Home stereo mixers
In the old days, you needed an analog mixer or studio console to mix music. But even though almost every music producer now works in a DAW, a hardware mixer is still a valuable tool in a home studio. Hot tip: Shopping for more home studio studio equipment? An analog mixer is a tool used in recording and live sound that amplifies signals from microphones or instruments and blends them together.
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10 Best Audio Mixers in 2021
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Visit Juno Studio. Our full range of DJ equipment from all the leading equipment and software brands. Visit Juno DJ. The world's largest dance music store featuring the most comprehensive selection of new and back catalogue dance music Vinyl and CDs online. With the growing popularity of hardware setups in dance music production, mixing analogue signals is now a key part of many home studios.
The easiest solution is usually a small mixer, providing a hands-on way to sum the outputs of your synths, drum machines and samplers. Here we run through ten of our favourite options, from ultra-basic models through to fully featured consoles with digital effects, built-in USB interfaces and even multi-track recording. Note that almost all of the mixers on our list are available in other sizes and channel counts, so if you like the features of a particular model but need more inputs, be sure to check the models higher up the same range.
Most mixers come in a range of different channel counts within the same product family, but their features can vary substantially. The most basic mixers on our list do very little more than sum signals together. The more simple models just record the stereo mix, but some can even record multi-tracks, allowing you to edit and process your recordings further down the line.
As we mentioned above, most brands offer their mixers in a range of sizes to suit different requirements, typically starting around four channels and going up to 24, 32 or more. If it comes down to the choice of sacrificing sound quality for more channels, sound quality should be the priority. At the most basic level, an audio mixer is a way to combine two or more signals into one. In the case of musical recordings, that almost always means a stereo output these days, with mono mixers largely consigned to history, barring a tiny handful of exceptions.
The Zed6 is a lot more basic than the bigger models in the range which goes all the way up to a mighty Zed , with obvious cost-cutting and space-saving features such as rotary controls for channel level rather than faders. At this kind of size and simplicity, it really comes down to personal choice whether a mixer gives the best workflow.
It does make balancing mixes a little less intuitive and tactile, but if you can live with the compromise it does offer a lot for the money, with decent sound quality and plenty of versatility thanks to its effects and bundled Cubase AI recording software. One of the most unusual choices on our list, the Yamaha AG03 is unconventional in a lot of ways. The AG03 includes a built-in USB audio interface designed to work nicely with tablets and mobile devices as well as computers, hinting at its intended uses for live streaming, podcasting and YouTube content creation as well as music.
In effect, the AG03 falls somewhere between a mixer and an audio interface, with neat features like built-in compression, EQ and reverb effects on the mic input. Some of the brands on our list specialise in smaller mixers, while others offer home studio models as part of a much bigger range.
Mackie falls into the latter category, having produced full-size studio mixers since the late 80s before launching smaller, more affordable options. The 10 represents great value for money, with four mono channels and three stereo. All in all, a very solid package for the money. You can read our full review of the slightly larger Mackie ProFX 12 v3 here. Midas is now part of the same Music Tribe group that includes Behringer, but the UK brand has been specialising in analogue mixers since the s.
Purists still favour the analogue approach in high-end studio mixers which can easily cost tens of thousands of pounds and the same theory can be applied to home studio mixers. With 12 mono channels plus two stereo, the DM16 is big enough to be versatile for most applications.
There are high-quality Midas preamps on the 12 mono channels, three-band semi-parametric EQ, aux sends and 60mm faders. Another British analogue specialist with a history dating back to the 70s, Soundcraft bears a lot of similarities to Midas.
The Signature 12 MTK is a rough equivalent of the DM16, but there are a few notable differences that justify the step up in price. The big selling point here is that the Signature 12 MTK is a kind of hybrid mixer, with an analogue heart complemented by digital features. The MX-1 links up nicely to other Roland equipment, allowing the mixer to act as a central hub and sync effects with sequencers on other gear, but it also offers a range of analogue and digital inputs allowing you to connect any other equipment you have.
A very clever solution. Most mixers stick to a pretty safe formula, but the Music Bluebox tears up the rule book. The Bluebox can mix up to 12 mono signals or six stereo via 3. The surprising thing about the Bluebox is that it feels like a creative tool more than a functional object; the quick and intuitive workflow makes it easy to set up effects and routings, while the built-in multi-track recording and overdubbing options help it feel like a halfway house between a mixer and a full-blown DAW.
In a live setting, you can use it to play backing tracks while mixing new instruments in real time, allowing you to manipulate and take control of your performances. Falling somewhere between a live mixer and a recording console, the StudioLive series from PreSonus represents an interesting middle ground.
The built-in SD card slot allows you to record directly to a stereo file, making this a good choice for anyone who jams their tracks live in real time, without the need to go back and edit later.
With eight mono channels plus four stereo there are plenty of inputs to play with, all mixed in analogue before hitting the digital converters if required. A real multi-purpose mixer that allows you to work in whichever way suits you best. Our final selection represents something a little different to the norm.
Even as a mixer alone, the Model 24 is impressive, with a huge channel count, mm long-throw faders and versatile routing. In our list we have everything from giant mixers all the way down to portable options which could also serve well in a live setting.
The fancier models on the market now include built-in recording devices, allowing you to record your stereo mix or multi-tracks directly to the mixer itself.
Secure shopping. Last edited: Contents What to look for What kind of mixer? How many channels? Like this? Get more by following Juno Studio here Yamaha MG10XU. Yamaha AG Mackie ProFX 10 v3. Midas DM Soundcraft Signature 12 MTK. Roland Aira MX Tascam Model
Save money and hassle with the best digital mixers
The mixer is an essential item in live music, and also in many studios. It is also one of the bits of audio gear that seems to intimidate those who are unfamiliar, due to the seemingly endless controls. Put simply, a mixer sometimes known as a mixing desk, mixing console, mixing board, desk or console takes various audio sources through its multiple input channels, adjust levels and other attributes of the sound, then usually combine them to a lesser number of outputs. So, at its most simple, this might involve taking the audio from performers in a live situation, tweaking and adding effects, then combining these to a stereo or mono output which can be amplified with a PA system.
Mic & Line Level Mixers
Having a mixer in your home studio will not only give you a more expandable approach to recording, but it can also come in handy when live streaming, podcasting and monitoring with more flexibility. Most beginners will confuse a mixer from an audio interface, since they both have similarities in purpose. While mixers and audio interfaces have that, distinguishing the difference between their features is important to take note of, depending on your needs. An analog mixer will let you track and record several instruments at once, which you can monitor as a whole. The advantage here also lies in how you can tweak the EQ and effects on each instrument in real time. On the other hand, most audio interfaces only have inputs and outputs, depending on the brand and model. Your EQ and effects will have to be done at post-production, which leaves you no room to tweak the sound on the go. While a mixer may come in handy during live performances involving several instruments, it is also possible to get a multi-input audio interface for recording; both will differ in terms audio quality. The audio interface will have a slightly better sound which is ideal for recording, while the mixer will be a more practical choice for live performances.
Mixing console
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Professional Audio Mixing Consoles
From groundbreaking audio production consoles to innovative personal studios, Solid State Logic are the world's leading manufacturer of creative tools for music, live sound and broadcast. Prolific not-for-profit organization produces nearly live events in Park City area annually, and prefers L…. It just sounds better. Help Centre. Media Careers Events. Our History Legal.
SM82S Stereo Line Mixer
This compact mixer is perfect for computer-recording These XLR inputs also have a switchable phantom power option to accommodate both dynamic and condenser microphones. TRS Line inputs are also ZEDFX is ideal for groups who need to travel light. It gives musicians, venues and hire companies access to 10 full mono channels, 3 stereo channels and a high quality FX unit in a compact, rack mountable format. Two of the 8 mono channels have high impedance jack inputs that can take a normal line level
19'' Rack Mixers
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The M2 is a multi-media audio distribution system which offers an unseen flexibility and amount of possibilities for any audio distribution system. It can handle a diverse array of input signals and has enough DSP power to apply the most modern filters, effects and other options. In general, the M2 is an 9 x 8 digital audio mixer, which is based on 11 powerful DSP processors. It is fully digitally controllable through a web browser interface, optional touchscreen display, wall panels and Android or IOS apps.
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Audio mixers and mixing desks are a big subject to cover in a small summery such as this, but some basic rules apply when selecting the type you need. If you are on the road it may be worth considering a powered mixer. This is were the power amplifier is integrated with the mixing desk, so you have just one unit, all be it somewhat heavier than a line level desk. Check how many channels you need and also consider the mixer specification carefully, since stereo line music channels can often be counted as two extra input channels on mixing desk.
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I will be guided when choosing only to my taste. There will be no other criteria for the music uploaded here. Something in my opinion is more suitable for morning listening. Something - for the evening.
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