70s speakers and receivers
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Audio Files: Adapting Your Old Stereo to the Streaming Universe
David, aka Grumpy, needs our help. Great news. David is home! It was quite the ordeal to get him home and into the house, but it is done. Thank you to everyone for their support.
Now a long road ahead to get him back on his feet and functioning normally. I have started a GoFundMe to help with the medical bills. Please help, if you can. Discussion in ' Solid State ' started by oldgearhog , Jul 7, Log in or Sign up. I had a question, and maybe it's too subjective, but give me your opinions about combining vintage receivers with speakers. Would new or old sound better or be a better match for a vintage receiver? I have several receivers and amps from a bunch of manufacturers - pioneer, Marantz, Nikko, Kenwood, Sherwood, etc, etc.
They range in wattage from 10 to 70 wpc. How much does damping impact the situation? Thanks for the input. Messages: 34, Location: San Francisco Peninsula. Messages: 1, Location: Carolinas. Well to clarify a little, do newer speakers with newer technology crossovers, drivers present a different kind of load to an old receiver, especially one that is cap coupled?
Or are the technology improvements really marketing improvements? In general I think that other than new speakers can handle more power and are more inefficient to paint in very broad strokes they are pretty much the same as they were when neanderthals first wrapped a vine around a branch and made the leaves shake.
Messages: 27, Location: Michigan, N of Detroit. The ones that sound best. Age is just a number. Messages: Messages: 5, Location: arkansas. Find a nice pair of vintage and rebuild the crossovers you will be a happy man. I only can pass on what I have done with many different speakers.
Your spending power is far lower with any thing new. Nemo bit , Jul 19, Harvestor likes this. Watthour , Jul 20, Most of my SS amps are vintage, except for a recently found Onkyo integrated, later 90's.
Power range wpc. I have not had any issues with any combination of amp and speakers. I also have a tube integrated, 35 wpc. My speakers range in age from to Each brand of speakers have their "signature" sound. This is where you will hear the biggest differences, more than the amps "signature" sound. Of course, certain amp speaker combos can make better sound to you than others.
This is where all the fun of the hobby is centered. Besides the gear itself, environment plays a huge part in the sound. GD70 , Jul 20, And yes the speakers are the big tone control. More so than the knobs it seems. Messages: 3, Location: Greensboro, NC. My KLH Model 17s in the work room setup seem pretty forgiving whatever is attached. They are sitting on the back corners of a 3x5 table against a wall, angled in toward where I sit when working at the table.
Call it near field listening 4' sides on triangle. Being that close makes it hard to ignore hum and noisy transistors in the electronics. The Advent Legacy IIs in what is likely an acoustic wreck of a living room L-shaped living room, galley kitchen making it more like a U, stairway going downstairs at what is essentially the bottom of the U - speakers in front of the half-wall in front of stairwell going downstairs seem more picky.
They are on speaker stands about a foot tall. Some units like the Yamaha CAII and Technics SA get rather exaggerated at the bottom end whereas the Sansui A and Kenwood KR seem tight and clean at the bottom end without the boom and may actually allow lower frequency notes to be heard than the other two.
I am not a fan of the former pair in the living room. The Advents can change in their lower bass response a lot more than the KLHs depending on which unit is driving them. Maybe amp output impedance noticeably affects acoustic suspension woofer Qtc. Room modes may play a part - work room only about 10x Behavior pattern did not change much when stereo setup moved from top end of one tip of the U to the bottom.
I have a pair of Klipsch KG As efficient 96 dB? It is a multi-element equation with interplay between electronics, speakers, and the room acoustics which change with speaker placement and listener location. Also the preferences of the listener come into play.
Do they like a brighter tweeter or more mellow, strong bass or more restrained. You basically have to experiment. Some of the room modeling programs may help on placement so as not to get booming from some of the lower room modes. Have had the situation in the past when bass guitar hits just the right note - and boom - that will perk you up. Messages: 23, Location: Picker's Paradise. Last edited: Jul 21, SoCal Sam , Jul 21, GD70 and Ds like this.
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How to Connect a Stereo System
David, aka Grumpy, needs our help. Great news. David is home! It was quite the ordeal to get him home and into the house, but it is done. Thank you to everyone for their support.
why do people use really old receivers on new expensive speakers?
Like piano trios, old stereos may not use all the latest technologies, but when it comes to their basic function of playing music, they do their job as well as—and sometimes better than—newer options. Of course, new stereos can be far more advanced in the ways they access music, because most have the capability to play Internet music streaming services and Internet radio. Jazz was slow to embrace streaming, but most of the new albums you see reviewed in JazzTimes are now up on streaming services by the time the review is published, and all of the services have colossal catalogs of jazz classics. Even hardcore audio traditionalists do some of their listening through online streaming—especially now that services including Amazon, Qobuz, and Tidal offer streaming in full CD quality or better. Any old stereo can connect to most music streaming devices as long as it has an unused stereo analog input, which every old receiver or preamp should. Just connect the streaming device to that input; many devices even include the cables you need. Any smartphone, tablet, or computer can stream music, and as long as the device has a headphone jack, it can be connected to that spare input on your receiver or preamp, using a cable with a 3. The easiest way to adapt an old stereo for streaming is to add a Bluetooth receiver. This lets you stream wirelessly from a phone, tablet, or computer without having to add or configure a new app. The downside is that Bluetooth does have a subtle effect on sound quality.
The Most Memorable Audio Receivers of the Last 50 Years
Your old home stereo system is in good, working condition. Or maybe you have an inexplicable sentimental attachment to your classic equipment. The technology is there for you to enjoy, why miss out? Bluetooth audio receivers are the easiest and arguably the most reliable retrofitting audio solution available.
New or Vintage Speakers with Vintage Receivers
Discussion in ' Audio Hardware ' started by andyisbarnes , Dec 9, Log in or Sign up. Steve Hoffman Music Forums. Vintage Receiver - How many Watts do I need? Location: Massachusetts. I have a pair of vintage Pioneer CS A speakers.
Best Receiver for Polk Monitor 70
The reason behind me writing these lines is not nostalgic. The world of Hi-Fi, a world that I know like the palm of my hand and love just as much, is getting better by the day. That being said, I always get questions about past glories, the gear that shaped my ears and my heart into an audiophile. This is a post aimed to answer that question and also to encourage all people to try vintage gear out and hear the difference rather than believing the retro hype. Join me in this trip to the past, the legacy and the glory of IMHO the best vintage stereo receivers of all time. I have never owned any piece of hi-fi gear and I owned a lot as precise as the Marantz It has a built-in oscilloscope to nail those radio stations perfectly and check for true stereo sound. The power is watts per channel and it boasts its perfect low-frequency punch from a dual-wound toroidal massive transformer that beats in its very heart.
Takeshi Godai established Onkyo in with the intention of addressing what he felt was a lack of satisfactory Japanese-made dynamic speakers. The first Onkyo-branded product was not in fact a speaker, but a cartridge pickup for record players. The company invested the profit from its crystal pickup sales into speaker research and development and planned to build a factory. At the time, most speakers were made using imported pre-made paper cones.
This is called the ground wire. Just be sure not to put the turntable too close to your speakers! More on that below, too. Turntables are different — the output from the cartridge on a vintage turntable is MUCH lower. It requires additional amplification and some EQ to bring it up to a proper signal. This additional amplification is called a phono preamp a.
It also has similar Dolby functions as the others in the late 70's and was Kenwood's answer to the Sansui DB. Note: Dolby is not really an advantage today but, at the time, it was a big deal and every one of the manufacturers considered it a "must have" in their most powerful units. To say the Model Eleven III has gobs of power is an understatement since it truly pumps out an honest and conservative watts per channel into 8 ohms and watts per channel into 4 ohms. It also has huge reserves of extremely stable power with a low 0. This baby pulls watts out of the wall All 27 multi-colored lamps are working including those beautiful four meters. The handsome faceplate, knobs, switches and the stunning, vented real timber-wood case are all near mint.
If the response to the Speakers article was any indication, this one should spark some lively debate of its own. We cover everything from vintage two-channel to the more recent multi-channel surround AV receivers. So, in rough chronological order from oldest to newest, here are our picks for the 10 or so most memorable receivers of the last 50 years:. The Fisher T receiver from around ish was a hugely important unit in the evolution of American hi-fi.
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