Technics stereo integrated amplifier su-x911
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Technics Su X911 Manualidades
High-end stereo amplification is one of the most conservative areas of the market when it comes to accepting the march of technology. Want more examples? What would those high-end traditionalists make of the new Technics SU-R, we wonder.
At the high-end, simplicity is usually king. Short, simple signal paths that use the minimum number of components are the way most manufacturers go when cutting-edge performance is required. Any improvement in sound usually comes through subtle tweaks to classic circuit layouts, obsessive construction techniques and improvements in component quality. While paying full attention to the engineering and construction, it looks like Technics has thrown away the rest of the high-end amplification design handbook in the development of the SU-R This amplifier is built around digital amplification, which is unusual for this end of the market, so every analogue input signal is first converted to digital.
Such an approach makes it easy for Technics to offer a range of equalisation curves. This is a useful feature if you have records made before the mids when the RIAA curve became the industry standard.
Technics supplies a calibration record with the amplifier to use as part of the process. Any deviations from this ideal are corrected, leaving, in theory, a tonally accurate sound. The rest of the amplification circuitry is all-digital too. Rather than use an off-the-shelf Class D module made by an OEM supplier, as most of the industry does, Technics has spent years developing its own digital amplifier circuitry, creating a range of clever technologies to improve the known weaknesses of such designs.
The company is rather fond of acronyms. Technics has even gone as far as to develop its own output device in order to get the sonic speed and low electrical output impedance it wanted.
This really is an immaculately constructed amplifier with exceptional standards of fit and finish. We love the smooth yet precise feel of the volume control and input selector. Connectivity is impressive, too. There are three line-level inputs, one of which is a balanced XLR, alongside preamp outs and power amp ins, as well as a record loop. The SU-R runs warm during use. Given its use of digital amplification circuitry, this comes as somewhat of a surprise, as such amplifiers tend to run cooler traditionally.
Any amplifier at this level needs top-notch partnering equipment, and the SU-R is no different. Any fears that the use of digital circuitry would lead to a cold and analytical sound vanish early on. Once the LAPC process is carried out just press the button and wait a few minutes , the SU-R has a big-boned and generous presentation. The Technics sounds bold, rendering the sound with impressive solidity and a good level of detail.
Rather than just serve up all that information for analysis, this amplifier prefers to organise it into a cohesive and musical whole before presenting it to the listener. It is an unusually quiet amplifier in terms of noise and hiss.
This gives the SU-R an inky black background onto which it delivers its sound. Class leaders from the likes of Krell, Mark Levinson and even the valve-driven Leben CSX are even more revealing and subtle in these respects, but the Technics still passes muster.
We try the digital inputs and the story remains positive. We enjoy the level of clarity and exuberance regardless of the input chosen. It moves slickly between formats without hesitation. The delivery could do with greater precision when locating instruments in the image too. This amplifier performs well with both moving magnet cartridges and moving coils. You can add a good performance with headphones to the list of plus points.
The sound through the 6. Add an entertaining and informative sound into the equation and we think this is a product many people will like. Read our guide to the best stereo amplifiers. Read our Mark Levinson No. Read our Krell Ki review. Read our Luxman LX review.
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Home Reviews. Our Verdict. For Innovative engineering Strong feature set Bold, entertaining sound. Against Lacks rhythmic precision and dynamic punch Sound staging could be more expansive. Cons - Lacks rhythmic precision and dynamic punch - Sound staging could be more expansive. See all comments 6. I don't know why they put a phono stage in this amp. It's not as if vinyl fanatics will tolerate digital anything in their signal path, and digital aficionados like myself resent the amount of money spent on legacy interfaces.
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I have not been using it for a while now and when I tried to hook it up again it wouldn't work anymore. There are two status bars on the front panel, one is named "Voltage Control" , the other one is called "Current Drive". When the amp is ready to operate both of these bars should be illuminated but in my case there is just the "Voltage Control" illuminated, the "Current Drive" stays switched off. I read that this is probably caused by the protection circuitry of the Chip.
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Technics SU-X911
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Technics su x911 manual
Good condition! Look at my other article! Definitely take me into yours Favorites on! Have fun and success with repairs!. Hi i recently purchased a Technics RS-X cassette deck and i later realized it was designed to be used with a Technics amp which is also the power supply for the unit. On the back of the unit there is a 3 pin connector.
Panasonic technics service manual. For this no need registration. Please take a look at the below related repair forum topics. May be help you to repair. I bought a technics tape deck, but later realised that it needed its conventional amp to power it as it didn t have a dedicated power source.
High-end stereo amplification is one of the most conservative areas of the market when it comes to accepting the march of technology. Want more examples? What would those high-end traditionalists make of the new Technics SU-R, we wonder. At the high-end, simplicity is usually king.
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