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Download Hartke A100 Vs Ampeg Ba 115 Manual: Textbook
Finding the right amp for your bedroom and smaller clubs, can be a challenge. During the last decade, the market has been flooded by affordable tube amps in all price ranges and while most of them will cover your basic needs, there are some distinct differences that will have an impact on your tone.
The large tube stack phenomenon started in the late 60s, when bands moved to bigger stages and needed more volume and wattage. Prior to this, a small combo would do the job nicely. The whole thing escalated in the 80s with the ridiculous, although cool looking, walls of Marshalls.
By the early 90s, the low wattage tube amps were almost forgotten in favour for the transistor. But trends tend to get their rennaissance and once again, guitarists demands the timeless sound of the tube amp.
It almost goes without saying. A loud w, or even 50w stack head and speaker cabinet is way too much for your bedroom and smaller clubs. Obviously, volume is an issue. To be able to drive a w tube amp you need to play loud. At low volume the amp will sound dull and flat. David Gilmour has always set his amps, large or small, just at the edge of breakup. You need one that fits your environment. In most cases a 5w or 10w is more than enough for a bedroom and even a studio. Both tube amps and transistors has come a long way in providing great relieable tones.
I do recommend tube amps though. Try both types of amps and listen to how they respond to your playing and how you set them up. What happened?
Well, not all overdrive, distortion and fuzz pedals are designed for all amps. Depending on the model, Fender amps typically has less mid range and compression. British amps like Marshall and Hiwatt, typically has lots more mid range and compression. So, a pedal like the Big Muff, which has less mid range and compression will often sound bright and thin on Fender amps but paired with Marshall or Hiwatt, which will compensate for the lack of mids and compression, will make the pedal sound smoother and fatter.
More on choosing the right pedals for your amp here. Boss Katana The Boss Katana amps are incredibly impressive, with a typical Boss quality and attention to detail. As I, you may be sceptic, but the fact is that these amps sound awesome. Each model come with a wide range of built in effects and amp modelling presets but you can tailor your tones to your taste and the amps are great with pedals as well.
The featured effects loop also allow you to utilize the classic built in Boss effects with your own pedals. Output: w depedning on the model. All models has power scaling. Tubes: transistor Speaker: custom Boss speakers Controls: channel volume, master volume, 3-band EQ and presence, effect controls Channels: clean, crunch, lead, brown FX loop: yes.
Lots of headroom, a nice mids hump and a warm, smooth top. The featured 1w power scaling, also makes this an ideal choice for the bedroom setup. All of the Cubs handles Muffs and overdrives nicely but I recommend the stack for a bit more headroom.
The clean channel has that slightly scooped Vox AC flavour that can sound almost like a Fender on lower volume but hit you straight in the face once you crank it.
The gain channel is distinctly early Marshall, with all of the awesome qualities of the Plexi and JTM amps. The Lionheart is a great pedal platform too. The series feature a wide range of different heads and combos and for your bedroom and recording studio I recommend checking out the L5 or L5 Studio. Output: w depending on the model. The L5 Studio has power scaling. This makes it ideal for bedrooms and even smaller clubs and it can handle most pedals, including the more demanding Big Muffs and fuzz pedals.
The stock speakers can sound a tad too bright, so consider replacing these with some darker ones, like the Eminence Cannabis Rex. It has all the classic elements of a Fender tweed era tube amplifier, with a bit of that creamy mid range and compression and lots of modern features, including more gain, effects loop and three different channels.
The Bassbreaker 15 is an excellent bedroom and studio amp and a nice platform for most of your pedals as well. Great all-rounder with classic Fender tones — warm, dynamic clean channel and two drive channels for different types of gain.
Like the Blues Jr, the Deluxe has a bit more mid range and compression, compared to other Fender amps, which makes it easier to combine with different kinds of gain pedals. With its 40w this is perhaps a bit too big for your bedroom but excellent for studio work and smaller clubs.
The clean channel is super pristine, with tons of headroom. The drive channel ranges from clean to near metall. A good tip is to use the drive channel for pedals, as it has more mids and compression. The clean channel with pedals sounds fizzy and thin. Peavey Classic 30 The Peavey Classic has gained a high reputation and with good reason.
This is an incredibly versatile amp, good for almost anything you would want to play. The 30 is perhaps a bit too loud for your bedroom, but the amp deliver fat tones even at the lowest volume levels and it can handle any pedal you plug into it. Be sure to check out the full Classic series. The Classic 50 combo offer the same tone and features as the 30 but might be a better choice for larger venues and frequent touring. The new Classic 20 head, is ideal for rehearsal, smaller venues and recording, with the same tone found in its bigger brothers and lots of features for a convenient recording setup.
The clean channel offer a great basis for your pedals, even the more demanding ones. The drive channel is surprisingly smooth and takes the amp closer to a vintage AC The series feature a wide range of models, from the bedroom friendly 10w to the stage ready 40w — all available as both combos and stacks.
All models also feature power scaling. The cab has a Fane Octapulse speaker on board, but this speaker is for me unknown. I know that David used Crescendo speakers, but these are a long time out of production. The only speaker that I can find is a Ascension. They exist in ceramic and alnico version. Do you know how these speakers octapulse and different Ascension sound in comparison with the Crescendo? What would you prefer?
Both very close to the original fanes. You might find that Big Muffs sound a bot too bright with it though. That depends on your pickups and pedals. Set the pre amp to clean but you want a tiny bit of bite and the master depending on loud you want the amp. Hey, there Bjorn. First I wanted to say how insightful and helpful this site has been!
I have a question regarding the Blues Junior as I just bought one. Does that change some things? I bought it because I read on here that it has more mid range than most Fender amps, but does it being an older model change that? The Blues Jr is losely based on the old tweed era Fender amps, which has a hint more mids and compression compared to the later Fender models.
The Blues Jr has always been available with different types of speakers, which plays a huge role in the tone. Check out a tone diagram for that specific speaker and you can always replace the speaker later on. Even on the normal channel this amp is breaking up to quick. I hope you can give me some advice.
The Hiwatt Tube series are very good. You get the classic Hiwatt tones for a reasonable price. Well worth checking out. Hi Bjorn. I just purchased the Laney Lion Heart L5-studio. I am blown away with the build and look. Do you have any suggested settings. I use the amp for all kinds of tones, with different settings.
Extremely versatile. As a pedal platform, I often use the dirt channel, with the bright on, bass and mids around , treble around and the tone around noone. Gain is set at 8 or depending on how hot my pickups are.
These settings works very well on the clean channel too although the dirt channel has a bit more mids. Hey Bjorn! Is it the tubes that create the mid-hump or mid-scooped sound? You can make any amp fit a Gilmour setup if you know how to set it up and what pedals and pickups that goes with it.
Still, a modern Marshall EL34 is very different from a Hiwatt. Anyways, I have some advice for anyone using muffs and fuzz with scooped amps or at very low volumes. Thanks for the kind words!
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Finding the right amp for your bedroom and smaller clubs, can be a challenge. During the last decade, the market has been flooded by affordable tube amps in all price ranges and while most of them will cover your basic needs, there are some distinct differences that will have an impact on your tone. The large tube stack phenomenon started in the late 60s, when bands moved to bigger stages and needed more volume and wattage. Prior to this, a small combo would do the job nicely.
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