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Choices and Consequences is a ten lesson unit integrated into the upper-level high school literature course entitled, Art of the Short Story. It is designed for struggling and indifferent readers who have not yet found their place as independent readers. Through the use of short stories, this course enables students to learn literary devices that can be easily analyzed within the confines of a short text. The short texts also benefit the students by allowing more time for guided opportunities to practice new reading skills in order to help with comprehension.
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Always Plan for the Unplannable
Please join us digitally as we welcome our very special guest Dr. Danielle Allen — Harvard Professor, classicist, and political scientist, and the author of "Our Declaration," a book about this critical moment in the future of building a multiracial democracy. At a time when the future of American democracy is under threat from across the political spectrum — when a disturbingly high number of citizens seem to no longer believe in the American project — Dr. Allen's body of work "thrillingly affirms the continuing relevance of America's founding text, ultimately revealing what democracy actually means and what it asks of us.
Allen is uniquely equipped to guide us to the other side of our current crisis of faith in democracy. Eight months after Inauguration Day, one-third of Americans told pollsters they still believed Donald Trump actually won the election and that Joe Biden stole it away from the incumbent. A new report offers a mix of government and corporate reforms to limit the spread and influence of such election disinformation. The Common Cause Education Fund, an affiliate of the democracy reform advocacy group Common Cause, issued a report in late October reviewing the state of disinformation campaigns and a series of recommendations designed to stem the tide.
The report groups its 14 recommendations in three categories: statutory reforms, executive and regulatory agency reforms, and corporate policy reforms for social media businesses.
While many of the solutions require some mix of legislative activity, increased civic education and media literacy, and grassroots advocacy, others are easier to achieve — particularly self-imposed corporate reforms, said Jesse Littlewood, vice president of campaigns for Common Cause.
For example, he suggested it would not be complicated for social media platforms to consistently enforce their own standards. Sign up for The Fulcrum newsletter. Some aspects of these proposals already exist in federal legislation that has stalled in Congress. Littlewood said access to the data is one of the most important recommendations, as it influences the potential to achieve others. It's very difficult to come up with recommendations that balance the private interests of the platform and the public interest.
That's got to be our starting point. Read the full report. Jasper Johns' work will be on display in two of the country's most famous art museums concurrently, through Feb. Johns' career spans some 65 years. A Presidential Medal of Freedom recipient, the painter came of age around the time abstract expressionism had taken hold in the New York art world.
Jackson Pollock, Willem de Kooning and Mark Rothko were some of the more notable artists creating "cathedrals … out of their own feelings.
Johns' early artistic rise coincided with the waning of the "ab ex" movement. Some suggest that his younger work pays homage to this school while also nodding to the emergent pop art scene — he pulls off a curious, thought-provoking blend of the quotidian and authentic gestural self-expression. Among Johns' favorite subjects, the American flag. Why the flag?
Johns is notoriously tight-lipped when it comes to the interpretation of his work. His party-line response when asked about his fascination with the flag is to say that the imagery comes from "things the mind already knows. So what exactly is Jasper Johns' "private experience" of the public symbol that is the American flag? This is of course a question the artist has never really answered, but one nevertheless that a number of his paintings with their recurring stars-and-stripes motif poses.
This doesn't really seem a coincidence, as art, culture and current events all seem to have a rather curious way of converging on provocatively interpretable planes. Gazing through the lens of the moment's political and social climate and trying to understand Johns' "flags" accordingly, means contextualizing the art.
But what exactly is the context? The flag has been the subject of many artists' work; Johns is not unique in that endeavor, though he is perhaps among the most famous, if not most enigmatic, depicters of Old Glory. David Cole and Keith Haring, for instance, also created highly memorable art using the flag as a prompt:. Haring's trademark faceless figures tend to signify the common humanness of people in this country while, at the same time, suggesting that our differences are what gives the flag any sort of meaning.
Cole's iteration featuring toy soldiers melted down and painted over in red, white and blue is intended to evoke in an "emotional, visceral way — the way the world is now. If we look at Johns' iconic "Three Flags," we encounter a representation of "flag as subjective experience" versus just "flag as flag.
Johns used encaustic, which is a wax-based substance. The results are textural, meaning there is a tactile quality to this painting that just screams out for people to touch it though the folks at the Whitney would highly advise against this. In this implicit call to touch, perhaps the artist is suggesting that people can stake their own claim on this patriotic territory, and that's the point.
The dimensionality here is also key, giving the flag a distinct 3D space of its own that could also be interpreted as invading the space of the audience. As the artist himself is not exactly forthcoming about what we are "supposed" to see, it is left up to the individual onlooker to determine what in fact they are looking at. Are they seeing an emblem of liberty and justice for all? Is it a nostalgic symbol of the world our grandparents and parents went to war to preserve?
Or is it something else? Is it, for example, what singer Macy Gray called a "dated, divisive, and incorrect" symbol of the Jan. Is it that which compelled NFL quarterback turned civil rights activist Colin Kaepernick to take a knee?
We need only look around at the versions of Old Glory that have sprung up throughout the years —each with its own messaging, each representing its own symbology and each laying claim to its own 3D space:.
So where does this leave us in terms of what the flag means today, in terms of what Jasper Johns was trying to "say" with his recurrent use of the symbol, in terms of our own journeys where Americanness is concerned? I have to admit, I personally harbor some ambivalence when it comes to the Stars and Stripes. But then, I think of my immigrant mother who flies a flag on her front porch because she is proud of what that flag symbolizes and the space it gave her to carve out a better life here, to embark on a fulfilling career and to raise a family.
Every day I take a walk around my neighborhood and honestly, I have to say I never noticed this until I began working on this article:. This is one of the best depictions of the American flag I have ever seen because of the way it is painted, the canvas on which it is painted, the place where I found it and its current condition. I know exactly what it means to me, and I suppose I shall take a cue from Jasper Johns and let you decide what it means to you. Rob Fersh of Convergence joins The Great Battlefield podcast to talk about his career in politics and how Convergence is bringing groups together with conflicting views to build trust and find solutions to critical national issues.
In workplaces and living rooms across the country, people are having hard conversations about the Covid vaccine. And with Thanksgiving around the corner, we'll soon be navigating these vaccination questions for family get-togethers and holiday gatherings. Talking about vaccination can arouse deep-seated anxieties related to safety, health and autonomy.
High-stakes conversations like these can unravel quickly. Wrong words or bad assumptions can thrust a relationship into repetitive cycles of defensiveness, mistrust and antagonism. If you've ever seen Thanksgiving dinner devolve into a shouting argument about politics, you know what this looks like — and you know how painful it can be, not only for the people involved but for a whole community.
The conversations we have in private are also microcosms of our public discourse, where some people bemoan "anti-vaxxers" who "don't believe in science" while unvaccinated people who are anxious about the government or the medical system might feel that their concerns aren't being heard at all. This dynamic serves no one. It generates even more mistrust and makes us no safer or healthier. How do we do better? We can begin by drawing out the individual experiences that lie beneath a person's values and perspectives.
The intricacy and subtlety of a person's own story can interrupt these toxic cycles — without asking anyone to compromise their core beliefs. I have a friend who got pregnant during Covid Weighing the risks and benefits with her doctor, she chose not to get vaccinated.
She and her partner had struggled with fertility for so long, they were terrified to complicate the pregnancy. Another friend, with the same basic background and the same information, got vaccinated the second she was eligible after getting pregnant. She was terrified of complicating an already high-risk pregnancy with Covid These two friends began, more or less, in the same place. They arrived at different decisions through a series of values-based choices. They made the best decisions they could at each step, trying to protect themselves and their pregnancies.
I have another friend who has a compromised immune system. After the vaccine was approved, she drove for 10 hours from Colorado to Kansas to get vaccinated — it was the closest available appointment. Yet another friend, with a congenital kidney disorder, has yet to get vaccinated. The doctor said that they truly could not predict the side effects of the vaccine, or its effectiveness, for people with the disease.
Balancing the risks, they decided that it is safer to follow other precautions, like masking. Now my friend is worried that, at some point, they'll be mandated by their employer or by the government to get it anyway. These and many, many other individual stories explode the public debate over vaccinations, which oversimplifies the decisions people face and villainizes those who disagree with you.
Few people would enter honestly into a conversation where they expect to be demeaned. Those conversations are pre-determined to fail — they fail to persuade, they fail to make us all safer, they fail to sustain our relationships and communities.
As long as we're engaging in toxic, polarized, zero-sum debates about COVID vaccinations, we're going to struggle to build effective policies and public trust, both of which are needed for public health. We can begin to change the national conversation by having better conversations about vaccination in our private lives.
It's not easy, but it's not impossible. If you want to engage in a deeper, more meaningful dialogue about vaccines, especially with someone who might disagree with you, here are three questions to ask yourself before you start the conversation:. People are always changed by what they hear in a deeper, truer conversation with someone else in their community — even if their view or choice remains the same as it was at the start. There is no way to know the outcome of a genuine, open, curious conversation until you actually have one.
But one thing is certain. Without better conversations, without interrupting the toxic cycles of polarization, we will not be able to meet the challenges that face our communities today. Better conversations are crucial if we are to live and work in community, to thrive in community and to survive as a democracy. If nothing else, the Covid pandemic has reminded us all that our futures are intertwined.
The infrastructure bill recently passed by Congress is a rare example of bipartisanship in government. But the Common Ground Committee, which strives to find a central point from which the parties can work together, is hoping its ratings system will provide guidance for more cross-partisan collaboration.
The Common Ground Scorecard rates the president, vice president, governors, and members of the House of Representatives and Senate on their willingness to collaborate across partisan lines.
First released in September , the data updated last month. He said the group was surprised by "how many people are actually good common grounders, and how they come from both parties and are at all levels of government.
8 Years Ago: Danielle Bradbery Wins ‘The Voice’
The last time we spoke was towards the end of when you were here with Thomas Rhett. How have you been? Scroll to continue reading. That trip was so fun. I did a tour with Kane Brown, which was really, really fun and Granger Smith. Yes it is.
Bradley Walsh pulls ITV The Chase contestant to side and issues warning
Mary currently serves as the Pacific Climate Warriors Brisbane Coordinator, elevating the stories of indigienous communities on the frontlines of the climate crisis. Having grown up away from her ancestral homelands, Mary stays connected to culture through the magical place that is her backyard — home to many tropical fruits, flowers and crops, siva Samoa traditional Samoan dance , and time spent out on the ocean fishing with family. Through her work as a Pacific Liaison Officer in schools, Mary creates culturally safe and meaningful spaces with young people to create,serve and learn in a way that is meaningful to them and their communities. Before starting Democracy in Colour, he helped low-paid workers set up Hospo Voice — a new union in hospitality. Her writings on social justice and equitable education have been published in The Guardian, New Matilda and Croakey. She has worked in Indigenous affairs for 10 years, starting off in community radio at the age of 17, before going into vocational training, national media and Indigenous health policy roles. Post-Obama administration, she founded the Change. She is currently Head of Community Engagement at Lyft, where she oversees driver, passenger, and local non-profit engagement for the company. Pasi Sahlberg is a Finnish educator and author who has worked as a schoolteacher, teacher educator, researcher, and policy advisor in Finland and has studied education systems, analysed education policies, and advised education reforms around the world.
LCS Directory
Since winning The Voice season 4 in , Danielle Bradbery has grown into her own as a woman and as an artist. Co-written by Bradbery, alongside Laura Veltz and David Hall Hodges, the Dann Huff -produced track tells a tale of falling so hard and fast it spins you in circle. So I was very lucky to be in the room with them. CSC : Can you tell us about how you and your boyfriend, Bennett, met? And these are real feelings and real things that have happened.
Meet Our Presenters
Veteran advisers look back at their first year or two and wish someone had warned them about what can go wrong. Here are some of the more common issues that advisers face, and tips for avoiding or resolving them. Get Organized The first few weeks of a new school year may be the most challenging for the yearbook adviser. The amount of detail can be overwhelming. Organizing does take time, but it is time well spent.
Meet the Faculty
Bradley joined Algonquin College in as a part-time professor and became a full-time faculty member in Bradley believes his role is to be a guide and a mentor while his students are at the college, and a colleague and friend upon graduation. My students can use the education they get from Algonquin College to make a difference in their own lives, as well as in the wider community and it is great to be part of that. Lara is an award-winning business journalist who spent almost a decade as a writer and editor in Toronto before becoming a communications consultant. In addition to her full-time role at Algonquin, Lara continues to work with a small number of clients in the sport, law enforcement and not-for profit sectors. She is also a member of the volunteer communications committee for the Dave Smith Youth Treatment Centre. As professor in the Public Relations program, Stephen brings almost 20 years experience in strategic communications, media training, public and media relations, media analysis, marketing, writing, and project management to every project. Stephen began his career as a journalist, working with the Canadian Broadcasting Corporation, the Sherbrooke Record and the New Brunswick Telegraph Journal before, during and after completing his studies for a Masters in Journalism at Carleton University.
Danielle Bradbery’s Shuffling ‘Stop Draggin’ Your Boots’ Packs Real Punch [Listen]
More to be announced over the coming weeks. James J. His practice encompasses many aspects of corporate law, including mergers and acquisitions, private equity transactions, joint ventures, and securities law. His extensive experience in private equity includes mergers and acquisitions; fund investments; structuring of funds and fund transactions; negotiation, documentation, and closing of fund acquisitions and investments; and advice in such areas as corporate law, due diligence, investment management, real estate, employment, ERISA, and tax issues.
Finding her foothold in the food and beverage industry, she developed and grew the wedding division for one of Washington, D. This set the stage for what would become a storied career as a nationally acclaimed, award-winning event planner and designer. She believes in creating environments that are beautiful, interesting, inspiring and engaging. Layering texture and textiles in her designs is as important to her as layering emotion and intentional moments.
Our meeting was a result of the letter we sent to the Premier. In our discussion we reviewed who we are, how many people we represent and the current financial issues we are facing. Interestingly as I reviewed our history for the meeting we are in a 6 year wave again. It seems that every 6 years we are in this predicament. We were able to state that in each of those times we were able to develop some sort of business relationship committee which help everyone understand the issues and collaboratively work on them, we also have been able to work on flexibility in contracts and in some cases injections of short term funds as a stop gap. At this time, there is a promise of some funding to cover the paid days off vacation requirements in Bill 17, and there is some discussion of support for the costs of Bill
On September 12 last year Byron John received a phone call that destroyed his life. I tried ringing him and couldn't get an answer. The day is painfully etched into the grieving dad's memory with a huge amount of clarity, even months on. The minutes afterwards, that was very traumatic for her and it's obviously going to have a lasting effect.
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