Amp rock definition
I'm playing folk music in a coffee shop. How much amplifier power do I need? Our rock group will be playing in a seat concert hall. How many watts will we need? I just bought some PA speakers.
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How Much Amplifier Power Do I Need?
You can learn about different Amp Designer models, their tone and sonic character, and the musical styles they have traditionally been associated with. The Tweed models are based on American combos from the s and early s that helped define the sounds of blues, rock, and country music. They have warm, complex, clean sounds that progress smoothly through gentle distortion to raucous overdrive as you increase the gain. Even after half a century, Tweeds can still sound contemporary.
Many modern boutique amplifiers are based on Tweed-style circuitry. For extra definition, set the Treble and Presence controls to a value around 7. It is more open and transparent-sounding than the Small Tweed Combo, but it can deliver crunchy sounds.
It is quite punchy-sounding and can deliver the clean and crunch tones that Tweed combos are known for. Tip: Tweed combos are responsive to playing dynamics. Adjust the knobs to create a distorted sound, then reduce the level of your guitar volume knob to create a cleaner tone.
Turn up your guitar volume knob when soloing. These tend to be loud and clean with a tight low-end and restrained distortion. Great for lush, reverb-saturated chords or strident solos.
It can be crunchy when overdriven, but most players favor it for clean tones. It excels at clean tones with a minimal overdrive.
This model is favored by blues and rock players. Tip: Although these amps tend toward a clean and tight sound, you can use a Pedalboard distortion stompbox to attain hard-edged crunch sounds with sharp treble and extended low-end definition.
See Pedalboard distortion pedals. At medium gain settings, these amps are suitable for thick chords and riffs. Raising the gain yields lyrical solo tones and powerful rhythm guitar parts. Complex peaks and dips across the tonal spectrum keep the tones clear and appealing, even when heavy distortion is used.
Captures the sound of a late s watt amp famed for its powerful, smooth distortion. Notes retain clarity, even at maximum gain. After four decades this remains a definitive rock tone. Unique tones can be coaxed from a British head by running it at lower voltages than its designers intended. These heads can also sound good through small cabinets, or at clean, low-gain settings. The British Combos capture the brash, treble-rich sound associated with s British rock and pop.
The sonic signature of these amps is characterized by their high-end response, yet they are rarely harsh-sounding due to a mellow distortion and smooth compression.
The tone is thicker, with stronger lows and milder highs than the other British Combos. Tip: You can often use higher Treble and Presence knob settings with the British Combos than with other amp types.
If the British Blues Combo is too clean for your needs, combine it with the Pedalboard Hi Drive stompbox for an aggressive blues tone, or the Candy Fuzz stompbox for a heavy rock tone. The late s amplifier heads and combos that inspired the Sunshine models are loud and aggressive, with full mid frequencies. The Stadium amps are famed for their ability to play at extremely high levels without dissolving into an indistinct distortion.
They retain crisp treble and superb note definition, even at maximum gain settings. It is a good choice for powerful pop-rock chords. If the tone is too dark, use a high Treble knob setting to open up the sound. It is brighter than the Sunshine Stack head and has tonal qualities similar to the s British Combo.
A good choice if you need power and clarity. Tip: The Stadium amps can be slow to distort, so most famous users have paired them with aggressive fuzz pedals.
The Metal Stack models are inspired by the powerful, high gain amplifier heads favored by modern hard rock and metal musicians. Their signature tones range from heavy distortion to extremely heavy distortion. These models are ideal if you want powerful lows, harsh highs, and long sustain in your guitar tones. A powerful high-gain amp that is ideal for heavy rock and metal. Use the Mids knob to set the right amount of scoop or boost.
Although a powerful, high-gain amp, this model offers a smooth transition between gain settings and natural compression. It is a good choice for fast soloing and for two- or three-note chords. An aggressive-sounding amp with spiky highs and noisy harmonics, especially at high gain settings.
Use the Turbo Stack when you need a guitar tone that cuts through a mix. Tip: Combining the Turbo Stack with distortion and fuzz pedals can diminish the edgy tone.
A dry sound is often the best choice for high-impact riffs. The combos and utility models in this category are versatile amps that you can use for a wide variety of musical styles. These models use multiple gain stages to generate smooth, sustain-heavy distortion and bold, bright, clean sounds. It excels at clean and crunch tones, making it a good choice when you want an old-fashioned flavor but with the crisp highs and defined lows of a modern amplifier. This model has very sensitive tone controls that can deliver countless guitar tones.
Despite their limited features and budget workmanship, these amps are the secret behind the sound of many rock, blues, and punk players. The clean sounds are warm, and distorted sounds are thick, despite the small speaker. A preamp stage with no coloration. Note that Transparent Preamp is activated in the Amp pop-up menu, not in the Model pop-up menu. Tweed Combos The Tweed models are based on American combos from the s and early s that helped define the sounds of blues, rock, and country music.
Model Description Vintage British Stack Captures the sound of a late s watt amp famed for its powerful, smooth distortion.
Modern British Stack s and s descendants of the Vintage British amplifier head, which were optimized for hard rock and metal styles of the time. Brown Stack Unique tones can be coaxed from a British head by running it at lower voltages than its designers intended. British Combos The British Combos capture the brash, treble-rich sound associated with s British rock and pop.
Perfect for chiming chords and crisp solos. British Alternatives The late s amplifier heads and combos that inspired the Sunshine models are loud and aggressive, with full mid frequencies. The tone is smoother than the Stadium Stack. Metal Stacks The Metal Stack models are inspired by the powerful, high gain amplifier heads favored by modern hard rock and metal musicians. Model Description Modern American Stack A powerful high-gain amp that is ideal for heavy rock and metal.
High Octane Stack Although a powerful, high-gain amp, this model offers a smooth transition between gain settings and natural compression. Turbo Stack An aggressive-sounding amp with spiky highs and noisy harmonics, especially at high gain settings. Additional Combos The combos and utility models in this category are versatile amps that you can use for a wide variety of musical styles. Transparent Preamp A preamp stage with no coloration.
Play it Loud: The Story of the Marshall Amp
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Should I Buy a Combo Amp or Head and Cab?
You can learn about different Amp Designer models, their tone and sonic character, and the musical styles they have traditionally been associated with. The Tweed models are based on American combos from the s and early s that helped define the sounds of blues, rock, and country music. They have warm, complex, clean sounds that progress smoothly through gentle distortion to raucous overdrive as you increase the gain. Even after half a century, Tweeds can still sound contemporary. Many modern boutique amplifiers are based on Tweed-style circuitry. For extra definition, set the Treble and Presence controls to a value around 7. It is more open and transparent-sounding than the Small Tweed Combo, but it can deliver crunchy sounds.
THE HISTORY OF: 1959SLP ‘PLEXI’
The guitar amp market is undeniably huge. While you probably have a good idea of the sound you want, there are more ways of getting it than ever before. The head part determines your guitar tone and the amount of power you can deliver to your output. The cab cabinet is simply a passive speaker or set of speakers designed to receive the powered signal from an amplifier. As with any musical gear, there are plenty of types of guitar heads and cabinets to choose from.
Guitar amplifier
English to Tamil Dictionary amp. Things really get fun when you start experimenting with a microphone in front of the 'amp'. Cut your hole using the same method you cut out the hole for the subwoofer 'amp'. Being pulled in and out of a live 'amp' their recordings achieve similar results to. For example, a subwoofer 'amp' can take the load off the rest of your system will providing massively deep bass sounds.
What’s the Difference Between Gain and Volume?
You can learn about different Amp Designer models, their tone and sonic character, and the musical styles they have traditionally been associated with. The Tweed models are based on American combos from the s and early s that helped define the sounds of blues, rock, and country music. They have warm, complex, clean sounds that progress smoothly through gentle distortion to raucous overdrive as you increase the gain. Even after half a century, Tweeds can still sound contemporary. Many modern boutique amplifiers are based on Tweed-style circuitry.
Amp Designer models in Logic Pro
A guitar amplifier or amp is an electronic device or system that strengthens the weak electrical signal from a pickup on an electric guitar , bass guitar , or acoustic guitar so that it can produce sound through one or more loudspeakers , which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier and preamplifier circuits, requiring the use of a separate speaker cabinet—or it may be a "combo" amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. Guitar amplifiers can also modify the instrument's tone by emphasizing or de-emphasizing certain frequencies, using equalizer controls, which function the same way as the bass and treble knobs on a home hi-fi stereo, and by adding electronic effects ; distortion also called "overdrive" and reverb are commonly available as built-in features.
Ultimate Guide to Guitar Amp Settings
Similarly, guitarists and bassists use gain all the time, yet many would be hard-pressed to tell you clearly and correctly what gain is, exactly, and how it relates to volume. Granted, you needn't be able to define "gain" in order to use it-you just know you turn that knob and something cool happens to your sound; usually something to do with distortion. That's perfectly OK, but if you're new to amps - more specifically, new to buying an amp - it might help to know what gain is and how it's related to volume, as the two are closely related. Some amp basics are in order first. A guitar amp can be thought of as a device that has two stages. A relatively weak signal goes from your instrument into the first stage, where it is processed and handed to the second stage, which boosts it into a strong signal-the sound that then comes out of the speakers and rocks the Casbah.
Live comes with a selection of custom-designed, built-in audio effects. The Working with Instruments and Effects chapter see Chapter 19 explains the basics of using effects in Live. Amp is an effect that emulates the sound and character of seven classic guitar amplifiers. Developed in collaboration with Softube, Amp uses physical modelling technology to provide a range of authentic and usable amplifier tones, with a simple and consistent set of controls. This makes it very easy to quickly change the overall character of your sound without having to make numerous adjustments. Gain adjusts the level of input to the preamplifier, while Volume adjusts the output stage of the power amplifier. Higher Gain settings result in a more distorted sound.
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