Dynaudio lyd

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Content:

• Dynaudio LYD 48 3-Way Active Studio Monitor Pair
• DYNAUDIO LYD-8 Active Studio Monitor Speaker (Piece)
• Studio Monitors
• Dynaudio LYD-48 Left
• Dynaudio LYD 7 Professional Studio Monitor Speaker
• Dynaudio LYD 7 Studio Monitor (White)
• Dynaudio LYD-8
• Dynaudio LYD 5 Studio Monitor Review
• Dynaudio LYD 8 - Active Studio Monitors (Pair)
• Dynaudio LYD8 Studio Monitors - Black (Pair)

WATCH RELATED VIDEO: Dynaudio LYD 7 - Official GBB19 Partner - Sinjo Reviews

Dynaudio LYD 48 3-Way Active Studio Monitor Pair

The Dynaudio Lyd 8s are active speakers, and active speakers are on the rise. Everything is controlled from your phone.

Every individual component is optimized to sound its best in relation to the others. In a passive speaker the crossover comes after the amplification, and the amplification is whatever amplifier you choose to drive your speakers. That gives you a lot of freedom in adjusting the sound of your speakers: different amplification will make your speakers sound different.

Tweakers rejoice. Welcome to the traditional way of doing things. Welcome to mix-and-match hi-fi. Not so fast. In an active design, like the Dynaudio Lyd 8, the crossover comes before the amplification. One of the clear advantages to this approach is that the amplifiers are matched exactly to their individual drivers. In a three-way active loudspeaker there are three amplifiers, one for each driver. Not only is the amplifier and the driver perfectly matched, each driver always gets exactly the power it needs.

Taking the guesswork out the equation essentially means that your loudspeaker already sounds as good as possible. Everything is as perfectly matched as budget and size allow.

Why do audiophiles insist on putting their own amplification before a passive crossover? It comes down to choice. At Green Audio Review we postulate this: audiophiles will, uh, choose choice over sound quality. Audiophiles will rather exercise their free will? You might say that a pair of all-in-one active loudspeakers take the hobby out of the hobby. This commentator understands completely. I have auditioned speakers, amplifiers, DACs, streamers, phono stages, cartridges ad nauseam.

It can be a lot of fun. It can also be very frustrating. It is guaranteed to be very expensive. Dynaudio need no introduction. Or maybe a short one: they are a Danish company that build loudspeakers, both active and passive, both for the home and for recording studios.

They design and build their own drivers. No off the shelf components here. They are still in production and used in recording studios all over the world. At first glance the Lyd 8s seem to be a simple construction. Not even close: the Lyd 8s are anything but simple. At their core they are controlled by a very powerful DSP digital signal processing. The analog signal from your pre-amp is immediately digitalized when it enters each speaker. Because the signal reaching the crossover is digital Dynaudio say that it is much easier to control.

Vinyl purists will cringe in horror at their pristine analog signal being converted into ones and zeroes. But, really, who cares? And who can hear the difference? And how many of the records being spun by analog purists come from a digital master? When I played vinyl through them it sounded like vinyl — or, rather, it sounded like my turntable, cartridge, and phono stage — with all comforting the surface noise. When I changed to my DragonFly Cobalt the sound changed correspondingly.

As with everything else, DSP is about implementation. And I invite analog purists to try to experiment with different phono stages and cartridges: the Lyd 8s capture every upstream change you make: they are supremely transparent speakers. In fact, if you want to know how good your analog setup really is, the Lyd 8s will let you know exactly.

One the advantages of DSP is the way it allows Dynaudio to offer us the ability to tailor the sound of the speakers. On the back of each speaker we see five DIP switches that control how the speaker behaves and sounds. There is also a switch that takes the speaker in and out of automatic standby mode. This Bass Extension switch is related to the maximum volume of the speaker. Low frequencies require more energy to reproduce. Therefore, with full extension of the bass the speaker can only play so loud.

I have a fairly large room 60 m2 — which the Lyd 8s had no trouble filling — so after fiddling around I left it at Hz for the best bass extension. Even with that setting the speakers filled my room and could go louder than I would ever need. In another room with different gear, music, or preference another setting would possibly be more appropriate.

The key here is that Dynaudio give us the reins. That means choice, versatility, adjustability. Second, Dynaudio have incorporated a Sound Balance switch that changes the sound signature of the speaker between three tilt filter settings: Bright, Neutral, and Dark.

Again, Dynaudio give their customers the tools to control what would otherwise be a competent but finished system. This sound balance switch lets us tweak the speakers to their surroundings. Every audiophile knows that your room is the single biggest arbitrator in how your setup sounds. The sound balance, or tilt filter, represents a refined way to affect the overall tone of the speaker.

Depending on the room treatment among other factors, it may be necessary to make the loudspeaker darker or brighter than the normal setting. What this filter actually does is tilt the entire spectrum by 1,5 dB at either end using minimal phase or linear phase filters to either brighten or darken the overall response.

This minimal filter alters the tonality without inducing audible phase anomalies, thereby maximizing the linearity of the loudspeaker. A quick listen of these various settings confirms what I hoped: this is an active speaker that is anything but a take-it-or-leave-it solution.

I settled on full bass extension and a dark sound balance. Not because my room is lively but simply because I liked the sound better. The tailoring of sound that is possible in the Lyd 8s is remarkable. Think again. Lyd 8s are designed to work as nearfield monitors in a studio. I put them on a pair of stands and fed them from a number of pre-amps with both digital and analog sources. They resided in my living room like any pair of speakers. And, crucially for us a Green Audio Review, if the need arises, I can upgrade my pre-amp, DAC, or phono stage as time passes without changing my whole system.

That is its strength and , I find, its weakness. That is the road to obsolescence. The only active speakers I have around to compare to the Lyd 8 are the small and very capable AE1 Actives. That suits me fine because they are both active speakers at around the same price-point.

Neither have onboard DACs or streamers — basically, you need a pre-amp to control them. Further, I can test how speakers designed toward recording studios and speakers aimed at the audiophile at home differ. They sound hard, cold, unforgiving, fatiguing.

Much the same sort of consensus that Class D amplifiers sound sterile. The Lyd 8s are studio monitors powered by Class D amplification. Does that make them sterile and fatiguing times two? The studio-heritage is certainly evident in their clarity. You can see all the way to the end of the mix.

The first thing I notice is the prominence of the midrange. Sat right in front of them, voices leap out at me. The transparency is vivid. Deep and gravelly, rich and raw — and anything but sterile. Studio monitors are fatiguing? Not here. Not if you take heed of your upstream hardware. He sounds exactly like what he is: an old man, dying, an great artist with one last waltz to his name — and who would want it to sound any different?

My regular system sounds very different. But I must confess that even though I love the velvet enormity of my Guru Q60s and Croft tube amplification, there is great appeal in having the music stripped of excess fat and laid bare. It is right in front of you, in your face.

I used the Dynaudios with two different pre-amps. The sources were the same: a nice selection of vinyl via my Croft Micro 25 acting as phono stage, and a run of the mill iPad streaming Tidal into a DragonFly Cobalt. Cold and sterile, no. Clean and invigorating, yes.

DYNAUDIO LYD-8 Active Studio Monitor Speaker (Piece)

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Studio Monitors

The Dynaudio LYD 7 is a new, bi-amplified, 2-way nearfield monitor aimed at the mid-market project and personal studio. It offers a great value by including cool features and solid performance at a reasonable price-point. It sits in the middle of a range that includes the LYD 5 and LYD 8, with the numeral indicating the woofer diameter in inches. I have been looking to upgrade my own monitors for a while now, but also have been a little price sensitive. Unpacking my review units from their sturdy and stylish shipping boxes, I was a little disappointed to see that styrofoam was used as the packing material, which was already beginning to crack and break down, sending lots of little white "styro-flakes" floating into my studio. It is , and there are many more environmentally friendly and sturdier packing materials available like extruded fiberboard. Once the speakers were unpacked, I noted the LYD 7's polymer woofer, soft-dome tweeter, and rear-mounted "voicing" settings for Bass Extension, Sound Balance, and Position. The included documentation is clearly written and illustrated, providing a nice mini-tutorial on studio monitor setup in general, and these speakers specifically. Worth noting is that the section on the rear switches, which control the internal DSP, occurs after the speaker-placement section, when those switches are likely to be less accessible or harder to see.

Dynaudio LYD-48 Left

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Dynaudio LYD 7 Professional Studio Monitor Speaker

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Dynaudio LYD 7 Studio Monitor (White)

Created for truthful audio reproduction, LYD 7 offers precision performance at low volumes, which is the secret for knowing if your mix truly works. Everything sounds better loud, but can the music make you tap your feet at low levels? To make you look like a better engineer, or in actuality, to get you working quickly, LYD is designed to be a monitor anyone can use without a manual. With LYD monitors, the task of deciphering a complicated set of controls on the back of your speakers when you just want to get busy mixing is frustrating at best did you do it right, and how do you know? LYD is designed to sound the same however loud you turn up the music. One such innovation in speaker design is the use of pure aluminum wire for voice coils.

Dynaudio LYD-8

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Dynaudio LYD 5 Studio Monitor Review

A 7in personal reference monitor, designed from the ground-up to bring supreme precision to your mixes. This monitor uses sophisticated DSP to extend or its curtail low-frequency response by 10Hz, while Position and Sound Balance controls let you fine-tune for total neutrality in your environment. Its larger 7in woofer helps extend bass, while the low-mass aluminium voice-coil, vented ferrite magnet and MSP driver take care of precision. LYD Reviews. Studio Masters.

Dynaudio LYD 8 - Active Studio Monitors (Pair)

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Dynaudio LYD8 Studio Monitors - Black (Pair)

In order to get the best performance from your Dynaudio speakers, care must be taken in positioning them in the listening environment. The room greatly affects the sound so the position and angle of the speakers relative to the walls, ceiling and floor is critical in any listening environment. The acoustic axis is an imaginary line passing through the center point on the speaker and is used for positioning. This point, shown in Figure 3, should be used for measuring the distance and angle to the listener.