Klimax exakt 350 speakers for iphone
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What if you could play back any LP ever pressed with the correct equalisation? And what if you could adjust or even modify that equalisation curve on the go? Or adjust any of the settings using a simple knob without messing around dip switches and external components? To sum it up, the PH is a premium phono stage that combines a digital interface with a Class-A discrete component design, offering the widest range of equalisations, gain, load and capacitance adjustments to correctly match any cartridge ever developed.
It also boasts a headphone output with dedicated volume control, 3 independent inputs RCA and XLR , and the Single Knob Control the signature rotary control that allows you to navigate the menu on the display to change settings while playing music. Not to mention that it can optionally feature a built-in Class-A line preamplifier — what more could you want? Watch the video on YouTube www. You could say this is the result of a modern approach to the concept of HiFi inspired by the needs of the contemporary audiophile.
The whole design is in fact based on a very simple idea: to control analogue components through a digital interface and get rid of dip-switches, external boards and other less practical solutions. The other simple idea that emerges is that the audio signal path is always as short as possible to preserve the highest audio quality. The same idea that inspired the addition of the headphone output, which makes it possible to create the shortest audio chain ever, going from the cartridge to your ears in only 4 steps.
Or the Class-A line preamp that allows the PH to be connected straight to your power amp. The reason behind it is that the shorter the path, the better the audio quality.
And the PH does just that. Want to see the PH in your living room? Thanks to the magic of AR Augmented Reality you can see it right in front of you — click on the link from your smartphone or tablet and tap the AR icon www.
There are 3 RCA and 2 XLR inputs which can also be used for external load plugs, and a dedicated connector for the external power supply. Last but not least, it comes with a remote and the headphone output level can be set to High or Low to match a wide range of headphones despite their sensitivity. There are 4 EQ curve setups that can be manually adjusted by acting on three main parameters turnover bass, bass shelf and treble cut using exclusively analogue technology.
As always, the level of quality meets the highest standard throughout the entire production: from the precisely machined aluminium to the audio-grade components and circuitry, each part undergoes strict QC computer-controlled tests.
You can view this product here: www. For further information, please contact Black Rhodium: Tel: Fax: Email: [email protected] Web: www. Naim Audio is delighted to introduce a new premium Wood Edition of its award-winning Mu-so 2nd Generation — the wireless speaker system that excels with music and TV.
Available alongside existing models, the new Mu-so Wood Edition blends superb performance with exquisite styling. Mu-so Wood Edition is dressed in sustainable Ayo us hardwood, expertly treated and lacquered to give the appearance of a Light Oak finish. The iconic Mu-so heatsink also has a new anodised aluminium tint, with the speaker finished by a neutral-toned, woven front grille.
This new Wood finish is an ideal match for lighter-look interiors — allowing you to seamlessly enjoy harmonious style and sound throughout your home, from living room to kitchen; home office to bedroom.
Mu-so Wood Edition offers superlative wireless streaming of all your favourite music services, all with easy control from the Naim App or direct from your devices. It also works as a Bluetooth speaker. Whether you sit it under your TV or anywhere else in your home, room compensation options optimises the audio to suit, for a rich yet natural sonic experience.
Group with other Naim players and systems at the touch of a button, any AirPlay 2-compatible wireless speaker or with Chromecast built-in devices. And while was a year where the cathedral was often stilled due to the COVID pandemic, has seen the cathedral become a focal point once more… for vaccination.
While many of us have had our COVID vaccinations in pharmacies, anonymous local authority office buildings or 20 th Century built Church Halls and sports clubs, the good people of that city in Wiltshire have received their armful of vaccine amid the Early English Gothic splendour of Salisbury Cathedral.
While they waited in socially distanced quiet along the nave of the Cathedral, the people waiting for their vaccination were given a gently soothing musical backdrop of live music played on the spectacular — and recently restored — Father Willis organ.
And while GPs family doctors from the Salisbury area who form the Sarum South Primary Care Network will began administering the second round of covid vaccinations for the over 80s in Salisbury Cathedral, this last weekend, an album of that music was released on Monday: Salisbury Meditation — Music for the NHS.
This is a digital album of classics played during the vaccination sessions. The numbers are impressive. The Sarum South Primary Care Network has supplied more than 25, vaccines at Salisbury Cathedral since the vaccination programme began rolling out in January , and both the Director of Music David Halls and the Assistant Director of Music John Challenger for Salisbury Cathedral have between them clocked up more than hours of organ playing for those waiting for their jabs.
And now a selection of that music has become one of the only live recordings made in the UK in the first quarter of There were tears. It has certainly marked a milestone in my life. We believe there is an appetite for this sort of music at this moment in time, and the various arrangements for organ work so very well here, it has resulted in a first-class recording. I urge everyone to buy the album not least because the funds raised will help us continue to support NHS workers, volunteers and patients at the centre of the crisis, and every donation will make a difference.
The track listing in full:. Gordon Phillips Herbert Brewer Stainton de B. Taylor Edwin Lemare Charles P. The album itself is both extremely well recorded and very well played. The tone of the Father Willis Organ is both sonorous and portrayed well in its natural acoustic. Also, given that this might just be the first live music some people will have heard for a year, the level of emotion here is conveyed well. The fact listening to that beautiful thing also helps raise money for NHS Charities Together is icing on the cake.
We Clapped for Carers, now buy the soundtrack! The image for the album cover was supplied by Declan Spreadbury, Central Booking Coordinator for Plastic Surgery at Salisbury District Hospital and a keen photographer in his spare time.
All other images by Ash Mills. These cups are separated with multi layered silicone and aluminium dampers and are said to filter vibrations up to as high as 3kHz. This makes for a sound that is more even-handed and capable of playing more and different kinds of music.
However… you quickly realise the same rules apply to everything in audio. To answer, please send your answer including your name and address via email to [email protected]. The competition will run from March 4th until May 6th The competition is open to everyone, but multiple, automated or bulk entries will be disqualified. The winner will be chosen at random from all valid entries, will be contacted via email where possible and their name will be published in the magazine.
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In short a system that uses speakers like the really rather remarkable Raidho TD1. Even for a brand that has startled and divided the audio community as often and deeply as Raidho has, this speaker is something special. The C1 quickly spawned the C1.
Along with a step-change in performance and, far from coincidentally the C1. With Danish electronics conglomerate Dantax holding the purse strings, the Raidho brand has finally started to really deliver on its promise, cleaning up its act, refining its existing technology and entering a period of steady evolution.
Right from the start, Raidho has relied on composite ceramic cone technology, deep treatment of the raw aluminium diaphragm producing a three-layer sandwich, with hard ceramic skins either side of a soft, aluminium core and a distinctive, almost white colour. That creates a cone with the benefits of stiffness and good self-damping — the twin grails of loudspeaker cone design. But like all composites, the real virtue of the approach lies in the ability to alter or control the sandwich structure in order to tune its performance.
The D prefix used on the flagship range denotes a stiffer, lighter, synthetic diamond coating in place of the ceramic skins, but that has now been superseded by a more complex structure that takes the original ceramic sandwich and uses a high-temperature sputter deposition process to deposit a precisely calculated mix of titanium and titanium nitride particles on each side, before that process is repeated to create the final seven-layer sandwich. The goal was to approach the performance of the D-series diamond cones at a more approachable cost.
In fact, they achieved a performance that gets awfully close to the D-series drivers in some respects, and actually betters them in others, the seven-layer construction delivering superior self-damping, a lower fundamental resonance and a stiffer overall structure.
The new cones, with their sombre, matte grey surface first appeared in the XT variants of the entry level X-series, allowing those speakers to leapfrog and thus render obsolete the more expensive C-series. Now, the TD-series steps in to take over from both the C-series and the D-series, extending performance without extending the price of the flagship line.
Looking at the numbers on the TD1. Listening to the two speakers in close comparison, I was shocked by the extent to which the familiar virtues of the C1. For all its clarity, crisp leading-edge definition and micro-dynamic discrimination, switching to the TD leaves the C-model sounding lightweight and threadbare.
The TD1. If you thought that the C1. The new driver has lost none of the speed and attack that the C-series drivers possess — but it adds greater precision and a more refined performance, both within and outside the audible band, qualities that help keep all that information exactly where it should be, preserving the pattern of the music, making more sense of its structure and the conversations between instruments.
It all comes down to the shape of individual notes. The Raidho speakers have always leant more towards how the music is being played, with astonishing insight into the performance and technique of individual instrumentalists at the expense of the performance as a whole.
The notes arrive so crisply and so closely together that most systems struggle to recover between impulses, the result turning into a blizzard of notes, tumbling over each other. The clarity and clipped trailing edges of the C1. Swapping to the TD1.
Not only does the grey-coned speaker define the notes AND the gaps between the notes, but it does so with such confidence that the reproduction becomes unforced, the performance masterful. Far from playing right to the limits when it comes to speed, Lisiecki is in fact playing well within himself, the TD revealing not just the precise placement and spacing of the notes, but also their weight and the way he accents each phrase, articulating the lines as a whole.
Given the breakneck speed at which all this is happening, the performance of the speaker is almost as impressive as the playing. That relaxed sense of unhurried music making is invaluable when it comes to enjoying music, any music, at home. Like any speaker, the Raidho TD A little like the Stenheim Alumine 3, this is a speaker that might not demand power but it sure does like it. The results are significantly more convincing than those achieved by the D1.
Better balanced yes — a genuine all-rounder, not so much. It lacks the astonishing air and absence of the best diamond tweeters and still sounds a little closed in at high frequencies, but this is a level of criticism that can be applied to any speaker and small stand-mounts more than most.
Linn Kazoo Update 23.8.21
They have no scratches or dings. They have been well looked after! In my opinion they are better than the a speakers. The reason why linn stopped making these speakers is because they became too expensive to make. These are serious speakers. They are original and have not had any upgrades.
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Linn has announced "a brand new category of music system", called the Linn Klimax Exakt. And after teasing the new product on its website, we have now have full details. It sends digital data losslessly, eliminating distortion and noise and only converts to analogue at the last possible stage. This results in sound being transmitted accurately and perfectly to the speaker, or at least that's the plan. The digital-to-analogue process taking place inside the Exakt speaker, with a digital platform that includes signal correction and "eliminates phase and magnitude distortion". Both speakers have a digital receiver, DAC and amplification inside. The aim is to keep the process digital from source to speaker, with as few points as possible for inaccuracies and errors to be introduced.
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Linn Klimax Exakt puts "the source in the speaker"
Audio amplifier manufacturersCompact Disc player manufacturersAudio equipment manufacturersLoudspeaker manufacturersPhonograph manufacturersBritish Royal Warrant holdersScottish brandsLinn ProductsEngineering companies of ScotlandElectronics companies established in Companies based in East Renfrewshire establishments in Scotland. Linn Products is an engineering company that manufactures hi-fi and audio equipment. From Linn was one of the first audio manufacturers to introduce digital music streaming using the home network and internet. This network approach was extended in with the introduction of the Linn Exakt technology to retain the bit lossless signal in the digital domain to the active crossover. Originally based in the eponymous suburb of Linn, south Glasgow, and opposite Linn Park, it is now based just outside the city, between Waterfoot and Eaglesham, East Renfrewshire.
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What if you could play back any LP ever pressed with the correct equalisation? And what if you could adjust or even modify that equalisation curve on the go? Or adjust any of the settings using a simple knob without messing around dip switches and external components?
RELATED VIDEO: Quiet Hearing Aid on iPhone !!! What to do? / Тихий Слуховой Динамик для всех iPhone !!! Что делать?If you wish to book a time for a demonstration, please call Colin at our showroom on or email colin wysah. In short, Everybody wins! Katalyst carefully optimises every pathway to the DAC chip itself, allowing unparalleled access to power requirements right down to a subsystem level. The easiest — and briefest — way of considering this is it is like Linn built a bespoke suit for the DAC and it wears it well in its hewn from solid billet aluminium chambered chassis. Normally, when listening to a change in digital architecture, the difference in sound quality is comparatively small. It was as if a group of better and better-rehearsed musicians had turned up.
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