Naim nap 140 for sale
Excellent condition, plus original naim 5 pin din to din for naim connection to naim components and original naim remote perfect condition no marks whatsoever. I'm selling my Naim NAP 90Sound quality is [updated] naim audio xps dr power supply is a very effective upgrade for the naim ndx, cdx2 and naim dac hi-fi separates models. New naim nap Used twice. Cost new
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Naim NAP-140 Amplifiers
I was not only hooked by the sound of Naim, but also by its anti-establishment design, their maybe even cultish products with good value for money produced in low volume.
I bought Naim NAC Over the years I changed my gear a lot, and even dived deep into DIY. Every now and then I borrowed some current Naim gear from dealers just to see what has changed since. And it has changed a lot. I found that I still like the old fashioned tube like vintage sound of the chrome bumper Naim of the 80ies. Consequently, some years ago, I bought NAC The later produced "olive" Naim gear was not up to my liking, it seemed to me that it showed up more resolution , but gave away that tube sound of the chrome bumper era.
I also got a factory tour. But since a factory tour has already been described on tnt-audio , this is just the interview. Paul Stephenson joined Naim Audio in There were five people there, all in just in engineering.
Basically Julian Vereker had a great idea that became a product that friends wanted to buy. It went from there. Paul came from retail. He was the sales director until , when Julian died. From then on he was managing director. He is now head of the company, share holder and director. Other employees also hold shares, so Naim is in fact a company held by its employees. Turnover is likely to be around 15 million UKP this year, while Naim has employees at present.
Naim sells to more than 40 countries. Half of the business is export. So even in these difficult times Naim has experienced good growth.
But, if you lived in the Philippines, Australia, Iceland, Malaysia or Finland, you lost out on this information which can now be shared on the internet. Now, with the internet, especially forums, there is global audiophile community, which is very good. It has days when it is not so good, but in general, for audiophiles and for hifi development, this has really benefitted the end user. I am not sure that the retailer always feels that way, because now we have a very empowered end user base that sometimes thinks they know more than the retailer.
In some cases, this may even be true, because they are so passionate about the brand and the things they are doing; they work extremely hard to put things together. And they like places like the Naim forum. When it started, we were probably the first manufacturer forum to exist. It is quite challenging for an audio manufacturer, because if something breaks, someone can put it on the forum and so you can have all these issues aired on the forum.
The meaning of the forum for us, is the value Naim has always placed on being very open and straight with our customers: the retailers and distributors and those who buy our products. This was the same since day one. The forum was the right thing to do. On the other side you have people who are not very used to forums, who intend to buy a hifi system and often go first to the print hifi magazines. These are decreasing. There are some good ones and some bad ones. And such customers are not necessarily able to go online to find the right answers in the beginning.
A lot of the good writers, who once wrote for magazines, are now online. There is a devaluing of print going on and there are many opportunities for less strong audio sites. We will have to see whether online hifi journalism really starts to come together more strongly in the next few years, or becomes even more fragmented. Looking back to the early nineties, when someone found themselves an apartment, they got a stereo almost before getting a bed, television or sofa.
Now it is probably number ! There are many other ways people can spend their money. Equally, in the period after that, music also became more difficult to find. Record shops became fragmented, you found top record shops rather than shops for collectors.
So the mission for spreading the word about great music was getting harder, especially with the vinyl vs. CD debate. As you need great music to give someone good reasons to buy a great stereo, the difficulty finding music becoming an issue. All in all, hifi was becoming less fashionable. During this time, Naim went its own path.
Today, in , we think that hifi can be in good shape. It is becoming fashionable again, as younger people and middle aged people realize, perhaps through the ipod generation or through the develeopment of the internet and internet speeds, that one can get access to much more music. You can listen to an album, you can search it in the music forums, so you can feed your habit. On the other side of things, the ipod generation for instance leased the opportunity to put music from one play stake into the other, and now you can even do that in lossless or fully uncompressed.
The thought that hifi music was coming down to telephone quality seems to be disappearing — a few years ago people were really selling ringtones and calling them music! There is a real demand for high resolution audio again.
This is possible beyond CD, with streaming, wireless technology, cheaper storage and a much more interested market. Therefore means hifi industries are a great place to be right now. We try to be faithful to the signal path.
It is probably true that the generation we came through is probably more Jazz-, rock- oriented and acoustic-oriented. Classical music has taken a hard road the last years. It was predominantly listened to by older people because they had actually been to concerts and so could see that when you played something complex like a classical piece on a poor hifi it made no sense whatsoever.
A concert gave them a good reference. The next generation heard very few classical concerts and their parents all had terrible hifis. So when they put Rachmaninov on, it sounded terrible, and they were unable to feel the passion of classical music.
Again, a complicated string of events. This means that classical music is more difficult to find. It is about instant gratification. Classical music is a little bit like wine. You should leave it for ten years and then open and enjoy it. A third of our business is still CD players. CD is still strong for Naim. But it is decreasing. CD sales are starting to fall and downloads are rising. We began a journey several years ago, looking at how people would use music in the future, how they would store it, how they would rip it, and how they would control it.
There is a lot of high-frequency noise in this environment, because it is essentially a computer, with all the things which go with that. So we have looked at how to minimize the negative effects of all of that.
Fortunately, because Naim has always considered mechanical effects in their designs, we were probably better equipped than some to understand what to look for: internal microphony, isolation and all of that kind of thing.
We started on that journey and it is still a journey. Analogue took a hundred years to develop and digital also took time. The next generation of streaming audio will take much more time as people like us to learn how to get the most from it. How do you decide which way to go? In the end we have to adapt and change to new technology. Consumer electronics moved from black and white television to colour television to plasma and so on.
Technology changes took five to ten years in the sixties, but now, you have changes maybe every six months. Our business is now divided up into electronic engineers — both analogue and digital - , mechanical engineers, and also a software team. The issue we have is speed to market. We have an internal team of say ten software engineers, and then you can outsource a lot more. One of these things will be speed, as we try to take of the advantage of a new processor speeds, bandwidth, storages, all of these things are changing.
But it is not too frightening. Everybody first made servers that were custom installations. Because of our interest in this area, we started recruiting software people which lead us to streaming environments.
We have launched UnitiQute, it is a half-sized box, we are shipping this week, this is almost like 21st century integrated Nait. It is 30 watts, but it is streaming device, and you will see in next week some other announcements which will go to more boxes, and lead to more audiophile stream platforms. We have been able to do this from the basic feature set, but then it is up to Naim to try and make it better. Take the DAC we launched for example.
Hjalmar Nilsson designed the DAC in about six months, and it took about two years to make it sound as good as we wanted it to. It is a converter, but we wanted to end up with one line of code for everything, because lines of code take processing power.
Lot 247: Naim Audio NAP 140 Power Amplifier
Naim nac xs for sale. I couldn't locate a second hand Snaps, so I thought I would put together a homemade version to supply a single 24 v regulated power rail. Whilst they would undoubtedly shine when partnered with the forthcoming source material from the XS range, they demonstrated beyond any doubt that they can happily be installed outside of a full Naim system and provide a thoroughly satisfying Naim. This stereo output on two RCA sockets is optimised for connection to an active subwoofer and supports the growing use of 2. Uniti Atom.
Second-hand Naim Nap 140 for sale on UK's largest auction and classifieds sites
They have been tested and are in full working order. Both units are in good cosmetic condition and have chrome bumpers. They come with the 4 pin snaic lead although this lead has a locking mechanism and the units do not it still works and power lead. Audio Visual Commodity Ltd trading as whybuynew. Audio Visual Commodity Ltd is a broker and not a lender. Finance is provided through the Deko platform by a number of lenders. Credit subject to status. Customer Services. Lighting Accessories. Turntable Accessories.
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Cloney audio turntables. I would also consider Clearaudio and the Technics which is a stunning performer and if it was inside your budget the one I would pick. However you can change your cookie settings at any time. I am looking to upgrade the turntable and have narrowed it down to these 3 contenders. Igloo Audio
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In lovely condition, has only ve. In addition we sometimes part exchange older products with the purchase of new products. No pressure sales and part exchange available. Speaker Stands. Used and ex demo high-end audio With over 25 years experience of buying and selling high-end audio worldwide, Select HiFi offers tried and trusted solutions to building truly world-class high-end systems for the discerning client. At Musicraft we check each day to ensure we offer the best prices on our current stock and ex stock.
2PCS 2 Channels Clone UK NAIM NAP140 Power
It could even be hidden away, should you want to create a really minimalist-looking system. The most critical resistors and capacitors are hand-soldered above the surface of the main circuitboard to avoid them being affected by noise from the output devices, and are selected and matched before installation. Even the speaker output board is mechanically isolated from the main circuitry. Whether used with the DAC-V1, where it redefines expectations by delivering a very high level of musical involvement, or run off alternative preamplification — we tried it with a couple of preamps, connected to the preouts of a SuperNait and even on the end of the front channel preouts of an AV receiver — the NAP is never anything less than an entirely convincing means of driving speakers.
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This is the bare PCB for a robust 70W power amplifier with reference to the legendary Naim power amplifiers. The resulting amplifier is a very dynamic one, extremely good for music performance of every sort. This is an auction for 2 pieces of PCB. Each PCB consist of one channel of amplifier. Dimension: mm x 68mm. Thickness: 1.
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