High power custom tube amplifier
Included in Amp Room: Marshall Edition. Marshall-stacked, value packed. Learn more. Included in Volume 5 Plug-in Collection.
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TUBE POWER AMPLIFIERS
We recommend all products independently of 3rd parties including advertisers. A lot of tube amps need to be cranked to sound good. Having a large Plexi and being constrained to forever play it at "2" can get boring really quick.
This is because the power amp tubes don't saturate as much and the tone stays thin or weak. This is where low-watt tube amps come into play. The power amp tubes are more easily driven and the tone just sounds fatter.
Saturation comes in earlier and you get that grit, drive and distortion at more manageable levels. This doesn't mean that a "low-watt" amp can't push air: a watt tube amp can still fill a small club sufficiently while anything below can achieve great cranked sound at a volume your neighbors aren't likely to complain about. Small wattage tube amps have become many manufacturers' best sellers. Companies like Orange have made several lunchbox-sized amp heads in the Terror series as well as revive classics like the original OR series in 15 watt form.
All these options means finding the best low watt tube amp can be a challenge. Further details: How Gearank Works. Raphael Pulgar. An audio engineer of 20 years who specializes in rock and metal recordings, he also plays guitar and produces original music for his band and other content creators.
While it's bigger brother the AC30 was designed to compete with growing stage and crowd volumes, the small, but powerful voice of the AC15 gave rise to many electrified groups in the 60s. Today, the amp retains the Class A flavor it is famous for while employing more consistent construction and materials. The Greenback speaker, which is used in this amplifier gives it a more modern tonality, suitable for today's generation of rockers. The majority of owners and reviewers note that the greenback speakers paired with the classic Vox circuitry make for a more versatile sound than other variants.
A few users reported rattling at higher volumes. Also because it's a classic design, many users wanted a bit more clean headroom. More modern 15w amps can achieve louder volumes compared to the AC15C1. The Vox AC15C1 has everything you need for vintage 60s tone. With reverb and tremolo, many classic sounds can be achieved from The Beatles to The Shadows and beyond. Take note that the AC15 may not be loud enough for more modern forms of music but if you're after a good mix of all things British, the Vox AC15C1 with it's Celestion Greenback speaker has got you covered.
Amps that are hand-wired feature connections that are all wired in a chain with one another, as opposed to being wired to a circuit board. Because early amps were hand-wired, tonal purists feel that hand-wired connections give a more organic sound.
This is in part due to the component legs and wire being made of solid cores that have less resistance and therefore preserve more harmonic content in the circuit.
The portability and tone make it a great amp for coffee shop gigs where the music doesn't have to be loud according to a few users. One reviewer noted it sounded great for recording with a ribbon mic since full saturation can be achieved by the amp at lower volumes. Overdrive tone may be loud enough for some gigging guitarists but the clean headroom left a few reviewers wanting more.
Another caveat is that the Greenback speaker may not be "vintage accurate" for some purists. With boutique construction paired with a great sounding speaker, the AC4HW1 is a luxurious studio or bedroom amplifier that supplies you with great British tube amp tone at manageable levels. As with amplifiers at this wattage, live use may be limited unless miked up properly and fed to a monitor mix but what it lacks in stage volume, it makes up with juicy saturated tones.
Alnico Blue speakers have a more traditional Vox chime reminiscent of British bands like the Beatles. Reviewers note that it is worth spending a few extra dollars to get this version of the AC15 because of the speaker and how it more accurately replicates the vintage Vox chime that the amplifier is known for. Many who have tested both versions describe the Alnico Blue speaker sound as "sweeter" and more mellow than the AC15C1with the Greenbacks. The amplifier itself does not present much in the way of cons but users note that because it leans more on the vintage side of things that it may not be able to do modern styles like metal or effects-heavy guitar playing.
If you want to get close to that 60s Vox Chime without spending more for their handwired and limited models, the AC15C1X is a great pick. It may not be able to handle all styles of music as well as its sibling but what it does for vintage Vox chime, it does very well.
Since , the Fender Champ has been a practice and recording standard for many blues and country artists. Many players of this generation like jazz guitarist Julian Lage have also found their voice in the Champ. This amp is a custom shop reproduction of a vintage Fender Champ.
The Weber speaker designed especially for this amp was made to be as accurate to the originals as possible. Almost all reviews have people singing praises about this little amp. While small and one of the lowest in wattage in our list, the 57' Custom Champ gets its praises by reviewers from its straightforward tone that many have found to be easy to record.
The primary con listed by reviewers for the amp is its wattage. At 5 watts, it was never intended to be a stage amp though many acts have used it live by miking it up.
If the club doesn't have the means to mic up cabs, it might not be able to keep up with a full band as noted by several forum users. Its high price for a low-watt amp discouraged some reviewers as well. Big league tweed tone is usually reserved for those who can pay top dollar for a vintage model. The 57' Custom Champ makes the classic tone more accessible for the rest of us who just want to plug in and play.
While it may not be enough for a loud band for live use, for practice, recording or playing a light jazz gig, the 57' Custom Champ punches well above its weight with purebred tone. Countless digital multi effects have this specific amplifier in their line up but nothing can replace the original '57 Custom Deluxe in all its tweed glory. This 1x12" amplifier is the stuff of legends. While most amps have a clean tone that's just it: a clean tone; the '57 Custom Deluxe's tones range from pristine but touch-sensitive clean to smoky and gritty overdrive when cranked.
Many users who bought the amp either tried a vintage specimen or owned one. They were pleased to find that this modern recreation is made in the USA and still retains all the tone of the original. Some differences were forgivable since most vintage amps have aged components. They note that the '57 Custom Deluxe is what a brand new amp purchased in the '50's would sound like.
The price is an obvious barrier to entry. Many felt that it was hard to justify the price after trying the amp, noting that it's not the amp for them. If you are one of those that wished you could travel back in time, snatch one of these for retail and come back to today, the '57 Custom Deluxe is your time capsule.
For Blues, Country, Bluegrass and other classic rock sounds, the only "competition" would be boutique amplifiers - which are usually variations on this amplifier anyway! Tube amps need not be expensive. The Bugera V5 Infinium packs a lot of vibe despite the price tag.
The single 1x8 Turbosound speaker can also get quite loud and vibey; great for small gigs, recording or practicing at home. Users who bought it for as a practice amp were greatly satisfied by the tone and quality of the V5 Infinium.
The amp also takes being pushed by pedals really well. For the price of a practice amp, it's noted by some as a serious musician's tool. Some were even able to gig with it after miking it up. Not versatile enough for louder, more distorted styles unless you use effects pedals. The vintage saturation may be too "loose" sounding for some.
If you're looking for a great bang for buck tube amp that you can squeeze a lot of vibe out of, the Bugera V5 Infinium is a great budget pick to get you started on tube amps. For Bruce Egnater, the number one influence of an amplifier's tone is the tone stack. The Egnater Tweaker series was originally planned to be a modular amplifier with different swappable components. Down the line, Bruce Egnater decided to use toggle switches to enable the user to choose between a British, American or AC Marshall, Fender, and Vox respectively tone stack.
Users love the amount of control they have over the tone as well as the customizability of the gain response. The overall versatility of the amp was the primary reason why a lot of the users purchased the amplifier. Critical reviews note that the sounds claimed are just caricatures of the real thing since it only tweaks select parts of the circuit. Other reviewers didn't like the basic sound of the amplifier and tweaking could only get them so far with it.
The lack of the ability to make the tweaks footswitchable was also a concern for some as is the single channel nature of the amplifier. If you need to be able to go from American Clean to British crunch, the Egnater Tweaker makes for a great home or recording amplifier. While loud enough for the stage, the limited switching options mean you are essentially operating one, single channel amp at a time.
The effects loop gives it versatility but unless you plan on riding your volume knob, it may not provide enough flexibility on the fly. Nonetheless, its range of sounds make it an amp to own for a small recording studio that needs different tones. The original Tiny Terror was a watt, single channel amplifier that derived most of its overdriven tones from pushing the power amplifier.
This resulted in thick, classic sounding overdrive which a lot of rock players loved. Metal players on the other hand wanted more out of the Terror so Orange lead designer Ade Emsley designed the Dark Terror; a watt amplifier that gets most of its distortion from a 4 stage preamp.
While the Original Tiny Terror was discontinued in , the Dark Terror still feeds the desires of guitar players that seek high gain in a compact package. Many people think that the Dark Terror was designed to do just high gain. Several users were surprised to find that the Dark Terror also excels in low and mid gain scenarios with a sparkling clean tone and breakup. A tube-buffered effects loop in the back allows players to ride the volume knob to achieve clean tones without affecting the way the amp interacts with their effects.
The single channel of the Dark Terror proved to be a limitation for some people who wanted channel switching. Others say that even on the 7-watt mode that the Dark Terror is still very loud which may be a drawback for people who want to buy it for bedroom use. It's not surprising why this dark one has so many devoted worshipers. Sometimes all you need is one channel and that's what the Orange Dark Terror advocates.
With a roaring overdriven tone enough for the sludgiest of metal bands and the volume to keep up with the drummer , this lunchbox amplifier is not to be taken lightly. The Dark Terror pairs best with players that know how to rein in their guitars' controls to achieve different tones. The clean channel is a straightforward clean-to-grit affair with no other controls except volume.
Petito 1x12
Our goal: We manufacture in elaborate handwork and only after individual commissioning your very personal high-end all-tube stereo amplifier in ultra-linear AB technology. Our concept offers a sophisticated and proven technical base, which, combined with careful design and the high-end components used, allows an incomparably clean sound, characterized in particular by a pronounced liveliness and a precise differentiation of the pitch. At the same time, the "built-to-order" approach in conjunction with our personal advice allows for a high level of customization - so not just any standard device, but your own personal tube amplifier. Your amplifier is unique, designed to your specifications.
Tube Stereo Power Amplifiers for Guitar Players
Many of the other Park amps offered today are recreations of vintage designs. The Park Little Head 18 is something new. The Park Little Head 18 features the same preamp as the Park 45, the same cathode follower driven tone stack as found in the Fender tweed 4x10 Bassman, high powered tweed Twin and just about every M style amp, originally derived from the Western Electric circuit , a super-variable power amp capable of using a number of octal based power amp tubes and an octal based rectifier tube socket that can use various tube and solid state rectifiers. Full sized power and output transformers same size as our 45, 50 and 75 amps for full bodied sound and no compromise in the low end. Full power supply with choke for the biggest tone and selectable rectifier 5Y3, GZ34, Solid State plug in for varied power and feel. User selectable output tubes include 6V6, 6L6 and EL34 for changes in tone, feel and power. Power range from 15 to 23 watts clean power depending on choice of rectifier and power tubes. Full featured Park preamp with two channels, four inputs, separate volume controls, treble, mid, bass, brightness.
SCANDINAVIAN SOUND
Power amplifiers are the driving force behind any great home audio system. McIntosh amplifiers blend eye-catching aesthetics, power and sonic integrity in a way that has been capturing the imagination of music lovers and home theater enthusiasts for decades. Whether your desires run towards vacuum tubes or solid state, monoblock, stereo or multi-channel configurations, McIntosh has your home audio amplifier solution. As explained in the Privacy Policy, Our Website uses cookies to improve your experience and to analyze our website traffic.
How to choose tube guitar power amplifier.
Here we have gathered some information about tube amps and some modern technologies used in Bluetone amps. Many people avoid tube amps because power tube biasing is way too complicated. Many tube amps have such a power tube biasing system, that it demands a skilled person to do it. In this case amp chassis has to be opened to to get tubes biased properly. Inside tube amp chassis there are dangerous voltages. To avoid that kind of problems, we developed Bluetone Bias Rate bias adjustment system, which makes power tube biasing safe, fast and easy.
Guitar Pedals
Stay up to date with Roland news, artists, promotions, events, and more. This channel provides information of the BOSS's best quality electronic musical instruments. Provides an overview of key features, functions and operational tips. Welcome to our global family. Explore in-depth articles on BOSS pedals and get inspiring knowledge to help spark your creativity. Combining classic tube sound and feel with next-generation tonal diversity, the BOSS Nextone series presents an exciting new concept in professional guitar amplification. Distinctive channel voicings deliver a wide range of inspiring tones, while four selectable Class AB analog power amp types provide instant access to the unique characteristics of 6V6, 6L6, EL84, and EL34 output tube sections. Backed by our advanced Tube Logic approach, each power amp type re-voices the entire circuit from input to output, putting the complete sonic experience of these signature power stages in one amp for the very first time.
DKK's high-output high-frequency generators are used in cutting-edge scientific fields such as medical-grade particle accelerators and nuclear fusion laboratory equipment. DKK is highly valued in these fields for its technology and reliability. Based on high amp output electron tube technology with a wide range of outputs from 10 kW to kW, and from 0.
Normal and Top Boost channels. For those who crave more power, the AC30 expands on the captivating sound of its little brother by doubling the wattage. Capable of both enchanting clean and raucous overdriven sounds, the signature chime of the AC30 Custom pairs seamlessly the intricacies of your playing style, resulting in a sound that is truly your own. Buy local. Find online.
Compare PrimaLuna construction to any other brand, at any price. You'll be amazed. PrimaLuna engineers wanted to make owning a tube amp so simple you would have no excuse not to have your tube dreams come true. If a tube fails, Adaptive AutoBias will instantly put the amplifier into protection mode so no parts can get damaged. A red LED will light up in front of the tube that needs replacing. Simply plug in another tube, and listen. No guesswork.
Yet still, the popularity of the tube amp remains undiminished. Maybe there should be no mystery in this, considering that digital units often exhaust most of their DSP power in trying to recreate what the tube amplifier does as a matter of course. Furthermore, tube amplifiers are evolving.
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