Green funktion one speakers
Funktion One has just unveiled their most compact system to date Funktion One introduces their most compact system ever, designed with the same stringent process as their world-renowned PA systems. Funktion One has long been at the forefront of loudspeaker development with their no-nonsense approach to audio quality. While a large number of popular loudspeaker manufacturers rely on a fair amount of processing to get the desired sound, Funktion One attempt to create a flat frequency response using the physical design of the cabinet. This core idea greatly improves the efficiency of the speaker, by reducing the cone movement.
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Big bass is only a couple of generations old. Before the invention of speakers that could project true bass frequencies, humans really only came across bass in hazardous situations—for example, when thunder struck, or an earthquake shook, or from explosions caused by dynamite or gunpowder. That is probably why it is by far the most adrenaline-inducing frequency that we have.
Bass gets humans excited basically. Below 90 or Hz, bass becomes more of a physical thing. It vibrates specific organs. It vibrates our bones. It causes minor molecular rearrangement, and that is what makes it so potent as a force in dance music. The molecular vibration caused by bass is what gives dance music its power.
It is what makes dance music so pleasurable to hear through a proper soundsystem. The universe is based on vibrations and harmonics. Complex vibrational interplay is the basis from which the physical plane emerges. We just feel it. We know when something is not in tune because it feels wrong. When music vibrates at a frequency that we like, it gives us pleasure. So bass causes pleasure in humans, and can release dopamine.
Yes, you can have too much bass. You can have too much sound in general. A good sound engineer will understand that there is a window between enough sound to give excitement and so much that it is damaging. Too much sound and too much bass is not just uncomfortable to the ears—it can be lethal. There was this French bloke at the turn of the 20th century who built a giant whistle that produced sub-bass frequencies of around 7. The first time that he got it to work, he liquidized himself.
It just turned his insides to mush—poor bugger. Yes, he probably is. Real sub-bass is anything that is generally below 25 Hz. Sub-bass can be a great sound, but most soundsystems are not generally capable of reaching much below 30 Hz. In the very early days, it was all one big experiment during which we stumbled across a way of producing bass that was efficient, dynamic, and punchy quite by chance. My brother and I were around 19 or 20 years old, and we were mucking about with building our own soundsystems.
One day my brother pointed a speaker into the corner of a room and I noticed that the bass went up dramatically. It was a chance observation that I found interesting. So I began to experiment and made a thing that looked like the corner of a room and placed a double inch cabinet inside, which made it a folded horn.
One of the earliest soundsystems that we built was for a concert at Wembley Stadium in We built this stack that featured a pyramid bass bin. For a while, we were obsessed by pyramids and the power in their shape with each of the faces acting like a horn to produce bass. This particular pyramid featured a inch bass driver. Do you think we are close to constructing the perfect soundsystem?
Unless maybe we ionize the air by heating it to 20, degrees so that we can directly modulate the plasma, using magnetic fields. Until that happens, soundsystems will continue to be as imperfect as the world that we live in. How do you go about tuning a soundsystem, and making it sound good? The first thing I do is look at the midrange.
Is it all there? The best way to discover that is through a known human voice. I have a really nice female and male singer that I always use for reference when tuning a soundsystem. The female will tell me if we have anything harsh going on in the high mids. If you analyze soundsystem data, sometimes you can pinpoint those same problems, but measuring tools are fraught with problems.
Trained ears are by far the best measuring tool for sound. We are incredibly sensitive to minute changes in audio, and more importantly, we know how a sound should make us feel.
That is what tuning soundsystems means: balance. That track begins with a fairly solid kick, which is good for testing overall bass response, and then the track suddenly gets into a really punchy kick, which will tell me how the definition part of the bass is working.
That point that we are trying to reach with tuning is neutrality. When tuning a soundsystem, you should not be interested in flavors of sound or character.
Believe it or not, the best soundsystem is entirely neutral. Can you share some wisdom with us on the importance of outputting the DJ mixer at the correct decibel level? Well, this is a subject that winds me up to no end. Mixer manufacturers have tried to make it as simple as possible for DJs. Mixers always have a simple traffic-light system of green, orange, and red—and yet too many DJs, including famous professionals, completely ignore the system. Green means the sound is working well, orange means you are getting close to distortion, and red means you are clipping the output stage of the mixer.
How much simpler can it be? DJs who run flat out into red are basically unbelievably ignorant. All electronic components can only deal with so much power before they become saturated and produce distortion instead of linear clean sound. If you run it into red, eventually it will meltdown electrically and cease to work.
So in order to protect expensive soundsystems, pretty much every club in the world places limiters on their soundsystems. All you are really doing when you push a mixer into red is distorting the music and insulting the people who give us a living—the clubbers. Read More: Trust Your Levels. Try different distances from the wall and different walls if you can. The height is important, too. Most speakers will have a tweeter and a woofer. You should try and get your speakers at the perfect eye and ear level.
That space in between the tweeter and the woofer should be right in the middle of your eyes, ideally, so that the woofer and tweeter frequencies arrive at the same time. That will dampen any reflections, which you want to try and eliminate. You just want to hear the sound from the speakers and not reflections from walls.
That can happen quite easily. By Terry Church On Apr 10, You might also like More from author. Drop your email address here, we'll send you news, tutorials, and special offers once a week. Sign in. Likes Followers Subscribers Followers. Welcome, Login to your account. Forget password? Remember me. Sign in Recover your password. A password will be e-mailed to you.
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품 목: MAIN SPEAKER#1 모델명: Resolution 4E-C 제조사: Funktion-One
ProSoundWeb Community. Please login or register. Hi there, I saw the word 'newbie' in this forum description so that's why I'm posting here. Hopefully there's some F1 pros on board who can help me with my questions. I'm in New Zealand so there's nowhere local I can go to check out F1 systems althought I heard them overseas and was happy with the sound and I want to make the right decisions right from the start because incorrect purchases will be quite dire. I have my mind set on building a couple of the dance stacks. Since they'll be for rental and not installation, ease of movement is more of a priority than it otherwise would be.
Funktion One
By Guy Campos in Products February 13, 0. Seen at ISE , the F5 loudspeaker offers an extremely balanced and natural sound quality while SB8 subwoofer is an extremely compact, yet powerful and convincing bass unit. Its ultra-compact dimensions and high output mean it is suited to a wide range of applications, including distributed public address systems, bars and restaurants, as well as domestic applications, such as home cinemas, desktop monitoring and home music systems. The Funktion-One SB8 is an extremely compact, yet powerful and convincing bass unit.
BASS REFLEX RANGE
We make it our business to only use the best audio equipment in the work that we do. We operate as part of the Funktion One rental network, giving us unique access to the incredible experience and equipment produced by Tony, John and the team. From innovative new products such as the Evolution and BR Bass range to established and proven models including Resolution 2s, 4s and 5s, we offer a full range of solutions from installations to one-off shows and events. We have second hand Funktion One equipment for sale if you follow this link. We have the capacity to provide a Funktion One sound system for everything from a small party to a large festival using the correct tool for each unique application, delivering the ultimate experience every time.
ProSoundWeb Community
Our sound system has been designed for multichannel audio processing. We have over 20 individual speakers placed around the venue that we can send audio individually to. Creating sound scapes but also seperate environmental control. There is an ongoing pursuit of the perfect high fidelty stereo pair and refined room acoustics for our audiophile system. Join us as we experiment, listen and develop. Our control system lies tidied away behind the scenes with control sent to the broadcast suite.
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Kosovo — Funktion-One distributor Fantazia, which is operated by renowned underground promoters Servis, is a bar and club concept with high quality electronic music, excellent sound and a policy of inclusivity at its core. Servis was founded in by Leo Lumezi and Patrik Ukiq as a club night, which has expanded into a platform for unique creative concepts and collaborative experiments with its crew of DJs and designers working on projects in the arts, sound, film and fashion. The pair first met There was no time to fly there from Paris and there was also the budget to consider. Having relocated from Sofia, Bulgaria to his native France to be with his family during lockdown, Vanderhaghen designed the system remotely using plans and photos of the venue.
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