Audiolab 6000 cdt reviews
Audiolab CDT is a popular and one of the more expensive options. Marantz CD is a very popular and one of the more expensive options. This website displays data from third party public sources. The data presented is for information purposes only. We can't guarantee correctness and completeness of all the data presented here, and therefore will not accept liability for any issues arising from usage of this data. All Trademarks and Copyrights belong to their respective owners.
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Audiolab 6000 cdt reviews
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- AudioLab 6000CDT CD Transport
- The Stunning Audiolab 6000CDT CD Transport In The House: First Impressions And Unboxing Pics!
- Do You Have Any Question ?
- The Stunning Audiolab 6000CDT CD Transport In The House: First Impressions And Unboxing Pics!
- Audiolab 6000CDT Dedicated CD Transport with Remote
- Audiolab 6000CDT Dedicated CD Transport
- Audiolab 6000N Play review
AudioLab 6000CDT CD Transport
And…nothing else. No networking this or wireless that. You put a CD in it. Modern hi-fi kit is turning into mini-department stores. Each component is becoming its own one-stop shop. So all-in-one units are in vogue but cross-over components are very common indeed. It damages the delicate stuff in sound. Hi-fi components much prefer to be separate and alone. Isolate a hi-fi component and it will reward you with better sound. Separate the power amp into two separate monoblocks and sound quality takes a further hike upwards.
You can apply the same theory to any component in the hi-fi chain. It moves against the grain and accepted wisdom. Because of that, it had my attention and I had only taken the thing out of the box. So what else? The CDT fits very easily into the Audiolab family in terms of aesthetics.
Many have a bad attitude. Some work when they want to and others demand that you play out a strange dance if you want to listen to your CD with any sort of success. For example, I remember one example from the past that will remain nameless where you had to rest the CD in the slot. Then give it a gentle nudge. Anything else and the transport would spit out the disc. Thankfully, the Audiolab removes this sort of palaver.
Which is a big relief. Better still, in operation, the transport uses built-in memory that reads ahead to reduce errors. The thorny issue of jitter is also addressed by Audiolab. Jitter is an odd thing — it sounds odd too. Jitter is supposedly produced by digital storage hardware, creating variations in the bitstream that changes the sound waveform itself although there are also thoughts that jitter is fixed and is part of the actual disc itself in varying levels and that it is pressed into the disc during imperfect duplication.
So you get timing errors. The sound takes on a slightly distorted demeanour. Jitter wherever it might come from has been a problem for a long time and the original developers of the first CD technologies were all too aware of the effect. Apparently, even a 0. To combat this effect, Audiolab took it upon itself to have a temperature-compensated crystal oscillator master clock installed to lower the jitter effect at the transport end of the equation.
More than that, the coaxial output has been looked at and isolated to reduce noise. On the CDT, the coaxial socket is fed from a differential line driver. The box itself is simple, minimal and to the point. The front offers a CD loading slot, stand-by button and standard CD play buttons.
The rear? Apart from the in-house trigger buttons to connect to other Audiolab products, you get a power socket, rocker power switch and two digital outs. To me, the CDT is beautiful.
Not because it has been styled or moulded or has fancy bits of metal stuck all over it. No, I think it is beautiful because it is simple. I hoped that the philosophy of the outer chassis would be replicated inside too. I began by comparing this specialist CD transport with an integrated CD player i. Because of budget restrictions, many users upgrade their CD player in stages and gradually, not by buying a brand-new CD player but by plugging that CD player into another DAC.
The integrated CD player then becomes a sort of make-shift transport. Later, they will upgrade again and buy a separate DAC for their make-shift transport. I wanted to test both of these scenarios with the CDT. Just to see if I could hear any sonic differences. I connected my reference integrated CD player to the Audiolab A amplifier. Just how would the specialist transport compare to the transport from the all-round CD player? Is a specialist transport really any better in performance terms?
Just how different is the CDT? Completely different. The leap in quality was quite shocking, actually. Then walk into the real 3D, living and breathing room. Walk around in it. Look side on and behind. Jump up and down in it. It is highly recommended as an integrated CD player. The thing is, though, it is integrated. It is not a specialist transport. So, to that effect, the fact that I used this particular integrated CD player in this test is immaterial. I could have used one of dozens of different branded integrateds and the same result would have occurred.
In fact, I did. I quickly brought in a mid-priced CD player by Cambridge just for this brief test. Another very nice CD player. Again, highly recommended as an integrated CD player. Same result? Same result. The Audiolab CDT is a specialist you see. It does it superbly. First off is the soundstage.
This is the place that contains the music. This is where the music comes from. Get this framework right and the quality of the music will have more chance to shine. The CDT does just that because the soundstage was completely remodelled. The effect was more than 3D.
The music was pushed backwards but not just at the stereo image point — a usual place for 3D effects to occur. No, more than that, space was pushed left and right too, right across the breath of the soundstage. This gave a large rectangular space at the rear of the soundstage for the music to work with.
And space is what increased here, lots and lots of space. I felt that I could have got up off my listening chair and moved my hands around the sides and back of the guitar and never touched the guitar or what was next to it. There seemed to be a discernible gap between it and the vocal. Detail was much increased too — tonal variation was also increased but more than that, I was hearing far more resonance vibration from the strings.
Those little imperfections that tell you that a human being is playing this thing. They added emotion to the guitar playing. The drums too were different. Bigger with a slightly hollow sound that suggested that these drums had size but not necessarily mass. It was a great effect because the tonal effects added realism to the overall arrangement. The other great thing about the CDT was the instrumental separation.
Previously, the cymbal strikes and hard, pumping acoustic guitar strums occurred at exactly the same moment so hearing the cymbal strikes on their own was a tough call. Not now. Oh no. I could plainly hear both and separate too. That one element sold the CDT as a valid piece of hi-fi equipment to me. Right there, I was a convert. The presentation provided lots of atmosphere because Clooney sounded like she was recording her track in a large auditorium in front of a live orchestra.
That sense of space, the grandeur and the sense of immediacy was there in buckets, with plenty of reverb from the upper mids swilling around, adding a vivacity and energy to the piece.
Tubular bells and cymbal taps offered delicacy and fragility from the treble area while percussion provided welcome tonal balance in bass terms. Transients were sharp and accurate while trumpets and saxes were both clean yet resonant.
The Stunning Audiolab 6000CDT CD Transport In The House: First Impressions And Unboxing Pics!
Funny how fashions come and go. A separate CD transport and DAC was the coolest thing on the planet in the late eighties, almost more impressive than having a brick-sized cellular portable telephone or hot hatchback with the letters GTi emblazoned on the back. Then, 10 years later, few seemed interested in this sort of needless extravagance. Less was more, and there were some fine-sounding one-box CD players around, so what was the point?
Do You Have Any Question ?
Comes available in black or silver. People forget or don't know but many music biz execs were very apprehensive about cd back in the early s, as it amounted to giving their master-tapes away. Because that's what they are, unlike vinyl or RTR they are perfect copies of the masters. So there is outstanding sound quality to be had from CD, but it needs to be treated right. Now that's all very well but is deploying a 'dedicated' CD transport better than just plugging any DVD or CD player that you have lying around into your DAC and using that as a transport? Well, that's what I wanted to find out The Audiolab seems reasonably well built for the price. It's a slot loader so no disc-drawer mech, it just sucks the disc in, not sure whether I prefer a draw but not had any issues with it.
The Stunning Audiolab 6000CDT CD Transport In The House: First Impressions And Unboxing Pics!
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Audiolab 6000CDT Dedicated CD Transport with Remote
Should I wait for a sale? Or get this now? What will I be missing out on when the new model comes out next year? Imagine doing hours of your own research. Until your long-awaited amp set-up fails to deliver the kind of sound you had in mind. What about: No after-sales service.
Audiolab 6000CDT Dedicated CD Transport
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Audiolab 6000N Play review
Funny how fashions come and go. A separate CD transport and DAC was the coolest thing on the planet in the late eighties, almost more impressive than having a brick-sized cellular portable telephone or hot […]. The maximum sampling rate is
Read more here ». Extremely robust and reliable, it uses a read-ahead digital buffer to reduce disc-reading failures, able to play scratched and damaged CDs that are unreadable by conventional mechanisms. The CD driver with an integrated amplifier is an innovative, performance-lead sound processing instrument. The Audiolab CDT transfers the music output faultlessly from a mix of analogue and digital sources to the connected speakers. The bit DAC is fed by two coaxial and two optical inputs.
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