Electric guitar effects pedals
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The Best Guitar Effects Pedals of All Time
Most guitarists still get a little weak in the knees upon discovering a new stompbox. In recent years, the pedal population has grown exponentially to the point where vintage models now commonly share 'board space with classic reissues, modern boutique units, mass-produced newbies, and hi-tech gizmos. When it comes to stompboxes we've never had it so good!
So take a spin through this awesome compilation of tone machines, grab some inspiration, and see how many you can check off from your own collection Developed in collaboration with The Band guitarist Jim Weider in the early 00s the first King of Tone pedals were sold in , and in Analog Man updated the design to include six knobs. This version 4 is essentially two overdrive pedals in one unit. With its ability to add natural tube-style overdrive to the signal while retaining the subtle nuances and character of both musician and instrument including the amp the King of Tone is regarded as a true boutique masterpiece.
Debut: Famous for its lush analog sound, the stereo CE-1 set the standard by which all chorus pedals are judged. Debut: Highly regarded for its tape-flavored tones, this classic analog delay pedal specializes in short echoes 33ms to ms , and features echo, intensity, and repeat rate controls. Cranking the intensity knob makes for a pretty rad effect in itself!
Buy: Boss DM2. Debut: This ultra-popular digital pedal gave guitarists far greater sonic flexibility than was possible with analog technology. Clear sounding, quiet, and delivering up to ms of delay, the DD-3 was an immediate hit. Features include dual outputs and a handy hold function that will loop a delayed part infinitely. Buy: Boss DD Debut: This ultra-classic distortion box is known for its warm, tube-like growl and excellent dynamics and punch. Buy: Boss DS No sooner had Boss discontinued the HM-2 Heavy Metal in the early 90s than it was adopted as the de facto standard distortion box for Swedish death metal bands such as Entombed, Dismember and Grave.
Debut: Packing furious gain and powerful EQ, the MT-2 is well equipped for scorching lead tones and gut-shaking, modern-metal chunk. Buy: Boss MT Debut: Boosted grind is the forte of this great-sounding, British-made overdrive. Equipped with drive, treble, and bass controls, the Overdriver is ideal for making even clean amps perform very dirty tricks — just ask Jeff Beck. Debut: Designed to deliver soft, amp-style tremolo with no volume losses or unwanted coloration, the compact Tremulator needs only speed and depth controls to yield smooth, Fender-style pulse.
Debut: The VT-X is a fat-sounding, tube-powered tremolo that offers a wide range of trem speed, as well as a bevy of controls. Put it last in line and dig what it does for your tone! Debut: This year-old audio acrobat is currently performing its digital wang-bar tricks, chorus-like manual detuning, and pedal-controlled interval morphing for a generation of nu-metal players.
Even jazzers such as John Scofield and Jim Hall have grooved on this wild pedal. Debut: The Q is like having several wah pedals in one. Buy: Dunlop Q Wah. Able to record parts on the fly, and then replay them at the touch of a button, this early digital sampler opened the door to onstage looping, and it would become a key element in the textural styles pioneered by Robert Quine and Bill Frisell.
Buy: Electro-Harmonix Big Muff. Using the Filter Matrix switch to disengage the automatic sweep lets you manually dial in metallic chimes and other strange noises. Able to drive even the cleanest amplifier into clipping, this tiny titan not only put Electro-Harmonix on the map, it also paved the way for the advent of high-gain amplifiers. A firm favorite of Jack White and The Edge this bonkers box produces up to five additional octave sounds including sub octave, one up, two up and slightly detuned versions of both up octaves.
The result is a massive organ-like noise that works, wait for it… with chords! Debut: This simple phase shifter needs only a rate knob and a color switch to deliver rich, swooshy, psychedelic swirl. Debut: One of the hippest octave—fuzzes ever made, the Tone Machine packed tons of output and it tracked well to boot.
Debut: This highly evolved pedal offers thick distortion, potent output, and the ability to precisely tailor the dynamic response to suit your amplifier, playing style, and mood. And it does all this while keeping the sound of your guitar intact. Debut: This dual-channel unit features the usual volume, tone, and overdrive controls, but adds a footswitchable boost function with a separate level control.
A great-sounding overdrive in its own right, the Full-Drive 2 is particularly hip for its ability to deliver two distinct distortion flavors. Debut: Made famous by Eric Johnson, this definitive overdrive is a close cousin of the popular TS The TS delivers warm, grainy distortion, plenty of output, and has a strong upper-midrange bump that colors your guitar sound considerably.
Debut: One of the first digital-modeling stompboxes, the DL4 provides simulations of 15 classic analog delays and tape-echo units. With its user-friendly interface, and smart features such as tap-tempo, stereo ins and outs, and a second looping function, the DL4 is one-stop-shopping for delay freaks. Debut: Featuring four frequency ranges, multiple filter types with depth and resonance controls , attack and decay knobs, a trigger section, and a handy effects loop, the British-made Meatball can do the funky-filter thing as readily as it dishes up animal snorts, bird whistles, insect mating calls, and endless iterations of lower-tract distress.
Based on a transistor circuit cooked up by a Nashville studio engineer, the Fuzz-Tone kicked off the beginning of the stompbox revolution. Debut: Morley broke with the wah pack by introducing a model that used a photo resistor in place of the standard potentiometer.
The PWB doubled as a volume pedal, and it also featured a footswitchable, variable boost function. With its wide, smooth sweep and quiet operation, the PWB was a revolutionary design that opened the door for a slew of ever more elaborate Morley pedals. Debut: This early buzz box — a favorite of Randy Rhoads — used a simple op-amp circuit that provided both insane gain and tube-sounding distortion textures provided that you made sure to roll off the treble on your guitar and amp.
Debut: Putting the pop in country licks and helping slide parts sound silky smooth has long been a specialty of this king of stompbox compressors. The Dyna Comp was quickly adopted by ace Nashville session players such as Reggie Young and Jerry Reed — who used the script-logo versions on hundreds of hit recordings — and it was also a key tool of slide master Lowell George.
Besides delivering deep, powerful swoosh, this AC-powered analog box could delve into chorusing, steel-drum simulations, and other shades of lo-fi lusciousness. Buy: MXR Flanger. Debut: This orange box needs just a speed knob to yield complex swirl and cool, rotary-speaker simulations. Buy: MXR Phase Debut: This boutique octave-fuzz offers intense sustain, loads of output, and a unique swell circuit that can simulate the effect of playing backwards.
Buy: ProCo Rat 2. His biggest hit was the Octavia, which delivers a ringing second-octave effect. The rarely-seen AP-7 packs a bunch of controls and specializes in psychedelic colors that no combination of fuzz and phaser can quite duplicate.
A truly modern classic, the BigSky reverb brings heavenly-sounding reverb down to earth and places it firmly at the feet of guitarists. Underneath the bonnet the BigSky boasts a whopping 12 studio-quality reverb machines ranging from the traditional Hall, Room, Spring, and Plate to more progressive modes such as Chorale, Shimmer, and Nonlinear.
Each reverb type is selected via a rotary knob for quick access. A further eight dials are available for swift, easy tweaking. Buy: Strymon BigSky. Thanks to a beautifully designed analog circuit that delivers a 20HzkHz bandwidth and imposes a noise-gate on the wet signal, the T.
Debut: This brainy D. Kurt Cobain used a SansAmp onstage. Debut: The Tube Driver has at least three distinctions: It was the first distortion pedal to use a real tube, it was designed by a keyboard player Brent Butler , and it was made famous by Eric Johnson who used one straight into a Marshall for his lead sound.
Several versions of this box were made, and the four-knob models built by Butler for Chandler are generally considered the best. Debut: In the beginning, there were only two ways to get an Octavia: you could become a rock star and get it directly from Roger Mayer, or you could purchase a Tycobrahe clone.
The rest, as they say, is history. Debut: Another stompbox made famous by Hendrix is the Uni-Vibe — an early rotary-speaker simulator that used a pulsating light source and four photo resistors to modulate its four-stage phase-shifting circuit.
Or, for that matter, Robin Trower? Debut: Hendrix was the first and most famous to jump on this essential effect — which was invented by a Thomas Organ engineer named Brad Plunkett. Debut: Broad, rich chorusing and the ability to preserve the tonality of your guitar make the Blue Hippo a heavyweight of the analog jungle. Buy: Way Huge Swollen Pickle. This is one of the widest-ranging fuzzes of all time.
Buy: Z. Vex Fuzz Factory. Debut: Packing eight individually tunable, sequentially driven wah circuits which can be set to fire in four-, six-, or eight-voice patterns , the Seek Wah is well equipped to produce such trippy effects as modulated-wah tremolo, oddball-sounding arpeggios, and myriad dialects of robot speak.
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Guitar/Effects Pedals
There seems to be a problem serving the request at this time. Guitar and bass effects pedals are used to change the sound of the signal your instrument produces. There are many different effects that all create different sounds. Some effects affect the sound of your guitar or bass very little and are used to create fine adjustments and add colour to your sound. Other effects will alter the signal from your instrument drastically completely transforming the sound. Squashes the dynamic range of a signal by attenuating the peaks and amplifying the quietest parts.
Effects unit
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Effects and Pedals
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16 Guitar Effects Pedals Every Guitar Player MUST Have (2020)
And while everyone knows that the core of your sound comes from the sensibility of your touch, your guitar and your amplifier, it is also true that certain pedals can transform and shape your tone to make it more unique and personal. As obvious as it sounds, a tuner or tuning pedal is fundamental for your rig. It can also act as a mute switch for changing guitars between songs. These days there are many smartphone apps for tuning your guitar — as well as clip-on tuners — but when you need precision and a clear visual indication of the pitch of your strings, nothing beats a good old tuning pedal. The Boss TU-3 is a classic tuning pedal with lots of useful settings — alternatively, you can check out the CPT by Harley Benton which features true bypass connections and a super large LCD display. Need a smaller footprint?
What Guitar Effects Pedals Do I Need? The Beginner’s Guide
What is a guitar effects pedal, and how do pedals work? These pedals affect the incoming guitar signal in a wide range of ways in order to produce a specified effect. A guitar effects pedal is an audio effects unit that either produces an effect in the guitar signal, routes the guitar signal to a determined signal path, or tests the signal to give us information. Of course, the pedals can be controlled by hand as well, though it may make it difficult to play guitar at the same time. Guitar pedals range wildly in the effects they produce. The MXR Phase 90 link to check the price on Amazon is a straightforward guitar pedal that provides a phaser effect. We can also see a single input and a single output.
JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser. It basically takes your signal from the guitar and distorts it, adding volume, crunch and sustain to your sound.
Effects pedals are electronic or digital devices that modify the tone, pitch, or sound of an electric guitar. Effects can be housed in effects pedals, guitar amplifiers, guitar amplifier simulation software, and rackmount preamplifiers or processors. Electronic effects and signal processing form an important part of the electric guitar tone used in many genres, such as rock, pop, blues, and metal. All these are inserted into the signal path between an electric instrument and the amplifier. They modify the signal coming from the instrument, adding "effects" that change the way it sounds in order to add interest, create more impact or create aural soundscapes. Guitar effects are also used with other instruments in rock, pop, blues, and metal, such as electronic keyboards and synthesizers.
Build on your amp's tone. Guitar pedals give various effects and functions that your amp might not offer. Showing 40 of products. Guitar effects have helped musicians shape and craft their sound for decades - from fine-tuning their tone, to radically altering their whole sound. Multi-effects pedals, such as the Boss GT, combine a number of effects within one, portable unit. Guitar Pedals. Read more Build on your amp's tone.
Boy have you come to the right place! BOSS have been pioneers and innovators in the field of compact effects pedals since These are the essentials.
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