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Welcome home to the EBS 802 High Dynamics Linear Bass Amp
Before you shell out on a new practice amplifier online, you might find today's article a good read, we have flung together a comparative review of some of the best-sellers to find a front-runner for the best bass amp title. We have put them through their paces and played with them side by side to show you what they are made of and decide their value.
Bass amps sometimes need a more little consideration especially for practice purposes, generally speaking, we want a large speaker to handle the low-frequency vibrations, but it is always to have a smaller more portable knock-about for bedroom use.
We have selected a range which is a cross-demographic representation of what you can currently get your hands on. We have focused on affordability so don't expect to see any boutique options today but let's take a look at what we have rustled up. First up we are having a look at the lower-end of the Fender rumble line, having previously looked at the 15 model we are stepping up to the It is a bit of a step down from the rumble 40 as it doesn't offer quite so many onboard controls, there is no gain and you are limited to your standard 3-band EQ as opposed to the 4.
That said it provides pretty great sound and provides a contour filter as well as an overdrive. The overdrive is a non-adjustable Delta-Comp limiter, which holds pretty well and subtly keeps the volume low enough so as not to feed. If you want the perk of sculpting it then it might be worth the price-hike for the Rumble 40 model which gives you drive and level dials as well as a bright and vintage switch in addition to the contour.
It is equipped with a high-quality 8-inch speaker with a stiff paper cone that doesn't dampen, which is what gives this amp its name-sake rumbling nature. The stiffness with the contour up also gives it a nice attack, ideal for slapping. Why We Liked It - It is impressive for a low-watt smaller option it copes with a sixth string reproducing a low B, though the harmonics are mainly above rather than below which is to be expected.
This second selection may raise a few eyebrows, but it has been included as a versatile travel amp that can be easily lugged about. Now when it comes to battery mini-amps, let's be honest most of them suck and in all honesty you won't find many which will do your bass any favors but being able to have a jam on an outing is just as appealing to us bassists as it is to a guitarist.
No one really wants to spend a whole lot on something so impractical which is why we have picked this cheap little amp from SUNYIN. It has a pretty good sound for a watt speaker and they make a specifically bass orientated model that has some low curve response to reproduce the lower harmonics of your signal. It does have a fairly low cut-off for the break up as far as the volume levels are concerned.
It features a volume knob as well as tone and gain, there is an overdrive switch, but to be honest, with the break-up the gain acts a low-level overdrive at max volume anyhow. It has an auxiliary in and out so you can use this a portable silent practice amp to jam to tracks and practice playing technique without investing a whole bunch.
Why We Liked It - It is a fun option with a fair amount of tone-play, a little mediocre but very portable and fit for function, it certainly gets the job done. We are once again sticking with the low-wattage to keep our comparisons fair, the Hartke HD15 combo amp is another great bare-bones practice option, let's review. The HD15 is the companies entry-level maiden model it offers onboard bass, mid, and treble controls with hardy dials in an uncluttered layout.
Alongside the 3-band EQ, you have your volume adjustment. It serves-up a good range of tones, despite its back to basic options, this is largely because of the quality of the companies proprietary speaker designs.
Granted the HD15 model has a smaller dimension 6. The HyDrive speaker cones are constructed with a paper pulp and aluminum blend which gives it rigidity and flexibility for a versatile set of tones from smooth and warm to the punchier bright-end, peaky attacks. This renders it a suitable practice amp for playing a variety of genres and perfecting a range of techniques.
It again has aux in and out for playing from your devices and headphone listening. Why We Liked It - It is an impressive low-watt option, if you are looking to kick it up a notch we suggest you take a nose at the or the Hartke range has some great features the higher you fork-out.
Next up an Ampeg option which runs at 20 watts and features a hardworking 8-inch speaker that does a great job. It is a hardier option with a great enclosure design that is ideal for bearing the brunt if you have to lug it to a different practice location.
It is built with a degree angle that means you can have it standing or lay it down in a monitor style position, in which case it directs the audio up at you. It features your typical triple-band equalization and has an output volume control as well as an additional auxiliary input volume dial. It has a headphone jack for silent practice too. It is a versatile low-watt option which has a minus decibel switch to engage for higher-output instrument sources to prevent killing the amp.
Why We Liked It - It has a serious kick and would even be a suitable backline in a smaller venue. It serves up authentic vintage Ampeg sounds and is a good light-weight, lug-around option. We are huge fans of Orange and not just for their eye-catching retro good-looks, they are exceptionally well built and have notoriously good tube emulation.
Practice amp. It is ruggedly constructed and has a nice top-mounted display of controls that are easy to navigate. It is competitively priced at an affordable retail level and brings some notable features to the table. Importantly it benefits from the companies' parametric mid-frequency equalization, which allows users to manipulate the curves to their preference in addition to your standard bass, mid, and treble control.
Being able to soften or harden the peaks gives a much more thorough control over the tones you can achieve between the 3 band EQ on board. Another contrast to its competition is that it is fitted with a built-in chromatic tuner a handy plus for any musician. The speaker measures 8-inches and performs well, all of the circuitry signal paths are analog allowing for an authentic great cab-simulation in the headphone output.
Why We Liked It - It serves up more options, benefits from a few extra conveniences, and delivers a warm signature sound despite being the smallest amp in the series. Next a watt option that rivals the 15's we have highlighted from Peavey. It is built like a brick-house and provides one of the most durable options on the market. It is equipped with an industry-leading standard 6. It benefits from the companies' TransTube technology a sort of hybrid medium between the vintage analog and modern digital pathways, which is what allows it to stay true to the iconic vintage sounds associated with the Peavey line.
Signals are also processed with Peaveys Psycho-acoustic low-end tech which enhances the low end adding bass. It is notably impressive for such a small model blowing other 10 watt combos out of the water and perfect for bedroom practice.
It has large dials that provide a 2 band EQ for your high and low end, alongside a Vintage gain dial which tweaks the sound through the TransTube emulations adding dirt. Why We Liked It - It is an unbelievable low output amp that manages low-end reproduction, despite its smaller speakers and consumption. Next up we have a low-cost solution that presents some good value for money.
It is a 15 watt model with a 6. It has a solid construction and is lightweight with a strong carry handle that makes it portable for changing practice locations. It features front-loaded dials that are on the smaller side creating wider spacing, so you won't knock one whilst you adjust the other.
Like the Peavey above, they only have Treble and Bass adjustment but between the two you can hone in on a range of sounds. Why We Liked It - It a low-cost underdog amp that competes with some of the leading brands at the low-end.
Over to Blackstar Fly3Bass for a tiny battery-powered option that incredibly runs on just 3 watts. Its miniature speaker will not work wonders for your bass in terms of sound, but it has good bass-handling and clarity the clean Is pretty impressive and the gain gives you a little drive when maxed without raising the volume too much.
This is because it features an ISS shaping compressor that can be used to keep the volume regulated and allow the gain to add fuzz. It has gain compression and volume dials along with a tone depth control which allows you to focus the response between the low, mid, or treble to find your sweet spot. It has an aux-in and an emulated line-out and is ideal for a silent practice solution that takes up next to no storage space and can be taken out and about because of its battery operation.
Why We Liked It - If you already have a gigging amp and just need to be able to plug and play to practice in your down-time then this is a seriously small low-cost solution to consider. Another low-cost option for bedroom practice is this recently upgraded model from Donner that runs at 15 watts. It is fitted with a 6. It provides bass, middle, and treble controls as well as an input volume dial so you can easily tailor your preferred tone.
It has a good build quality with a carpeted exterior and metal corner caps, as well as rubber feet and the grille, seems reasonably durable for a budget bass amp. It has two 3. Why We Liked It - It is a reasonable beginner's bedroom amp that won't break the bank.
We are winding things down with a bass combo amp from Ibanez for a look at their lowest watt starter option. Again we recommend searching their higher-end if you want anything more than a compact practice amp but given that it is a watt model it does a pretty sweet job at low volumes.
Fortunately, it is a real powerhouse and even the lowest volumes are fairly loud for a rehearsal rig model. It has a great rugged build with hardy corner shields to keep it protected against knocks and bumps. The grille is of good quality and it is very compact and lightweight. The on-board controls give you bass, middle, and treble controls to tweak your equalization for a range of musical styles.
It again provides an aux in and out making it ideal for learning new songs and practicing without disturbing anyone. Why We Liked It - It is a reasonable rehearsal rig solution that doesn't hog any space and is easy to transport about.
We have looked at a selection of low-output practice combo amps and so we have tailored our guide to the specifics of a smaller choice. What to look for is truly dependent on how you are going to use the amplifier. We are not looking to settle the age-old tubed versus tubeless argument most of today's selections have been solid-state as the industry seems to be leaning towards digital amps in modern times, with good reason.
Though analog tube amps have their place in live performance and indeed recordings with their inimitable vintage tones, many modern amps come close enough for the majority of younger generation bassists. Solid-state amps provide a great deal more in terms of their tone sculpting capabilities than their antiquated counterparts, simply because they are digitally processing the sound signals. In a combo amp, the onboard EQ is the major selling point so you need to determine the range of features you want to be able to adjust.
If you prefer heavier music then you might require an overdrive button and gain dial. Jazzier or precision style bassists will be a little more focused on their treble end as they tend to play with a lot more of their neck than most in which case is it nice to have some additional characteristics in terms of sound such as contour control and brightness which will lift the harmonic focus to the higher frequencies.
Unlike a traditional guitar amp speaker, a bass speaker needs a larger surface area and more rigidity to handle the low-frequency exposure and move in a manner that creates the air motion required for low-end sound waves. They also typically require a bigger space to do so as the speaker cone moves back and forth it creates a backlash of reverse motion waves that need to be dealt with or they will muddy the intended signal sounds.
This is the reason that bass cabs tended to be much larger back in the day, though enclosure designs have developed over the years and can be calibrated to help solve the issue. The majority of smaller amps will do this by filtering the air out of the can efficiently via an opening and placing the speaker as far-forward as possible. For live use, you will want something bigger with a higher output but for practicing at home this might be less reasonable as far as your neighbors and family are concerned.
To generalize on speaker dimensions, we would recommend inches and a minimum of one or two for performance but again in a bedroom situation this is unnecessary and a single inch can do a very good job at the right wattage. While the majority of us wouldn't consider a solid-state bass combo below 75 to watts, the capabilities of smaller speakers, smaller cabs, and lower output amps are getting better by the decade.
If you are only looking to develop your playing skills then you won't require too much in terms of consumption, especially if you are looking to hook up some headphones and play at any hour. Technically speaking a smaller low-watt amp is missing the lower harmonics and not true to the fidelity of the signal but scientifically our brains hear the pitch of the note filling in the harmonics as it goes.
To a seasoned player with experience of much bigger, high-output amps the sound will be lacking in depth but for a newbie, the majority are pretty satisfying, to say the least.
Bass Combos
We all know how important the bass sound is to a band. A roaring bass tone can glue everything together and bridge the gap between the rhythm section and the rest of the band. So while your choice of bass is certainly important, the amp you choose to play through dramatically affects the quality of your tone - and is arguably one of the most essential elements of your rig. Our list features bass guitar amps of all kinds, from super-portable micro heads to state-of-the-art hybrid amplifiers, high-end all-tube heads, to budget-friendly practice combos - there is something for everyone here. Are you looking for a great deal on the best bass amps this Black Friday? Check out our Black Friday guitar deals page for the latest news, and the best deals around. We have a couple of recommendations here.
BOSS Amplifiers
Ashdown Editions 1 of 50 made globally in special finishes Call Us at info ashdownmusic. Your cart is empty Start shopping. November 16, Glenn instantly fell in love with the look and playability of our Low Rider bass at the show after sitting and playing it for quite some time we were asked if it came in gold, and could it have a tortoise shell pic guard? And can you do me a m AGM AGM 5C.
Guitar & Bass
Bass Amps are much different than normal guitar amps, they are specifically tuned to reproduce bass frequencies efficiently. We offer next day delivery service for orders before 3pm, just select 'Next Day' at the checkout to get your next day delivery! If you'd like to try out our range of Bass amps then head down to our store in Colchester and try out our range for yourself. If you're unsure on what to choose from or need some helpful advice on what is a suitable bass amp for you then please do not hesitate to contact us or pop into one of our stores for a chat.
Darkglass Electronics Unveils Two New Bass Amps
When it comes to the overall tone, and actually getting heard, a bass guitar amp is key! The size, character and functionality of bass guitar amplifiers vary greatly across the huge market. With so many different amps to choose from, it can be difficult to make the best decision. There are a lot of companies that produce great bass guitar amplifiers but some brands have made a name for themselves as the best in the business. These amplifiers are designed and manufactured with superior engineering processes in order to provide bass players with top-notch sound and volume.
Robot or human?
Ampeg is a manufacturer best known for its bass amplifiers. Although specializing in the production of bass amplifiers , Ampeg has previously manufactured guitar amplifiers and pickups and instruments including double basses , bass guitars , and electric guitars. Everett Hull born Charles Everitt Hull , a pianist and bassist working with bandleader Lawrence Welk in Chicago, had invented a pickup for upright bass in an effort to amplify his instrument with more clarity. Hull's design placed a transducer atop a support peg inside the body of his instrument, inspiring his wife Gertrude to name the invention the "Ampeg," an abbreviated version of "amplified peg. Patent 2,, was awarded the following year.
Legendary Players
The Gnome Cabinet series was designed to offer a transparent, crisp and defined bass sound in combination with an ultra-portable design for discerning musicians. The high performance Watt design can fit into a backpack for the gigging, studio, and practicing bassist on the go. It is equipped with a premium 6.
Best stereo amplifiers 2021: best integrated amps for every budget
One of its main features is the multi-impedance function Power Control System , which makes its application possible from 1 to 2 ohms in the same amplifier. One of the main features of its amplifiers is the multi-impedance function Power Control System , which makes it possible to work from 0. Their power range from to Watts RMS and they are mono amplifiers. The MD Line is designed to be applied to various types of car audio system, be it internal or external. Provided with technology and sophistication, the performance of this group of amplifiers is mostly full range, making its application possible on subwoofers, woofers, drivers and tweeters.
Guitars - Bass Amps
Bass Amp Designer emulates the sound of three famous bass guitar amplifiers and the speaker cabinets used with them. Each preconfigured model combines an amp and cabinet that recreates a well-known bass guitar amplifier sound. The amp and cabinet can be combined with integrated compression and EQ units to alter the tone. You can process signals directly, reproducing the sound of your bass played through these amplification systems. Virtual microphones are used to pick up the signal of the emulated amplifier and cabinet. You can choose from, and position, three different microphone types. When recording, many bass players use a direct connection to a mixing board or other recording equipment, often using a passive non powered or active powered D.
The new amp is entirely Made In Sweden. EBS ability to make outstanding high-end bass amps based on linear solid-state technology is a cornerstone of the company. When the EBS HD went out of production recently, as the last of the rack-mounted amps in the line, anxious voices from hardcore fans wondered if EBS went for a future with solely lightweight amplifiers in the program? No need to worry about that anymore.
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