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Dr Shara Rambarran is a musicologist, academic, and writer from Essex. Currently, Shara is focused on writing and lecturing, and aims to return to performing and creating music in the near future. Shara currently lives in London. Pogus Caesar is a British photographer, conceptual artist, archivist, author, curator, television producer and director.


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Track Listing. Instead this instead opens the album up! Also was not expecting Hitomi to kick the album off with a lighter ballad-type song such as this. Very slick and shiny of a song and fits Hitomi quite nicely. I do like the two together, but not quite sure if the filters were necessary for a song like this. One of my favorites from the album hands down! Very nice song overall and another to keep listening to! Another good track on the album for sure! Luckily this track definitely fills that gap up.

For being a slower song, I was more interested by the arrangement due to its more space-y vibes to it from the synth lines that wobble in and out of the song. Nice and relaxing ballad that does something interesting. Which is funny because the next track Na no Nai Hana gives me something of a lighter variant of a crossover track with the slight dance beats mixed in with the orchestral melodies throughout.

One of the stronger songs from the album. Blah, but nice shift of genre regardless. Tracks Recommended. Song of Avoidance. LoveSong definitely felt like Hitomi was good enough to release something a bit more lighthearted and with variation like her older avex albums which was a much-needed move from her. Granted, I did say in the single review that it does give me strong Autumn vibes which is kind of the opposite to what this release was all about.

This one has more of an upbeat sound though and Hitomi still sounds really pleasant to say the least. As the title track, poinsettia has such an interesting opening with that erhu there! The difference between the two are so stark and for me jarring because I really liked the arrangement of the previous track a LOT. I will give it that Hitomi is doing a lot more vocally here and just sounds amazing too, but the arrangement is just a little on the generic side of things.

Hitomi does add a lot of her vocal flairs in the song and as the song builds in beats and fun sounds, the song just kind of gets better as it goes on. Just a little weird to me. I do appreciate the acapella a lot and the beatboxing to be the beats of the song give it a nice push too!

I do like that about it, but once the chorus hits, it kind of falls apart as it kind of suffers from being not really all that exciting. I do like the vibe of the song, but that chorus is just bleh. Decent single overall! I do like the extra synths involved so it does already make it a bit more memorable than the aforementioned track, but I still kind of struggle to pay attention because of the tempo here. Ooph single. Hitomi seems to really love to play with more ethnic sounding tunes and Akai Sabaku no Densetsu is another dive into this thought process which feels like a mix of latin lightly , dance and a bit of sitar thrown into the mix.

Song is eh for me, stick with the original or the Eastern Butterfly remix. Just kind of forgetful of an A-side to me. The leading track really did nothing for me and just felt flat and kind of dragging as it went on.

I think the best things were the new versions for both Kaihouku and Ichiba ni Ikou…both were pretty exceptionally well done and I think I like them more then their originals!

Yeah, this was another winner and probably my favorite from the mini-album. It still retains that feel mostly, but mostly the difference is light I think the biggest difference is the lack of the thunderstorm in the intro.

Though I do think the only that really changes from the OLD original is that guitar melody stands out more. The chorus though does seem to drag a bit too with Hitomi saying the title…yeah, fitting but not interesting closing track.

Otherwise, nice mini overall! As the introduction to the album, misty is just that, a short opening for the rest of the album. So the ideals continue with the first vocal track and it begins on a rather upbeat note with a bouncing piano melody and jazzy tones all over from the brass and the rest of the instrumentation.

Regardless, this was a worth comeback for Hitomi and fits on the album snuggly. It slows down further with this acoustic ballad, LOVE. Though I would argue to say the steady beat is giving this track more of a dance-pop kind of groove and I found myself enjoying it.

A surprising track indeed! Since the single, this song on misty is still an odd ending choice, but at least it ends on an upbeat note I suppose.

Snapshot though at least tries to make it interesting by being a little more upbeat in nature. It is a bit long to me, but I enjoyed what we got and the violin solo in the mid8 section was pretty sweet. Yaburekabure brought Hitomi back into my radar in a pretty sweet way! Oh hey there accordion! Though the accordion comes back into play and mixes it up with the arrangement. Another ballad comes next with Ai no Katachi and I was wondering what could make it stand out.

Meh overall! Which is great because this dance style continues onto our next track Ikki Mankai. I really love that this song opens up like a tune you would heavily hear at Matsuris Ondo-styled. Though after that it brings the beat into the front and because something that most fans would be comfortable with.

Things stop in an instant when Tsuzure Ori begins. I really enjoy the plucked strings and the rest of the instrumentation at that that really shaped the song overall and makes the chorus sound pretty. Finally, the album ends with actually was the promotional song.

Definitely an awesome way to close the album out! This album had a lot of spice and I liked most of it which is pretty good. Filed under: Hitomi Shimatani — solarblade pm. Ganbarou, ne. Na no Nai Hana Which is funny because the next track Na no Nai Hana gives me something of a lighter variant of a crossover track with the slight dance beats mixed in with the orchestral melodies throughout.

Will you marry me? Leave a Comment. Filed under: Hitomi Shimatani — solarblade am. Track Listing Perseus La Fiesta to be continued… 6. Akai Sabaku no Densetsu Hitomi seems to really love to play with more ethnic sounding tunes and Akai Sabaku no Densetsu is another dive into this thought process which feels like a mix of latin lightly , dance and a bit of sitar thrown into the mix.

Comments 2. Track Listing misty Vivace! Tracks Recommended Cinderella Vivace! Track Listing Snapshot. Next Page ». Search for:. C lol m. G Soundtracks panache! Plastic Tree pLumsonic! Get a free blog at WordPress. Kurayami Monogatari. Blog at WordPress. By continuing to use this website, you agree to their use. To find out more, including how to control cookies, see here: Cookie Policy. Follow Following. Kurayami Monogatari Join 1, other followers.

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11. When Is Japanese, Japanese? A Tale Of Two Musicians

amuro def tech speakers

Coming second only to teeth sucking, J-pop is the one aspect of Japanese culture that Westerners love to hate. But does the music itself really suck? In fact, a better question might be: why does J-pop grate so much on Western ears? I suspect one reason J-pop irritates people is that, superficially, it resembles Western pop. J-pop relentlessly confounds our expectations.

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List of musical artists from Japan


Peter Coquillard is a 30 year veteran on the US music industry. Starting in Chicago where he opened his first independent label in Collage he then moved to Music capital, Austin Texas. After relocation to Los Angeles and then New York, he worked most of his years in music publishing first 17 years. He then moved to Los Angeles in to build a small publishing company for industry manager and promoter Bill Silva. Starting in Peter started regular trips to Asia and has been instrumental in placing songs and developing collaborations in various territories.

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I mean: Amuro in normal, calm mode is already a huge threat. The Federation commandeered *a lot* of Zeon technology after the One Year War.

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Track Listing. Instead this instead opens the album up!

The Sustainable and Inclusive Internationalization Virtual Conference is pleased to present the following speakers, listed in alphabetical order by first name. With her trademark husky voice, she instills soulful undertones into everything from inspirational ballads to upbeat dance numbers. Especially in Japan, her music is known for its strength and substance. He also taught technology commercialization at Rotman, and technology entrepreneurship at UTM. He is now the Bergeron Chair in Technology Entrepreneurship, where among other things, he runs the BESTLab, co-founded Disruptive Innovation Hub and Dream Team and runs an international undergraduate course in technology entrepreneurship and a graduate course in technology commercialization for faculty and graduate students.

The summit of live concert masters that stimulates the limitless possibilities of the music industry. Taipei Music Conference is coming up in October! To respond to the extensive positive feedback from the industry, this year, on Oct.




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