would be to use crossovers with a slow rolloff rate.

So Lumen White uses only 1st order crossovers with a rolloff of 6 dB per octave and the resonances are suppressed using additional circuits. What else? Hartmut, a man of great passion and musical culture, will add some information for you. Please note that his statement was quoted without capital letter correction. In his e-mails, corporate materials, etc.

I also preserved the original division of his text. Like Lumen White, it is unique. Lumen White currently offers three models of loudspeakers, the Kyara being the smallest. Which does not mean it is actually small: each speaker measures x x mm and weighs 60 kg. These are floorstanding, three-way loudspeakers, described in the company materials as "studio reference monitors". The 'Monitor' in this meaning refers to the definition used by the BBC, i.

Suspension of these drivers is hidden under the diaphragm so that it does not interfere with sound wave propagation. The crossover points frequencies are at and Hz. The cabinet is made of the highest quality plywood, custom-made for Lumen White. This type of plywood is used to build musical instruments.

It is composed of layers of different types of wood differing in thickness. Instead of a synthetic glue, a natural one is used, made of animal bones. Veneers are unique - both popular and at extra cost exotic veneers perfectly matched for each pair of speakers. The loudspeakers have a unique shape and although quite large, they completely disappear optically from the room. In fact, they seemed to be much smaller than my own Harbeth M The rear wall is hard to see - it has a width of several centimeters.

It hosts two pairs of excellent WBT speaker connectors from the latest nextgen series. The manufacturer provides also jumpers made of thick copper braid. A small switch was placed between the jumpers, that allows user to set the lower end of frequency response - 26 or 30 Hz. Accordingly one has to cover or open variovents. To do that one should use plywood strips, which are screwed on using ordinary screws.

The loudspeakers stand on three spikes and those on small pads. The Kyara require quite a large room to be placed in, but not that big actually.


BMC PureVOX Speakers Review

I wrote about it several times. I find an interesting product or interesting manufacturer, collect information about it and apply for a test. I usually get a reply to my email, and sometimes we come to an understanding and the manufacturer sends me his loudspeakers, amplifier, source, or some other product for a review. Often, it takes a some time for the company to get to know me better, sometimes we have to meet first — usually in Munich during the High End Show - and only then, when a trust is built, I get a "blessing" and green light for a review.

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Forum Rules. I just stuck my SB13 Ultra in the middle between the speakers. Sounds great, must have got lucky. You still listening with your milky and a pacifier.. Welcome to the AudioShark Forums. What's New? Page 2 of 2 First 1 2 Jump to page: Results 51 to 91 of Thread Tools Show Printable Version. September 16, , PM AJR, have you talked to Magico owners or better yet visited their homes in Singapore?

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yg who do you love bass boosted speakers

View Full Version : The "obvious tweeter" Solution. I have enjoyed Revel Salon 2's paired with a Voice 2 Center as my theater speakers for several years but had an itch lately for something new - Nothing wrong with the Revel's There are a lot of "world class" products that don't work for me. And you.

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Product Search. HF 1. Press Release. Reflector Audio is a manufacturer of loudspeaker systems for professional and consumer markets and has its headquarters located in Riga, the capital city of Latvia. After centuries of Swedish, Polish, Russian rule it is now an independent country and a member of the European Union. Reflector Audio has developed After around five years since we last described his activities, he is still walking the same path, being faithful to designing loudspeaker boxes and Scott Hinson: "I am an electrical engineer who does power electronics and acoustical design.

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Outstanding features of the PureVOX for me are the robustness of the Aluminum cabinet with special dampening characteristics, the quasi-Bi-polar design, high performance drivers, and the tone switch. The cabinet reminds me of super-tight, extremely dense and non-resonant cabinets of far more pricey speakers such as the reviewed Wilson Benesch Curve , and the YG Acoustics line. My ears tell me that one cannot go far wrong with a hefty aluminum cabinet, as the PureVOX was clean and clear in ways that wooden and MDF cabinets in my experience have not been.

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Second is the use of powered dynamic woofers to surmount the usual bass and dynamic limitations of most ESLs. In recent years and models, however, MartinLogan has managed to solve the integration problem virtually to perfection. Look at it from the side and the back and you see that the compact, almost square woofer housing of the earlier model and its ten-inch driver have given way to a cabinet extending almost two feet back that houses a pair of eight-inch woofers, one front-mounted, the other rear-mounted. In fact, with help from the digital circuitry, the two woofers, crossed over at Hz, are made to work in a kind of sliding phase arrangement whereby the phase shifts with frequency in order to suppress the backwave and also to prevent frequency-specific cancellations that may result from woofers arranged to mimic dipole radiation. Using ARC is quite easy once you get it to lock onto the online program that allows it to work. I eventually got it to work properly thanks in no small part to my wife, who is ambidextrous when it comes to computers and has a PC laptop.

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  1. Kalkis

    I agree, the very funny opinion