Konstanzer teufel speakers
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Conferences and Presentations
Ruppert quoted in his speech the following message of the secretary general of the C ouncil of Europe, Mr. I am a firm believer that art and culture can deepen our democratic instincts by opening us up to diversity and other ways of viewing and experiencing the world. With its emphasis on abstraction and complete detachment from the real life of representational art, Concrete Art provides a perfect 21st Century form of art, by using shape, colour, chiaroscuro, geometry and mathematics ingeniously, and can be universally enjoyed.
He works like a poet in sonnet form, limitlessly reinterpreting the simple square. Ruppert Foundation for this horizon-pushing Prize. At the end of the official part the city administration offered a party in the foyer of the Kulturspeicher for more than hundred guests who appreciated the excellent wine and fingerfood.
The party ended late in the evening. Opening speech by Mr. The Swiss Ambassador in Hungary,Mr. After this, as part of the opening, H. The organizers expected about fifty visitors, but when the number passed over a bigger hall had to bee occupied.
The exhibition spans two floors and provides an insight into over fifty years of work as an artist. Glattfelder, who was born in in Zurich and has lived in Paris since , is one of the most important contemporary representatives of constructivist and concrete art. Following on from Bill, Lohse, Graeser and Loewensberg, the so-called Zurich Concretists, Glattfelder is interested in a clear language of forms and in rational issuesworks, the conception of which is also influenced by mathematical and scientific findings, are made captivating by both their intellectuall and their formal-aesthetic appeal to an equal extent.
Glattfelder In the gallery B55 in Budapest. The hungarian artist Dora Maurer hold an introduction. Glattfelder presents three of his paintings. And Mr. Sandy Wurmfeld from New York and many other friends. Germany In the context of the presentation of H. Eva Hultberg. In the stand of gallery Geiger from Konstanz southern Germany a one man show shows recent works of Glattfelder.
Museum Ritter, Waldenbuch www. Dubreul, H. New display of the Ruppert Collection. Felix Ingold and the swiss art collector Werner Merzbacher. Germany www. At the Kunsthalle, Rehau, in Germany. Inaugural speech by Mr. Hans —Peter Riese holds the welcome speech at 11a.
Click here for PDF. Belfagor LXV, nr. Olschki, Firenze. Glattfelder Click here for PDF. Dubreuil, H. Glattfelder, T. In this third presentation, the art collector and founder of the Museum, Mrs. Marli Hoppe-Ritter puts in evidence some new aspects of her collection.
The special attention of the actual selection goes to the work of artists investigating unusual constructive methods, like a. Vera Molnar or Manfred Mohr. Conference by Hans J. During this lecture the author will explain his concept of concrete art as essential core of all forms of non referential art.
He describes concrete art as similar to a living organism, interacting with as different areas as science or the changing social context.
Glattfelder lectured on the theme: "Concret art in Paris between — a firecracker with a wet wick". The audience was composed of students, artists and galerists, but also of representatives of the Parisian cultural elite as Mr.
Werner Spies commissioner of important exhibitions at the Centre Pompidou and elsewhere. The event was closed by an interesting discussion between Prof. The general opinion was that events like this are useful to promote the knowledge of concrete art and consequently a second lecture about the further development of this art is in the pipeline.
The exhibition was quite well visited and some important pieces went into the Marli Hoppe-Ritter and the Peter C. Ruppert collections.
Together with works of world famous artists as Delaunay, Klee, Mondrian or Vantongerloo also younger artists are integrated in the exemplifications. A catalogue of the exhibition in German is available www. The artists of the gallery are present; Glattfelder will transform his wall piece for the occasion. Each one tried in his own way to carry the mysterious apriori into the focus of consciousness, to open a dialogue with it..
In the Zurich exhibition works of different periods of both artists are shown together in an unusual confrontation. The two artists and the gallerist look forward to discover new aspects and new insights.
The exhibition is open till the 4th November Glattfelder is present in the show and the visit to Ingolstadt will give him the opportunity to to look for the bus which he has painted years ago for the town administration. Number 25 is a special issue dedicated to questions of aesthetics. Glattfelder starts his investigations departing from the basic fact that every kind of human existence relays on the intentional production of objects.
This constitutes the link of artistic production to the general social metabolism. All the texts are in German. Dieter Kraft Seestr. In this shot is shown "sidereus nuncius", , xcm. Christina Weiss, the founder Mrs. Marli Hoppe-Ritter and the architect Mr. Max Dudler, hundreds of persons assisted the 16th September the inauguration of the Ritter-Museum www. The exhibition is well documented by an extensive catalogue.
In this exhibition the work of Hans J. Glattfelder is presented by his painting "permutation" dating from The new director of the Museum, Tobias Hoffmann, gave Mr. I was quite surprised to discover there quite a number of my works and to be pointed out — together with K. Thanks, Eugen Gomringer!
A crowd of friends and art-interested people listened to the speaks of Dr. Ruppert, Art Collector and founder of the price Prof. In the recent years the gallery has bought a significant stock of works of the artist; the intention of the gallerists is to show to the Italian public the evolution of Glattfelders work after the period of the pyramid reliefs.
Anna Wenger, focus on H. Glattfelder www. Geburtstag www. You can ask fort he German text of the lecture at info glattfelder. Click here for PDF www. NeueWandarbeiten, Bilder und Zeichnungen. Glattfelder und T. Ridell Opening of the exhibition in the town hall of the 3rd arrondissement of Paris in presence of the Maire Pierre Aidenbaum www. Catalogue pages, with 3 reproductions of works by Glattfelder. The show focuses on the concept of oblique in contemporary geometric art.
Netherthless the theme is very original and stimulating and the exhibition is worth to be visited. It is the last exhibition of the director Bernhard Fauchille before his retirement.
An interesting catalogue in German has been published by Katrin Heidt for this occasion. This exhibition will remain opened for the next two years. This text will be published soon in German.
For the time being the interview is only in Italien language: www. Dorothea Strauss The two artists are friends since the sixties, when they started to exhibit together. Both, in different manners, knew Max Bill quite well. They will discuss about the actuality of concrete art in general and in the work of Max Bill in particular. The event will be recorded by the local radio station LORA. Participating artists : Hans J.
The piece is a reflection about the origin and about the material constitution of imaginary or ideal objects like e.
Glattfelder has invited artist Red Left Talg born in S.
Sprachkonzil: Theorie und Experiment
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Bulletin of the American Physical Society
Date: June , Format: Invited Talks, Posters. Dear Colleagues and Friends,. The main objective of this workshop is to stimulate the interaction between the fields of Superconducting Circuits and Optomechanics, which share many conceptual goals and methodologies, as well as overlap significantly in their physical implementations. The workshop will bring together the leading scientists in these two fields to present both theoretical and experimental aspects of these fields, with a strong emphasis on the most cutting-edge experimental progresses. This workshop is open to experts in the fields related to quantum optics and quantum information, as well as scientists and graduate students who are interested in these general directions of research. Please apply to the workshop by completing the registration.
BibTeX records: Udo Hahn
As to the locals, thanks go to all my. The table of contents lists all the papers submitted to the proceedings, including the papers. Note: Use the Show Bookmarks option to jump between papers in the table of contents. Discourse Effects of Lexical Specification : the case of the Mandarin.
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Learning Recursive Segments for Discourse Parsing. Exploring Knowledge Bases for Similarity. For Standardised Amazigh Linguistic Resources. Model Summaries for Location-related Images. Automatic Identification of Arabic Dialects. Reusing Grammatical Resources for New Languages.
Meaning of "Fastnachtsbrauch" in the German dictionary
It argues that the fairy tale fulfils a key psychological and even existential role for the fictional survivor of the extermination camp, but also a pedagogical, moral and political one through the figure of the cowitness central to the economy of the novel. The Holocaust threatens a secular as well as a religious gospel, faith in reason and progress […]. Our sefer ashoah […] will have to accomplish the impossible : allow the limits of representation to be healing limits yet not allow them to conceal an event we are obligated to recall and interpret, both to ourselves and those growing up unconscious of its shadow. Geoffrey H. Hartman, The Book of Destruction 1. Becca, a young American woman, undertakes a journey to Poland to fulfill her promise to her beloved grandmother, Gemma, and solve the mystery of her enigmatic past, thereby reclaiming her family history and Jewish identity. As she travels towards modern-day Kulmhof Chelmno , the young woman encounters various characters, including a Holocaust survivor known as the Prince who rescued her dying grandmother from a massgrave and organized her flight to the US.
Proceedings of KONVENS 2006 - KOPS - Universität Konstanz
In this paper I use the case of European Union electoral rights to examine points of contestation around concepts of sovereignty and power in the EU context. The wider context of the paper is the enquiry into the significance of sovereignty at the boundaries of the polity. Sovereignty is the subject of contestation in the EU context, not only amongst academics but also between politicians and opinion-formers in the Member States and those in the EU institutions.
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The growing body of research in these areas testifies to how language acquisition studies are central for our understanding of human language and how it develops in the brain, and offers novel insights to theoretical studies, as well as hints for practical outcomes for diagnosis, intervention and rehabilitation in the case of developmental language disorders. We invite abstract submissions for minute oral presentations 20 minutes for the presentation and 10 minutes for discussion or posters of original, unpublished work on all subfields of generative language acquisition, including, but not limited to: L1 and L2 acquisition, heritage language acquisition, language pathology, language impairment, sign language. At most one single-authored and one joint abstract or two joint abstracts per author will be considered. The language of the conference will be English. Abstract submission will be handled via EasyChair. Submission details will follow in the second call in December.
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