Exposure amplifier connection

The Exposure integrated amp is a fine example of an outstanding all-rounder. It scores high marks in all categories. Highly recommended! At first glance it may seem that the new from Exposure is just a with a couple of features removed. The had an optional plug-in phono module arrangement for either MM or MC depending on your requirements. This could in fact seem like a downgrade from what went before.

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Content:

• Connecting a Subwoofer to an Exposure Amplifier
• Exposure 3010 Quick Start
• Exposure XM9 Mono Power Amplifiers
• Exposure 3010S2D Integrated Amplifier
• Exposure launches 3510 integrated amplifier
• Exposure XM5 integrated amplifier
• Exposure pre power amplifier 23 / 28 XXIII / XXVIII - Silver - no reserve
• Exposure 3010 Amplifier

WATCH RELATED VIDEO: Обзор Exposure 2010s2 amp

Connecting a Subwoofer to an Exposure Amplifier

Way back in the day when Exposure were the only real competitor that Naim had in the UK, both companies made a lot of half width black boxes. They were all ugly and, in the case of Naim, strangely connected little things that sounded very entertaining while not appearing to be too bothered about neutrality and bandwidth. Since that time both brands have changed ownership but Exposure has retained its manufacturing, test, and assembly facilities in West Sussex… not far from its original base near Brighton.

Otherwise there is a single line input and an AV input. The casework is not as fancy as some, but pretty tidy with a brushed aluminium front panel that sports buttons for scrolling through the inputs and a motorised volume pot.

The remote handset is very much off the shelf and fully buttoned up, but volume is picked out in green which helps; it also has individual input selectors.

Be careful with the AV input; it bypasses the volume control and goes straight to the power amp, so can only be used with sources that have their own volume adjustment, such as AV processors. Bluetooth, for all its limitations, is the de facto connection method for the smartphone generation, which is why you see it in amps from bigger brands. But Exposure has been in the amp business for some time and by omitting an RF receiver in the vicinity of the audio signal, many would argue better sound quality can be achieved.

The back panel of the XM5 incorporates BFA style loudspeaker connections that require a 4mm banana plug on your speaker cables — a bit like Naim amps, but without the preference for high impedance cables. The sound the two produced, while relaxed, was lazy as a result of limited dynamics and sluggish bass, but there was plenty of detail especially through the treble. It did, in terms of increased vitality, but the timing remained so-so and the treble became more prominent, even though the CAD is the most relaxed of converters.

I switched to a more affordable PMC in the compact form of the twenty5. These opened up the midrange quite nicely, with voice benefiting in particular, but they still seemed a little underpowered and prone to forwardness in the treble.

I tried a Rega Brio with these speakers and got a less refined and clean result, but one that had more vivacity, the Exposure having a calmer and larger scale presentation. At this point it seemed that another speaker was going to be necessary so I brought in the substantial Q-Acoustics Concept floorstanders that have been giving excellent results with a number of amps.

This proved a much more auspicious pairing with the XM5, which provided good scale, plenty of energy, and decent levels of detail resolution. Timing is better thanks to the source and the bass drum kick has harmonics that fill up the soundstage so well that it takes a while to notice how good the voice is. MCs might do highs better but not many have midrange clarity of this calibre — clarity that makes lyrics that much easier to understand.

Vinyl was proving to be rather addictive through the XM5 however, so I switched back to the USB input with the same track albeit in a slightly different Mobile Fidelity Original Masters form where the balance is heavier and smoother: this was just as powerful but lacked the energy of the vinyl.

Switching to the medieval grooves of La Folia [Atrium Musicae De Madrid, Gregorio Paniagua, Harmonia Mundi], the coax connection delivered considerably more layering of depth and graduation of micro dynamics, making it a clear winner. The Exposure XM5 is a neat and well-equipped integrated amplifier that does nearly everything the contemporary music lover might desire.

URL: exposurehifi. With 40 years of audio experience under its belt, you might expect Moon by Simaudio to be a fine maker of digital audio, but even by those standards the D streaming DAC sets a high bar to beat. Using non-magnetic, cold-welded plugs and continuous cast copper, Atlas Cables Element achromatic interconnects offer a lot of performance for not a lot of money! High-end audio brand with Danish style releases an equipment stand that sounds as good as it looks! The combination of experts make for some of the most effortless, good sounding streaming.

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Exposure 3010 Quick Start

Where should you place it? How's best to connect it? And are upgrade paths available to you? If you're wondering where to start with your brand-new stereo amp, or haven't even got that far and are wondering which type of amp would be best for you yet, let us run you through the basics The former is the most simple, convenient and space-saving option, packing both pre- and power amplification into one chassis. This means everything has been tuned together, saving you the work that goes into matching separate amplifiers. Two-box amplifiers, on the other hand, involve splitting pre-amplification input selection and volume control, fundamentally from power amplification go on, guess.

Exposure XM9 Mono Power Amplifiers

The amplifier is in Silver and complete with original box and remote. Click here to see images of the S2. There are six line inputs and the option to fit a MC or MM phono module. There are also bi-wiring speaker outputs and a separate pre-amp output with class A buffer stage. High quality capacitors are used in the signal path and cascode circuitry utilised for improved power supply immunity. The fast bipolar transistor output stage produces a dynamic and vivid performance. For high-end audio at mid-range prices, the Exposure S2 has long been considered as one of the best options on the market. The British brand, renowned for creating hi-fi components with involving musical reality, places its focus firmly on developing high-performance audio with an affordable price tag. Like its predecessor, the new S2-D comes with six line level inputs. However, one of these is now a direct AV input to enable integration within a surround sound system.

Exposure 3010S2D Integrated Amplifier

A life lesson that we all learn: Looks can be deceiving. An amp like the Exposure S2D is a case in point. Visually its nondescript design conveys classic component minimalism and purpose. British reserve, if you will.

Exposure launches 3510 integrated amplifier

Way back in the day when Exposure were the only real competitor that Naim had in the UK, both companies made a lot of half width black boxes. They were all ugly and, in the case of Naim, strangely connected little things that sounded very entertaining while not appearing to be too bothered about neutrality and bandwidth. Since that time both brands have changed ownership but Exposure has retained its manufacturing, test, and assembly facilities in West Sussex… not far from its original base near Brighton. Otherwise there is a single line input and an AV input. The casework is not as fancy as some, but pretty tidy with a brushed aluminium front panel that sports buttons for scrolling through the inputs and a motorised volume pot.

Exposure XM5 integrated amplifier

Purchased from Progressive Audio in June as ex demonstration appeared to be little used when received. I used the amps up until a year ago. Double boxed, with remote, black xlrs preferred and better connection , mains cables, manuals etc. Great amps that more than deserve their reputation, selling as I have downsized system. In terms of operation while they work fine and I have had on test with no issues. There are a couple of potential minor issues so I am pricing quite competively to allow for this i. Firstly - their responsiveness to the Exposure remote has always been a bit hit and miss. Secondly - I have noticed, with previous admittedly old Dynaudio speakers and cabling, when I used RCA connections on ocassion a distortion came and went on the right channel.

Exposure pre power amplifier 23 / 28 XXIII / XXVIII - Silver - no reserve

The Exposure XM9 mono power amplifiers are compact, high current amplifiers and sold as a pair. The XM9's deliver a continuous 80 watts mono into 8 ohms and have plenty of reserve power for driving even difficult speakers. If you are looking for speed, improved soundstage and superior control in a diminutive size, look no further. Exposure's trademark sound has been described as a "tube like" quality with the impact and bass extension that only a quality solid state amplifier can deliver.

Exposure 3010 Amplifier

RELATED VIDEO: Exposure XM5 Stereo Integrated Amplifier Review

It's nice to be able to review a product this special. Special because it reinforces my belief that the British make the best stereo equipment in the world. Don't get me wrong - I'm not saying that other countries don't make good, even great "audio" gear, but for long term satisfaction, nothing says music like something from England. And the Exposure gear I've been listening to lately is certainly special.

Over the past few years, UK audio manufacturer Exposure has concentrated its attention on the award winning XM series of components, including the XM5 which we reviewed. The XM range concentrated on a compact form factor, competitive price and packed feature set to deliver on flexibility and performance. Now, the British brand is turning its focus back to its higher end series, starting with the just-launched integrated amplifier. First in the series is the newly introduced integrated amplifier which replaces and improves upon the S2D model of the outgoing series. Outputs include bi-wiring compatible speaker outputs, a separate preamplifier output for biamping or for use with a separate power amplifier, and a headphone output.

Featuring trickle-down technology from the top-of-range series, this Class AB integrated amplifier replaces the S2D. Outputs include bi-wiring compatible speaker outputs, a separate preamplifier output for bi-amping or for use with a separate power amplifier and a headphone output. On the AV input there is a choice of fixed or variable gain, allowing configuration as a either regular stereo input or a fixed gain home cinema input.