Home > Instructions > Hammond organ spinning speaker

Hammond organ spinning speaker

The 'H' indicates that the speaker was intended for Hammond organs. The amplifier is rated at 30 watts with four 6L6 tubes and the bass speaker woofer is a 15" field coil type. Oh, and they are heavy : and sound amazing!! This item is sold As-Described and cannot be returned unless it arrives in a condition different from how it was described or photographed. Items must be returned in original, as-shipped condition with all original packaging.


We are searching data for your request:

Hammond organ spinning speaker

Schemes, reference books, datasheets:
Price lists, prices:
Discussions, articles, manuals:
Wait the end of the search in all databases.
Upon completion, a link will appear to access the found materials.
Content:
WATCH RELATED VIDEO: D.I.Y. Sewing Machine Rotary Speaker

Leslie Simulation


Don took a horn speaker, and developed an apparatus to make it spin around in a circle. Legend has it Don constructed the whole thing in a closet! It made the Hammond Organ sound completely different. Although […] Learn More. Laurens Hammond's original Organ invented in had an intricate electro-mechanical mechanism that used 96 Quarter-sized wheels spinning on driveshafts powered by his patented synchronous motor.

The wheels were notched according to pitch, and an electromagnetic pickup much like that on an Electric Guitar sensed those notches and rendered a musical note. The Drawbars combined those harmonic tones to produce the inimitable Hammond Organ sound. The wheels are always "spinning". When a note is played, the tones pass, just as water through a faucet.

The random starts of each wave played allow for phase interaction, producing the rich tone so prized in the vintage Hammonds. The Digital realization of Laurens Hammond's System allows sophisticated control of every facet.

Each Digital Tonewheel can be voiced for Volume, Timbre, Motor Noise and Leakage; enabling the musician to tailor the Modern Hammond to match the characteristics of any Vintage Hammond, or to create their own vision.

Twelve Macro Profiles allow the user to quickly select the most popular "kinds" of Hammond, from Showroom-New to Road-Worn Antique and all points between. At our website, You may now download and install custom Tonewheel sets provided by some of our Artists, as well as other vintage Hammond Organs as cloned by our in-house expert staff.

One of the most distinctive parts of the Hammond sound is the shimmering "Chorus Vibrato". It adds a silken quality to the sound by adding a second, slightly detuned pitch to the original in the Chorus Mode, and repeat-modulating the pitch slightly in Vibrato mode. Hammond's original design used an electromechanical apparatus that looked much like the distributors you would find in the automobiles of the day, and ran off the same synchronous motor that powered the Tonewheel Generator.

The Sk's Chorus-Vibrato is executed in the Digital Realm, without moving parts, and works under the same model. As with the Tonewheel Generator, Digital control allows a wide range of adjustment that was simply not possible on the original. As the Antique organs aged, the components acquired their own unique qualities. These adjustments are saved per preset. Your Sk-series instrument has a total of 20 Pipe voices - nine 9 for the Upper Manual, nine 9 for the Lower Manual and two 2 for the Pedals.

Below is a list of the voices and the screen abbreviations:. Hammond's exclusive Prochord feature is added to a number of sounds, on the Sk series. With this feature, you can instantly produce a foolproof, professional sounding "horn section", or other unique arrangements. This is not an "auto play" feature you might find on non-pro instruments, but a powerful tool that can add great color to your playing. The instances of Prochord in conjuction with the Symphonic Strings Library voices add another component, that of leading voices in perfect enharmonic form.

Like the Hammond Organ, the Accordion is an instrument found in many genres, with few modern keyboards accurately delivering the voice. The Sk features the entire range of a Suzuki Accordion, with spot-on accurate and authentic registration capability. The unique symbols for Accordion registration appear in the display window, and a Musette setting is available as well. The Sk is designed to be a comprehensive foundation keyboard, providing the "meat and potatoes" for any performance, but Hammond adds a selection of Orchestral and Synth Instruments for added versatility.

Glockenspiel and Vibraphone voices are also on the menu. The wheels were notched according to pitch, and an electromagnetic pickup much like that on an Eelectric Guitar sensed those notches and rendered a musical note. Hammond's adherence to quality has allowed many vintage instruments to remain vital today, and they are among the most desired and imitated musical instruments ever, but at a high cost.

The Electromechanical Hammonds require expensive maintenance, regular doses of oil, and were of great weight; not easy to move at all. A variety of Macro Profiles allow the user to quickly select the most popular "kinds" of Hammond, from Showroom-New to Road-Worn Antique and all points between.

The Tonewheel Generator wasn't the only great invention of Laurens Hammond, and no Hammond Organ would be complete without the full spectrum of ingredients that comprised Mr. Hammond's genius design.

This concept allowed one or more keyboards to control the pitches of many pipes within one set or "rank" of pipes. Adopting the harmonic standards and nomenclature of the Pipe Organ, Mr. Hammond's design assured that any organist would be able to play his instrument without a steep learning curve. Unlike the Pipe Organ, Mr Hammond's design allowed variable volumes of each Harmonic represented by each drawbar. This variation gave the musician millions of combinations of harmonics, and assured that every Hammond player would be able to summon a unique voice.

An extra level to the expression a Hammond Organist had at their fingertips was added because the Drawbars could be manipulated in real time. The B-3mk2 features 4 sets of real drawbars in the size, shape and configuration of Vintage Hammonds.

Few musicians realize the Chorus effect pedal widely used for Guitars and Electric Pianos had its genesis as a component of the Hammond Organ. This effect added a high "attack" to the Organ tone at either the octave or the twelfth, with a fast note decay. This sound was reminiscent of an xylophone or clave, and became immensely popular, immediately.

Perc gave the Organ a bright highlight, and every generation of music has embraced this sound. Controls for the Perc have the classic nomenclature, familiar to anyone who has ever played a Hammond. On the B-3mk2, Perc is executed in the Digital realm, allowing a wide range of controls the organists back in the day did not possess.

The 1' drawbar muting, characteristic of the Vintage Organs can be defeated, as can the drop in Drawbar volume level that accompanied the engaging of the Percussion voice.

You can control the volumes and decay times as well. The inclusion of this obscure feature demonstrates the commitment to authenticity Hammond has brought to the B-3 mkII. Inside the Vintage Hammond B-3, on one side of the tube preamp, there was a "Screwdriver Pot" with the engraved legend "Tone".

This control was adjusted by the Technician installing the organ in order to tame the treble response in the instance of the organ's installation in a Church or Mortuary, where a more muted organ was desired.

The control was a cocktail of upper Mid and High frequencies the proportions of which were, until recently, held secret. The "Tone" control was basically a "hi cut" control and only went "down". You could not direct the control to go "up" for "boost". The B-3mk2 has 5 banks of 9 presets each, controlled by the Traditional "Reverse color" Preset keys at the lower end of each Manual.

The entire B-3mk2 setup may be saved to a common CF Flash card for backup or restoration. You can play these external zones with or without the B-3mk2 voices sounding.. The Xk-1c features real drawbars in the size, shape and configuration of Vintage Hammonds. The Drawbars also serve the Combo and Pipe Organ divisions, but with a slightly different function. On the Xk-1c, Perc is executed in the Digital realm, allowing a wide range of controls the organists back in the day did not possess.

In order that every key and pedal of the Laurens Hammond's Organ could access every Tonewheel as predicated by the Drawbar settings, an electro-mechanical apparatus lurked behind the keyboards, with 9 contacts corresponding to each drawbar for that keyboard and a series of contacts attached to each key. As a key was depressed, the contacts sequentially touched, and the circuits were completed to produce the Organ tone that was registered by the Drawbars.

The very nature of Electric circuitry dictated a click could be heard at the top of each note played when the current-carrying key contacts touched. Laurens Hammond considered that click to be a nuisance, and worked to no avail in order to rid his organ of that imperfection.

The jazz players who embraced the Hammond Organ, however, found the click to be a percussive highlight, and wanted nothing to do with its eradication. To make matters worse, as the Vintage Hammonds aged, the click became more pronounced, and by the Rock and Roll era, the Key Click assumed a role of importance that Laurens Hammond could never imagine. The timbre of the click may also be adjusted. Hammond would have greatly approved of the Xk-1c, as you can turn the click all the way off if you desire, creating a Vintage Hammond Organ that could not exist in the physical world.

The inclusion of this obscure feature demonstrates the commitment to authenticity Hammond has brought to the Xk-1c Series. The advent of transistor electronics brought forth smaller, more affordable portable Organs.

The Thomas Organ Company in the U. Thomas sold their Combo organs under the Vox name and their premier offering was the "Continental". Farfisa's organs became Rock icons, and the marque reached its height with its "Professional" model. The sound of the transistor Combo Organ never went out of style, and has even flourished in the "Indy" scene of the 21st Century. The sounds of both of classic instruments are faithfully reproduced in the Xk-1c, with the ability to register them in the exact way you were able to on the originals.

Both models employed a variation of Hammond's Drawbars, and an accompanying legend on the control panel marks the functions for each drawbar, for each model.

The Pipe Organ division uses the Drawbars as Drawknobs to select the stops you choose. Now you can take this majestic sound wherever you desire, whether it is to accompany Worship, Perform Classical Organ Literature, or Practice with Headphones in your Dormitory Room.

Progressive Rock groups have relied on the sounds of Classical Pipe Organs, and have had to compromise with the few inflexible samples contained in Synthesizers and Samplers, but now the sky is the limit with a Classical Pipe Organ that can be registered in the traditional manner. As is customary with Hammond, each rank of pipes may be voiced independently to the user's specification, and stored for instant recall.

The main difference between Church Pipe Organs and Theatre Organs was the deep Tremulant that took the edge off the Theatre Organ's pipes and made them emotionally "sob". Making use of an acoustic phenomenon called the "Doppler Effect", Mr. Leslie constructed a speaker cabinet that used a simple system of rotating horns and baffles to give the Hammond tone "motion" and "depth". This created a different instrument altogether, one that could play "Popular" music.

Hammond intended his organ for the Church and Classical Music, looking at "Popular" Music with disdain-he wanted nothing to do with Mr. Leslie's invention when Mr. Leslie demonstrated it. The public however, took the combination of Hammond and Leslie to heart, and so it remains to this very day. It is difficult to think of one without the other, although Mr.

Hammond never allowed Hammond Dealers to sell Leslie Speakers. After Mr. Hammond's death, the two companies became partners, and now Hammond owns and manufactures Leslie Speakers. For both Hammond and Leslie, the golden goal was to produce a Leslie that did not require motor-driven speakers, and the goal has been reached in the Xk-1c, with the finest Digital Leslie we have ever produced.

Now the elusive effect can be had where space and mobility have heretofore denied it.


Leslie Rotary Effect for every budget

The organ and Leslie were regularly maintained. Organ was oiled every 6 months, and cosmetically only has very minor wear over the years. Same with the Leslie. Shipping arrangements may be made as long as you make the arrangements and take care of the cost. This item is sold As-Described and cannot be returned unless it arrives in a condition different from how it was described or photographed.

The top cabinet had a rotating speaker that would create a distinct sound for the Hammond organ. The spinning speaker is moving towards and then moving away.

Leslie Speakers and Hammond Organs


Instrument Profiles. Originally devised as an instrument for home entertainment at the time that record players and hi-fi stereo sets were also becoming popular, the Hammond Organ is a miracle of engineering and design devised in the mids. The most popular and widely known of the Hammond organs, the B-3 creates sound by rapidly rotating electro-mechanical tonewheels next to an electromagnetic pickup, somewhat similar to the pickups used in electric guitars. The number of tonewheels being actively engaged and the strength of the current generated impact the tone and volume the machine puts out. Designed prior to the broad use of solid-state electronics, the tubes, transistors and tonewheels are all hand-wired, employing more than 2, hand-wired contacts throughout the device. Controlled by drawbars similar to the stops on a pipe organ, the tonewheels provide a similarly broad range of possible harmonic tones and overtones, which are further modified by the use of chorus and vibrato, two sound manipulating effects built into the system. On its own, the Hammond organ sounds quite similar to a traditional church organ but lacks some of the depth and variety of tone created by the pipes themselves and the speed and frequency with which air is blown through them. These organs were originally marketed with large speaker cabinets to amplify the sound. In an effort to better reproduce the rich variety of tone of true pipe organs, inventor Donald Leslie began experimenting with different techniques to further manipulate the outputted sound.

Synthesizing The Rest Of The Hammond Organ: Part 1

hammond organ spinning speaker

Hanert and first manufactured in Various models have been produced, most of which use sliding drawbars to create a variety of sounds. Until , Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup and then strengthening the signal with an amplifier so that it can drive a speaker cabinet. Around two million Hammond B3 organs have been manufactured.

This instrument is an attempt to simulate a tone wheel organ with a rotating speaker effect like that produced by the Hammond B3 organ and the Leslie rotating speaker.

Hammond B3 Organ with Leslie Speaker


The Leslie lent swirling, highly ethereal sounds to many a soulful Hammond organ line and pioneering guitar lick on legendary recordings, especially in the '60s and '70s. How exactly did the Leslie create its signature warble? The speaker cabinet operates on the same physics as a police siren changing in pitch and volume as it whizzes past you. This is the Doppler effect, or the phenomenon of sound changing in pitch as it grows nearer or farther away. The Leslie speaker accomplishes the Doppler effect with a stationary unit through clever engineering.

The Hammond Organ

A brand name of rotating speaker , named after its inventor, Don Leslie. Leslie speakers are best known for being used with Hammond organs. The basic Hammond tonewheel timbre is rather static, and becomes uninteresting to listen to after a short time. Hammond realized this early on and undertook development efforts that eventually produced the vibrato scanner. However, Leslie came up with the idea of the rotating speaker, based on some work that he had done while working for the U.

Great deals on Hammond Organ Leslie Speaker. It's a great time to upgrade your Hammond C3 Organ & Leslie 21H Rotary Speaker w/ Bench, Pedals. $4,

Rotor Cabinet effect overview in Logic Pro

The Rotor Cabinet effect emulates the rotating loudspeaker cabinet of a Hammond organ. Also known as the Leslie effect , it simulates both the rotating speaker cabinet, with and without deflectors, and the microphones that pick up the sound. You have full control of the Rotor Cabinet effect motor controls and can choose from a range of microphone types.

Login or Sign Up. Logging in Remember me. Log in.

A B3 and a Leslie tone cabinet can produce a greater variety of sounds than any other analog instrument, including the electric guitar which depends on added effects for most of the more outrageous sounds.

Your question might be answered by sellers, manufacturers, or customers who bought this product. Please make sure that you are posting in the form of a question. Please enter a question. Skip to main content. Consider these alternative items. See All Buying Options. Rotating Speaker Motor and Rotor Oil.

Anyone who loves the Hammond organ knows the sound. This sound is produced by the Leslie Cabinet connected to the organ, a special two-channel loudspeaker from the s, which reproduces the high and low frequencies separately onto mechanically spinning components which characteristically deflect the sound. Electronic simulations of the legendary Leslie effect are often said to be not realistic enough. We think this is a myth.




Comments: 1
Thanks! Your comment will appear after verification.
Add a comment

  1. Mill

    the question is far away