Tone king falcon grande review
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Used peavey invective mh
One of the biggest contributing factors to your tone as a guitar player is your choice in amplifier. Any amplifier that uses vacuum tubes or valves to amplify the signal of an electronic instrument is a tube amplifier. This differs from solid state amplifiers, which use transistors to power the amplifier.
You can think of your signal like this: you strum your guitar, causing your strings to vibrate and produce sound. That sound is then captured magnetically by your pickups and then transferred through your cable to the amplifier.
Tube amps typically have both a preamp and a power amp section, both powered by tubes, amplifying and coloring the signal. All of that energy is then dispersed through your speaker as sound at a higher volume than it originally was. While there are many aspects to an amplifier that change your tone, the choice of preamp and power tube has a very distinct effect.
These tubes give a unique color to your sound. Next to your fingers and your electric guitar , amplifiers contribute to your unique sound more than any other piece of gear thanks to these tubes.
This was a fun list for me to put together because instead of focusing on amplifiers within a specific price range, I just focused on a class of amplifier: tube amps. The prices of all these amps vary somewhat, but they are all tube amplifiers. That being said, this makes them deliver that quality and character of tone at the highest level possible. All of the amps on this list achieve a certain tonal quality that is unique and highly usable. They have a build quality that will last you a lifetime if you take care of them.
This is a list of excellent tube amplifiers that are readily available online for purchase today. I found this to be a good opportunity to dig deep and look for amps that are made by smaller companies that I think are pushing the industry forward. The brainchild of Paul Reed Smith and Creed guitarist Mark Tremonti was originally designed with heavy players in mind , but it turns out that the PRS MT15 is an extremely versatile amp that has something to offer for just about any genre.
Small, well built, modern tube amplifiers are in high demand these days and the MT15 is a stellar example. It even looks like a metal toolbox. The back panel has an FX loop and adjustable bias for additional tonal control. The clean channel has an independent volume control and a pull treble boost, whereas the lead channel has an additional gain control.
The Master Volume for the lead channel is located on the far left, with a universal Presence control located next to it. These controls allow you to have two independently voiced amp channels available at your feet. The pair of 6L6 tubes in the power section of this amp helps contribute to the lush, thick clean tones on this amplifier. The high end is bright and articulate; perfect for fingerstyle or picking alike. What is surprising is the lead channel. Never before have I heard such chunky and tight high gain tones from a 6L6 powered amplifier.
Combine this with the boost on the clean channel for mid-gain tones and the MT15 a powerhouse amplifier that can be used in any genre. The MT15 is worth the hype and plays well with just about any guitar out there. This Custom amplifier is a modern revitalization of that classic circuit, giving you a tried and true American class AB amp that has one foot in the past and another in the present day.
While the size may require some proper lifting technique, the amp is worth it in its build quality and tone. Headroom is the name of the game with this amp. The combination of an AB circuit, 85 Watts of power, and two Celestion speakers lets you play clean tones at loud volumes. The amp has two channels.
The Vintage channel is voiced like your classic Twin Reverb and the Custom channel has a Bassman tonestack added to it, giving a completely new voiced channel in a Twin body. The folks at Fender reduced the negative feedback on this amp, making it breakup at lower volumes than traditional Twins do, giving you some added versatility.
The controls are classic and simple, with the black witch hat control dials giving the amp an authentic vintage vibe. Each channel has a Bright switch, Volume, and 3 band EQ. On the far right are the Reverb and Tremolo controls. One of the biggest updates in the design of this Twin is that the Reverb and Tremolo work on both channels now. This is about as classic Fender as it gets. The Vintage channel on the amp has a scooped mid-range to accentuate the bell-like low end and shimmering highs.
The Custom channel has a little more low end and mid-range that sounds great when cranked up on the edge of breakup. With the introduction of the reduced negative feedback allows for greater touch sensitivity and earlier onset of breakup, meaning that your fingers are in control of how the amp reacts. This is an updated redesign of a classic amp, built for the modern player that wants vintage sounds and more.
The Silver Jubilee is an appropriately silver bound head unit with watts of power to wield. It is modeled directly after the original model, which is essentially a Marshall JCM with an extra gain stage available in the rhythm channel.
This effectively gives the amp three channels to work with. The channels are foot switchable and the amp has an FX loop to store all of you time-based effects. The controls on this monster amplifier are pretty straight forward. The Presence, Bass, Middle, and Treble controls apply to both channels. There are separate master volumes for each channel, however, and a universal input gain where the Pull Rhythm Clip is located.
While many associate Marshall amps, especially the Silver Jubilee, with heavy gain, I most enjoy the amp for its clean tones especially with a Strat.
If Gibson guitars love Fender amps, then Fender guitars found their love in Marshall amps. This amp in particular clips so organically on the rhythm channel with single coils going into it. The mid-range is growly and aggressive. If the day comes where I have an expendable income to buy any classic amplifier I want, the Silver Jubilee will be at the top of that list. This makes the PT15 IR the perfect solution for guitarists that want true tube amp tone with full control over the volume.
The innovative features of this amp include a built in Suhr Reactive Load and an onboard IR loader for speaker simulation. It has three channels built in to give you a wide variety of tone possibilities and the 16 IR slots can be channel switchable. The amp also has a built-in headphone amplifier, so you can practice through the amp without using a speaker. You have controls laid out for each of the three channels. Every channel has its own bright switch as well.
On the far right are the universal Master and Presence controls and channel switch. You can then use the headphone amp on the far left for quiet practice or send the signal out to the FOH or your mixing console. Rest assured, the PT15 not only delivers great tones but also a wide variety of them. Channel 1 gives you a hot-rodded American clean amp tone capable of sparkling cleans to edge of breakup tones.
Channel 2 is where all of your tight, crunchy rhythm sounds live and Channel 3 is the lead channel for soaring, rich harmonic solos. The amp combines the best of American and British voiced amps. It allows your amp to be voiced accurately into whatever IR you choose. In my opinion, this is without a doubt the most innovative amplifier to come out within the last year. The needs of guitarists are changing, and many are being asked to perform at lower stage volumes. There are plenty of good digital solutions, but to see that Suhr is innovating the tube amp to fit into the new world of guitar playing is exciting and relieving.
The Falcon Grande from Tone King expands upon their Gremlin amplifier design to give you a 20W combo amp with three classic sounding voices on it. Combine that with a two-spring reverb and you have all your classic electric guitar tones covered.
It three amp voices rather than proper channels including Rhythm, Tweed, and Lead. The amp has both high and low input jacks. Its most notable feature is a built in attenuator, which allows you to get pushed-tube sounds at lower volumes. It also has a Voicing control that lets you choose between the Rhythm, Tweed, and Lead voices.
The Reverb dial controls the volume of the reverb effect and the Dwell dial controls the decay length of the effect. The rhythm channel is like a Fender Silverface amp, with shimmering highs and bell like clean tones. The Tweed voice sounds like the best brown amp you could ask for and the lead channel cranks up the gain to solo worthy saturation. It makes for a great pedal platform or works great on its own. The reverb is superb and would be great in surf rock or country music.
There is something special about small combo amplifiers. They occupy their own space and deliver a really unique tone. It also continues to push tube amplification technology into the future, which I am all here for. Paul Reed Smith had the first part right, these amps are tools that are meant to get a job done. That is why they have to be built so well. That is why they can cost a pretty penny. It allows you to choose how you want to sound for the world to hear. Sure, they will work as advertised, but they will also have some surprises in store for you.
Tube amps have been the standard for electric guitar amplification for over 70 years. Now, the landscape and needs of the everyday guitarist have changed. It is true that there are digital solutions I use and advocate for them all the time. Let me say, what they can do is pretty awe inspiring. Some of the amps on this list, thankfully, are even evolving what a tube amp can do.
These are tools and instruments.

Tone King Falcon Grande 20-watt 1x12" Tube Combo W
Please Note: We may receive commissions on purchases made from our chosen links. Tone King Falcon Grande described their product as one that features ultra-linear output stages that have cathode-based power valves. All in all, there will be no negative feedback. This is because it was manufactured with very high grades of PCB construction, an ironman attenuator, and even the integral acoustic lens that kills all treble beaming. This amp also relies on a couple of automatic equalizer adjustments and custom transformers in order to compensate for the specific tonal changes at different levels of volume. If you wish for your amp to give you everything it has to offer, then you definitely should try out the Tone King Falcon Grande.
Tone King Falcon Grande Combo Tube Amp w/Attenuator (Brown)
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This item is currently out of stock. Peavey; Invective. MH; Peavey. NEW Due back in stock MH, the clean channel sounds rich and full.
Powerful Compacts: 3 Best Small Tube Amp Combo
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FALCON GRANDE
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Fits like a glove. Excellent build quality. Plan to buy another cover for a different amp soon!!!
The Falcon Grande sings with the voice of a classic, vintage tube amp… three of them, actually. The Falcon Grande is a rootsy-sounding powerhouse as ready for the arena as it is the living room. The Falcon Grande only needs three knobs to take you through the best of vintage American tube amplification. Simply chose your voicing and dial in the highly interactive volume and tone controls. The Ironman II reactive power attenuator gives Tone King amplifiers increased flexibility for any gig, session, or rehearsal. Just crank your amp to the sweet spot then rein in the volume for thick, rich tone at usable levels.
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