Speakers sound out of phase les
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Guitar Essentials: What You Need to Know About Speaker Cabinets
View Full Version : Amp sims Phase issue? I keep getting phase issues when I double track guitars with my le pou amp sims in Reaper. I want to quad track and send two tracks each side. The phase is better when I send one track each side.
The same gutar but tracked again. I haven't tried two guitars each side on this recording but can't remember having this problem quad tracking before. Any ideas? I'm using Reaper. Le pou le Tse Le cab On another Forum I was told to tick "auto adjust for recording latency" but I can't find it. I checked Preferences, Audio, Recording as suggested but I couldn't find it. The picture I was sent of the preferences panel is different to mine. I'm running the most up to date version of Reaper.
Any help would be great thanks. Are you sure it's phase issues and not just hearing the difference between the different parts? Can you post the track so we can hear an example of what you are talking about?
Thanks for your reply. Below is a link to a short section. Are you using the stereo switch on the le??? When you say quad tracking, you mean recording the same guitar part 4 different times Both amp sims are set to mono and there's no Chorus or effects like that on the channels. The problem is when I double track guitars on a duplicated track, so all the plugins are set exactly the same as the track before but played another time.
I have eq but no effects on the channels. I find the phase issue when I have the two tracks panned centre. When I quad track I'll have two of the same tracks on one side so I'm bothered I will have the same phase issue as I have when the two tracks are central. Not surprised at all to see phase alteration coming out of a virtual amp.
I like Amplitube and it's output phase is all over the map for different settings. When I create multiple fake gtr amp tracks, I usually end up having to render the tracks so I can nudge them into phase alignment because of this. Just like you would do with multiple microphones on an amp. Note that this assumes you want them phase aligned. Sometimes the sound you come up with is a result of phasing.
If you really want to quad track guitars then you physically need to play the same guitar part 4 separate times. I have rarely found a place where quad tracking has given me an extra benefit over double tracking a guitar part but experiment for yourself. Just to explain a couple things about audio and panning.
When you play an audio clip and pan it left and then copy the same audio track to another row and pan it right then you hear the audio in the center but louder depending on your pan law. It essentially becomes a mono track which is exactly that, the same track coming out of both the left and right speakers that your head hears in the middle. Phase coherence and cancellation is complicated but just learn a couple little things and you should be good.
When you copy the same track and play it at the same time then whatever anomalies are happening within the plugin are causing the phase issues that you are hearing, essentially a chorusing of certain frequencies which is why it isn't horribly prominent but still annoying. So when you are playing the same bit of audio copied twice on the left side it has a bit of chorusing and then do it on the right with the same effect then you have a more prominent effect when combined.
The reason that double tracking works is because our ears hear the microscopic differences in the 2 separately played guitar parts and keep the one panned to the left on the left and the one on the right stays on the right and the parts that are microscopically the same get put in the middle making the guitar part sound like it's all across the range from left to right.
This is a complicated thing and if you have more questions then ask and I will try and explain better. OP, it can help to vary the tone of double-tracked parts that are going to end up on the same channel.
This increases the perceived size of the sound while minimizing the potential for destructive summing or 'phasing' throughout the spectrum. If you do the same and flip the phase of one of the sides then you should hear nothing coming out of the headphones.
If you have panned copies and flip the polarity of one, you will hear sound in the headphones--a very wide, disorienting sound. It's only when you pan opposite-polarity copies to the same channel that they fully disappear.
Sorry, that's correct, long explanations disoriented my mind :. I edited the above so hopefully I won't be involved in more spreading of the wrong info.
Not sure I can help with your problem, but quoting this phrase as others seem to have missed it - looks to me like he HAS physically played all 4 tracks.
Thanks for all your help guys. Would lowering the input on my interface slightly for the second guitar take change the wave forms enough to stop the phase issue?
So guitar 1 recorded twice and panned left and Guitar 2 recorded twice and panned right. Is phase more of an issue when panned centre then?
Understanding Audio Phase
Break down that figure, and it puts the humble speaker cabinet behind a considerable chunk of the bottom line. If relatively few players give much thought to their speakers, you can bet fewer still meditate on ephemeral matters such as speaker-cabinet design, materials, and construction. Then, plug into a closed-back 2x12 made from ply Baltic birch with a fixed baffle. Ideally, both cabs should be loaded with exactly the same speakers. Sound different? You bet your sweet fuzzbox they do! The speaker cabinet is an enormous part of the very last link in the sound chain.
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If you don't see the question you had in mind here, feel free to enter in the form provided along with your email address so we may send the reply directly to you. Thanks for your participation! Once engaged, the 48V LED should blink once to demonstrate the presence of phantom power at the device. We designed the J48 to function this way so that we could direct as much voltage and current to the actual performance of the J48 as possible. A direct box is an impedance matching and signal-balancing device. DIs convert hi-impedance instrument signals to mic-level balanced lines for interface with pro-audio equipment such as mixing consoles. A good direct box will ensure proper electrical signals are maintained throughout the signal chain and allow long cable runs without added noise. A good DI box is just as important as a good microphone. This is somewhat similar to comparing dynamic mics to condensers. The J48 uses phantom power to derive its power source.
How to check if Studio Monitors are "Out of Phase" ?
You might be experiencing phase cancellation, a phenomenon that can make certain frequencies vanish from your mix. To help you out, this Studio Basics article will help you understand phase — what it is, why it matters, and what it means to be out of phase. Essentially, phase refers to sound waves — or simply put, the vibration of air. Just like the ripple of a stone in water, sound is created by the movement of air.
Recording a guitar: 4 different setups
Back in Burmester already produced handmade audio systems and components. Today we continue this tradition as the last independent high-end manufacturer of this kind. Burmester audio systems and components are designed to meet the highest acoustic and visual expectations. We are only satisfied when the sound experience is perfect and the design is timeless. Occasionally, a chain of serendipitous moments cause you to make key decisions that lead you in a particular direction in life. In Dieter Burmester's case it all began with an imperfect tube amplifier.
Subwoofer Phase Setting
Live comes with a selection of custom-designed, built-in audio effects. The Working with Instruments and Effects chapter see Chapter 19 explains the basics of using effects in Live. Amp is an effect that emulates the sound and character of seven classic guitar amplifiers. Developed in collaboration with Softube, Amp uses physical modelling technology to provide a range of authentic and usable amplifier tones, with a simple and consistent set of controls. This makes it very easy to quickly change the overall character of your sound without having to make numerous adjustments.
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As you? If your installation includes an AV receiver , 5 speakers and a subwoofer, and perhaps Dolby Atmos ceiling mounted speakers , you will be able to enjoy the entirety of the original mix, and you will be fully immersed in the atmosphere designed by the audio engineer. On the other hand, without a center speaker and subwoofer, or with only two speakers to deliver the entirety of a Dolby multichannel soundtrack, you might be missing out on more than you think.
How To Sound Like Peter Green
RELATED VIDEO: Phase in Audio: What Phasing Sounds Like \u0026 How to Fix ItPSI Audio employs the special CPR technology to phase align sonic reproduction in their professional active studio monitors. The Compensated Phase Response uses a number of all-pass filters to account for the delay of low frequencies that generally occurs in speakers. CPR makes sure every signal is reproduced in the most accurate way possible, retaining both its spectral and its temporal structure. Since phase is essential for locating signals in the stereo image, CPR in PSI Audio monitors enables users to precisely place audio in the acoustic space — in addition to the perfectly faithful and natural sound reproduction. Yverdon-les-Bains, 18th December — When it comes to optimizing playback systems, people often focus on frequency response as if it was the be-all and end-all of monitoring. While the spectrum is indeed important, other factors equally influence reproduction quality.
View Full Version : Amp sims Phase issue? I keep getting phase issues when I double track guitars with my le pou amp sims in Reaper. I want to quad track and send two tracks each side. The phase is better when I send one track each side. The same gutar but tracked again. I haven't tried two guitars each side on this recording but can't remember having this problem quad tracking before. Any ideas?
The next two steps are necessary to getting the most out of your REL. In other words, there is no intrinsic correctness to either 0 or degrees as your final listening result. This means we are cancelling bass from your main speaker, thus reducing the overall output of bass which is obviously counterproductive. We warned you it was simple to do and easy to grasp both the importance of, and the correct method for, adjusting phase.
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