Sablon audio panatela speaker wire reviews
Big Twist Aurum Ag Interconnects. Joseph Levy is the owner of Tempo Electric Custom Audio, and just so you know, Joseph has particularly good taste in audio. Besides being an artist and record collector, Joseph is more than a little fond of the audio electronic designs of Dr. Arthur Z.
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Sablon Audio Panatela Interconnect Cable Review
Big Twist Aurum Ag Interconnects. Joseph Levy is the owner of Tempo Electric Custom Audio, and just so you know, Joseph has particularly good taste in audio.
Besides being an artist and record collector, Joseph is more than a little fond of the audio electronic designs of Dr. Arthur Z. Loesch, who sadly passed away on April 5 th of this year [] after a long battle with cancer. Loesch was a scientist, university professor, and an audio enthusiast with a penchant for designing high-performance audio electronics. Joseph founded Tempo Electric Custom Audio in specifically to produce definitive versions of Dr.
Loesch's audio designs, which have now been featured in Stereophile, Bound-for-Sound , and Sound Practices. It's enough to make me drool on my keyboard. Aren't they beauties! Joseph and Dr. Loesch also teamed to produce the Arthur Loesch 1.
The phono stage is available as a stand-alone item in the Arthur Loesch 1. Remember when I mentioned that Joseph is a record collector? One thing that record collectors need is a way to adjust phono equalization for the dozens of equalization curves that were used on records before the RIAA curve was adopted in , so Joseph and Dr. I don't know about you, but the suite of electronics that Joseph and Dr. Loesch have designed really impresses me, and I think they represent a truly significant accomplishment and contribution to the audio arts.
Also in current production are the Big Twist interconnects, speaker cables, and power cords. In fact I was so intrigued by their description that I asked Joseph if it would be ok if I wrote about them for you here at Positive Feedback Online. Joseph graciously agreed to lend me a pair to listen to for the article. There's quite an interesting story related to the Aurum Ag interconnects, and that has to do with gold and silver. Eagle-eye readers will have noted that aurum is the Latin word for gold, and that Ag is the periodic table symbol for silver and which is short for argentum, the Latin word for silver.
Since we knew that gold was not as good a conductor as silver it's measurably true and had heard that it tended to make the music sound a bit slower, we weren't expecting much from this experiment.
However, we were truly surprised to hear noticeably less grain through the gold hybrid pair. The sound was clearly more fluid and analog sounding, in a way that only live music can be.
Although they seemed to shift the spectrum down a notch, the highs did not really suffer—in fact, they sounded even smoother—nor did the speed of the music. The benefits, at least on LPs, were all positive. Results varied from record to record and your equipment may tell a different story, but now we use them as our personal front-end reference! Those of you who have been reading my articles for a while probably predicted that when Joseph mentioned that the Aurum Ag i.
When you order a pair of the Aurum Ag interconnects Joseph allows you to choose which connectors you want to use, and which color of the casing you want, which I think is a nice customizing touch.
If you want to roll up your sleeves and make your own interconnects, Joseph also provides detailed instructions and access to materials as well, so you can build pretty much any kind of design variation you want. I think that's really cool, and having enjoyed making my own interconnects and speaker cables in the past, I think I feel a new interconnect project coming on one of these days! Joseph found during his research that different gauges silver and gold wires work best in different applications.
For example, for silver, Joseph thought 30 gauge works best for phono interconnects, 24 gauge for line level interconnects, and 16 gauge or heavier for speaker cables.
For gold, Joseph uses 28 gauge in the phono interconnects and 24 gauge for line level interconnects. For the Big Twist Aurum Ag Interconnects that are in for review, the positive conductor that connects to the center pin of the of the RCA connector is an extra soft 28 gauge 0.
Joseph says there's been quite a bit of debate in the cable community about which jacketing to use on cables. In tests Joseph has compared nude designs no jacketing , Teflon jacketing of various diameters, and cotton jacketing.
What he found out that was no jacketing sounded best, cotton was next best, and a 28 gauge Teflon jacket was the worst sounding. The sound quality was related to the dielectric constant of the jacketing used, and Joseph found that as the dielectric constant decreased the sound became much more open and the test system projected a much larger sound stage.
As you probably have surmised, no jacketing air had the lowest dialectic constant, cotton was the next lowest, and Teflon was the highest. Joseph liked the way the cotton jacketing sounded, but he didn't like the way it allowed electrical noise into the signal conductors as dielectric constant goes down the noise can go up if there are noise sources close by. You can twist the conductors to help reduce noise, but with cotton noise can still become an issue.
Joseph came up with a way to 'trick' the conductors into thinking they were surrounded by air while still maintaining the insulating properties of the Teflon. The answer was using oversize Teflon tubing to make the conductors think they were surrounded by air which is actually the case when there's lots of space in the big Teflon tube , and then twist them to further increase noise rejection. I'm guessing that's where the name "Big Twist" comes from.
Big tubing. Twisted conductors. Big Twist. Get it? Joseph found a sweet spot with oversize 8 gauge Teflon tubing, which gave lots of air space around the conductor, and closely matched performance of cotton jacketing in openness and sound stage size, while still retaining the insulating properties Teflon. The only way you can make cables highly resistant to noise contamination is to use copper braid shielding with a shield to ground connection.
The only problem is that shielding tends to decrease sound quality by reducing air and transparency and restrict frequencies above 10kHz. At this point Joseph feels that the losses incurred by using shielding don't make up for the benefits, so the Big Twist cables will remain unshielded unless Joseph can find a way to add shielding that has no sonic downside.
They utilize a platinum-plated brass body with a central contact assembly made from high-tech polymers: Ultramid for the central contact and Duneon for the negative contact. The barrel is fabricated from brass and coated with black piano lacquer. WBT says the transmission bandwidth extends to 1 GHz, and it has Ohm impedance that works great for both digital and analog.
Ok, so there you have it: the Aurum Ag Big Twist interconnects are a purist design incorporating 28 gauge Carat gold signal wire and 4N 30 gauge silver wire for the return. They're wrapped in 8 gauge Teflon tubing that is intended to mimic an air dielectric, and then they're twisted to aid with noise rejection.
I also use quite a number of the very effective Acoustic Revive accessories to optimize performance of the system in my primary listening room. I heard some noise reducing crystals jiggling around in the version of the Panatela interconnects RCAs. I'm guessing quartz or Tourmaline. The Single Core is an entirely different animal from either the Big Twist or Panatela, but like the Big Twist or Panatela they are handcrafted labors of love.
The conductors are an Ohno, greater than 8-Nines, single-crystal copper wire that has been annealed to increase its pliability and conductivity. The entire cable assembly is covered with mesh polyurethane tubing containing embedded carbon particles to provide additional shielding and vibration isolation.
They are terminated with solder-less connectors. That way I know all the cables will be thoroughly broken in and at their optimum level of performance.
It makes a significant difference in cable performance to condition your cables with an Audiodharma, and as a reviewer I felt it was an absolute necessity to make sure every cable is operating at its top level of performance to make sure you get an accurate and reliable review of the ultimate performance you can expect. I also think cables need occasional conditioning to keep cables at their best. Joseph told me he didn't think the Aurum Ag interconnects would benefit from conditioning, but I decided to do a full conditioning anyway, so there would be an equal playing field with the Panatela interconnects which had received similar conditioning on a Audiodharma by their manufacturer.
The Acoustic Revive Solid Core interconnects were also conditioned in similar fashion on the Audiodharma to ensure a level playing field. Reviewing interconnects is tedious, time consuming, and a lot of work. The routine goes something like this: Listen to an album, take notes, and then shut the system down and replace the first set of interconnects with the second pair of interconnects to be listened to.
Then listen to the album again with the second pair of interconnects, take notes, and then shut the system down, and replace the second set of interconnects with the third set of interconnects to be listened to. Listen to the album again, take notes, and then change albums to see how performance varies over different styles of music jazz, classical, vocals, folk, rock, popular, etc. Not too many things will bring me out of hiding to go through that process anymore, but I was really intrigued by the Tempo Electric Big Twist Aurum Ag Interconnects with their gold and silver conductors, so I wanted to give them a go.
Listening Impressions. First of all, it's obvious to me that after listening to the Tempo Electric Aurum Ag Big Twist hereafter "the Aurum" in my Hi-Fi on a lot of different music that it is truly a world class interconnect, both musically and sonically. In very general descriptive terms, the Aurum provided a big, rich, smooth, colorful, and life-like presentation of the music that was infused with natural warmth and emotion.
The Music. Ok, lets first talk about some examples of how well the Aurum plays music, or more particularly, those recorded elements that make up the music like the timbre, the melodies, the harmonies, the beat, the tempo, and the dynamics. From a music lovers' standpoint, the realistic portrayal of timbre, melodies, harmonies, beat, tempo, and dynamics are what's most important about what's on a recording, and as such the fabric that makes up the music is given a lot of weight in overall performance.
The Aurum projected a big, rich, expansive, colorful, and beautiful presentation of the music that bettered both my reference interconnects on Jazz Impressions of Black Orpheus in conveying the illusion that I was sitting in a candlelit jazz club listening to an intimate live performance, with a glass of Grand Cru in my hand, next to a beautiful woman. The rich timbral presentation of the Aurum was really enchanting, and I liked it a lot.
One of the more important tests for interconnects is how well they do with real world recordings, those recordings of great music but perhaps dodgy sonics.
Can your interconnects make sense out of the music and present it in entirely enjoyable fashion regardless of the recording quality? This is a box set of fantastic music, but the sonics can be rough around the edges at times. The Aurum was the best performer of the three interconnects on the Bing Crosby box set, Bing Sings , getting the most music out of those LP grooves.
Vocals were rich and emotive, strings and brass were timbrally realistic, and the forward momentum of the music came through in spades. The Aurum did the best job of getting around the recordings' sonic rough spots and getting the music across, which it did brilliantly. The Aurum just got out of the way and let me relax into the music.
I mean, who doesn't love the song The Girl From Ipanema? That's impressive! Astrud's vocal comes in on the left channel at the front of the stage, with that wispy, dreamy quality her voice so easily conveys. The Aurum really presents the vocals in rich, warm, human, and expressive way. There is a slight sibilance on the vocals, but in a way that's consonant with life, and not in any bright or distracting way. With the Aurum I could easily focus in on individual contributions as well.
For example, when Astrud finishes her first vocal part on The Girl From Ipanema , Stan Getz comes in on tenor saxophone playing the melody line. The way the Aurum presents the timbre of Getz's tenor sax is right on, and the tone is burnished and gorgeously rich.
100$ usb cables recommendations? worth to pay more? suggestions!
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Sablon Audio Panatela Reserva – Digital Elegance
This review page is supported in part by the sponsors whose ad banners are displayed below. I generally prefer to review cables as a complete system, specifically interconnects and speaker cables. For me mixing and matching cables is an unpredictable, frustrating and ultimately pointless enterprise. It was with a great sigh of relief when Mark sent me the whole Sablon Audio kitchen sink. The outer sleeve is a white soft pliable cloth. Terminations are Xhadow silver spade lugs. As with all Sablon Audio cables, every Panatela cable is constructed by hand. Connections are pressure-terminated which Mark believes makes superior joints to solder. Terminations are treated with anti-oxidants and contact paste, completed cables are subjected to pre-conditioning on an Audiodharma Anniversary cable cooker.
Cables & Interconnects
Legacy link: This new site was launched in July Visit the older site to access previous articles by clicking above. To listen to a great piece of music through an exceptional high-end stereo is akin to being told a captivating story. An extraordinary cable must be a superlative storyteller. We can discriminate between cables by comparing how they communicate information to us in two fundamentally different forms of perception.
Sablon Audio Reserva experience. Affordable S.O.T.A.
Discussion in ' General Audio Discussion ' started by murphythecat , Jun 20, Super Best Audio Friends. Read these "rules" AND introduce yourself before your first post. A healthy approach to understanding measurements Being true to what the artists intended. Huhnkopf , Jun 25, I can't say that the Ultraviolet sounds any better than the Chroma, but both cables are well made and don't cost a fortune.
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Could not understand why it wasn't better marketed till I spoke to the owner who was more interested in good n happy customers than money I guess. People who knew me wondered why I paid good money for an "unknown" name, that is, until they heard it. Good to see the name being promoted. Post a Comment. Introduction Couldn't get enough of Sablon Audio's products after reading my earlier review of the Corona Reserva power cord and Panatela Reserva speaker cable click here for review? Here comes the interconnects!
Though better than most cables, they were not as musically satisfying to me as the very best OHNO continuous cast single crystal copper cables. Then I heard the Audio Note Sogon silver cables and I knew it could be done; a cable that had all the detail and air of silver cables, but could still let me hear all the music without sounding like silver or copper cables. Then, as I started to use Shindo preamps I discovered Ken Shindo had also captured silver cable magic, but in a much more reasonable price bottle.
Every set of Panatela cables are hand built and cryogenic treated starting with the bare wire. Both the interconnects and speaker cables use cryogenically treated silver-plated copper Xhadow connectors for terminations, which Sablon considers to be the best sounding terminations available. If you want more technical info go to website and read away. With the Sablon cable throughout my system, I was quite pleased with the sound. It had a very transparent and clear sound without any of what I think of as a silver sound.
We are happy to setup an appointment so you can listen to our equipment and learn more about the extraordinary products we host in our listening rooms. Please call to setup that appointment:. Or send us a note using the form by clicking this link. Please click here for reviews on our product line. Other Links:. World Clock Index, view the time in different cities. NVO Audio has always been in pursuit of audio perfection.
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