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Bass loudspeaker q download

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Audio speaker


A subwoofer or sub is a loudspeaker designed to reproduce low-pitched audio frequencies known as bass and sub-bass , lower in frequency than those which can be optimally generated by a woofer. The typical frequency range for a subwoofer is about 20— Hz for consumer products, [1] below Hz for professional live sound, [2] and below 80 Hz in THX -certified systems.

While the term "subwoofer" technically only refers to the speaker driver, in common parlance, the term often refers to a subwoofer driver mounted in a speaker enclosure cabinet , often with a built-in amplifier. Subwoofers are made up of one or more woofers mounted in a loudspeaker enclosure —often made of wood—capable of withstanding air pressure while resisting deformation. Subwoofer enclosures come in a variety of designs, including bass reflex with a port or vent , using a subwoofer and one or more passive radiator speakers in the enclosure, acoustic suspension sealed enclosure , infinite baffle , horn-loaded , tapped horn , transmission line , bandpass or isobaric designs, representing unique trade-offs with respect to efficiency, low-frequency range, cabinet size and cost.

Passive subwoofers have a subwoofer driver and enclosure and they are powered by an external amplifier. Active subwoofers include a built-in amplifier. The first home audio subwoofers were developed in the s to add bass response to home stereo systems. Subwoofers came into greater popular consciousness in the s with the introduction of Sensurround in movies such as Earthquake , which produced loud low-frequency sounds through large subwoofers.

With the advent of the compact cassette and the compact disc in the s, the reproduction of deep and loud bass was no longer limited by the ability of a phonograph record stylus to track a groove, [5] and producers could add more low-frequency content to recordings.

As well, during the s, DVDs were increasingly recorded with " surround sound " processes that included a low-frequency effects LFE channel, which could be heard using the subwoofer in home theater systems.

During the s, subwoofers also became increasingly popular in home stereo systems , custom car audio installations, and in PA systems. By the s, subwoofers became almost universal in sound reinforcement systems in nightclubs and concert venues. From about to the s, the "lowest frequency in practical use" in recordings, broadcasting and music playback was Hz. Lansing who would later found Altec Lansing in and JBL in to develop a new speaker system that used a two-way enclosure with a W-shaped bass horn that could go as low as 40 Hz.

During the s swing era , to get deeper bass, "pipelike opening[s]" were cut into speaker enclosures, creating bass reflex enclosures, as it was found that even a fairly inexpensive speaker enclosure, once modified in this way, could "transmit the driving power of a heavy In September , Raymon Dones, of El Cerrito, California, received the first patent for a subwoofer specifically designed to augment omnidirectionally the low frequency range of modern stereo systems US patent Able to reproduce distortion-free low frequencies down to 15 cycles per second 15 Hz , a specific objective of Dones's invention was to provide portable sound enclosures capable of high fidelity reproduction of low frequency sound waves without giving an audible indication of the direction from which they emanated.

Dones's loudspeaker was marketed in the US under the trade name "The Octavium" [10] from the early s to the mids. The Octavium was utilized by several recording artists of that era, most notably the Grateful Dead , bassist Monk Montgomery , bassist Nathan East , and the Pointer Sisters. The Octavium speaker and Dones's subwoofer technology were also utilized, in a few select theaters, to reproduce low pitch frequencies for the blockbuster movie Earthquake.

Another early subwoofer enclosure made for home and studio use was the separate bass speaker for the Servo Statik 1 by New Technology Enterprises. The SS-1 received very good reviews in from High Fidelity magazine. When Kreisel's business partner, Jonas Miller, who owned a high-end audio store in Los Angeles, told Kreisel that some purchasers of the store's high-end electrostatic speakers had complained about a lack of bass response in the electrostatics, Kreisel designed a powered woofer that would reproduce only those frequencies that were too low for the electrostatic speakers to convey.

The first use of a subwoofer in a recording session was in for mixing the Steely Dan album Pretzel Logic , when recording engineer Roger Nichols arranged for Kreisel to bring a prototype of his subwoofer to Village Recorders.

D'Arcy ; record producer Daniel Levitin served as a consultant and " golden ears " for the design of the crossover network used to partition the frequency spectrum so that the subwoofer would not attempt to reproduce frequencies too high for its effective range, and so that the main speakers would not need to handle frequencies too low for their effective range. In , Kreisel created the first satellite speakers and subwoofer system, named "David and Goliath". Subwoofers received a great deal of publicity in with the movie Earthquake , which was released in Sensurround.

Initially installed in 17 U. Four of the subwoofers were positioned in front of the audience under or behind the film screen and two more were placed together at the rear of the audience on a platform. Powerful noise energy and loud rumbling in the range of 17 Hz to Hz were generated at the level of — decibels of sound pressure level , abbreviated dB SPL.

The new low frequency entertainment method helped the film become a box office success. More Sensurround systems were assembled and installed. By , there were almost Sensurround systems leapfrogging through select theaters.

For owners of 33 rpm LPs and 45 rpm singles, loud and deep bass was limited by the ability of the phonograph record stylus to track the groove. In the early s, David Mancuso hired sound engineer Alex Rosner [18] to design additional subwoofers for his disco dance events, along with "tweeter arrays" to "boost the treble and bass at opportune moments" at his private, underground parties at The Loft.

By the end of the s, subwoofers were used in dance venue sound systems to enable the playing of "[b]ass-heavy dance music" that we "do not 'hear' with our ears but with our entire body".

By the later s, disco club sound engineers were using the same large Cerwin Vega Sensurround-style folded horn subwoofers that were used in Earthquake and similar movies in dance club system installations. In Jamaica in the s and s, sound engineers for reggae sound systems began creating "heavily customized" subwoofer enclosures by adding foam and tuning the cabinets to achieve "rich and articulate speaker output below Hz".

In sound system culture, there are both "low and high bass bins" in "towering piles" that are "delivered in large trucks" and set up by a crew of "box boys", and then positioned and adjusted by the sound engineer in a process known as "stringing up", all to create the "sound of reggae music you can literally feel as it comes off these big speakers".

In the s, the Bose Acoustimass AM-5 became a popular subwoofer and small high-range satellite speaker system for home listening. In the s, Origin Acoustics developed the first residential in-wall subwoofer named Composer.

It used an aluminum 10" driver and a foam-lined enclosure designed to be mounted directly into wall studs during the construction of a new home. While in the s and s deep bass speakers were once an exotic commodity owned by audiophiles, by the mids they were much more popular and widely used, with different sizes and capabilities of sound output.

The dancefloor's sound system was based on Richard Long's design at Paradise Garage. The popularity of the CD made it possible to add more low frequency content to recordings and satisfy a larger number of consumers. In , Damon Krukowski wrote an article entitled "Drop the Bass: A Case Against Subwoofers" for Pitchfork magazine, based on his performing experience with Galaxie ; he argues that "for certain styles of music", especially acoustic music genres, "these low-end behemoths are actually ruining our listening experience" by reducing the clarity of the low end.

Subwoofers use speaker drivers woofers typically between 8-inch 20 cm and inch 53 cm in diameter. Some uncommon subwoofers use larger drivers, and single prototype subwoofers as large as inch cm have been fabricated.

Small subwoofer drivers in the 4-inch range are typically used in small computer speaker systems and compact home theatre subwoofer cabinets. The size of the driver and number of drivers in a cabinet depends on the design of the loudspeaker enclosure , the size of the cabinet, the desired sound pressure level, the lowest frequency targeted and the level of permitted distortion. The largest available sound reinforcement subwoofers, inch 53 cm drivers, are less commonly seen.

Deep low-frequency extension is a common goal for a subwoofer and small box volumes are also considered desirable, to save space and reduce the size for ease of transportation in the case of sound reinforcement and DJ subwoofers. Hofmann 's "Iron Law" therefore mandates low efficiency under those constraints, and indeed most subwoofers require considerable power, much more than other individual drivers. Therefore, a decrease in box volume i. For these reasons, subwoofers are typically very inefficient at converting electrical energy into sound energy.

This combination of factors accounts for the higher amplifier power required to drive subwoofers, and the requirement for greater power handling for subwoofer drivers.

Enclosure variations e. Subwoofers are typically constructed by mounting one or more woofers in a cabinet of medium-density fibreboard MDF , oriented strand board OSB , plywood, fiberglass, aluminum or other stiff materials. Because of the high air pressure they produce in the cabinet, subwoofer enclosures often require internal bracing to distribute the resulting forces. Subwoofers have been designed using a number of enclosure approaches: bass reflex with a port or vent , using a subwoofer and one or more passive radiator speakers in the enclosure, acoustic suspension sealed enclosure , infinite baffle , horn-loaded , tapped horn , transmission line and bandpass.

Each enclosure type has advantages and disadvantages in terms of efficiency increase, bass extension, cabinet size, distortion, and cost. While not necessarily an enclosure type, isobaric such as push-pull coupled loading of two drivers has sometimes been used in subwoofer products of computer, [38] home cinema [39] and sound reinforcement [40] class, and also DIY versions in automotive applications, to provide relatively deep bass for their size.

Self-contained "isobaric-like" driver assemblies have been manufactured since the s. The smallest subwoofers are typically those designed for desktop multimedia systems. The largest common subwoofer enclosures are those used for concert sound reinforcement systems or dance club sound systems. An example of a large concert subwoofer enclosure is the s-era Electro-Voice MT-4 "Bass Cube" system, which used four inch 45 cm drivers.

An example of a subwoofer that uses a bass horn is the Bassmaxx B-Two, which loads an inch 45 cm driver onto an foot 3. Folded horn-type subwoofers can typically produce a deeper range with greater efficiency than the same driver in an enclosure that lacks a horn.

However, folded horn cabinets are typically larger and heavier than front-firing enclosures, so folded horns are less commonly used. Some experimental fixed-installation subwoofer horns have been constructed using brick and concrete to produce a very long horn that allows a very deep sub-bass extension. Subwoofer output level can be increased by increasing cone surface area or by increasing cone excursion. Since large drivers require undesirably large cabinets, most subwoofer drivers have large excursions.

Unfortunately, high excursion, at high power levels, tends to produce more distortion from inherent mechanical and magnetic effects in electro-dynamic drivers the most common sort. The conflict between assorted goals can never be fully resolved; subwoofer designs necessarily involve tradeoffs and compromises.

Hofmann's Iron Law the efficiency of a woofer system is directly proportional to its cabinet volume as in size and to the cube of its cutoff frequency, that is how low in pitch it will go applies to subwoofers just as it does to all loudspeakers.

The frequency response specification of a speaker describes the range of frequencies or musical tones a speaker can reproduce, measured in hertz Hz.

Specifications of frequency response depend wholly for relevance on an accompanying amplitude value—measurements taken with a wider amplitude tolerance will give any loudspeaker a wider frequency response. Subwoofers also vary in regard to the sound pressure levels achievable and the distortion levels that they produce over their range. Some subwoofers, such as "The Abyss" by MartinLogan for example, can reproduce pitches down to around 18 Hz which is about the pitch of the lowest rumbling notes on a huge pipe organ with foot 9.

Some also include user-adjustable equalization that allows boosted or reduced output at particular frequencies; these vary from a simple "boost" switch, to fully parametric equalizers meant for detailed speaker and room correction. Some such systems are even supplied with a calibrated microphone to measure the subwoofer's in-room response, so the automatic equalizer can correct the combination of subwoofer, subwoofer location, and room response to minimize the effects of room modes and improve low-frequency performance.

They sometimes incorporate internal passive crossovers, with the filter frequency determined at the factory. These are generally used with third-party power amplifiers, taking their inputs from active crossovers earlier in the signal chain.

Inexpensive Home Theatre in a Box packages often come with a passive subwoofer cabinet that is amplified by the multi-channel amplifier. While few high-end home-theater systems use passive subwoofers, this format is still popular in the professional sound industry.

Equalization can be used to adjust the in-room response of a subwoofer system. In addition, many amplifiers include an adjustable low-pass filter, which prevents undesired higher frequencies from reaching the subwoofer driver. For example, if a listener's main speakers are usable down to 80 Hz, then the subwoofer filter can be set so the subwoofer only works below 80 Hz. The filter section may also include a high-pass " infrasonic " or "subsonic" filter, which prevents the subwoofer driver from attempting to reproduce frequencies below its safe capabilities.

Setting an infrasonic filter is important on bass reflex subwoofer cabinets, as the bass reflex design tends to create the risk of cone overexcursion at pitches below those of the port tuning, which can cause distortion and damage the subwoofer driver. For example, in a ported subwoofer enclosure tuned to 30 Hz, one may wish to filter out pitches below the tuning frequency; that is, frequencies below 30 Hz.

Some systems use parametric equalization in an attempt to correct for room frequency response irregularities. Careful positioning of the subwoofer within the room can also help flatten the frequency response. Changing the relative phase of the subwoofer with respect to the woofers in other speakers may or may not help to minimize unwanted destructive acoustic interference in the frequency region covered by both the subwoofer and the main speakers.

It may not help at all frequencies, and may create further problems with frequency response, but even so is generally provided as an adjustment for subwoofer amplifiers. Continuously variable phase control circuits are common in subwoofer amplifiers, and may be found in crossovers and as do-it-yourself electronics projects. A similar effect can be achieved with the delay control on many home theater receivers. The subwoofer phase control found on many subwoofer amplifiers is actually a polarity inversion switch.


Soundsphere Loudspeakers

Dynaudio emit m20 stereophile. I do like the Excite X14's. Dynaudio Emit M The Emit M20 is a traditional bookshelf loudspeaker model featuring innovative Dynaudio technologies and most impressive performance capabilities.

“SOUNDSPHERE” SPEAKERS QA The QA soundsphere has a power rating of W, impedance of 8 Ω and includes one 12” bass and one tweeter loudspeakers.

Quest Engineering QM 500 User Manual


The FC ceiling and wall-mounted speaker covers a wide area and can be used for 25, 70 and V line applications. Well-balanced sound can be heard uniformly at any location. The low frequency component shall be a 6. The speaker assembly shall be suitable for use in air handling spaces. The front baffle shall have screwdriver-adjustable tap settings of: 60 W, 30 W, 15 W, 7. Built-in overload protection circuitry shall protect the speaker against excessive input power. The output sound pressure level at a distance of 1 m with 1 W of input power applied shall be 91 dB SPL.

Actively Professional

bass loudspeaker q download

The SRX Series is the next generation high performance powered loudspeaker system comprising three full range and two subwoofer models with an array of features that elevate the SRX Series to the best in class of all competitive systems. An integrated LCD screen supports fast setup and configuration. Every detail in the SRX Series was purposefully designed and thought through with full consideration for its intended use. Ergonomically designed handles support an easy, non-fatiguing grip for streamlined handling.

Fill your home with sound or take your favourite music wherever you go.

Extended High Bass Effect from Small Speaker Box [Cross-Over-Filter]


A loudspeaker or speaker driver , or most frequently just speaker is an electroacoustic transducer , [1] that is, a device that converts an electrical audio signal into a corresponding sound. The speaker driver can be viewed as a linear motor attached to a diaphragm which couples that motor's movement to motion of air, that is, sound. An audio signal, typically from a microphone, recording, or radio broadcast, is amplified electronically to a power level capable of driving that motor in order to reproduce the sound corresponding to the original unamplified electronic signal. This is thus the opposite function to the microphone , and indeed the dynamic speaker driver, by far the most common type, is a linear motor in the same basic configuration as the dynamic microphone which uses such a motor in reverse, as a generator. The dynamic speaker was invented in by Edward W.

Welcome to McBride Loudspeaker Source Ltd.

A subwoofer or sub is a loudspeaker designed to reproduce low-pitched audio frequencies known as bass and sub-bass , lower in frequency than those which can be optimally generated by a woofer. The typical frequency range for a subwoofer is about 20— Hz for consumer products, [1] below Hz for professional live sound, [2] and below 80 Hz in THX -certified systems. While the term "subwoofer" technically only refers to the speaker driver, in common parlance, the term often refers to a subwoofer driver mounted in a speaker enclosure cabinet , often with a built-in amplifier. Subwoofers are made up of one or more woofers mounted in a loudspeaker enclosure —often made of wood—capable of withstanding air pressure while resisting deformation. Subwoofer enclosures come in a variety of designs, including bass reflex with a port or vent , using a subwoofer and one or more passive radiator speakers in the enclosure, acoustic suspension sealed enclosure , infinite baffle , horn-loaded , tapped horn , transmission line , bandpass or isobaric designs, representing unique trade-offs with respect to efficiency, low-frequency range, cabinet size and cost.

the same line by Canton, Dynaudio, Q Acoustics, Rosso ers in the midrange and bass departments, speakers from Q Acoustics or Wharfedale.

Loudspeaker

The Q-SUB is an actively driven low compression bass-reflex loudspeaker fitted with a high excursion 18" driver. The Q-SUB is mechanically compatible with the Q1 and Q7; ten sockets in the front grill and side panels for Q-Series rigging components permit use in various combinations, either flown or ground stacked. The Q-SUB cabinet is constructed from marine plywood with an impact resistant paint finish, a pair of handles, four heavy duty wheels and an M20 threaded flange in the top panel to accept a loudspeaker stand.

DALI PHANTOM S-80

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VIO L's premium low-freq transducers, positioned in a V form and sealed in a bass reflex wooden enclosure, have been custom designed to improve efficiency and to last in high stress conditions, providing an accurate transient response and an extended low-end reproduction. The acoustic enclosure is completed by two massive aluminium phase plugs located in front of both woofers which acts as a prosecution of the constant directivity high-frequency waveguide. Each phase plug features 26 diamond-shaped holes aimed at reducing any interference within the crossover zone while improving frequency and transient response. A perfectly coherent coverage is granted even at a long distance thanks to advanced sound processing with FIR filters.

These are basically speaker box design software or say speaker enclosure design software which let you find optimal calculations for different parameters to correctly design loudspeaker enclosures.

Measuring Loudspeaker Parameters

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About this item

Seriously, what an Kef Q In the world of enthusiast speakers, few names stand out as much as KEF. The KEFs digs deep and unearths nuances with a great deal of composure and precision.




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