Celestion g12l 35 professional loudspeaker

All Celestion speakers have a model number denoting their specification, usually beginning with the letter T. The Celestion t-numbers list below has been compiled from various sources. I have tried to keep the list focused on guitar speaker models. If you know of any Celestion t-numbers that are missing from the list, or see anything that needs altering, then please email me, or add a comment at the bottom of the page. I will update the list accordingly when time permits. Guitar speakers only please.

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• Speakers & Components
• buy and sell in Williamsport, PA
• Celestion G12L 35-Watt 12" 8 Ohm Speaker (B) Silver
• Used Guitars & Equiptment
• Your Favorite Guit Amp Speaker
• SWITCHBLADE HEAD - ANY USERS ?

WATCH RELATED VIDEO: Change Guitar Speakers in Your 2x12 Cabinet

Speakers & Components

The Unofficial guitar amp and cabinets forum for users of Hughes and Kettner products. We are not affiliated with Hughes and Kettner!! Would you like to react to this message? Create an account in a few clicks or log in to continue. You are not connected. Please login or register. Hi everyone - first post in the Switchblade section?

I play mainly in a paid cover band , and have just bought the Switchblade mainly for convenience rather than hi gain , but was wondering if there are any other users out there to share tips with , particularly on speaker cabinet choices.

First impressions tell me the Switchblade will do it all , well enough. Like Dislike. This is an old topic, what the hell. I've got the head and the 50w combo versions of this amp. I'm running mine through a Mesa Recto 2x12 mostly.

The bigger cab gives the amp more low end for me. That cabinet definitely has a more of an open vintage sound to it. It compliments the clean and crunch channels more than the Mesa does. I've used Marshall cabinets at benefits and was happy with the results, but didn't have a lot of time to really tweak the sounds out. I'd love some more time with one in the future.

Hi Bishop and Benner if you're still here I thought I would chime in to this forum to share my experiences of the amp with anyone considering buying one and to see if we can exchange tips. I'm playing in a covers band so the Switchblade is pretty much the perfect amp for me.

It's got great core tone from clean to crunch to lead, great delay and reverb and useable chorus and flanger - all programmable so that one second you can sound like The Pretenders and the next The Foo Fighters.

I've been using a Marshall JMD head and 4x12 cab which is great but a bit big to carry to some venues, so I thought I'd try the Switchblade combo and see if it was up to the job. In a gig situation people probably wouldn't notice massively, but I am a picky sort and I can tell the difference.

Obviously the 1x12 combo is not as fat as my cab, but I've managed to satisfy my bass craving by putting an EQ pedal in the FX loop and boosting the Hz fader by about 8dB. It works a treat - sounds very similar to the in terms of grunt now. I might consider using it with another speaker cab - maybe another 1x12 to sit underneath it, or perhaps my - but perhaps that negates the point of having bought the combo in the first place. I'm hoping to have a rehearsal with the band this week so I can test out the combo at gig volume and see if I'm happy with it's bottom end.

I spent 3 hours programming in sounds for the first of our sets tonight and I managed to get sounds I was happy with I just got Set 2 and a few extras to program in now then it's read to gig. The combo never sounds super full on stage, but if you're running through a PA with a decent soundman you're all good. Every time I've gone out front to listen to my tone, it sounded massive. When I mic it up to record I'm always happy with the sound as well. It only lacks to me when I'm right in front of the 1x12 enclosure.

If you like the Switchblade, test drive a GranMeister. I have one, and think it sounds much bigger than the Switchblade. Did you ever experiment with changing out the speaker in your combo?

I'm not sure how good the Rock Driver speaker is. The fact it's not one of the named Eminence ones like Texas Heat for example makes me worry that it's the worst possible speaker in existence!

That was a suprise. Also of course the1x12 combo had less bass than the 2x But it was the top that surprised me most. Now I've put a few hours loud ish playing on the rock driver I might do the AB again and see if there's any change. It would be nice to check out the Grand Meister but the nearest dealer is quite a way away.

I mail ordered the switchblade. I did. I put an Eminence Wizard in mine, and a friend did a Vintage 30 in his. It was a change, but doesn't add the girth of the bigger cabinets. He took the rockdriver and put in another cab, and I thought it sounded pretty good. I want to put mine in another cab and try it. I've done a bit of Tubeswapping with the combo as well.

I settled on JJ E34L for the power. I've been looking at the Celestion A type It's got a lot more bass end than a V My 2x12 is a Harley Benton with V30's , and it sounds like shit.

I have heard a friends HK 2x12 with V30's , and it sounded miles better , this may be my solution? My 4x12 is an old Marshall with Rola G's for reference. I realise when miced it is less of a problem , but you definitely play better if you are happier with your sound , and I am not unless it is the 4x Benner, I understand. When your tone brings that big shit-eating grin to your face you just play better.

It totally makes or breaks the gig for me lol. I bought my Switchblades and went to a small, easy to carry set up. It was so easy to eliminate all the extra work of wiring things up. When I bought my Triamp I went back to carrying the 4x12 around, and running the wires to an external effects unit. I hated carrying all that stuff, but I wanted that sound.

Sounds like you may need to keep the 4x12 at gigs. IDK what the dimensions on the 2x12 you have are, but that extra space in the Recto 2x12's with the special Vintage 30's Mesa uses really do make a big sound. It's no 4x12, but it's close. Yeah the thump you get with the 4x12 is quite addictive! Like you guys I'm trying to see if it's possible to be happy with carrying less. They've all got 6 to 8dB more bass below Hz than the V30 or Gs. That would probably be like turning your bass up to like 6 or 7 on your amp when it was set flat.

I want to try putting one of the above in my 1x12 switchblade. I guess 1 speaker will never do that. Yeah I also think the 4 speakers smooth the sound out a lot. I don't know if there is a bit of phase cancellation or something going on in a 4x12 , but it definitely doesn't have that spiky upper mid thing that gets on my tits. I can even hear this in a cheap AVT 4x12 that I use at rehearsal , although the speakers are pretty poor it is still a usable sound.

I did notice that the HK 2x12 is ported , and it sounds 10 times better than my shitty 2x12 , and they both have the same speakers V30 , a much fuller sound. Shit eating grin indeed Bishop , couldn't have put it better myself.

I've put a few loudish hours on the Rockdriver speaker now and I think it's started to break in a bit. I really enjoyed cranking it out with the ! Sounds great - and was really quite loud even with the Master on 2. I shudder to think what a beast the W head is! I wish I could get a frequency chart for the Rock Driver so I can see how it's bass end compares to other speakers out there I think the only way to know for sure is be really nerdy and make some test recordings using exact same settings on the amp, but with different speakers in there so I can listen back and compare.

That sounds like a lot of nerdy work though.. I wish the combo speaker was 16 ohms so I could also connect the and run them both EDIT: Hmm maybe the stock speaker isn't too bad after all now it's broken in a bit I think I'll wait and see what happens to it tonally over the next month or two. I personally would.

As I said, I hear a difference in the sound, especially the low gain sounds. They're far more organic. The presence and resonance knobs can also be set to global. I set them this way so I can tweak the amp to the room.

I keep the amp on 18 watts, and have the master volume close to half way up. I've yet to play a gig that it wasn't loud enough for. The mod depth knob makes the fx actually usable. So yeah, I'd say it's worth a shot. You'll need to keep your footswitch, or use another midi board though. The GM doesn't come with one.

buy and sell in Williamsport, PA

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Celestion G12L 35-Watt 12" 8 Ohm Speaker (B) Silver

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Used Guitars & Equiptment

Developed in the mid-sixties, it was quickly adopted by players like Hendrix, Clapton, Beck and Page, who typified the louder and more aggressive blues rock playing styles that came to characterize that era. Paypal is the only payment method we allow. Choose items to buy together. Get a low price and free shipping on thousands of items. Celestion 16 ohm G12T speaker.

Your Favorite Guit Amp Speaker

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SWITCHBLADE HEAD - ANY USERS ?

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This is a vintage Fender Pro Reverb black face amp. It is in excellent condition and has been professionally recovered in black tolex. As well, it has had a new grill cloth installed and the electronics have all been check out and are in good working order. This amp comes with a custom made amp cover as well as a foot pedal for the reverb and tremolo. The speakers have been up graded to Celestion G12L speakers. The amp is all original except for the speakers and in very good working order.

Skip to main content. The last opportunity to modify your tone. Unlike hi-fi speakers which attempt to create sounds that are true to the musical source fed them, guitar speakers impart their own tone.