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Conferences have up years and down years, and a down year for the MAC can get awfully bad. Down years can mean opportunities, though. Miami stole the division title from Ohio despite the youth, and Kent State rode a late winning streak to its first bowl win, and both programs seem to be on different trajectories than before. Buffalo has reloaded, too, and Ohio is a quarterback away from fielding Frank Solich's best team in Athens.
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Content:
- Madden NFL 98 – Strategy Guide
- Oside kicker Koonce commits to SMU
- football players names starting with n
- NFL Week 9: Today's games
- Rams QB Matthew Stafford leads list of 32 stars of training camp through 2 weeks
- www.wiki.en-us.nina.az
- College football offseason preview: MAC East
- Pasco County real estate transactons for Jan. 29
- raiders highlights tonight
- 2019 All-MAC Teams and individual honors revealed
Madden NFL 98 – Strategy Guide
My shocking reply is always the same. It s been surprisingly easy! It would be difficult, if not impossible for a local music novitiate, staring at the year , to envision the scene that was thriving in Portland back in It was nearly unrecognizable by today s standards. The state was fresh from an edict handed down by the OLCC in that, at last, permitted the unholy admixture of live music, performed by real, living human beings, to be played in Oregon taverns.
That was a luxury which, in the 60s, was afforded only to hardliquor dinner clubs, such as Jazz pianist Sidney Porter s immemorable Sidney s club in Northwest Portland.
They offered all varieties of popular music to an ever increasing throng of hip, young patrons. December to One Long Journey Through The Portland Music Scene Tony DeMicoli at LaBamba, Liberal attitudes toward drinking and drugs, and few harmful socially-transmitted diseases, helped to promote an atmosphere of neverending party, which culminated in the hedonistic excess espoused during the height of the Disco era of the late 70s.
By the end of , as both Two Louies and I were being By far, the most popular and successful band of the time was Seafood Mama. Pleasure, who started out in Portland in , quickly rose to regional prominence. Over the next ten years they were to record seven albums, releasing a single that rose to 5 in the charts.
Leader Marlon McLain soon acquired a reputation as a world-class producer, which resulted in his working with some of the biggest names in the business, a position he still maintains. Pleasure s early success blazed the path for the many bands that followed Probably the most seminal Rock band of the era was Sleazy Pieces, a band that was a crazy amalgam of influences, made manifest by several of its many component parts: lead singer Earl Benson, whose esoterically bohemian blend of off-kilter Beat Poetry and goosey, operatic vocals would have been at Continued on page 4 TWO LOUIES, December Page 3.
By far, the most popular and successful band of the time was Seafood Mama. That aspect, coupled with Marv s uncanny aptitude for crafting sure-fire hit songs, and Rindy s unique talent on the saxophone, found the band receiving heavy local and regional radio airplay with self-produced singles of songs such as Hold The Mayo, City Of Roses, and the favorite, Harden My Heart, which was punctuated by Rindy s signature sax theme.
And, with that verifiable hit, came eventual national attention, precipitating the evolution of the ensemble into the Rock band Quarterflash and a subsequent platinum record. Johnny Koonce and his Distractions followed a similar course to national exposure, garnering heavy local airplay with his independently produced version of his Springsteen-like Shoulder Of The Road.
Jeff Lorber was a fixture on the Jazz Fusion charts. Movie Star was opening for the Boomtown Rats at the Paramount. The Wipers released an album, Is This Real, on a major independent label. And that is where the story truly begins.
The club scene became so raucous in fact, that the Neo Boys, among several other Punk and New Wave alternative bands, threatened to abstain from attempting to perform in venues where drinking was promoted, citing the dulled audience consciousness at such gigs; preferring the wired-up energy of underagers over the glaring, jaundiced eye of the average Instrumental in the development of the Portland music scene was Tony DeMicoli, whose wild, outlaw bar, Club Long Goodbye located in Old Town on Everett, where Jimmy Mak s is now housed served as an unbiased proving ground for any band of any musical persuasion.
Urban Noize was just such an allage haven. Still there emerged a club for every musical style, a couple of bands that were able to fill any particular club on the weekends. Instrumental in the development of the Portland music scene was Tony DeMicoli, whose wild, outlaw bar, Club Long Goodbye located in Old Town on Everett, where Jimmy Mak s is now housed served as an unbiased proving ground for any band of any musical persuasion, but most predominantly for upand-coming New Wavers such as the Cleavers, the Neo Boys, Sado Nation, the Balloons, Casey Nova and, most importantly, for the Miracle Workers, the Rats, the Odds, the Untouchables and the Malchicks.
But Tony also demonstrated an abiding appreciation for theater, allowing various troupes to perform in the basement space at the Long Goodbye, as well as permitting the madcap machinations of antique hippie rebels the Rounders, whose political and social commentaries knew no boundaries nor barriers.
One of the most unifying events in those primordial days of the Portland music scene, was the annual Pub Crawl, which was photo Michael Moran sponsored by the Portland Opera Association and involved dozens of bars each offering some form of live entertainment. Thousands of people would attend these alcohol-fueled free-for-alls, many of them ferried from site to site around town by an endless procession of school buses, which had been leased for the occasion. Great fun could be had simply by standing outside one of the participating bars; observing the revelers who would arrive or depart upon one of the jolly yellow buses that would roll up every fifteen minutes or so.
Early in the evening, riders would observe Billy Rancher was already notorious in Portland Rock circles for innumerable transgressions. Commonplace were the occasions when Billy would empty pitchers of beer from the stage upon swirling dancers below him, or become a human beer fountain, spraying the crowd with a fine, sticky mist.
By night s end, etiquette and convention were abandoned in a wash of beer. Those were the embryonic days of the Portland music scene, as we regard it today. Within two years that scene rapidly grew to unprecedented maturity, reaching unparalleled proportions. In that short span of time Seafood Mama became Quarterflash, by dropping the original rhythm section and adding one that rocked considerably harder, a keyboard player and a lead guitarist, Jack Charles.
Charles had previously achieved modest success in the early 70s with the band Sand, one of the first Portland bands ever to produce a nationally released album something of a debacle: owing in part to the fact it was a two-record album with music recorded on only three of the four available sides. Later in Jenny and the Jeans suffered a setback from which they never really recovered. While opening for Sequel at the Oregon Museum in Salem, their set was violently interrupted, when a disgruntled patron brought a gun into the bar and started firing, wounding 26 people, killing several more.
Quaterflash quickly signed a contract with then-fledgling Geffen Records. By Summer of their first national release had gone platinum, in commemoration of which the band bestowed upon Two Louies an honorary photo Jack Abendroth platinum album award.
But, by the Fall of , the most significant club of that golden era had already been open for a year and a half, acting as a creative conduit for the entire Portland music community. As Tony DeMicoli was opening Luis La Bamba Club in the Spring of 81, the nascent Portland music scene was in dire need of a unifying entity: a club that went beyond stylistic boundaries to feature the best Portland bands from all genres. La Bamba filled that need in spades, offering a superb venue for music and the various theatrical performances that were soon to take place upon the club s expansive stage.
Migrating from Long Goodbye to the new space, located inside what is now called the New Rose Theatre building on 2nd Avenue at Southwest Ankeny, Demicoli carried with him the artistic vision he was only partially able to realize in the considerably smaller former space. It was a caricature of Tony s visage that graced advertisements and promotional materials for the club.
The uninformed were even known to refer to Tony as Luis. The downstairs restaurant area also served as a performance spot for impromptu theatrical uprisings, and for solo music acts, the most notable of whom was the Incredible John Davis. It was approximately the same size as the main room at Mt.
Tabor Pub, although the ceilings weren t quite as high. Before La Bamba materialized, the space was had been a restaurant, the Medieval Inn, a castle-like affair, where bawdy wenches would coquettishly serve patron lords and ladies legs o mutton and flagons of ale. In the basement below that main hall was a vast dungeonesque area seemingly roughhewn from massive blocks of stone where other patrons could sup in quiet seclusion, away from the wild, teeming masses scranneling upstairs.
Surprising as it might seem today, Middle Ages-themed restaurants were not uncommon at that time. Still, a renaissance was yet close at hand! With his left foot he would maintain the beat on an elaborate drum set, while playing pedal bass with his right.
Meanwhile John would sing, occasionally blowing a harmonica, while playing crazy, heavily effected electric guitar, in a faintly Reggae syncopated manner. It was a style, a lifestyle and a philosophy that Davis created and incessantly propounded to anyone who would listen. It was called Boom Chuck. The primary tenet was the upstroke and having it down.
Incredible John once staged a twelvehour one-man-band marathon in the basement at La Bamba. The Untouchables became Napalm Beach at the Met. The Wipers played several triumphant shows after returning from a long US tour in support of their first independent release.
Poison Idea broke on to the scene at the Met. The Rats became the Torpedos and went back to being the Rats at the Met. Billy Rancher was already notorious in Portland Rock circles for innumerable transgressions. More legendary still was the night Billy tipped over a pinball machine at Sacks, for which he afterward displayed no contrition whatsoever. Championing the concept of Boom Chuck, Billy soon found the means to express it. Increasing friction between he and Lenny, his brother and fellow Malchick, led to a parting of ways and an end to the band.
Shortly thereafter, in the late Summer of , Billy unveiled his new band. And for the next several years, Billy Rancher and the Unreal Gods, along with the dancers the Goddesses A Go Go, were a force to be reckoned with throughout the Northwest region; the loci in an explosive Portland scene. Ground zero was La Bamba, the site of countless enchanted evenings.
In addition, Tony s fondness for cabaret inspired him to present La Bamba Laugh Nights, featuring top local and touring comics, as well as other theatrically inspired events. The chief among these were the rare, but always momentous appearances of Danse Combeau. Brainchild of the brilliant Jon Newton, the absurd concept behind the band was essentially that: a large, amorphous ensemble of French lounge musicians, headed by a tall, charismatic figure reminiscent of David Bowie and Howdy Doody, with a heavy French accent , were stranded in our country and were thus obliged by circumstance to play their repertoire of blossomed into an extroverted singer and master of ceremonies, leading the decadent festivities with flair and suave facility.
A Federico Fellini film scored by Spike Jones. Perhaps the most dazzling of all the splendidly rendered spectaculars was Danse Combeau Goes Hawaiian. With hula girls swaying gently to the inoffensive Latin beat, members of the orchestra hoisted upon their the Confidentials were creating quite a stir among area music journalists, some of whom designated the band as the next big thing.
With a tight brand of angular hard-hitting Pop Ska, Strong and his mates acted as some Boom Chuck Rock Now featured many of Billy Rancher s best, most ingenuous songs, though the album failed to capture the monumental Elvis-like appeal he generated on the live stage, prancing around in his signature leopard print pajamas and cowboy boots.
About the same time, the face of the Portland music scene began to change as well. Eve Of Destruction stands out as a distinct highpoint. As Danse, the shy and reticent Baldwin shoulders a canoe, bearing Danse who paddled with the utmost beneficence, as the entire retinue merrily glided through the aisles, among the dumbfounded audience. Billy Rancher s first serious local competition came from the Confidentials, a snotty power trio fronted by the intense Darrell Strong, whose bony melisma emanated a fierce dynamism.
During the early months of , Dogged by neighborhood noise and vandalism complaints, the Earth was forced to shut its doors. Sacks too was forced out of business by a greedy landlord. Though none of the band members was Legend s last show in injured in the incident, Jenny DiFloro, the beautiful and talented lead singer, drifted from the scene when the band broke up shortly thereafter, and was not heard in Portland again.
But Rod Langdahl the guitarist and songwriter in Jenny and the Jeans, did continue on, forming Thinman with his brother, bass player Rick. Rod s well constructed Pop songs quickly met with widespread critical acclaim as another band donned the slippery mantle of Next Big Quarterflash.
The Last Hurrah maintained its image as bastion of the mainstream, the diametric alternative to La Bamba, though the same clientele circulated between both bars, as did many of the performing acts. Club owner Michael Mott steered a tight course when booking his establishment, preferring not to experiment with any formula but that of the tried-and-true. Still, the best local Rock and Funk bands were always slated for the weekends.
Ever-changing band personnel always included a horn section and Latin percussion as well as photo Buko a lead singer. The fortuitous addition of vocalist David Musser solidified an early incarnation his Daryl Hall-looks a natural counter to Smith s resemblance to John Oates leading to a first round of success for the band.
Smith s dedicated tinkering with the chemistry of Nu Shooz eventually led to the definitive recipe. Various sidemen in the band later went on to greater glory. Puzzle was comprised of local mainstays such as guitarist Bill Feldmann, keyboardist Mark Bosnian and drummer Calvin Walker.
Euphoria continued it s reign as the Eastside s dominant A Room, offering a selective mix of touring national acts and a variety of local bands, One of those local bands was the Untouchables, Chris Newman s stunning New Wave four-piece SWAT team. His fiery, lead guitar work was peerless, invoking Jimi Hendrix and Steve Cropper, sometimes within the context of the same song. Located at the corner of Southwest 3rd and Burnside, the Met was one of the earliest scenes of slam dancing a precursor to moshing to take place in Portland.
The Rats were one of countless bands with which Fred Cole had played guitar and sang. He had been touring and releasing records since the mid- 60s. Being in a band was second nature to Fred.

Oside kicker Koonce commits to SMU
Bellamy, the first winner of the award from Western Michigan since Zach Terrell in , also took home Offensive Player of the Year honors. The senior running back led all players in the FBS with 23 rushing touchdowns and finished the regular season eighth in rushing yards with 1, The Defensive Player of the Year award also landed in Kalamazoo. Junior outside linebacker Treshaun Hayward enjoyed a breakout season, ranking fourth in the FBS in tackles with He started all 12 regular season games and threw for 1, yards and 10 touchdowns. The former Colorado State and Florida head coach met success immediately in Mt. Ohio free safety Javon Hagan is the only current player to be selected for four consecutive All-MAC teams, earning the honor each year from with the Bobcats.
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We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. To learn more or opt-out, read our Cookie Policy. Will Rolando McClain miss playing time? Perhaps it was posturing, but the Chiefs appeared ready to make a run at Ryan Tannehill if he fell to them at No. Given his good speed, he could be an asset to a passing game that likes to stretch the field. Deion Sanders downplays risks of concussions in youth football - NFL. The gridiron was marked over a baseball diamond, and the home side scored one touchdown while conceding seven.
NFL Week 9: Today's games

My shocking reply is always the same. It s been surprisingly easy! It would be difficult, if not impossible for a local music novitiate, staring at the year , to envision the scene that was thriving in Portland back in It was nearly unrecognizable by today s standards. The state was fresh from an edict handed down by the OLCC in that, at last, permitted the unholy admixture of live music, performed by real, living human beings, to be played in Oregon taverns.
Rams QB Matthew Stafford leads list of 32 stars of training camp through 2 weeks
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www.wiki.en-us.nina.az
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College football offseason preview: MAC East
Outlook: Take a team nearly devoid of offense and take away its best defensive player and you've got a mess. Plummer, who has been sacked 25 times and has thrown 11 interceptions, isn't going to outscore anyone working behind his tissue-paper line. The Lions are in large part because they've been penalized 60 times for yards.
Pasco County real estate transactons for Jan. 29
We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. To learn more or opt-out, read our Cookie Policy. There are a lot of players generating buzz, some new, some old, but only one Stafford. Stafford has been the subject of many compliments by LA teammates and coaches already , including from two of the five best defensive players in the NFL, but that is to be expected.
raiders highlights tonight
The NFL draft was the procedure by which National Football League teams selected amateur college football players. No teams elected to claim any players in the supplemental draft that year. The first six selections of the draft were defensive players, the most in draft history at the time. No previous draft had begun with more than three consecutive defensive picks. He was nevertheless selected by the Los Angeles Raiders in the fourth round th overall , whom he began playing for in after two CFL seasons. College Conf.
2019 All-MAC Teams and individual honors revealed
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