Burmester sound 3000
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General Asylum
Part One. Other than using a green sharpie to get better CD sound, or that guy that calls you on the phone and osmotically makes your system sound better, no greater myth exists in audio today than that of the Bose speakers. Much like Bigfoot, have you even seen a pair of Bose speakers or, better yet, heard them? My Fiat Sport has a Bose sound system, and yes, it possesses admirable bass extension so there! I also experienced Bose on a recent trip home from Spain, where I sampled the new Burmester sound system in the latest Porsche Cabriolet, and Porsche was kind enough to fly me home first class.
My last memory of the speakers harkens back to a jazz club in my hometown of Milwaukee that actually had the speakers installed into the ceiling by their pedestal bases and powered by a Marantz quad receiver. Another area venue had their ceiling-mounted s powered by a large stack of McIntosh gear. Both systems were pleasant. Not to be outdone, another bar owner installed Magnepan MGIIs from the ceiling, which, coincidentally, ended up being destroyed by a ruckus started by the Milwaukee Rugby Club after a hearty victory.
And so it goes. Good memories aside, if you ask any audiophile, they will unequivocally tell you how much Bose speakers suck, and give you a million reasons why the speakers they own are much, much better. Sure, I love my Maggie 1. Been there, done that, too. Now, to further the conversation, ask such expert audiophiles if they have actually heard a pair of contemporary s.
Are you thinking mythbusting? Me too. This multi-part article will be a standard review in the sense that we will listen to the Bose speakers in a few different rooms and use a wide range of amplification— from a Pioneer SX vintage receiver all the way up to a full stack of Audio Research Reference components—just as we would with any other speaker evaluation.
And conspiracy theorists, take note. I bought a random pair of s via the Web for retail price. I initially tried to contact Bose to see if we could get a review pair, but no one at the PR department would return my call. Hence, there will be less historical data accompanying the review, which is unfortunate, as the speaker is now on its sixth iteration of development and changed somewhat since its introduction in Unless we get a phone call, this will remain an unresolved question.
If I must have a pair of s, I can special order them or go directly to the Web site. I do the latter, and about 90 seconds after getting to the home page, a pair of walnut s with pedestal bases is on its way. Six days later, the s arrive on my doorstep, safe and sound. So far, so good. Next, the listening begins. Will the speakers fall off their pedestals? Stay tuned for Part Two.
Part Two. My pair of s is set up in the classic fashion on the cool, black metal pedestals that resemble something from the Herman Miller furniture catalog, circa Groovy, baby! At 35 pounds each, the speakers are easy to manage. However, using them with the metal bases requires wood screws. The binding posts allow for any kind of speaker cable.
I used two systems to evaluate the speakers. At the very end of the sessions, the Pass Labs XA Much like a pair of Klipschorns, the Bose lends itself to corner placement.
Because the majority of the drivers face rearward, placement is the key to fine-tuning the imaging performance. Putting the speakers closer to room corners exaggerates the reflection and yields the overblown stereo image that perhaps contributed to the popular misinformation associated with Bose. If you are used to the sound of traditional box speakers, s—when tightly placed in room corners—sound much larger than life and boast an exaggerated soundstage. They feel like the remnants of a hallucinogenic experience.
My favorite listening position with the s seems counterintuitive albeit more traditional in an audiophile sense. Placed about eight feet apart, eight feet from a couch, and about five feet out into the listening room appeared perfect, and allowed the sound from the front-firing driver to anchor the presentation.
Because the Bose makes use of nine full-range drivers, it takes advantage of an inline equalizer to make the speakers sound the way they are intended. Traditionalists, before you cry foul, think of the popularity of DSP-based speakers these days. Bose achieves a similar, if less sophisticated and considerably less-expensive effect with a passive EQ. The manual states the EQ can be used with series V s, but earlier models require the proper box.
If you are using a receiver, the EQ must be placed in a tape-monitor circuit, or between amp and preamp if you have separates. The supplied pair of three-foot RCA patch cords gets the ball rolling. The EQ features a two-position button: position one offering a flatter response, and position two adding a slight bass bump, not unlike the loudness button on a 70s receiver. Finally, there are two sliding controls for mid-bass and mid-treble, the latter claiming the most control over the overall tonal balance.
When set up like a conventional pair of smaller monitor speakers, the s produce a sound much like the original Magnepan MGIIs. Sure enough, they enjoy a softer, more relaxed high-frequency response, just like the s.
And, both Magnepan models need a ton of power to get up and go. Where in semi-nearfield the s produce a wide soundstage, they also cast an excellent stereo image. Sampling a wide range of solo vocalists reveals the importance of the mid-treble slider. Push too much for treble brightness and the vocals become grainy—not unlike when adjusting toe-in with a conventional speaker.
Thanks to their wide dispersion and massive soundstage, the s excel playing live-recorded music. These speakers rock. Those questioning the bass, look no further than the Stereophile test CD.
Its incredibly wide dispersion comes in a close second. Again, compromise: Would you like a pair of speakers that you just listen to in your listening chair for private sessions, or do you do most of your listening in secondary mode while hanging out in the house cooking and entertaining?
Precious few include components sporting any better quality. After extensive listening, the Bose s strike me as being damn good. What the s sacrifice here, they make up for on a broader scale via the ability to play really loud and without strain. The s cruise while being played at volumes well beyond those that would reduce mini monitors to rubble. The s share many of the similarities that make enticing the latter types of speakers, and come with few of the limitations. Quad 57s are more beguiling through the midband, the MartinLogan speakers carry more extension at both ends of the frequency spectrum, and the Magepans lie somewhere in between.
But they cost more and present greater challenges to a room and system. I found the most lifelike sound came via a configuration slightly counterintuitive to that suggested by the manual.
The Bose s are equally highly musical and easy to listen to for hours without fatigue, characteristics many other speakers fail to deliver. Indeed, my audiophile buddies that I bribed into my listening room with IPAs are still shocked at just how good the s sound.
The crossoverless design does a fantastic job with pace, which is what always draws me to single-driver and full-range electrostatic designs. The ease with which it yields solid results makes the Bose very attractive to both the normal music lover and budding audiophile. Yes, every speaker design involves compromise.
Considering that this model is aimed more at the mass market than the audiophile, the s possess more than enough virtue to be considered an excellent value. The third and final installment to this trilogy will include listening results with alternate cable placement, changes to the reference system and speaker placement options.
After listening to the Bose s for a couple of weeks, I remain convinced they offer good value for the price and are incredibly user-friendly. But how do they respond to the usual tweaks applied by audiophile to practically every other speaker? While the s offer a more diffuse soundfield than many speakers, they have enough resolution to tell the difference between a vintage or mass-market receiver—as well as more upscale units, though, at a certain point, the contrast becomes fruitless.
Stepping up the cable quality from standard Radio Shack gauge wire also pays dividends in upper-midrange clarity and high-frequency extension—both priorities. Ah, the Pedestals. Again, just as a traditional speaker benefits, the s profit from solid speaker stands that are spiked at the bottom.
A few spots of blu-tack between the speakers and a pair of inch Sound Anchor stands up the game, yielding tighter and more resolute bass response as well as a greater sense of pinpoint imaging across the soundstage. The Sound Anchor stands also make it much easier to take advantage of upgraded speaker cable, as it must travel down the center of the Bose pedestals.
Those planning on using audiophile-vetted cable will have to get handy with a large drill bit to modify the stands. My spirit of investigation encouraged this tact, but it was not my favorite position. These speakers have been a blast to listen to with every kind of music. While they yield decent performance with a low-budget receiver, they are worthy of journeyman-level components and a modest cable upgrade. Bigfoot may still be lurking in the shadows the rumor suggests he is in upstate Washington somewhere near the Canadian border , but the Bose speakers are only a couple of mouse clicks away.
Do it. According to ARC, both models have larger, improved power supplies, along with some internal parts upgrades as well. Both of these units benefit from what ARC learned developing their 40th Anniversary preamplifier. Reviews will be in process as soon as we can get the pup down. These looked very impressive at this years Consumer Electronics Show and will be making their way here for review shortly.
Stay tuned. Imagine controlling ten our even twenty thousand full-resolution albums from your iPad while basking in the comfort of a cozy couch or listening chair. It simultaneously loads up the music you want to hear at that exact moment, accessing music collections via album covers and you can discover the other albums in a set and by the artist in your collection.

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Technology The entire electronic power circuit with output stages and mains power supply is housed in its own shielded compartment in the underside of the machine. The dividing wall between top and bottom sections is 10 mm thick and — of course — is also made of aluminium. Voltage amplification and current amplification circuitry is housed on separate circuit boards in separate case sections, in order to prevent mutual interaction. The sophistication of the design does not stop there, as we have even provided galvanic separation between the two. Thanks to this uncompromising design philosophy there is absolutely no feedback of the loudspeaker currents into the voltage amplifier stages, and complete freedom from loudspeaker loading effects.
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Forum Rules. Hi Al, This was my wife's and my first audio show. We will definitely do things differently at our next show, the Florida Expo. In some ways I regret posting some of the negative feedback on Welcome to the AudioShark Forums. What's New? Results 1 to 9 of 9. Thread Tools Show Printable Version. August 19, , AM 1. He was 69 years old.
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In this case,. The menu with the last accessed setting. Turn the controller until. Activate the rotary menus for. To set the desired speaker source: turn the.
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