Dumble amp speakers

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Content:

• Under the microscope: Dumble Overdrive Special
• speakers that match dumble style amps?
• TTC Combo 112 Dumble Style
• Sebago Sound Speaker Cabinets
• 5e3 dumble mod
• Best Speaker for Dumble-Style Amp (Omega Mod)

WATCH RELATED VIDEO: Cory Wong plays a $100K Dumble Overdrive Special!

Under the microscope: Dumble Overdrive Special

However, Vaughan occasionally used pedals to augment his sound, mainly to boost the signal, although he occasionally employed a rotating speaker cabinet and wah pedals for added textural flair. Most guitarists with multi-amp rigs will use Fender amps for clean tones and Marshalls for distortion and overdrive, but Vaughan did the opposite.

With watts of output and a power amp section driven by KT77 tubes, the Club and Country provides more clean headroom than the typical Marshall design. Vaughan usually used his Dumble head with a custom-built 4x12 cabinet loaded with Electro-Voice speakers.

Vaughan acquired a second Dumble Steel String Singer in When Vaughan started playing increasingly larger venues in , he added a pair of Super Reverbs to his rig, which he used along with his Vibroverbs. Like the Vibroverb, the Super Reverb is powered by two 6L6 tubes and provides 40 watts of output, but because it has four inch speakers Vaughan loaded Electro-Voice speakers in his Super Reverb amps instead of a single inch speaker it provided the louder clean headroom Vaughan needed onstage.

Eventually, the Super Reverbs replaced the Vibroverbs as the source of his onstage overdrive tones, although Vaughan kept one Vibroverb in his rig exclusively for driving the Vibratone rotating speaker cabinet.

For his Japan tour, Vaughan used a pair of Fender Twin Reverb amps a mid-Sixties watt blackface model and a late-Seventies watt silverface version with master volume in place of his Dumble Steel String Singer head. The Twins disappeared from his rig after that tour, only to resurface for a brief period in when they temporarily replaced his Vibroverb combos.

Vaughan experimented with a variety of speaker cabinets for the Marshall, including huge 4x15 and 8x10 cabinets designed for bass, before settling on a 4x12 loaded with Electro-Voice speakers like he used with his Dumbles. When recording each song, Vaughan experimented with different combinations of amps and settings until he dialed in the sound he wanted. According to pedal-geek lore, Vaughan was a big fan of the TS version of the Ibanez Tube Screamer, but evidence in the form of stage photos, live videos, insurance documents and customs declarations reveal that the TS9 version of the Tube Screamer was his preferred choice from through most of the Eighties.

Vaughan usually used his TS9 to provide a clean boost to his Fender Vibroverbs for solos, with the level control all the way up and the drive control set to relatively low gain. Similar to a Leslie Model 16, the Fender Vibratone is designed for gigging guitarists and features a rugged, roadworthy cabinet covered in black Tolex. More importantly, the Vibratone is also designed for use with a standard guitar amp and features a guitar speaker that emphasizes crucial midrange tones instead of the full-range, two-way woofer and tweeter speaker array found in most Leslie cabinets.

Fender sold the Vibratone from through , and it is still considered one of the best true rotating speaker effects for guitarists. Vaughan owned several other Vox wah pedals and was allegedly very fond of an early Seventies version with a Japanese TDK inductor. Vaughan collected several Fuzz Face pedals, and he would try several during sound check to choose the one he thought sounded best that particular day.

Another key effect that Vaughan used to emulate Hendrix tones was an Octavia fuzz pedal that produces octave-up effects. His guitar tech, Rene Martinez, says that Stevie thought the Tycobrahe pedal produced the best Octavia effect he had ever heard. Vaughan especially liked how the Octavia sounded when used along with a Tube Screamer.

Be sure to pick up the new March issue of Guitar World magazine, which features SRV on the cover and celebrates the 30th anniversary of Texas Flood. The issue also profiles the amps and effects in Vaughan's arsenal, dissects 10 Vaughan albums and discusses Vaughan's "Number One" Fender Strat. The new issue is available now at the Guitar World Online Store. Guitar World.

speakers that match dumble style amps?

I have an amp based on dumble project. It's a boutique combo amp builded by a great luthier here in my city, all tube, with clean channel and overdrive on pre, 50 watts. I don't want a tone with a lot of bass. I like more mid to treble, but not like Fender amps tone. I like Marshall's tone principally in overdrive. I pretend to buy an Epiphone LP with 57 classics humbucking. Now I have a Casino , with Ps.

TTC Combo 112 Dumble Style

EAV Pro Audio stock a wide range of PA Speakers, Mixing desk, power amp , audio interfaces, projector lamp , Wireless microphones and wired microphones along with a massive range of home and professional recording equipment. Miss Canan hit the nail right on the head. Been playing a guitar since 15, not to mention my prior and post classical training thank you for your inspiration Albert King. Dumble was one of the first boutique amplifier manufacturers. It's been said that any bettor needs to see this, Watch this now or stop betting on sports Post a Comment. Monday, June 21, Dumble Amplifiers. He grew up in Bakersfield, California and as an 18 year old kid built amplifiers for Semie Mosely. And the Ventures used his amplifiers! Posted by marcusohara aol.

Sebago Sound Speaker Cabinets

Eminence strives to be the cutting edge in guitar speaker manufacturing. We work diligently to provide tools, which we hope will help you pick your sound. This page is dedicated to sound clips. In creating these sound clips, we experimented with different microphones, their placement, and using some in tandem.

5e3 dumble mod

In this post, I decided to do a down-to-earth rap on a handful of cool guitar amp speakers that I have used lately. It is difficult to sift through the technical data on speaker websites. And the descriptions, in general, are not necessarily easy to evaluate when doing comparative shopping. So I will attempt to use terms that simplify the descriptions in ways that more clearly define what the speaker does with respect to our proverbial Quest for Tone. So here are some guitar amp speakers I have been working with lately.

Best Speaker for Dumble-Style Amp (Omega Mod)

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Sebago Sound offers 1x12 and 2x12 matching cabinets for your amplifier head. The cabinets feature an open back with an oval shape specially designed to offer a nice wide, full bass without being too directional or boomy. We offer several different speaker options. The standard speaker option is the Celestion GH , which offers warm and full bodied tone with lows that are rich and fat. It responds to overdrive distortion with a colorful crunch.

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Stevie used various amplifiers throughout his career, mainly Fender and Marshall. Most guitarists with multi-amp rigs will use Fender amps for clean tones and Marshalls for distortion and overdrive, but Vaughan did the opposite. He said of his choice: "I use the Fenders for distortion and the Marshall for clarity. When recording "In Step", his last studio album with Double Trouble, Vaughan had over 30 different amps at his disposal, including a Fender Twin, a mint original Fender Bassman, and vintage Fender Harvard and Magnatone amps, in addition to the Fender Vibroverbs, Dumble Steel String Singers, and various Fenders and Marshalls he used onstage.