Aguilar bass amps
NAMM isn't taking place in the physical realm this year, but you'll find all the hottest January gear launches in our guide to the biggest guitar, amp and pedal releases of so far. Korg USA will be a direct investor in the newly named Aguilar Musical Instruments, which will operate as a separate company under the Korg portfolio of brands. In the bass world, Aguilar has built up its reputation with a string of high-quality amps and pedals. Korg USA's current roster of brands includes names such as guitar amp manufacturers Vox and Blackstar, as well as Tanglewood acoustic guitars and Spector bass guitars. He continued, saying that "For 25 years, the Aguilar name has been synonymous with quality. We will continue to maintain that reputation and look forward to our future collaborations.
===We are searching data for your request:
Wait the end of the search in all databases.
Upon completion, a link will appear to access the found materials.
Content:
Bass amplifier
This year, Aguilar celebrates its 10th anniversary, and over the past decade, this founding principle remains at the forefront of Aguilar's groundbreaking design and engineering concepts.
In , Aguilar began as the manufacturer of a single bass preamp. Today, that same preamp is recognized as a contemporary classic and the industry standard in major recording studios found throughout the world. Along the way, Aguilar has become one of the fastest-growing manufacturers of high-end bass amplification with the addition of power amps, speaker cabinets, combo amps, onboard preamps, and a direct box to their product line. Through an endorsing artist roster that reads like a "who's who" of both legendary bassists such as John Patitucci and Gary Willis as well as up-and-coming stars including Chris Chaney and Chris Tarry to name just a few, the tones generated by Aguilar units resonate prominently throughout today's music.
From the studio recordings of pop and country radio hits to live performances of timeless jazz standards in coffee houses and rock anthems on stages in arenas around the globe, "the Aguilar sound" has become synonymous with harmonically-rich and dynamically-diverse bass tone.
In the interview that follows, Dave Boonshoft outlines Aguilar's history, and speaks about many topics including his philosophy on building amplification units, common features shared amongst Aguilar amps, the specifications on the latest pieces of gear introduced in the Aguilar line including the AG amp and S series cabinets, as well as the future of Aguilar Amplification. How did Aguilar Amplification become founded?
When I first moved to New York City in the early 's, it was near the end of the once-lucrative studio scene, before synthesizers took over much of the work. I was a studio musician, and I played every conceivable gig including jingles, records, and tours. I've always been a bass player first. I still own a small record company, but there just aren't enough hours in the day to gig at a professional level any longer. I still play on records that we produce in New York, though. The name of the label is Naked Music, and we're pretty well-known in dance and electronic music.
In the late 's, Roger Sadowsky used to work on my instruments. At that time, he was working with Alex Aguilar on a new preamp for his basses. I was testing what later became the Sadowsky preamp on gigs for Roger.
I would give my feedback to Roger, and he would pass on the information to Alex. Roger introduced me to Alex, and we began talking. Alex and I really didn't have a formal relationship at that point. Alex opened up a repair shop where he fixed amplifiers. I continued to play music, but at a later point I went into the studio business. I owned a lot of vintage recording equipment. I actually opened my own company called Boonshoft Vintage Rentals, and I rented out all the high-quality Neve mic preamps, Telefunken mic preamps, and compressors.
It was all really high-quality gear. Even though I had been playing for many years, it wasn't until I had got involved in production that I realized what went into the sound on stage and in the studio, and I became really dissatisfied with the gear that I was playing through.
I started searching for someone to build me a preamp that would be specifically designed for a bass player but would give me the sound I could get out of a high-end Neve or Telefunken preamp. Alex was doing repairs just down the hall from Roger so I paid him a visit one day, and I drew out on a napkin what would become the DB It had all the features I wanted in a bass preamp and Alex designed it.
This project was originally supposed to be a one-of-a-kind preamp. We never had any intention of making more of them. When we eventually decided to put the preamp into production, we tried to come up with numbers that sounded snappy.
I had a tremendous amount of admiration for a piece of gear called the Fairchild It was an enormous tube compressor, and it was a wonderful-sounding piece of audio gear. We decided to name our preamp the DB because was 10 better than the Fairchild , and the DB prefix was the initials of my name. We really didn't think people would expect those numbers to signify anything special, but years later, we wished we would have thought through the naming process a little more.
I've always been very entrepreneurial, and I knew we had something really special with the DB so Alex and I decided to go into business together, and we formed a company in At the beginning, Alex continued to do repairs, and I still had my recording studio so production started off really slow. Soon after, we needed an amplifier to compliment the preamp so we created the DB I started working out of our first shop in mid-town New York City at Broadway. Initially, we had no employees, but in a short time we had one part-time worker, followed by a full-time worker, and then additional full-time workers.
It just evolved from there up to where we are today. I was the conceptual and entrepreneurial components of the company, and Alex provided the engineering and design. Whenever you attend a NAMM show, you'll see that most companies are comprised of at least two people.
One guy takes care of the business aspects of the company, and the other person has the creative mind. I think that one of the reasons we've succeeded in our endeavors is due to the fact that we had a good balance knowing how the gear should perform through brilliant engineering and reasonable business skills to make things work.
If you take either one of those parts away, things just aren't going to work. That's how it all began. I purchased Alex's shares of the company at the beginning of Alex hasn't been involved in the company since then. Over the years, we've become really efficient in how we do things so we currently employee a staff of around seven people at any given time to keep up with the demand.
We've put together a lot of popular products for being in existence for only 10 years. Were there pre-existing features on the bass amps and cabinets that you were personally using as a bassist before forming Aguilar which you felt you could improve upon? I felt that many of the bass amps I was using didn't contain the proper harmonic structure.
They always sounded like they were lacking the correct overtones. The distortion seemed to be so high. They just didn't sound warm or full. You couldn't use any of that equipment to go to tape. However, you could take a Telefunken P76 to tape, and it sounded absolutely beautiful. There just wasn't anything that was specific to bass that was as good as a vintage mic preamp.
The problem with those vintage mic preamps is that you couldn't rackmount them back then and make them road-worthy. They just didn't work all that well outside the studio setting.
Some of the features that were incorporated into the DB were things that I actually liked about other preamps. I liked a parametric eq because I felt like it gave me the flexibility to do broadband boost and narrow band cuts in a musical fashion. Walter Woods had a bright switch with two positions on his amps, and having two boost positions made a lot of sense to me.
We've always tried to design our products incorporating features that offer our customers the widest range of achievable musicality. Since its inception, what has been Aguilar's principle philosophy regarding amplification? The bass, its pickups and strings, the amp and the cabinet you are playing through are all integral components of the sound you are producing.
You can't subtract any of those parts without altering the equation and the overall output of the sound. We are providing the other half of the bass guitar's sound. Whatever we create has to be intrinsically correct for the instrument. For us, this means we have to create a true harmonic structure with a terrific dynamic range, and a very fast transient response for it to be a good musical instrument amplifier made specifically for bass.
Because the bass frequency is so low, you have to figure out solutions to problems inherent to bass instruments and meet those challenges, and I think we've accomplished that with our products. From an engineering perspective, what is the greatest challenge in trying to amplify an electric bass guitar? The biggest challenge is making an amp were the dynamics feel musical and accurate to what the bass player is doing.
Bass guitar has a huge dynamic range. How would you define the "Aguilar sound? All of the overtones you'd expect to be there are present. Hopefully the transient response feels like it is mirroring that person's playing.
The volume level is there, and the dynamic range is there. We want the Aguilar sound to be the musical completion of the bass guitar. That is how I would define it. What design concepts make Aguilar amps unique from any other amp manufacturer in production today? It's hard to say because I'm not sure what design concepts other manufacturers use in their products.
I only know what we are trying to accomplish with our gear. For example, our newest amp is the AG It has two channels, one for clean tones and another one to generate distorted tones. We designed the saturation channel so that you can acquire any level of saturation at any level of volume. Many other manufacturers just set up their amps so you can overdrive the input gain stage and only obtain one kind of distortion.
With the AG , you can tune in different levels of distortion. We didn't invent this because it has been used in electric guitar amplification for years, but it has been left off of bass amps.
As you turn up the level of distortion, you need to be able to add presence and level out the mid-frequency in order for the distortion to sound intelligible.
From a design perspective, we really try to optimize what is going to work well and then proceed in trying to accomplish our goals. Building a great amp is similar to recording a great song. You have to recognize when you've arrived at your goal without stopping before you are really done.
Asking yourself when it's really correct is a very difficult and subjective decision to make. There is a lot of trial and error involved in the design process until you get the product right. There are always problems encountered along the way that weren't considered in the initial concept so you have to go back and discover solutions.
When you are designing a product, do you have a particular style of music in mind for which that unit might be most appropriately suited?
Aguilar DB 751
Aguilar AG Bass Head. Aguilar Tonehammer Bass Head Amplifier. Exclusions may apply. Learn More. Live outside the United States?
Aguilar Tone Hammer 500 Bass Amp. Lightweight, Class D, 500 Watts
Loyalty Points. What are points worth? Points are worth a 1p discount for every point you redeem. How many points will I earn when I shop? We display the number of points available for a product on the product's page on our website. Normally we'll give you one point for every pound you spend, but watch out for double and triple points deals for even more savings! Restrictions Still in Place in Store - Read here before visiting in person. Aguilar Amplification make some of the best bass gear on the planet and are world-renowned for the quality of their products. Aguilar Amplification have an ethos of designing products that cater to a real-world musical need. Aguilar are a company that move forward every day and this shows in the quality of their bass amps and pedals.
Will we see some new affordable combo amps from Aguilar Amplification soon?
JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser. Aguilar Amplification is dedicated to using superior engineering processes to make great gear for bass players. Since , Aguilar have been manufacturing world-class heads , cabinets , pre-amps, pickups and effects pedals.
Aguilar Tone Hammer 500 Bass Amplifier
The AGRO? Capable of producing everything from warm, tube-like overdrive to full A heavy-duty cast frame Eminence driver is mounted in Easy to carry but packing a mighty punch. The DB 's small size and classic look make it perfect the perfect compliment for smaller stag Based on the same sonic footprint as the DB , the DB is a great mid sized cabinet for medium to large venues.
AGUILAR AG500 2 Channels Bass Amp Head 500W
The AG has the clarity, dynamic range and fast transient response of the legendary AG with a bigger low-end and high headroom. This solid s Capable of producing everything from warm, tube-like overdri The DB features an improved preamp that combines the legendary tube driven tone of the DB with greater EQ control. A perfect combination of The new DB combines the full low-end extension of the GS with the punchy midrange of the DB series cabinet line. A heavy-duty cast frame Em
${product.title}
Pay now or later — it's up to you. Choose one of these payment options above at checkout to get your gear today and pay later. Split your bill into instalments Own your dream gear today without having to wait, split your purchase into equal payments.
JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser. Over the last 20 years, Aguilar Amplification has carved a name for itself on the back of superior engineering, top of the line equipment and a deep dedication to every aspect of a bass's sound. While the company might not be as well known as some of the huge players such as Ampeg or Fender , savvy bass players know that if you're looking for top quality bass gear and tone, Aguilar Amplification will definitely deliver!
Yes, Audiofanzine is using cookies. Since the last thing that we want is disturbing your diet with too much fat or too much sugar, you'll be glad to learn that we made them ourselves with fresh, organic and fair ingredients, and with a perfect nutritional balance. What this means is that the data we store in them is used to enhance your use of our website as well as improve your user experience on our pages learn more. To configure your cookie preferences, click here. We did not wait for a law to make us respect our members and visitors' privacy. The cookies that we use are only meant to improve your experience on our website. These are cookies that guarantee the proper functioning of Audiofanzine and allow its optimization.
Discover more, inspire others and get inspired with the Polygon Group. Toggle navigation. Rental Products. Latest Offers.
I guess it's yes
And Thunder struck and the timpani sounded midnight and Skrpit descended from the heavens. Yo
remarkably, the very valuable message