Esp audio zen
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Bill Viola is one of the most influential artists working in the field of video and a recognized master of this genre. For the first time in its history, the Pushkin Museum hosts such a large-scale show of media art. More than 20 artworks presented at the exhibition were created in the period from to Tickets will go on sale on February 23rd.
Bill Viola is a recognized master who has been a pioneer of video art since the s. One of the most influential American artists living today, for more than four decades he has been creating single-channel videotapes, video and sound installations, acoustical environments, as well as media works that accompany large-scale concerts and opera productions. However, this is not a separate, isolated stage of his artistic career. Instead, it is a continuation of themes that always preoccupied the artist in his life and work.
These artworks summarize a creative search that focuses on the human condition, the journey of man in this world from birth to death, and the transformations of the soul. On his voyages, he recorded visual images and traditional music as well as observing how religion influences art and culture. To make his artworks, he employs an extensive range of equipment. The exhibition is presented within the "Pushkin Museum XXI" project, which focuses on bringing together classical tradition and contemporary practice and offers the audience a new experience of art perception—through emotion and engagement.
Walking on the Edge and The Encounter both , from the Mirage series, present a contemplative journey through an inner landscape. The two female figures in one work and the two male figures in the other move towards each other and then separate in the vastness of the Mojave Desert in California.
These visual narratives combine Eastern spirituality and European traditions to tell the stories of how female wisdom is transferred from one generation to the next, and how a young man travels with an older man to find his own path.
At the same time, these artworks convey the grandeur of an eternal natural landscape where a human being unites with the universe. In the Passions series , the artist shows how the inner workings of a human soul find external expression. The iconography of these works refers to the classical tradition of late Renaissance and Baroque art with its interest in the visual expression of human emotions through dramatic light effects. Technology transforms the images of ordinary people into sacred icons: the slow-motion playback of human emotions makes these images resemble Baroque paintings, while the arrangement of video sequences displayed on flat screens is reminiscent of traditional altar compositions.
Their images undergo constant distortion and deformation until we realize at some point that we are seeing not faces but their reflections that increasingly dissolve as the water continues to be disturbed. Two other works in the Passions series, The Quintet of the Astonished and Observance , expand human emotions through their detailed slow-motion depiction.
The inspiration for this work was a predella sequence by Andrea di Bartolo from the late fourteenth century. Viola references this medieval art form within a contemporary media format.
To the modern eye, they look like storyboards. In their large-scale versions, the narrative fresco cycles , have an even greater resemblance to the contemporary visual art form that has most directly descended from them — cinema.
The main artistic tools in the Passions series are light, movement, and composition, whose understanding Viola shares with the old masters. The laconic artistic language of Bill Viola's media work conveys all the drama of the experience through an appeal to the natural elements. This approach aligns the artist with the masters of the early Renaissance through to Baroque art.
The Martyrs series , works derived from the installation commissioned for St. The artist transforms the idea of the sublime and makes it clear and emotionally accessible to a contemporary audience. The Water Portraits series of refers to the motif of water as a boundary between our world and the netherworlds.
The three protagonists of these works — Gleb, Madison, and Sharon — are lying underwater on the bottom of a streambed with their eyes closed and without breathing. Despite the general stillness, the artworks evoke conflicting feelings, as it is not clear whether these people will be reborn after their immersion or not, whether it is a dream or reality, and what the human limits are. The works in the Transfigurations series — — The Innocents , The Return , and Three Women — were recorded with a special camera system created with the help of technicians from Lucasfilm studios in California.
The figures emerge from the shadows and, passing through a wall of water that acts as a border between existence and nonexistence, move into the light that imbues their gray, grainy silhouettes with color and definition, returning once again into the darkness. To attain this effect, the action was shot with two cameras an old black-and-white CCTV camera and a state-of-the-art high-definition color camera , and the transition between the two was merged in the editing room.
The works of this series are the high point of the whole exhibition, describing the most powerful of human emotions — a love so passionate that it ultimately leads the lovers to their death. Fire Woman adds another element by representing the destructive power of fire.
Viola addresses the fundamental matters of life—birth, death, and transformation—and creates sacred spaces that are inspired by the imagery of the past. Viola's works have been repeatedly shown in Russia, including in the Pushkin Museum, but for the first time the main Museum halls contain a personal display of this modern classic.
The fluid digital environment of Viola's works conveys an impulse of sacredness of contemporary images, embeds them in the flow of history and reflects Viola's own spiritual journey. We are feeling a deep sense of isolation since we are discouraged from meeting and touching, yet we are all together undergoing the same experience.
Inside the turmoil there is also a new spaciousness, an opening up of new possibilities. We have turned to digital media, to the internet, for communication with each other, and increased personal and global dialogue. At the same time, humanity has been forced to slow down, to look at everything differently, and hopefully to listen. It is most appropriate, then, during this time to present an exhibition at the Pushkin Museum of the work of Bill Viola whose slow motion videos and installations enable the viewer to look more intently, to feel deeper, to experience emotions longer.
Bill Viola. Main Building. Individual prices. Socios y patrocinadores. General sponsor of the Museum.
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I already built a Leach amplifier and I'd like to build the best preamp that would goes with it. I read that the Bride of Zen has a high gain 15db to match the Son of Zen that doesn't have a high gain for an amplifier. The Esp project has a lower gain 10db.
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Discussion in ' PC ' started by thantrax , Sep 5, Page 1 of 2 1 2 Next. Last edited: Oct 5, Interesting x 2 List.
Yes, the quality is probably not very ... I will not look.