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Content:

• Classroom and Conference Space
• MBL's 101 X-treme: An Omni-directional thrill ride
• Editor’s Choice: Hi-Fi News reviews MBL’s “incredible” Radialstrahler 101E MkII loudspeakers
• Online Mobile Shopping
• MBL N51 Integrated Amplifier
• MBL brings high end Hi-Fi systems and speakers to UK
• AXPONA 2018: MBL, the definition of “Made in Germany”
• Monster MBL MCON-2M MusicConnect Portable Audio Player to Stereo Cable - 2 meter Cable
• MBL or TIDAL? SPEAKERS, ELECTRONICS...

WATCH RELATED VIDEO: MBL EXTREME LIKE \

Classroom and Conference Space

While society remains in the grip of the pandemic, HIFI. NL offers distributors and dealers some help in the form of our Hi-Visits. A formula that ensures that audio companies do not disappear out of sight and out of mind for music lovers, given the fact that a physical visit to shops is a bit more difficult nowadays.

For our latest edition, we're heading towards Hilversum, where the Netherlands most favorite high end outlet once again challenges the imagination of music lovers. The nefarious scheme this time was to demonstrate MBL's X-treme Omni-directional loudspeaker and to write a report on the build-up of this system.

During the second visit we listened and a short impression followed. Some weeks later there was a third listening session, after some additional system tuning. Following the text and photographs you can see the set-up of the system. Voor Nederlands, klik hier. Omni-directional loudspeakers have been buzzing for decades. Many different types were and are available. Even electrostatic omnis, such as the Muraudio PX-1, which works omni directionally above Hz and also below this frequency, but with dynamic bass drivers.

The discussion has to do with the so-called directivity of loudspeakers, or the radiation behavior. In a nutshell, the fundamental issue is very simple.

How does the directivity of a speaker system affect the subjective quality experience of the reproduced music? You can formulate that even more simply. Namely, which radiation pattern is most representative for the natural reproduction of music the reality?

Unsurprisingly, there is a huge amount of research literature on this topic and opinions among scientists and loudspeaker designers vary widely. Floyd Toole has written articles and books about this, but many theoretical pieces are available on the AES website. Omni directional ideas gave rise to very different solutions in the market. Those who want to experience spatial reproduction can probably be quite satisfied with the phenomenal Bose , but it's mandatory to match it with the best electronics available.

But, although many claim the ideal solution, unfortunately the holy grail does not yet exist. Some time ago, a study was presented at the th AES Convention. Titled Effects of loudspeaker directivity on perceived sound quality. This article provides a summary of the knowledge at that time and concludes that there are still far too few test results, based on listening experiences, with all kinds of systems of different directive nature.

This author believes that realistic and natural rendering of sound depends on several factors, including directivity. This Hi-Visit is about an omni-directional loudspeaker system. However, the question is whether that further enables the ultimate natural and realistic reproduction. Are current omni directional systems in the market not missing other properties that are also important for achieving realism?

In that regard, the views of the Linkwitz Lab are interesting. Their opinion is that two-channel stereo is only meant to create an illusion of reality in your brain. This reality cannot arise because the signals that reach your ears from the speakers, just like the nature of the microphone signal, do not in any way resemble the representation of a natural sound or a natural way of listening.

However, that illusion of reality can lead to great appreciation and pleasure while listening to music. Of course, the view of the Linkwitz Lab puts into perspective any effort you make behind the entry of such a problematic signal. Ergo, for now there are only a few systems that come extremely close to a natural listening experience.

Basically, almost every audio system has some properties that we experience as coming from the real world. You hardly get all those features in the same audio system.

For your reviewer, the assessment criterion for an audio system is always to what extent does it achieve some natural and realistic reproduction of music. That is a professional point of view and very strict. However, an audio dealer recently came up with an interesting insight, which of course is also true. He indicated that if the customer is satisfied and happy with the sound quality, then it's okay. Building and learning to appreciate natural sounding Hi-Fi systems is a growth path.

So if MBL's X-treme Omni-directional loudspeaker makes you happy, then the chance lies with Rhapsody, where they can also provide a virus-free pay transaction. The idea behind an omni-directional loudspeaker is that musical instruments and voices actually radiate their sound all around.

Basically spherical. A loudspeaker should do that too, and that will then come across as more realistic. In practice, loudspeakers do radiate sound all around, but usually only for the lower frequencies. They radiate spherically and thus cause a large number of acoustic problems. The middle and high frequencies, on the other hand, are directive and therefore theoretically detract from reality. They also causes acoustic problems, but these are of a different order.

However, the idea of fully spherical radiation is therefore not very wrong. However, there are still plenty of questions left. Musical instruments have a spherical radiation, but the nature of the sound is slightly different at each position of that imaginary sphere. A guitar sounds different depending if you're listening closer to the sound hole, the 5th fret, the 'top' or the side.

However, with an omni directional driver, that sound is completely identical over the full degrees. Another issue concerns acoustics. Almost every recording also contains acoustic information from the recording location. Played in the living room, this acoustic information mixes with the acoustics of that room. So probably you listen to double acoustics and maybe it's better to start with a completely dry recording. Theoretically, this argument also applies, to a certain extent, to reproduction using directional loudspeakers.

Due to the operation of many omni directional reproducers, the sound that is distributed around may become slightly more diffuse and less direct. That is an experience the undersigned has with many omni directional systems. As if you are listening from row thirty in Amsterdam's famous 'Concertgebouw'.

In any case, nice to think about. This MBL omni directional loudspeaker consists of four towers. There are two sub woofer towers, each consisting of three units. Each unit has two inch drivers. The middle unit is active and controls the other units. There is also a small super tweeter on the top plate.

Basically the architecture is according to d'Appolito's principles with six so-called 'radiahlstrahlers' per side. The segments hinge at the top. At the bottom, they are moved by a drive system in the form of a voice coil.

The woofer and mid range 'strahlers' each consists of 12 segments. The segments of the mid range driver consists of a carbon-fiber alloy. The tweeter has 24 segments made of a carbon material.

The four towers are each about 2 meters tall and the entire system consists of ten separate parts, all of which are delivered in flight cases and crates. The whole system weighs about kg. It will therefore not work to build up the system together with your lovely neighbor. It really takes about five guys from the gym.

The killers are the top sub woofer module and the top radial strahlers. They have to be lifted quite a bit. For those who still want to do it alone, there are aerial work platforms, forklift trucks or ceiling hoists for rent. The author of this article has seen and heard the system many times on the international shows. In one way or another it then makes a physically overwhelming impression. However, in Rhapsody's listening room, which does not differ much from the average living room in sizes, the system seems quite modest.

It fits in a room with a width of meters, but it is debatable whether such somewhat larger systems would not perform better in a slightly more spacious room. But, you can imagine someone who has a room on the 10th floor or a luxury canal-side apartment in Amsterdam, that houses such a MBL system. There is a trend within society that indicates that there is no alternative for six to twelve cylinders, nor for really large loudspeakers.

The eyes of the real petrol heads and cost-no-object audiophiles start to shine again. Harry and the undersigned agree that eventually nothing beats large systems. How do you develop loudspeakers? Also what type of people listen to music. These are principles that gradually change over time. If I were to develop the same loudspeaker today as ten years ago, or ten years from now, they will be different. When I listen to systems at customer's homes and I start a conversation, I get a feeling about how the taste is slowly changing.

So with all products, such as amplifiers, converters and speakers, I have a sound image in my head. In addition, I am also working with equipment from competitors.

At the start of the development of a loudspeaker, the size and the price point are the starting points. The rest is what I have collected from 'taste information' over the years.

MBL's 101 X-treme: An Omni-directional thrill ride

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Editor’s Choice: Hi-Fi News reviews MBL’s “incredible” Radialstrahler 101E MkII loudspeakers

September 30, Please join us. August 27, We regret this decision, and hope to see you again at one of the other upcoming shows. August 25, July 1, June 7, April 21, Many thanks to Stereophile for the recognition.

Online Mobile Shopping

While society remains in the grip of the pandemic, HIFI. NL offers distributors and dealers some help in the form of our Hi-Visits. A formula that ensures that audio companies do not disappear out of sight and out of mind for music lovers, given the fact that a physical visit to shops is a bit more difficult nowadays. For our latest edition, we're heading towards Hilversum, where the Netherlands most favorite high end outlet once again challenges the imagination of music lovers. The nefarious scheme this time was to demonstrate MBL's X-treme Omni-directional loudspeaker and to write a report on the build-up of this system.

MBL N51 Integrated Amplifier

The first time was at the Show in Newport Beach maybe four years ago. They almost always have a reel-to-reel as a source as well. I probably listened two hours or more that day, in about sessions. Probably listened for an hour. Hard to leave the room. I then heard the Extremes playing with all MBL Reference electronics as well as the reel-to-reel.

MBL brings high end Hi-Fi systems and speakers to UK

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AXPONA 2018: MBL, the definition of “Made in Germany”

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Monster MBL MCON-2M MusicConnect Portable Audio Player to Stereo Cable - 2 meter Cable

RELATED VIDEO: The Review Conclusion- MBL Reference Line Digital Review, pt. 5 of 5

Acoustics Players. Preamps Amplifiers. Reference Line Noble line Corona Line. MBL E Loudspeakers The technological tour de force that has continually redefined audio playback for over 30 years.

MBL or TIDAL? SPEAKERS, ELECTRONICS...

BL started in with a design Radialstrahler mbl called. This name should ring a bell for many of you — tall loudspeakers shaped like a rocket missile, with unique drivers to generate sound. In a well-adapted listening room, with top electronics, preferably from MBL, they sound truly spectacular and unlike any other speaker. This is a German manufacturer through and through, i. With offices in Berlin and a factory in the idyllic Eberswalde, 30 miles from the German capital, the company employs a total of 50 people. This long-time chief MBL designer built his first portable radio at the tender age of

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