In ceiling speakers nz herald

The Speaker of the House of Representatives of New Zealand, Trevor Mallard, has released the report of the independent review of bullying and The Speaker of the House of Representatives of New Zealand, Trevor Mallard, has released the report of the independent review of bullying and harassment in the Parliamentary workplace. The review and report were completed by external reviewer Debbie Francis. In her introductory summary, The Story in a Nutshell , Ms Francis writes "Bullying and harassment are systemic in the parliamentary workplace.

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Content:

• From sex to the suburbs: the Chow bros' latest money grab
• Independent report examines harassment and bullying in Parliamentary workplace
• Column topics
• Historical Images
• Navigation
• Connection: The Arts Communications Hui
• NZ Cinemas
• Southern Stays: Escape to glass cabin luxury in Canterbury’s Greta Valley | stuff.co.nz

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From sex to the suburbs: the Chow bros' latest money grab

These images were taken in of the St. James Theatre Queen Street Auckland. In I started my first job as an assistant projectionist at the St James Theatre. In those days it was running under the banner of Kerridge Odeon Theatres, at that time they were the largest cinema chain in the Southern Hemisphere.

The building was completed in by the architect Henry White, famous for the wonderful State Theatre in Sydney. In the tradition of Spanish mission style, the theatre was a showplace at the time. With three floors and approx seats, it was the pride and joy of JC Williamson's chain who first managed it after completion.

The theatre has been closed for years, but currently under renovation at the cost of 60 to 70 million. As the story goes this cinema may never open the doors again for lack of funds. We wait with baited breath that one day this grand old lady will once again rise from the ashes.

The Odeon was the first "modern boutique" cinema to be built after the war. It was built within the earlier existing building next to the left of the St James. It was small and intimate, consisting of a small circle with an exit door door into the ground floor foyer of the St James.

The stalls was the largest of the two level cinema and also had a crying room to the rear right hand entry. The crying room was used for mums with kids that were making a racket in the cinema. The room consisted of a couple of arm chairs and a speaker for listening to the sound. The projection room was forgotten to be placed in the original plans and as an after thought it was placed in the back of the stalls, whereby three rows of seating were lost.

It was the projection booth from hell, small, hot and hopeless ventilation, I was a full time projectionist at the Odeon in The first screening at the Odeon was War and Peace There is a wonderful mosaic mural in the foyer and leading to the circle by Maurice Rigby Mullen, even today its a work of art. The Odeon at the time was a place to be seen having coffee in the comfortable below the street foyer with ambiance from soft hanging glass lights, stone walls and Japanese garden.

New Odeon facade covers earlier Victorian building behind. Windows above marque house head office of Kerridge Odeon. Preparing for opening night, marque programme chaser lights yet to installed for the Odeon. Queen St entrance down to ticket box. Opening night War and Peace displayed on bill board.

Ramp up to St James foyer. Lower foyer with lounge chairs and coffee tables. Japanese sand garden under Queen Street stairs. The land was purchased by Amalgamated Theatres from part of Edward Bartleys house that still stands today.

Amalgamated Theatres were the rivals to Kerridge and the second largest theatre chain in NZ. The building stood directly opposite the Victoria both in the Art Deco style, both with massive neons blazing on the facades, it was a sight as one turned the corner entering Devonport.

The State seated stadium style, but during the 50s business was booming so the theatre closed down and in Fletchers constructed a Circle with seating for , but it was too late!

Television arrived in NZ in and cinemas started to suffer, the State finally closed its doors in April , later sold to a church and was finally demolished in Circle steel from stalls, scope Proscenium completed. New Proscenium for Cinemascope and new Waterfall curtain.

Embassy Theatre main foyer, stairs to Circle, Candy Bar far centre, Stalls to right, front reserves tickets box front right , main ticket box to left of stairs off view Embassy Theatre Upstairs foyer, entry to Circle to the left. Projection room rear of Circle Milk Bar to the left of the main doos was used for the Candy Bar and opened until the Intervals. Managers Office behind ticket box and main doors to auditorium.

Britannia Theatre Ponsonby, view from stage, stalls forground and circle with crossover aisle. Projection booth rear circle. Main entry doors from foyer right of crossover aisle.

Britannia Theatre Ponsonby view of Stage taken from rear circle. It was the very first projection room I ever went intoi at the age of I continued to to visit the theatre every single saturday 1. I stayed on until I was 16, then leaving school to train as an assistant projectionist at the St James theatre Auckland. Cameo Theatre Grey Lynn Auckland street frontage Cameo Theatre Grey Lynn Auckland main foyer. Mensroom door to the left, after ticket box then Powederoom.

Candy Bar opposite ticket box. Managers office single door to the right of stage. Main curtain was always hand pull from the projection room. Top masking would raise for 1. Side masking hand pulled from the projection room. Entry was a Side Loader style from the foyer doors on the left.

Projection room was entered from the left and at rear centre. Cameo Theatre Grey Lynn Auckland. Colour image maybe taken in the 70s. Ceiling Grillwork was lit with hundreds of coloured bulbs but not working in this image.

The Vogue theatre was a wonderful example of Simple Art Deco. These images are from and the Vogue gave Kerridge Theatres another city location off the main strip of Queen Street. The theatre was popular for double features and Shirley Temple films of the day. The building still stands today luckily and is now used as a nightclub, its still pretty original inside. The Vogue Theatre has a very narrow entrance off Krd however the theatre itself was very large inside.

Neon lighting on the marquee and sign and a double feature displayed on the billboards. And down the very long foyer to the ticket box. Many theatres of the day had narrow long foyers like the Voque and the main auditorium was at the rear of the building, this saved expensive real estate for shops on the main street.

Only some of the more lavish large theatres had wide main road frontages. The upstairs foyer of the Voque was very elegant for the day with arm chairs, vases of fresh flowers and ash tray boxes on the floor for the smokers.

Main stairs goes up to the circle. Here we see the Vogue in all its glory displaying classic Art Deco lines all the way down to the stage.

Image taken from the rear of the Circle taken with stalls below. Stage curtain lit with overheads and footlights. Note the very unusual Circle fire Exit which runs all the way down the left hand side to the rear of the building. Downstairs foyer of the Majestic Theatre Auckland with two ticket boxes. Upstairs foyer of the Majectic Theatre Auckland with its wide open spaces.

The Majestic Theatre Auckland image taken from the rear circle. A very lavish Art Deco stage and prosenium with wonderful recessed lighting. The Majestic Theatre Auckland image taken from the stage looking back into the stalls and circle.

Note the downstars projection room. Finally the crowds on Queen Street asdley watched on as the old lady was demolished, to make way for the new shopping centre And after the workmen removed the seats within weeks it was all over. The end of another great theatre and a loss to Auckland. Not much has to be said here on the old Vic in Devonport as we all know it. Being one of NZs oldest theatres that still runs today and popular with all the locals.

Today its diveded up into four screen but still there are some original features one can see. Originally the site had a slightly smaller building with a Victorian design, later it closed and was modernised to the Deco style. Here we see it in after the Deco renovation and when it was run by Kerridge Theatres. Victoria Theatre Devonport main foyer with ticket box to the left and stairs up to the Circle.

Stalls entrance to the right. Victoria Theatre Devonport upstairs foyer, candy bar to the left, stairs up to the Circle and managers office to the right. The foyer was rather lovely with windowsd over the street and views out to the harbour. Victoria Theatre Devonport view from the rear Circle with stalls below. Victoria Theatre, Devonport after it was twinned and run by Charley Gray. It was my first projection room I worked in after receiving my senior projectionist licence.

It was a grand building with a sweeping white Carrara marble staircase leading up to the Circle and the famous Regent Tearooms which my mum took me to many times as a kid. The unusual upstairs foyer which ran along the upper back wall of the stalls allowed one to look down over the stalls audience and seating area.

Independent report examines harassment and bullying in Parliamentary workplace

Yesterday's Herald piece, "Horror tenants frustrate landlord ", was its most popular throughout the day. The article is about "horror tenants", or, as this landlord describes them, "pigs". The "renters as pigs" genre is clearly a popular one, and includes TV shows such as Renters, which warns the viewer against even living next door to one of these "dirty, dim and despicable" creatures. It's odd that a third of the population get such a bad rap. According to the article, only a small proportion 0. In any case, that's why we have such a court: to settle disputes. Although this case is clearly on the extreme end of things, it too has been dealt with by the Tribunal.

Column topics

Find out more here. Connection: The Arts Communications Hui is a day-long hui that will bring together arts marketers, communicators and PR professionals from throughout Aotearoa New Zealand to meet and discuss how we can expand coverage and reach new audiences in a changing media landscape. The days of studious media monoliths are gone, and with them paid and trained reviewers. Springing to life in the wake of these changes is a democratising wave of new voices, experimental platforms, speculative outlets and subject specific publishers vying for our attention. With a situation this dynamic, how can the arts ensure they get their fair share of media coverage? How can we be seen by people outside our nurturing media bubbles of arts lovers, expand our audiences and be seen by the arts curious, or even arts agnostic? How can we put the arts in front of new audiences? This hui will include presentations, lectures and panel discussions from media leaders from a range of platforms and backgrounds.

Historical Images

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Home » The School » Historical Photos. This is an eclectic collection of images and photographs, artifacts and documents from the earliest days of the School to modern times. Sometimes there are two images of the one object, such as two sides of a document. Albertians, or family members, have donated many of the objects and where this is known acknowledgements are made. This certificate, awarded to MG Jenkins in , was donated by his son Neil.

Connection: The Arts Communications Hui

Showering nude in a glass cabin, totally exposed to the outside world, is a confronting experience. The pod, the newest in a line of seven glass eco-cabins dotted in secluded spots around Canterbury, opened in August On a Thursday afternoon, we left the city behind and drove out to the farm following a detailed set of directions emailed days before our arrival to keep the exact location of each pod secret. After leaving the car behind and hiking the final metres through native bush we arrived to find a glass box on top of a ridge. The roof, walls and floor were all crystal-clear.

NZ Cinemas

Pattrick Smellie Sat, 21 Nov BusinessDesk has a paywall for most of its content. To learn more visit here. The way John Chow tells it, getting into the brothel business was just one of those accidents that could happen to anyone.

Southern Stays: Escape to glass cabin luxury in Canterbury’s Greta Valley | stuff.co.nz

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As it had been a light political week, I asked on Twitter or Facebook if people could think of anything more interesting to write on for my NZ Herald column than the ETS changes. In the end I went with alcohol minimum pricing, but people may be interested to see all the suggestions made which were:. I simply have to sort out my spell check.. I could always say I shortened a word due to twitters limited characters.. Login to comment or vote.

A self-guided walking tour. This will later be paired with guided walking tours by Jonny 4Higher, but in the meantime use this to explore a diverse range of works by some NZ super-talents. Until midnight on Sunday 12th December post a photo of your favourite piece, tagging kroadnz and the artist it is by on Facebook or Instagram to be in the running to win one of Component's limited edition prints ' Preserve For The Future '. This A5 guide is available to download or view online. Download guide here. Shopping for creative thinkers.

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