Henriksen amps key
What sounds better than a sweet guitar? That same guitar, only louder, played through a really nice amp. Luthiers can spend years working on a single instrument; they spend a lifetime mastering their craft and, like all great artists, pour their heart, soul and every fiber of their being into their work. Installing a pickup on an otherwise acoustic instrument with the intent of amplifying that signal through a variety of technologies manufactured by different companies in an attempt to replicate the acoustic sound of the instrument becomes a daunting proposition for the amplifier designer, player and the luthier alike. No one wants the sound of the instrument mis-represented. Building an amplifier to faithfully replicate the sound of a great variety of instruments is no simple task, and there are as many approaches as there are companies out there doing it, but they all share some basic principles and understanding these can help musicians choose which type of amplifier works best for their instruments.
We are searching data for your request:
Henriksen amps key
Wait the end of the search in all databases.
Upon completion, a link will appear to access the found materials.
Content:
Henriksen JazzAmp TEN 2019
Jimmy asked me to play a solo set, which I was a little hesitantabout since it was the second-to-last spot in a pretty loud taproom, not your typical jazz club. Well, not only could you hear a pin drop during his performance, people were sitting on the floor by the stage just to get up close to listen to him play.
I wanted to play like that! In an effort to learn all I could from him I attended his subsequent masterclasses and did a deep dive into his recordings, videos, and books. In those days he was always in the booths demoing and jamming with other top-flight guitarists, it was a great hang. Watching and hearing Jimmy Bruno from a few feet away was a huge treat for everyone lucky enough to be there.
Jimmy is one of kind! His playing, his personality and his outlook on life, his profession, his likes and dislikes are all here for you. We who follow you know you had a health scare that pulled you out of performing for some time. You went back to gigging and have performed at the Rocky Mountain Archtop Festival , China, and a host of other premier gigs. Please tell us and bring us up to speed on what you have been doing?
Jimmy: I took a spill in my studio, I went into a coma for 8 weeks and another 8 weeks in rehab. This July will be 3 years ago. It was pretty bad, my wife called a priest to administer last rights. But much to her chagrin, I pulled through. The first gig I did after that was at Mezzrow in NY city.
And did a lot of traveling doing solo guitar shows, master classes all over the world. I even spend 8 days in China playing the Blue note club in Beijing and a club in Shanghai. Bob: You have had an amazingly long career… what advice do you have for people starting out that want to pursueprofession in guitar? Jimmy: I would advise against it. For some reason our society has no taste for excellence in the arts. Not just guitar, but look around and observe. Poor quality television, movies starring people with no acting ability.
My favorite bad actor is George Clooney. No talent at all. He just has a face. He actually had the balls to remake oceans Look at the original cast with Frank Sinatra. The list goes on and on. When I was learning guitar there were places to go sit in with older guys, who knew all the tunes, with the correct changes. No Real Books. The real book craze had made a lot of musicians tone deaf. Later when I became tired of living as a starving artist I moved to Las Vegas. There were only five steady jobs in the main rooms.
At one time I had three of them. I worked for an excellent musician, Don Vincent. After that, I was asked to play at the Hilton hotel. I was asking over six figures and doing a lot of writing for the Jimmy Mulidore orchestra. Only the best musicians got hired in Vegas.
You have to be able to sight-read anything and play it perfectly two times a night six or seven-night a week. There was no room for mistakes. If you constantly made clams you were out on your ass. You got ONE try, if you f! Jimmy Mulidore is an excellent jazz musician who could play jazz on all the woodwinds, even the bassoon.
He was a tough guy to work for because he would not tolerate inferior playing. The point is that scene no longer exists. I saw the end coming and moved too LA to try to do studio work, TV and movies. I stayed there for about eight years. Eventually I wanted to play jazz, so I moved back east to Philadelphia.
I got work right away. I even ran the guitar department at University of the Arts. I taught privately at the school as well as teaching harmony and jazz performance in the Masters programs.
And you gotta realize I never went to music school, I never formally studied music. I have a great ear and a lot of determination. Kinda f! The owner Chris eventually sold the place and the quality of the music has declined and the price of admission has gone up.
I feel it borders on fraud. Jazz school what a joke. I hear what is coming out of these schools and what passes for jazz is some real watered down form of jazz. I am bored by the whole scene. Jukebox jazz is the thing now. They take a popular rock tune and attempt to solo over it… Bad move! Some of those tunes were fine in their original form. By doing so they ruin perfectly good tunes.
Jimmy Bruno: I like all styles of music as long as it is good. Jimmy exploded on the scene in and I made his first guitar in His singular talent, energy, and creativity are his hallmarks… some of our best memories are the Benedetto Players Concerts on Long Island in the 90s… He is the embodiment of jazz guitar! For the full audio interview with photos below. When I was 16, I only listened to guitar music. There are a couple records that I wore out. I met Pat when I was So when I lived in Philly, when we were both doing a lot of traveling, when we were off, we always get together and hang out at his house or at a restaurant.
And we would talk about music, of course, guitar,art, painting, sculpture, everything, and mostly about life. His observations on life are just fascinating. He applies these visual images to the guitar and to music.
He made his own theory—great stuff. Charlie Parker, Sonny Stitt from the bebop era, straight ahead. Oscar Peterson and Bill Evans. I have to put Jim Hall the guitarist in there.
And they were very inspiring to me. She was the concertmaster of the string section of the Sands Hotel. And to me, classical music would be Beethoven, Mozart, the ordinary stuff. And she turned me on to Igor Stravinsky and Petrushka was the very first thing that she played for me, and I went out of my mind. I became obsessed with learning how to write for strings.
Now before that, I was doing writing for a big band, for different acts. I played for Doc Severinsen, Lola Falana, whoever needed a chart. So she had this idea — I had written something for a singer. I went into this Las Vegas recording studio, and we used the string section from the Sands Hotel. I wrote a couple of charts for this guy.
And she had this idea of getting the group together with that string section and calling it Classical Smoke. And I wrote the entire album, all original stuff. The record did pretty good. And the best thing about it was, man, I learned how to write for strings. Bob — I got to ask a question. So at what tempo did you play that? Do you have any idea? Jimmy — Yeah. A lot of disco music is at , or a variation of that.
And 60 beats a minute is your heart rate.
Press Releases
For several of the most common styles of popular music, the style itself is defined predominantly by the guitar tone. For example, while punk and metal rely on heavily distorted guitar, most music fans can tell the difference between the two as much as by how the guitar sounds as by how it is played. While it would be nice to be able to buy just one guitar rig that could be used for every style of music, the reality is that guitarists usually need to rely on separate sets of building blocks to play various styles. Below are a few basic guidelines to consider when putting together a rig, whether you want to play jazz, blues, classic rock or metal. The generally preferred tone for traditional jazz is not too far from the sound of an archtop hollowbody acoustic guitar, only amplified to louder volume output to be heard over other instruments like drums, horns and electric bass and keyboards. The tonal palette for jazz expanded during the early Seventies with the emergence of jazz-rock fusion with guitar tones that would not be out of place on hard rock records of the day, and during the late Seventies and Eighties many players took tonal cues from funk and pop productions.
Erik J Henriksen
Howdy, Stranger! It looks like you're new here. If you want to get involved, click one of these buttons! Sign In Register. Categories Recent Discussions. Categories ZenOvertone Frets: May in Amps. I'm after a low noise floor solid state jazz amp for both home and gigs, been using various at home but they all have a noticeable hiss at home volumes particularly. Live has not been an issue so far, I've been using a Deluxe Reverb but I'd like something small and more portable when things get back to normal so that means solid state through 1x10 typically.
Two Rock Studio Signature Combo Black Bronco, Silver chassis.
Peter C, Who are you addressing this thread to? Whether someone is old or young, he can listen to what he wants. Jazz is freedom. All these young musicians have great respect for their older His latest record is a damn instrumental prog masterpiece.
ENDORSEMENTS
Henriksen Amplifiers designs and manufactures high quality, analog musical instrument amplifiers in Arvada, CO. We cater to professional level players who care about their sound and need performance-ready equipment Henriksen, Inc. In , our founder Bud Henriksen began working on the JazzAmp to fill what he saw as a void in the marketplace for a guitar amplifier designed to meet the needs of jazz guitar players who wanted extremely high quality sound in a portable package. The Henriksen Amplifiers JazzAmp is the world standard for dark, rich jazz guitar tones in an extremely powerful and portable package to cover any jazz gig.
Used Amplifiers
The Quilter Over drive amplifier head is hard to describe and is almost something you have to experience to believe. Even then you might still think your ears are deceiving you. At 9x9x9 inches, 17 pounds and watts of analog power with a feature set that allows you the versatility to cover almost any kind of gig, this is a MUST HAVE piece of gear for the working musician. The Micropro Head provides all of the incredible performance and versatile features of the Micropro Series, in a suitcase friendly package that brings out the best in almost any existing speaker. Great for fly dates! The Universal Foot Controller allows you to select any of the 6 functions for each of the two buttons. Choose this controller if you want more flexibility in which functions you control.
Henriksen Bud TEN
By Jinder , July 26, in Gibson Acoustic. Interesting that sometimes AER amps are mentioned. I know them mostly from Jazz Sessions, cause most of the "furniture guitar" players
Shop Guitar Amplifiers, Cabinets, & Combos
Bud Henriksen, after searching for years for a guitar amplifier that sounded the way he thought it should for jazz guitar, finally decided to just build one the way he wanted it. Sticking to a few key principles such as an analog design with no filters and no tone controls, and keeping it simple with just an input and a 5-band EQ, the JazzAmp prototypes were born in The fist production model was shipped in October of , and the JazzAmp has since evolved to include significant increases in power and essential features which do not detract from the original tone of the first prototypes. The JazzAmpTM features an Eminence Beta speaker and a defeat-able Eminence tweeter for an even, full range response in port tuned cabinets designed to handle the low end of an upright bass yet maintain high end complexities necessary for guitar or other instruments. The 5-band EQ offers the ability to adjust the amplifier to the room without altering the original tone of the instrument.
Pay now or later — it's up to you. Choose one of these payment options above at checkout to get your gear today and pay later. Split your bill into instalments Own your dream gear today without having to wait, split your purchase into equal payments. Astonishingly, given the trio's musical synergy, the first time these three musicians ever performed together was for the album's sessions at the Swiss Radio studio in Lugano, with ECM founder Manfred Eicher producing. DownBeat aptly noted in it's review of Bro's previous album, Bay of Rainbows, that "Bro's guitar is luminous. His music is both hypnotic and dramatic.
If it's world-beating electric guitars that you're after then come and visit Epsom's Custom Shop lounge for the best selection of Fender Custom Shop guitars in the South of England. Givr Guitar. Buy online or visit our store located on the world famous Denmark Street. How many great guitar bands have come out of London?
There are no comments yet.