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Sound bar speakers the audiophiliacs

I was in no way expecting that an outdoor system could make me forget my high-fidelity indoor audio system. This system uses multiple satellites and an excellent subwoofer to evenly fill your space with full-range audio that can stand up to the sound quality you get from even very fine indoor systems. This is not hyperbole on my part. I wish all our readers could experience the MartinLogan Outdoor Living sound first hand for themselves.


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WATCH RELATED VIDEO: SOUNDBAR REPLACEMENT. KLIPSCH The FIVES Review. STREAM MUSIC \u0026 NETFLIX

Loudspeakers


So I suggested that if we had a thousand leather bags, we could fill them up with water, then hang them on racks all over the dancefloor to tune the room and hear how it would sound if it were full of people. Cast your eyes over his speaker-strewn career and you can see that his audio life has reverberated with plenty of them.

Combine the initial pulses of acid house and the hedonistic rush of New York disco with a nerdish, yet hefty audio rig and some serious record collections and what do you have? Despacio — a concept that equals pure, unadulterated aural ecstasy. Sound too good to be true? With the DJs hidden away and playing some of the wildest sounds out there, on strictly vinyl only, this is more than just a club.

It manages to offer an unrivalled sonic experience, pleasing speaker geeks and ravers in equal measure. But with hectic schedules and huge organisational hurdles to overcome when it comes to hosting these events, there have only been a handful of Despacios since the speakers were first turned on in at the Manchester International Festival MIF. It means every time they do flick the switch, anticipation is already at a nose-bleed inducing high…. John came to New York City to study at the Institute of Audio Research, cutting his teeth at the raw interface between audio and fledgling technology in the late 70s.

But NYC was home and was far more dirty, more interesting and fun back then — everyone smelled of sweat and patchouli oil! As proprietor of Tech Mecca, an equipment consultancy and services provider, he met James in the mid 90s and they hit it off over their love for old consoles and analogue gear.

Their shared passion led to John being tasked with designing what would become the legendary studio of DFA Records and, as LCD Soundsystem took flight and Murphy became a global star, the pair stayed tight.

James can really do nerd like a pro. We had some nerd talk about the difference between the Cornwalls and a La Scala model. That was where the seed of the idea was first planted. The concept came on at pace after James moved house in They began getting their plans in order.

Both John and James returned to their conversations about utilising old McIntosh amps as part of this expanding idea.

So instead, I researched what McIntosh was making in current product and found they were still making big heavy amps with the power-matching outputs.

With plans and drawings coming thick and fast, the project started acquiring additional allies. We managed to get the sign off for the amplification of the project, which was the green light for the whole thing to go ahead.

The first night was like nothing else. John was behind the design of the stacks, coming up with myriad ideas and drawings. The amplifiers could be displayed, then we were looking at the inch speakers and those had to be in a vertical column for phase purposes.

For the stacks themselves, the concept was based around forward-facing speakers with their acoustic centres aligned to the same vertical plane. Each stack has a five-way system with inch drivers doing low bass, inch drivers powering upper bass and inch drivers doing low-midrange, as well as a large bi-radial horn behind upper midrange. They also each have 10KW available or 10, Watts per stack, but for a good portion of each event, they only use between and 1, Watts per stack — or 1, to 8, Watts for the system overall.

The manufacture of the cabinets was all completed within deadline, thanks to a small company called PBS building them and their accompanying road cases. We received the amplifiers in their shipping cartons from America, as we were setting up just days before those first doors opened. So how do they tame the wildness?

The answer involves never utilising full power and ensuring there is enough space in the sound to avoid it hurting. Crest factor is the ratio of all the instantaneous-peak stuff running on top of the big ball of averaged energy. Dynamics control and limiting pushes that all down, so soft becomes loud, loud becomes even louder and that makes everything sound urgent.

If you average it out over the night, we are running well below 10 per cent of the available power. With Despacio taking place in different venues, it means the set up varies from one event to the next, causing all sorts of challenges for John and the team he takes with him to get the speakers dancing to his beat.

We shift these things that weigh little over a metric tonne — and they are not on wheels — to move them off nodes or into places where they excite the room in a good way. The use of vinyl also offers an additional set of challenges for John, with meticulous checks and monitoring going into the DJ rig.

But I walked the floor continuously during the sets and everyone seemed to be having a great time. It is supposed to move you and you are not a scientific-measurement instrument… so tuning up is technical up to a point, then we just dial it in until we are all smiling.

So after Meltdown, then what next? Then over a few months they added acoustic treatments to get the reverb timing of the room optimised. I think it took almost a year before that place was really right. Alongside Despacio, there are countless studio upgrades, record releases and gear-overhaul tasks to be getting on with… It seems the audio fun never stops for Mr Klett. There is, and always will be, a lot going on. I have a list of things here that will take me years to get through — so it never stops.

Follow Despacio on Facebook. And for more interviews with artists and producers, check here. Welcome to the all-new MusicTech.


Audiophilia — Choosing the Right Speakers at an Affordable Price

The badges are everywhere: on laptops, tablets, and phones. Other brands are familiar, but mysteriousyou may have heard of Dolby, SRS, and Creative, but do you know what they do? The explosion of celebrity-endorsed headphones has pushed product labeling to a new level, too. If you wanted, right now you could buy a Dr. Dreapproved smartphone. Gadget companies didn't invent this kind of branding, but they may have perfected it.

Product News - Sonos release their new soundbar - the ARC has an array of speakers front, side and up firing sound. This is coupled with two new apps.

Wharfedale SFB/3


The source of all these sounds was a vinyl long-playing record. I tried to quit. I tried to give up audiophilia. You might even say I stopped my ears. That is, I listened to my O. But, most of the time, I listened to CDs ripped into iTunes and then played on an iPod with a decent set of headphones. The glories of Western music, if you want to be grand about it, were at my fingertips, and I was mostly content. For years, I relinquished the enthralling, debilitating, purse-emptying habit of high-end audio, that feverish discontent, that adolescent ecstatic longing for more —a better record player, speakers with more bottom weight, a CD player that completely filtered out such digital artifacts as ringing tones, brittleness, and hardness. But audiophiles are restless; they always have some sort of dream system in their heads. They are ready, if they can afford it, to swap, trade, buy.

Devon Turnbull talks Ojas speakers with Steve Guttenberg the Audiophiliac

sound bar speakers the audiophiliacs

Explore new records daily from our growing collection of classics and rarities from around the world. Discover the stories behind the records. Our website uses cookies Read our privacy policy. I want to enter a space … where I can get lost in music and experience music in a way that is more intentional than background music, essentially. As a university student studying Audio Engineering he started using the name across a variety of disciplines including graffiti, music, graphic design and clothing design.

Coincident Speaker Technology is, not surprisingly, best known for their speakers. A speaker company that makes amplifiers.

Inside James Murphy and Soulwax’s Despacio – the world’s greatest sound system


So I suggested that if we had a thousand leather bags, we could fill them up with water, then hang them on racks all over the dancefloor to tune the room and hear how it would sound if it were full of people. Cast your eyes over his speaker-strewn career and you can see that his audio life has reverberated with plenty of them. Combine the initial pulses of acid house and the hedonistic rush of New York disco with a nerdish, yet hefty audio rig and some serious record collections and what do you have? Despacio — a concept that equals pure, unadulterated aural ecstasy. Sound too good to be true? With the DJs hidden away and playing some of the wildest sounds out there, on strictly vinyl only, this is more than just a club.

Are Atmos Soundbars Worth It?

For a true believer, hi-fi is the ultimate Holy Grail. There are rituals crafted around sound equipment and almost everything needs to pass strict audiometric tests. Here's a less-than-scientific look at the audio nerd. Being an audiophile is exactly what it sounds like—serious stuff. To be an audiophile is to embark upon a singular quest for audio perfection and make sure that the only music you embrace is through the receptacle of high-end audio, a rabbit-hole of cables, converters, speakers and spiralling costs. An audiophile has an ear for each sonic attribute that makes up the whole; factors like the separation of one instrument from another or the sense of distance between them or the balancing of frequencies are what truly deem a song listenable. The journey of an audiophile begins when they get drawn to hi-fi sound.

Everything you need to know to decide whether you should choose Klipsch or Polk speakers for your home audio or home theater system.

The Audiophiliac's best-sounding bookshelf speakers

Swanky Boston menswear store, Ball and Buck wanted to create an audio subsidiary with just a few American made products. Good things are supposed to come in threes, but sometimes, one or two of the three decide not to play nicely. Most speaker manufacturers, if well funded and have a good designer, will attempt to produce a line or family of speakers. This is more overview than review.

The Audiophiliac's round up of the top 10 best desktop, hi-fi and sound bar speakers

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But, compared to some, his set-up is modest. He meets the people for whom hearing is believing. I am listening to music at my desk. I barely have the words.

Every product is independently selected by obsessive editors. Things you buy through our links may earn us a commission.

In previous audiophilia posts we've discussed the vinyl medium, its playback hardware, and amplification. The literal elephant in this listening room equation is loud speakers, or just speakers. To adequately cover this topic from the physics through room design and speaker placement would require at least a few hundred pages, but here are the basics:. Conventional speakers are electroacoustic transducers consisting of a permanent magnate that receives a low voltage signal from a power amplifier which then sets a voice coil electromagnet into motion that vibrates an attached cone to emit sound waves. Sounds simple enough.

High-end audio is its own rarefied world, a community so self-contained that new arrivals are barely noticed, although welcome. It is a club whose access, though democratic, still somehow smacks of initiation, usually with a price tag that can cause gasps. So why bother? The answer comes not from the audio folks, but from the poet e.




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  1. Nathalia

    This variant does not come close to me. Who else can say what?