Williston amplifier 7 channel
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Log in or Sign up. Steve Hoffman Music Forums. Location: UK. As threatened indicated elsewhere, here are some observations about the Willenton R8 Tube Integrated Amplifier which I've now had for a few days. Mine was ordered with the default KT88 power tubes although that can be changed to EL34s at the time of ordering. Taking into account observations in other reviews about the tonal differences between the tube types, I ordered a separate set of EL34 tubes at the same time.
The purchase was intended for a second system but more of that later. What arrived? A fairly large box weighing close to 30Kgs.
The unboxed unit is approx 26Kgs. The extra tubes i. EL34s came in a separate box. Opening the main box reveals a second box, firmly held in place by the sort of shaped foam protection usually seen around the actual hi-fi units inside boxes. In short, well packed and well protected.
Three of the four pairs were sleeved in plastic dust caps. There is one set of speaker posts but with separate positive red binding posts for 4 ohms and 8 ohms respectively. There is a headphone socket 6. There is no digital connectivity. The spacing between the RCA inputs on the back of the R8 is excellent - no need to worry about some of the chunkier RCA plugs being too big to fit. The product manual contains a table showing replacement tube compatibility.
Installing the tubes takes time but is easy - care needs to be taken not to mix up the 6SN7 and 6SL7 tubes. The tubes supplied with the R8 are marked v1 to v9 respectively but replacements won't be. The R8 operates in either triode or ultra-linear mode and this can be switched on-the-fly whilst listening. There are no tone or balance control knobs on the R8. When installing batteries not supplied into the remote, it isn't the usual slot-and-slide.
A Phillips screwdriver is needed i. Care needs to be taken when pulling the tray back far enough to provide sufficient access to install the batteries - the internals of the remote could be damaged if done too roughly.
Once the batteries have been placed in the tray and the tray pushed back into the main body of the remote, the bottom end-plate needs to be screwed back into place. Once done of course, you're good for a year or two but there is surely a better option than this palava.
IMO, future versions of the remote would benefit from a more conventional design. Alternatively, change the bias screws in the R8 to Phillips screws easier to locate than flathead screws and change the screwdriver so it can do both the biasing and the battery end-plate.
In the dark, the same LED shows as a relatively dim green. Although the product manual doesn't help a great deal here, biasing is fairly straight forward. A couple of operational observations The source selector i. Similarly, the default start-up mode is triode, even if ultra-linear was in use when turning off the unit.
Also, changing the volume with the remote tends to result in larger jumps up or down than most other remotes I've experienced. The listening experience Although purchased for a second system, it was too tempting not to try out the R8 with the speakers in the main system Dynaudio Special 40 s. So, the initial setup comprised the R8, the S40s and, initially, a Cocktail Audio X10 as the source analogue out.
Music listened to with the R8 has ranged between the melodic rock no metal so far to light rock to ambient to pop to instrumental classical. I wasn't feeling too great so only intended to play a couple of tracks just to check the R8 didn't have any immediate issues. It was four hours later when I came up for air and tea or was it coffee? However, an issue observed by others had become apparent. Overall, I'd really enjoyed listening to music through the R8. But, with the KT88s, bass output was seriously heavy and thumpy - as other reviewers have noted.
For me, it was too much. The following day day 2 , I switched to the EL34s which made a huge difference. Imagine a classroom where most are behaving "normally" whatever that may mean , a few are somewhat boisterous and one or two are distinctly OTT. For me, the KT88s created a boisterous character, sometimes bordering on the OTT with elements of music being overemphasised. By comparison, the EL34s offer a much more cohesive listening experience without "histrionics" but still having character of the right kind.
The KT88s will be kept as temporary cover or less likely for A-B purposes but it's hard to see them ever being a long-term option with the R8 in my system s. Just for completeness, I listened in both triode and ultra-linear mode and the bass emphasis was even more notable in UL mode. Later, on day 2, a Bluesound Node 2i arrived B-stock, nice saving having been bought specifically as the source for the second system. Immediately noticeable was the difference in music presentation when comparing the output from the Cocktail Audio to the output of the Node 2i.
The soundstage was wider with the Node 2i but there was less definition in the lower frequencies. After a couple of days, some tweaking commenced. Firstly, using the onboard tone controls of the Node 2i, the treble was slightly upped and the bass slightly reduced. That helped. Lower frequencies were still a touch "spongy" but less so. Up to this point, most of the listening with the EL34s had been done in triode mode.
Switching to UL mode made a further difference to the LFs firmer , small but definite and, for me, an improvement. Suffice to say, I really really like the R8 setup overall. With the above mentioned tweaks in place, it is a surprisingly close call.
The soundstage of the R8 is notably bigger width, depth, height and the overall presentation is slightly warmer. I just don't want to move it. Despite some external factors affecting the enjoyment and amount of listening to music, what I am hearing with the R8 is thoroughly enjoyable. I've not reached a definitive conclusion yet but maybe, just maybe, the audio conveyed by the R8 is just that fraction more "musical".
For example, the decay of a piano note or acoustic guitar just lingers that tiny bit longer. In rock music usual suspects , lead guitars generally sound fatter with the R8 which I tend to like but know there will be others who prefer a sharper, edgier presentation.
For some music, "lush" would be a fair description but, at least IMO, it definitely doesn't mean "mush". Honestly, that hasn't been ruled out. But, I'll wait to see if this is just the temporary effect of lingering "buyer's justification".
Will there be more tweaks? Well, tube rolling is one rabbit hole I'm hoping to avoid! But, I already have a PSU upgrade kit on the way for the Node 2i and it will be interesting to me at least to hear what difference, if any, that makes. Also, further down the road, an external DAC for the Node 2i? The Denafrips Pontus II looks mighty tempting and whilst that might be overkill for a second system, it certainly wouldn't be for the main system.
To wrap up with a couple of miscellaneous matters. Other reviewers have said, amongst many other things, different SL7 tubes will affect the audio character. I haven't rolled those tubes and, barring a cheap opportunity, I probably won't. Also, the dynamics of the R8 have been described as " The latter I would broadly agree with but with a caveat: it will vary hugely depending on tubes, mode and external source units.
At the time of posting, I hadn't listened to the headphone output. I may or may not update later. Above all, happy listening all. Last edited: Mar 25, RockAddict , Mar 25, Location: Southern US.
Manimal , Apr 9, RockAddict likes this. An update Having been broadly happy with the EL34s mentioned above Willsenton branded , it seemed like a good idea to have a spare set of EL34s but this time sourced more locally UK. A set of Tung-Sol EL34B valves duly arrived and, of course, had to be checked to make sure they weren't faulty. To my ears, the TS valves deliver a smoother sound but still with plenty of detail.
Most of my listening is in ultra-linear mode. Suffice to say, the R8 has impressed so much it has brought about some key decisions for both the main and the second system. The second system? The plan is now to wirelessly connect the Node 2i from the main system to a pair of Dynaudio Xeo 10 active speakers. Other amps may well present audio that is more refined but, for me at least, listening to music with the R8 comes with a smile factor that is hard to ignore.
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Log in or Sign up. Steve Hoffman Music Forums. Location: UK. As threatened indicated elsewhere, here are some observations about the Willenton R8 Tube Integrated Amplifier which I've now had for a few days.
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