Goldmund speakers 99
Their Mechanical Grounding Construction is simply remarkable and eliminates all spurious vibrations affecting the signal quality. Easy to use, with a minimum form factor W x D x 50H mmbut also with the exceptional Goldmund metal finish and engraving, they will be the typical separates any young Goldmund amateur with a limited space or budget was looking for. Its front panel presents two control knobs with satin finish eloxed aluminum: one for volume control and one for inputs selection. With their even better performance and a minimum form factor 30W x 30D x 5H cmbut also with the exceptional Goldmund metal finish and engraving, they will be the typical separates any young Goldmund amateur with a limited space or budget was looking for. It benefits from the Telos technology with 2 x W Telos circuits providing exceptional dynamics to the most phlegmatic speakers.
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Content:
- Goldmund METIS User Manual
- Goldmund as a resting place
- 9 highlights from the Headroom Show 2017
- Goldmund launches Prana active speaker
- AXPONA 2017 Official Show Report
- Which audio companies have solid engineering chops?
- What began your enthusiasm? i.e. what was the unit that did it?
- Black Deals 2021 for Hi-Fi lovers | Teufel
Goldmund METIS User Manual
Manufacturer: Langerton Configurations Division Price: Contact: Andreas B. A photographer by profession still practiced , Andreas now works with assembling and selling Langerton Configurations speakers. Another person involved in this project is Walter Langer, after whom the company took its name. I was afraid that they may have not made it, but they did as they said. I wondered how they had found me. The answer turned out to be simpler than I expected and at the same time showed how many different elements in the audio business are linked together.
And he knew exactly what to look for as he had been working for years as a freelance speaker designer for many German manufacturers, including Ascendo.
Hence, he knew the ZF3 SE in and out. One day I received an email from Andreas with an invitation to Trautskirchen for an audition. I politely declined due to the lack of time, but I suggested they come to me instead. The region is a beer province, one of the places where you can eat well and have a good drink. And the town itself looks like a fairy tale.
Dear Mr. We have a nice hotel a few minutes nearby. I would be happy to welcome you here at your earliest convenience. I must admit that I would be happy if we managed to arrange the review date as soon as possible as autumn marks the beginning of the best season in a year for business and of course a season with good reviews is better than one with nothing I noticed that business changed a lot during the last 10 years; now everything is about reviews and very few people take time to listen and compare , and you definitely have a very, very good reputation in the high fidelity scene.
So if you like to review our speakers no matter if you manage to come to Trautskirchen or not , we could bring them to you to Krakow. Some additional facts about Langerton: We are a very new and at the same time a very old company.
Old, because our head of research and development, Norbert Heinz, has been one of the most brilliant minds in the speaker industry for about 30 years. As we have known each other also for about 30 years, he asked me to set up a no-compromise production facility and to take care of a showroom, sales and marketing.
I am very happy about his confidence in me and I like this challenge because music was our first love and we are both maniacs in our quest for perfection. Andreas B. At least it helped to explain the strikingly similar appearance of the Configuration and Ascendo products.
But Capable Duo are quite different. Columns that came to me was relatively easy to bring, because consist of two modules: low-midrange and tweeter, stawianego a large woofer enclosure. The concept of a phase alignment of transducers, they are set relative to each other depending on how far and at what rate sit, is not new. But it is Ascendo "implanted" it in the consciousness of audiophiles. Beautiful, newly constructed columns of mechanisms allowing for precise control of the speakers to each other, appealed to both the mind and the heart.
The model also have the ability to set the tweeter module, but in a simpler way - this is on the bass module and it just move forward or backward. We start from the initial position, that is, from offset backwards by 6 cm. From this you should start experimenting. It should also take some time to find the right angle bend columns.
Andreas set them so that their axes crossed at about 50 cm in front of me. It just so happens that the vast majority of columns in my best game set in this way, especially monitors. A few simple words from… Andreas B. Antonio Caldara, Maddalena ai piedi di Cristo , dyr. Can, Tago Mago.
If that were true, they would faithfully reproduce exactly what they receive from the amplifier output. As newcomers to the audio world we may even believe in this Holy Grail, and it works to our benefit. Unable to find it, we look deeper and deeper, getting to know various designs and becoming familiar with the design philosophies of particular manufacturers.
There are only various speakers that embody these or other design assumptions. And the latter are the result of a certain vision of sound and of the compromises in its implementation. Those that struck me as most important were related to imaging and space.
However, it is no coincidence both being picked up and played over to death. The album is actually a textbook example of how you can get surround sound from just two speakers, without losing any fullness or definition. Although very tempting, I did not start my auditions from it but instead picked up the album 99 by the Polish band Abraxas.
In , it was released on gold disc not remastered, though, it seems , which I bought recently and now had an opportunity to test it. QSound Labs that invented it is primarily known today for its stereo enhancement systems used in mobile phones. Things were different back in the day, though. There used to be more albums recorded in this technology and, apart from Waters, the most famous musician whose albums feature the familiar logo was Sting. I will come back to Sting later.
Listening to 99 , especially the short interludes where the surround effect was used to the fullest, I was trying to figure out what type of space it was and how it was presented by the German speakers. While each album, even in mono, received its own proper setting in the form of individual, clear acoustics, its particular elements were presented differently from one album to another, and often from track to track.
You can hear it even on a small portable stereo in the kitchen corner, as long as it has two speakers. Referring to it in the context of high-end in order to emphasize audio system spaciousness is downright offensive. It can only be a basis to build up something bigger. The Langerton speakers do it perfectly. Not only do they define phantom images on the sides and at the back, but they also combine them with what is happening in front of us.
If the reverb on 99 runs from front to back, it is continuously audible, without jumping between these two points. In addition to the title track, it features his composition not found anywhere else that, in my opinion, is the most beautiful track recorded by the former lead singer of the Police.
It just happens to be an instrumental, titled I Miss You Kate. And it sounds just great. The German speakers captured this aspect perfectly, as it was almost imperceptible.
I just suddenly found myself in a large space without being aware of it, so naturally it sounded. The double bass that starts most of the tracks, is supported on one intro by arpeggios on the piano strings. I think that their ability to show the space so precisely and naturally, and so well differentiated has some other origin: a very flat and even frequency response.
These are really neutral speakers. Perhaps this is the reason for such a tight and dense connection between the front and back and the sides. Creating spectacular space is often done at the cost of thinning down the lower registers and emphasizing a few frequency ranges.
Even though, at first, the listener unprepared for such a presentation may find the bass slightly lacking. And this is another aspect that makes these speakers different from the majority of other designs I've ever heard.
The s sat in the same exact spot that was taken only a few days earlier by the powerful JBL S horn speakers. The sheer scale of sound of the latter was unprecedented, as was their tonal saturation. However, their emphasized parts of bass and midrange resulted in everything sounding equally big and impressive. I really liked it, as the presentation was spontaneous, unrestrained and full, just the way I like it.
The Langerton speakers are not lean or thinned out. It was all rendered with sensitivity and attention to color and detail; slightly soft and very, very natural. Woofer tuning reminds me of what I heard in well-designed closed-enclosure speakers.
They usually allow for a deeper bass extension than equivalent ported designs, although the latter seem to offer a stronger bottom end. And it is stronger, but only because part of it is boosted and emphasized. They pay for it with their inferior transient impulse response and lower definition.
The Configuration s sound as if they had no bass-reflex vent on the rear, yet when a strong, deep bass impulse is needed they simply generate it. The tonality of these speakers seems to be, or should I rather say it simply is brighter than that of the Harbeth M It generally resembles the JBLs mentioned earlier, which also have a better constructed treble, with higher definition.
The frequency response of the is flatter, however, with no unevenness that is always present in horn designs. Yet it is not a "bright" sound. I have mentioned the strong bass earlier on. The midrange also sounds saturated and very stable.
It is helped by the method of driver mounting and the selected crossover network. But the main thing is that the speakers differentiate very well and hence the vocals will not always be strong and saturated, nor will be located in front of us on each album. When it is a mono recording made with a close up microphone, right before the singer, his vocals will be in front, just before us.
It's very difficult but feasible, as evidenced by the best examples. This is the path taken by speaker designers who "help" them create a large volume. An outstanding example of such thinking are the Harbeth M They create in our room a balanced picture with very natural proportions between the instruments and the space in which they have been recorded. This is why some of the former will be smaller than with the Harbeths.
The tonality will also seem brighter. At a certain volume level everything settles down, however.
Goldmund as a resting place
HoopsOnToast 9 posts. October 24, Well the actives were built and I love them, probably the biggest upgrade I have ever had to the overall SQ. The Concerto's have returned and are in the shed, awaiting some new cabinets, and a ch. November 8,
9 highlights from the Headroom Show 2017
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Goldmund launches Prana active speaker
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AXPONA 2017 Official Show Report
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Which audio companies have solid engineering chops?
Every big brothers, Please be-care someone is selling a fake thick Goldmund powercord, remember see the power connector which "made in China". He also say a lot of story why he like to remove the serial number from the goldmund paper-box and promise he can help you to get any kind of Goldmund stuff wif a special price. Do you have pictures of geniue goldmund power cable and box? Is fake one marked with made in China power connector? Any brother can share their view? I don't know. Actually it was not tested by me. I was just a passer-by.
What began your enthusiasm? i.e. what was the unit that did it?
Two special presentation cases have been designed especially for the occasion. This exclusive Limited Edition comes with a choice of two options:. Visit the Music Life website. Log In.
Black Deals 2021 for Hi-Fi lovers | Teufel
RELATED VIDEO: 【#家訪】家訪 Goldmund 套裝組合，TechDAS Air Fore One etc.Discussion in ' Power Amps ' started by thegunner , Dec 19, Super Best Audio Friends. Read these "rules" AND introduce yourself before your first post. A healthy approach to understanding measurements Being true to what the artists intended. Pro audio power amps Discussion in ' Power Amps ' started by thegunner , Dec 19,
Die Verarbeitung ist hinsichtlich Haptik und Materialeinsatz nur mit wenigen Herstellern vergleichbar und somit eine echte Freude. Helena, St. Kitts und Nevis, St. Lucia, St. Martin, St. Pierre und Miquelon, St. Review By Todd Warnke Click here to e-mail reviewer.
In stereo, the ideal location of the speaker in the room has to be found by experiment. Avoid standing the speakers in the corner of the room and try to set them away from any adjacent wall by 6…. The Goldmund Metis line fully incorporates the technological expertise developed by our company throughout many years.
Probably, I am wrong.