Commercial speakers 30

From Sonance, the company that invented the architectural audio category comes a range of professional loudspeakers that set a new benchmark in sound quality and aesthetics for commercial environments. Sonance Professional Series includes a range of 70V, V, 8 Ohm selectable In-Ceiling, Pendant and Surface Mount Speakers that deliver unequalled fidelity, extremely low distortion, wide dispersion and exceptional reliability. The range also shares consistent voicing, ensuring seamless sonic integration when used together throughout a space. Sonance Professional Series has been engineered with a level of attention to detail not typically seen in the commercial audio industry. Available in 4", 4" Low Profile, 6.

===

We are searching data for your request:

Wait the end of the search in all databases.
Upon completion, a link will appear to access the found materials.

Content:

• Welcome to M&K Sound
• EPISODE - COMMERCIAL SURFACE MOUNT, ALL WEATHER, 70V SERIES 4 IN. SPEAKER (WHITE | EACH)
• Commercial/70V Speakers
• Electro-Voice UW30 30 Watt Commercial Underwater Speaker with Integral 50 Ft Cable
• Commercial Speakers
• Cabinet speaker 5" 70/100V white pair
• JBL CSS8008 – 200 mm (8 in) Commercial Series Ceiling Speakers

WATCH RELATED VIDEO: iBCOOL Speakers Commercial (30sec. Commercial-DV2)

Welcome to M&K Sound

I'm playing folk music in a coffee shop. How much amplifier power do I need? Our rock group will be playing in a seat concert hall. How many watts will we need? I just bought some PA speakers. I want to play them as loud as they can get without blowing them up. Which amplifier should I get? First, define your goal. Do you want to power some loudspeakers so they play as loud as possible without burning out? If so, all you need to read is the section below.

Do you want to achieve a certain loudness in a certain venue? If so, skip to the section called Power vs.

You can determine this by looking at the speaker's data sheet. Look for the Nominal Impedance spec. Typically it will be 2, 4, 8 or 16 ohms. It might be called IEC rating or Power capacity. If you can prevent the power amp from clipping by using a limiter , use a power amp that supplies 2 to 4 times the speakers continuous power rating per channel.

This allows 3 to 6 dB of headroom for peaks in the audio signal. Speakers are built to handle those short-term peaks. If you cant keep the power amp from clipping say, you have no limiter and the system is overdriven or goes into feedback the amplifier power should equal the speakers continuous power rating. That way the speaker wont be damaged if the amp clips by overdriving its input.

In this case there is no headroom for peaks, so youll have to drive the speaker at less than its full rated power if you want to avoid distortion. If you are mainly doing light dance music or voice, we recommend that the amplifier power be 1. The amplifier power must be rated for the impedance of the loudspeaker 2, 4, 8 or 16 ohms.

Here's an example. Suppose the impedance of your speaker is 4 ohms, and its Continuous Power Handling is W. If you are playing light dance music, the amplifier's 4-ohm power should be 1. If you use much more power, you are likely to damage the speaker by forcing the speaker cone to its limits. If you use much less power, youll probably turn up the amp until it clips, trying to make the speaker loud enough.

Clipping can damage speakers due to overheating. So stay with 1. This section will suggest how big a power amplifier you need to fill a venue with loud, clear sound. Basically, the louder the sound system and the bigger the room, the more power is required. Loudspeakers with high sensitivity need less power than loudspeakers with low sensitivity.

The list below recommends the total amplifier power needed for several applications. Each application has a range of power based on the desired loudness and the typical loudspeaker sensitivity.

Although a rock concert in an arena could be powered by 15, watts allowing only 6 dB of headroom for peaks, you'll often see large touring sound companies using 80, to , watts total.

That much power is needed to handle to dB peaks without any clipping, and to power extra speakers for even coverage of a large area. If one loudspeaker won't handle the total power required, you need to divide the total power among multiple loudspeakers and multiple amplifier channels.

For example, suppose you need watts to achieve the desired average loudness, but your speakers power handling is watts continuous. You could use a power amplifier of watts per channel. Connect two loudspeakers in parallel on each channel. That way, each speaker will receive watts not considering the change in amplifier power at different impedances, and not considering cable losses.

Note that if you parallel two speakers, their total impedance is halved. For example, two 8-ohm speakers in parallel have an impedance of 4 ohms. In that case, each speaker would receive half of the amplifier's 4-ohm power. On the Crown website is a calculator that determines the amplifier power required to achieve the desired SPL at a certain distance.

It also accounts for the number of dB of amplifier headroom needed for audio peaks. Text accompanying the calculator gives the equations used. Click on the following link to go to Crown's power calculator: Calculator. To use that calculator, you need to know the loudspeaker sensitivity, peak headroom, listener distance, and the desired SPL. Let's examine each factor. The sensitivity spec can be found in the loudspeaker's data sheet.

Bigger speakers generally have higher sensitivity than smaller speakers, and high-frequency drivers have higher sensitivity than low-frequency drivers. Because music has transient peaks that are 6 to 25 dB above the average level, the power amplifier needs to produce enough power to handle those peaks without distortion. For example, if you need watts continuous power to achieve the desired average SPL, you need 1, watts continuous to handle 10 dB peaks, 3, watts to handle 15 dB peaks, and 10, watts to handle 20 dB peaks.

Clearly, the peaks require far more power than the average levels. In the calculator's Peak Headroom field, enter 6 dB for rock music that is compressed or limited, or enter 20 to 25 dB for uncompressed live music.

If you can live with some short-term clipping which may be inaudible, enter 10 to 15 dB. This is the distance from the loudspeaker to the farthest listener.

If you are using several loudspeakers that extend into the audience, this distance is from the nearest loudspeaker. For example, if the audience is feet deep, and you have speakers at 0 feet and 50 feet, the listener distance is 50 feet. If you don't know this distance, you can make a rough estimate from the typical values below. Be sure to enter the distance in meters m.

Coffee house: 16 to 32 feet 4. Listed below are typical sound pressure levels SPLs for various types of music. The SPL meter was set to C-weighting, slow response. You might want your system to be at least 10 dB above the background noise level to achieve a good signal-to-noise ratio.

The calculations discussed here apply to anechoic or outdoor conditions. If the sound system is inside a venue, the room reverberation will increase the SPL typically by 6 dB. You can use this room gain as extra headroom. Suppose you need to supply watts for peaks, and your speaker's continuous power handling is watts.

A speaker's peak power handling is typically 4 times its continuous power handling. So the speaker can probably handle watts peak. That means you can use a watt amplifier to drive that speaker -- as long as you use that power for peaks, and do not drive the speaker continuously with watts. In other words, don't turn up the amp so high that it clips. What if your sound system uses an active crossover and a separate power-amp channel for each driver? Apply the calculator to each driver type.

Say you have a 3-way system. Determine the power separately for the subs, midrange drivers and high-frequency drivers. All three types of driver should produce the same SPL at the same distance. Note that horn-loaded drivers tend to have much higher sensitivity than subwoofers, so the horns need less power to produce the same SPL as the subs. Suppose your sound system has multiple loudspeakers that extend into the audience area. For example: an outdoor festival with speaker clusters on delays every feet, or a set of ceiling-mounted speakers.

Apply the calculator to each nearby speaker cluster or speaker. Once you know how much power you need, you can select a Crown amplifier from this list. There is some overlap in this list because each power amplifier produces different amounts of power depending on the load impedance.

You might want to choose an amplifier that has more power than you need in case you expand your applications. Also, it's wise to specify a little more power than you need. You can always turn down a power amp if the system is too loud, but you can't turn up a power amp past maximum if the system is too quiet! With the tools and advice in this article, you should be able to purchase or recommend a power amplifier with the right amount of wattage for the style of music and venue.

Howard W. In that same issue, Pat Brown wrote an article on amplifier power calculation. At Crown, we often are asked similar questions, and this article will provide some answers. How much power can my speakers handle? Power vs.

Application This section will suggest how big a power amplifier you need to fill a venue with loud, clear sound. The recommended power allows for signal peaks of 10 dB for folk, jazz and pop music. Actually the peaks might be as high as 25 dB, but we're allowing for some inaudible short-term clipping.

EPISODE - COMMERCIAL SURFACE MOUNT, ALL WEATHER, 70V SERIES 4 IN. SPEAKER (WHITE | EACH)

User Satisfaction. View More Reviews. Apart from that we are also a trader and distributor of a wide variety of Audio products including Behringer, Bosch, Crest audio, Peavey, Dean Guitars, Luna guitars, D-drums and many more. Since the time of establishment of our organization in , we have engaged ourselves in offering best quality assortment. All the products we offer are manufactured using best grade material and by applying advanced technology. Along with the domestic market, we have access to international market as well.

Commercial/70V Speakers

This website uses cookies to manage authentication, navigation, and other functions. By using our website, you agree that we can place these types of cookies on your device. Reconsider Cookies You have declined cookies. This decision can be reversed. AMHQ Two-way ceiling speaker. The AMHQ two-way ceiling speaker is a 60 W RMS power system consisting of two speakers, a 1 "tweeter for high frequencies and a 8" wideband speaker for medium and low frequencies. With a high SPL up to dB and wide frequency response, from 55 Hz to 20 kHz, the equipment provides high-quality sound for music playback and for clear and intelligible message emission, suitable therefore in stores fashion, commercial galleries, office offices, halls of transport stations and airports, hotels Great sound quality with wide frequency response. Backbox that avoids depending on the acoustic characteristics of the false ceiling and rotating tabs for quick assembly.

Electro-Voice UW30 30 Watt Commercial Underwater Speaker with Integral 50 Ft Cable

Many of the world's most recognized brands including Ron Jon Surf Shop and Bloomingdale's use our commercial speakers to create unique memorable experiences for their customers. Do the same for your business with our intermediate ICT volt speaker. The ICT packs proven materials and wide dispersion horn technology into an installer-friendly, UL and certified loudspeaker with an integrated back can and multi-tap transformer. The two-way ICT features a 5.

Commercial Speakers

At QSC, our role is to empower you with the tools, support, and service to help you confidently create impactful connections and memorable experiences. Share ideas with community "citizens" and QSC support, access code exchanges and published SDKs, explore curated content. View All Case Studies. Designing Experiences. What are the differences between passive, active and powered loudspeakers? November 2, - If passive loudspeakers are not connected to mains power, all active loudspeakers are they are 'powered' , but not all powered loudspeakers should be called active.

Cabinet speaker 5" 70/100V white pair

Currently Research Assistant for an international maritime law firm in Hamburg. Research interests in maritime law and transport law including aspects of digitalisation. Acts as DPO for several companies. She is a former board member of ItechLaw. Compliance Officer specialised on payment services, electronic money, cryptocurrencies and digital services.

JBL CSS8008 – 200 mm (8 in) Commercial Series Ceiling Speakers

Business Audio. Elegant loudspeakers engineered for high speech intelligibility and full music reproduction. Performance and Specialty Audio. Application-driven loudspeakers for demanding environments requiring precision coverage and premium sound quality.

Passive 15" direct radiating subwoofer. Passive 18" direct radiating subwoofer. Passive dual 18" direct radiating subwoofer. Active 12" subwoofer.

JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser. Commercial Ceiling Speakers are installed directly into the ceilings of many business premises all across the UK. In-ceiling speakers are used to play background music to customers and members of staff, with the option to communicate across multiple zones of speakers in larger spaces such as warehouses. Airports, hotels, restaurants, bars, and offices can all benefit from the unrevealing design of ceiling-mounted speakers.

Those images are samples photo's - Brand - indesign, Redback. LD Yes.. Please call our team This amplifier with 8 ohms, 70V and V outputs c Part of the Bosch Premium-sound range, LB2-UC offers clear reproduction of speech, foreground and background music to be used in general indoor and outdoor applications.