Amplifier mini jazz
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SOLD!!! 2005 Polytone Mini-Brute II Jazz Guitar Amplifier
Since learning how to play jazz guitar, nailing the correct sound takes more than just the right guitar and amp combination. With that said, the right gear will assist in acquiring that smooth and silky jazz tone all the experienced players have.
This is desired by all players for hearing each note clearly to enhance the smooth rhythm playing and compliment the punchy jazzy lead lines. This tone combined with a hollow or semi-hollow body guitar creates a nice blend of attack and warmth for the ideal jazz sound.
Back in the day, tube amps were always preferred by jazz guitarists. However, with the continuing rise of solid state amp popularity, the pendulum is now swinging in the opposite direction. I would say largely due to the solid states affordability, portability and obviously great clean tones. All the requirements for a gigging jazz guitarist to practice at home, transfer to gigs and get a sweet sounding clean tone in any situation. The Champion series offer many of the classic Fender voiced tones, for a fraction of the cost compared to their expensive tube amps.
This amp voicing all the classic Fender clean tones without the impracticability of its tube amp counterparts is the reason why it makes it a great contender for a solid state amp perfect for jazz. The Champion series produces a nice range of clean tones, which you would expect from a Fender solid state amp. The clean tones range from crisp, dry and sparkly when you dial in the EQ and add some reverb. The amp features a ton of reverb presets to choose from including: hall, spring and more for complementing the desired jazz clean tone.
The first channel is voiced to sound like the iconic Fender Twin Reverb, which includes the similar designed volume, bass and treble controls. Each channel includes its own additional preset knobs for effects such as reverb, chorus, delay, and vibrato.
This channel also has the benefit of additional EQ options, for customizing and shaping that desired clean tone. The only negative I have about this amp is that you cannot save any presets in a bank for recall or modification like other solid state amps.
Additionally, the amps distortion sounds fizzy and digital but if you only wish to use the excellent clean tones this amp has to offer, then its not an issue. This problem can also be solved by using a good distortion pedal.
The JC is the little brother version of the legendary JC, well known among guitarists as a clean tone monster. Famed for having a beautiful sounding chorus. This is due to the JC being a stereo amp, including a separate chorus on one side of the speaker, and a dry sound on the opposite side. This creates the iconic wide chorus effect, admired by guitarists alike. The JC is a modernized and trimmed down watt version of the JC, but still produces all the legendary tones in a compact and more affordable package.
The JC is one of the best solid state amps for jazz. The clean tones are some of the best, ranging from lush sparkly cleans, to dry and punchy tones. The JC back in the day was a very popular amp among jazz guitarists.
The amp is capable of some amazing tones ranging from a number of musical genres, such as Jazz, country, blues, and rock when you add in some distortion. However, if you are a guitarist only concerned with clean tones, this amp would tone would be worth the investment.
Just worth noting that for the price, there are other solid states on the market that have more versatility for sounds, if you are looking to play any other styles of music.
The Boss Katana amp series offers a range of tones that have you covered for playing all styles of music. The Katana features five savable presets that can be recalled and modified that can shape any tone you desire. Allowing the user infinite amounts of tonal options. The Katana comes in a 50 watt and watt versions, which can reach impressively loud levels of volume. Ideal for small to medium sized gigs.
The Katana has to be the best solid state in terms of tone modification and versatility. The clean channel is not super bright, but has a nice amount of character and is punchy. Add in some reverb and presence makes the tone sound very authentic. For example, you can have four different clean tones designated channels for playing rhythm, lead, and solos. The Tone editor allows you to fine-tweak all aspects of the presets giving you a huge amount of customization.
This channel would be great for playing Jazz with a hollow or semi-hollow body. As the channel is dry and bright for optimizing the sound totally. The only negative with this amp that it does not come with the GA-FC foot switch, which is needed for quickly switching between channels and tapping in a delay time.
The Roland Street Cube is the perfect: busking, coffeehouse, small venue gigging amplifier. Roland products are popular among jazz guitarists, with the Roland Cube 60 being a popular amp liked for its portable design and punchy clean tone.
The street cube serves as a small versatile amp perfect for on the go street performers. The clean tone is clear, bright and has many effects such as reverb and chorus to compliment any tone. The DV Mark Jazz 12 is a simple boutique jazz amp capable of some dynamic tones. The Jazz 12 is a single channel amp with a three-band EQ bass, middle, treble with built-in reverb. The amp comes with a XLR out for connecting an external cabinet with a minimum load of 8 ohms which is a nice feature for running an external cabinet for live use.
The amp is also lightweight, compact and very portable for gigging. The Jazz 12 has a rich, warm sound with its own unique character complete with a ton of headroom, for rich clean tone at high volume without any break-up. This amp really shines when paired with a semi-hollow body guitar. The clean sounds warm and defined making the overall sound very smooth, perfect for jazz guitar expression. The amp is designed to be a simple plug in and play but does lack features and tone modification.
However, the DV Mark Jazz 12 sets the benchmark very high when it comes to acquiring a clean, smooth tone for jazz. The useful features include a built-in chromatic tuner and Aux-in for external devices for jamming along to backing tracks.
The 35RT includes a low inexpedience effects loop for adding pedals and an option for an external foot switch for changing between clean and dirty channels. Orange amps are famed for having the classic British sound, the clean channel on the 35RT is very clean and slightly dry. However, it includes a nice amount of color and good bass response. The sound will break up slightly if you push the volume to higher levels.
The reverb sounds authentic, simulating a spring reverb with a nice amount of decay which sounds sharp when paired with a crisp clean tone. For the affordable price, this practice amp is well equipped for oranges signature tones, in both bedrooms and small gigs with a PA system. When it comes to portability and sound, the DV Mark 50 sets the bar high for owning a solid-state amplifier for all live situations.
The Mark 50 is a compact dual channel 50 watt amp head, with an easy to use layout that can run your desired 8 or ohm cabinet. The compact design means transferring gear is much easier than a heavy 50 watt amp. Playing live is as easy transferring this portable head in a rucksack and connecting it to a cabinet at rehearsals or gig.
Plenty of features are crammed onto this solid state head, such as an Aux input for playing external sources of music and a headphones output. For a miniature amp, the equalization is very powerful and can shape any sound with losing any color.
The Mark 50 also takes pedals brilliantly to extend the options of tone from a pedal board. The DV mark head has a classic sound which is dark in character and a touch on the bassier side, the cabinet size you run will determine the bass response which comes down to personal choice. Granted the sound is not as rich as other amps housing tubes, yet the Mark 50 still has a nice amount of character and color and holds its own when it comes to a clean Jazz tone. As you can tell, there are many options for choosing a jazz solid state amp.
The amp that is best for you, depends on sound, features, budget and your live set-up. Hopefully, this article has helped narrow down your search for a good, affordable amp for all your jazz needs. Adam is the founder and author of Tone Topics and dedicated to providing the best guitar content for like-minded gear nerds. Please enjoy all the content on the site and support us by sharing these posts with other people. It would really help us out! Choosing the right guitar for your ideal tone, playing style, and typical genre is difficult.
Not so with semi-hollow body guitars. These hollowed versions are super versatile, but how As the modern digital age continues to make enormous strides within the guitar gear industry. Players ponder whether multi-effects are better than a traditional pedalboard full of pretty Skip to content.
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Powerful, Small Combo Amps for Jazz Guitar
The BlueJay, is an amp that got its name not from its feathered friend by the same name but rather from the fact that it can be a great companion for Blues and Jazz. Its warm clean tones are reminiscent of the classic amps that came out of California all those years ago. It can do more than clean though, it can also deliver rich overdrive tones that make you want to play those pentatonic licks all day long. The amp operates with a single 12AX7 tube in the preamp and uses a solid state power amp. The FX loop enables you to put your time based effects or Phasers, Flangers and Choruses behind the drive section and keep the effects sharp and not prevent them from being too muddy.
Amplifiers Reviews
Loyalty Points. What are points worth? Points are worth a 1p discount for every point you redeem. How many points will I earn when I shop? We display the number of points available for a product on the product's page on our website. Normally we'll give you one point for every pound you spend, but watch out for double and triple points deals for even more savings! Restrictions Still in Place in Store - Read here before visiting in person. DV Mark make some great amps and the new Little Jazz has a warm, clean tone that helps you get the most out of your expressive style.
Polytone Mini Brute Jazz Guitar Amp
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The 7 Best Solid-State Amps for Jazz (Review)
An amp that really recreates the authentic electrified retro sounds of the s and s. This unit is compact and a great substitute when circumstances dictate going direct into the PA. Barefaced bass speakers — much like their name — are about as no-nonsense as you can get and more Aguilar have long-running relationships with top jazz players such as John Patitucci, one of the This extraordinary little 5-watt amp head measuring 19cm x 10cm x 10cm comes with its very own
Roland JC-40 Jazz Chorus Guitar Amplifier
Some affordable Jazz amplifiers sound cheap, so you have to know what you are looking for. Here is a list of the best guitar amps for jazz on the market that will give your tone some feeling. The first channel has control knobs for Volume, Treble, Middle, and Bass. Next on the control panel is the Chorus section. The Roland JC was first introduced in , and since then, this amp stands as one of the best solid-state amps.
Best Jazz Guitar Amps
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One of the most important aspects of developing a solid tone is finding the right amp for you and your musical tastes. After receiving more than responses from jazzguitar. Not surprisingly, Fender amps made up the bulk of the responses, with perennial favorites Roland, Vox and Peavey coming in third through fifth place in the survey. Not all amps chosen in the poll were big name brands, as you can see Polytone, Henricksen, Acoustic Image and other smaller, boutique brands on the list as well. Here they are, starting with the most popular and working down the graph from there, the top jazz guitar amps as chosen by you, the JGO community. With a large number of makes and models to choose from, Fender amps are usually categorized by their looks, such as the Tweed, Blonde, Brownface, Blackface, and Silverface models.
Guitar Amps. Now I can bring you a review of the best ones on the market at the moment. Please read this review to pick one from my list, and you will be pleased with your choice. Click here to skip the quick overview and jump right to the in-depth reviews. It is one of the best jazz guitar amps on the market at the moment. This combo amplifier sounds astounding and comes equipped with 2-channel, watt of power, and a Jensen C12K speaker. This little amp comes with many benefits such as 4-channel, 50 watts of power, and it can be used as a PA.
My interest is amplifiers that are appropriate for jazz and acoustic applications. Size and weight how portable are important to me, so I emphasize small and light. Earlier this year I saw Julian Lage in concert.
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