Pc2a t-type leveling amplifier ca
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Tube Tech Vst
If you had to choose only one pedal, what would it be and why? I might have found it in the Fire Bottle from Effectrode. OK, this is a bold statement, I know. What is the perfect pedal? My desert island pedal would have to be one that could make my guitar and amp sound better — like I was using several amazing sounding pedals.
In my opinion, only a booster or overdrive would do just that. I must admit, I did have a hard time figuring out the Fire Bottle. It took me some time to realize that this is not just another booster. Once I got to know it though, I fell in love.
The Fire Bottle is essentially a pedal-sized vintage tube amp input stage designed to boost your cleans or, when driven hard, push your tube amp into creamy overdrive. The pedal is housed in a sturdy chassis featuring a sub-miniature NOS tube, true bypass switching, stage ready led and 12V adapter powering.
It is recommended that the pedal is place first in your chain and used with magnetic single coil pickups for optimal performance. The boost control ranges from 0dB unity gain to a massive 30dB boost. Middle position is flat and all the pedal does, is boosting your guitar signal. In the down position the resonant peak drops about 2KHz making a single coil sound closer to a P90 or late 50s low output humbucker.
In the up position the resonant peak drops down 4KHz creating a much fuller and fatter sound. Now, this may sound very technical but what it really means is that the Fire Bottle is an extremely versatile booster that allows your to not only boost but also alter the basis for all your tones.
Leave the toggle in the middle for a flat boost with crystal clean headroom ideal for your clean tones or for boosting an overdrive or distortion. Switch it down for fattening up your cleans or slightly overdriven rhythms and switch it down to make your overdrives and distortions sing for ages with dark and creamy mid range. Well, not as much as a distortion or phaser anyway. The guitar sounded more open and dynamic and the amp sounded richer, with more harmonics and attack.
It makes the guitar amp and sound huge… an very expensive! My desert island pedal? Highly recommended! Check out effectrode. Do you have any thoughts on powering this beast on a pedalboard? The website states it needs mA, while the Walrus Phoenix has a 12v output that only runs mA — even a 9v battery only supplies Is there any way to use one of these with an isolated power supply or will this need to run on its own wall wart at all times?
Hi, I use a Ciocks 8 and works like a charm. You get mA from every output at 12V. By using a parallel adapter cable you merge two outputs into one getting a total of 1A. I even power my Blackbird this way, and it is Phil Taylor endorsed. I second the endorsement of the Cioks power supplies for running Effectrode pedals. The Blackbird requires two ports but the others seem to run just fine set at 12V. With the Fire Bottle first in the chain i assume its meant to also help drive additional OD pedals.
Would it work good for this setup? Thanks for posting all this info as well. Ive been really enjoying this site! The Fire Bottle is basically a pre-amp. It should be placed first to interact with your pickups. I have the Fire Bottle, which is fantastic. If you set the compressor really subtly you could maybe put the Fire Bottle as a boost before if at the start of the chain so that you can — if you want to — take advantage of its three position resonant peak switch.
For that just make sure that no non-true bypass pedals are before it. It will however cause a compressor that is after it to sustain more which may be preferable depending on which end results you find that you prefer. For solid state clean boosts check out either the Foxrox Two-Boost has two levels of foot-switchable boost or the Ibanez Mini Booster.
Both of these are very new. Thank you for the reply. Man Ive wanted to get some of those effectrode pedals for a while. Especially the compressor. I actually have a BK butler Tuber Drivers.
It would be amazing to be able to run it with the effectrode comp, the tube driver and fire bottle. Ive also wanted to get one of the Tube Vibes for a while now as well.
I would just have to get them a piece at time. Ive heard the compressor is amazing and am going to try and get one one of those first. I appreciate the advice. Thank you to both of you for responding! Hi Mike No worries.
Yeah they are pricey but well worth it. I was in shock when I first compared the Effectrode drives to some of my favourite solid state drives. Same with the PC-2A compressor. They are also valve but only have two, not three valves in their drives. They sound great from demos — such as can be heard at the That Pedal Show special. The Effectrodes really hit the spot for me.
I have the Blackbird as well. Kicking on the Blackbird with clean channel on gives the Vintage Modern an alternate clean channel to its own — even though its going through the front of the amp head. Monster cleans! Kicking in the dirt channel on the blue light setting is a tasty alternate crunch tone to my other amp head. One other thing about the PC-2A compressor. That has a foot-switchable clean boost built in.
If you go far enough along the Effectrode route the pedalboard can get heavy so it is useful having a lighter setup too. Sorry for the double posts. Should asked this in the first reply. With the all tube drive pedals do you do a lot of gain stacking with running both drives at the same time?
I do this a lot with my solid state pedals. I would imagine that it just feels great and responds beautifully to your playing and dynamics. Thanks again! The latter two cannot cop that unique Butler Tube Driver tone, no way, no how.
Awesome tone combination — one of my faves! Hi Bjorn, Do you think the Fire Bottle would work with a solid state amp like the Boss katana 50 ,or is it really only suitable with tube amps? How would you compare this to a jhs morning glory? It sounds like they are quite similar….. It can boost the volume, and in that sense drive your tube amp, and tone shaping controls. Very transparent, with a hint of that Fender chime. The Morning Glory, again I might be mistaken, sounds more like a very transparent mild overdrive.
Your site is very informative and helpful! I am now looking at the Fire Bottle. In addition to being a tube boost does the Fire Bottle act as a buffer? I have a dedicated buffer on my board but was wondering if I purchased the fire bottle if I would no longer need that other buffer.
The problem is that the Fire Bottle sounds so good that you might want two of them! Otherwise I would have likely got a second Fire Bottle. That placement also gives the option of the hitting the drives even harder with fuzz or compression than they would be without the FB — if I want. The thing is with these pedals literally everything else is enhanced by them when used together — fuzzes, drives, modulations, delays. The rewarding sonic payback is so good that it kind of dampens the enjoyment of most other pedals of the same type e.
With the FB I like to roll off as much highs on the tone control as is sonically appropriate for lead tones for my different guitars. Apparently the tone control was based on that of the Fender Harvard amp. That might change over time as that pedal can be used in a number of tone enhancing ways. Please report back if you get one.
Troy, thank you for the info and advice! I will def report back if I pull the trigger on a FB.

PC-2A Tube Compressor
Following the acquisition of certain assets and the complete set of intellectual property of Cakewalk Inc. As of Feb 21st , information elsewhere on this website may no longer be accurate. Close and browse the legacy Cakewalk website. Since the s, professional engineers have relied on the unique characteristics of this electro-optical tube-based compressor to work its magic on all kinds of sources, including guitars, bass, pads, and especially vocals. Previously only available to big studios that could afford these all tube units, the CA-2A T-Type Leveling Amplifier lets you wield this legendary sonic weapon in your own studio, on your own tracks. It features native x64 operation, zero latency performance, and bit double precision audio fidelity. Get the kind of smooth, warm sound heard on so many classic recordings, at a fraction of the cost and with modern convenience.
CAKEWALK'S NEW LEVELING AMPLIFIER-CA-2A T
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Effectrode Fire Bottle review

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Cakewalk announces CA-2A T-Type Leveling Amplifier plugin + NAMM Sale
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5 Great LA-2A Compressor Plugins
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The LA-2A is arguably one of the most popular compressors ever invented. Revered for its rich, warm tone and smooth, musical compression characteristics, the LA-2A has been a favorite amongst engineers for over 50 years. The LA-2A was the first compressor to use a tube-driven optical attenuator to achieve gain reduction. The T4 optical attenuator is entirely program-dependent, allowing the compression ratio and release time to vary greatly based on the source material. We put some of our favorite LA-2A emulations to the test on drums, bass and vocals with approximately 3 to 5 dB of gain reduction. Universal Audio offers one of the most accurate LA-2A emulations available, which makes sense since they own the patent.
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