Pro ject phono box mm preamplifier philippines
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Pro-Ject Audio - Phono Box DC - MMMC Phono preamp with line output - Silver
A phono preamp aka phono stage raises your turntable's output to make it compatible with modern amps. At the same time, it adds standardised equalisation. So why do you need one? Your turntable either doesn't have one, in which case you won't be able to play records without one.
Or maybe you just want to upgrade its sound beyond what's possible with the built-in preamp. As with many product categories, models span all kinds of price ranges.
But whether you're looking to pinch pennies or break the bank, we've got a phono preamp for you: we've drawn on our extensive reviews back catalogue to pick the best around right now, so you can be sure that you're buying quality.
The Rega Fono MM MK2 was one of the finest phono stages available, so to say expectations were high for its successor is a bit of an understatement. Thankfully, it meets them and then some. The design has been fine-tuned within an inch of its life, making for a much sleeker product that retains the winning simplicity of its predecessor.
The Award-winning sound of the MK2 now has a greater dynamic range and greater clarity, making an already fantastic performance even better. The best sound-for-pound phono preamp around. Well this is certainly a looker. With an offset volume dial, minimalist styling and mirrored rear labelling that's easy to read even if you're peering over the top of the unit, it's clear a lot of thought has gone into this device.
And no less attention has been paid to the audio quality. The presentation is very good indeed, being spacious and cohesive, while the sound is dynamic and the timing spot-on. It doesn't quite match the Rega Fono MM MK2, but it certainly holds its own, which makes it certainly worthy of consideration. Sure, it's small and fairly basic looking, but every effort has been made on the innards: they give sufficient body to a song's vocals without overloading it with bass.
It has a great sense of timing, too. One of the best budget phono preamps around. Tracks are served up with lashings of zest and enthusiasm, along with a side serving of musicality and dynamics. And because it has a USB out, you can also use it to digitise your vinyl collection.
It doesn't have the snappiest of names but the LP v2 does a fine job of improving your vinyl performance. The neat aluminium box is finished to Moon's high standards and is switchable, meaning it's capable of handling both moving coil and moving magnet cartridges.
Provided you keep it away from other mains powered products and power cables, this phono stage will prove suitably quiet and hum-free. Features are basic but it's clear that Moon has focused on the bit that counts — sound quality.
As such, the Moon LP v2 is one of the best phono preamps of its kind at this price. It works particularly well with moving magnet cartridges, dishing up a smooth, fluid and refined sound with satisfying punch. Read the full review: Moon LP v2. Another oldie but still a goodie, the Gram Amp 2 holds its own a full five years after first coming on the scene. And you can see why - simplicity is the name of the game here, an approach that ages remarkably well.
It's a moving-magnet phono stage with one set of inputs, one output, no bells or whistles. Sound quality is first rate: fantastically detailed, with the upper register particularly impressive.
There's also an optional PSU1 linear audio upgrade, a 24V DC brick that evens out the variations from a household power supply. It will cost you a bit more, but if you want to elevate this already excellent budget model then it's worth it.
Catering for both moving magnet and moving coil cartridges is a rarity at this price, and doing so with such aplomb is even rarer.
This has bags of features - some of some might be overkill, but this phono stage still performs with plenty of gusto. Its delivery is impressively spacious and full bodied, with plenty of bass. It's not quite the best at this price range, but it's certainly up there. The iFi Zen Phono is a welcome edition the ranks of decent, entry-level phono stages that make your records sound clean.
In fact, you'll struggle to find anything that does a better job, clarity-wise, at this price. As you'd expect from a company with solid reputation in this sector, the iFi Zen Phono is well-built.
It's suited to moving magnet cartridges, but can handle moving coil too. It's also worth noting that the balanced circuit design reduces noise and crosstalk — a feature less common at this end of the market. The main attraction here is the sound. It's clean but never drifts into the realms of clinical. If the aim of the game is to reproduce each note, having perhaps given it a little polish, Zen Phono wins hands down.
Balance is spot on, too. This product doesn't offer the same level of enthusiasm and dynamism found in a few of the options listed above, but we can't help but fall for its honest sonic character. For that reason, it's well worth auditioning. Read the full iFi Zen Phono review. Chord's excellent DACs might steal a lot of the headlines, but let's not forget the company makes analogue amplification. This phono preamp looks and feels the part, with single-ended stereo RCA connections for input and output, plus a balanced XLR output.
Setting up is a bit fiddly, and there's a wide range of adjustment to get acquainted with, so we'd recommend having the instruction manual close to hand. As long as you own a suitably talented turntable, you'll get good results from the Huei.
There's a nice overall balance to the sound, a good level of insight and am open, stable and welcoming stereo image. It's not quite as dynamically expressive as the top performers at the money, but it's a solid performer that should be taken seriously.
Read the full review: Chord Huei. File this one under rugged rather than elegant, though it's well-made and built to last. It handles both moving magnet and moving coil cartridges too, so it's more versatile than many.
The sound is responsive and agile, as you would hope for the price, but it's the sense of composure that really sets it apart from lesser units. A fine all-rounder that deserves to be paired with a suitably talented turntable. Read the full review: Rega Aria. This is a very convenient device indeed, with very easy-to-use controls.
Thankfully that's far from its only strength - sound is wonderfully transparent and detailed, digging up low-level instrumental strands and sonic textures with ease. There's a fluidity to it that makes rivals seem mechanical by comparison. And it doesn't hold back when it comes to bite and attack. A superb balance of attitude and refinement.
Rega as a brand tends to focus on the more affordable end of the hi-fi market, but when it decides to go big the results are usually spectacular, as the Aura phono stage proves. This is no Swiss Army knife device, being devoted to get the most from moving coil cartridges only. Those with moving magnets will have to look elsewhere. Rarely have we come across such an entertaining performer. Read the full review: Rega Aura.
It's a brilliant performer for the money, with a useful selection of features and adjustments, which should help you get the most from any cartridge. Its detailed, musical delivery makes it a joy to listen to. A remote control makes fine-tuning the sound as easy as changing the TV channel. Or at least it should - while a welcome innovation, the remote could be more clearly marked, as only a handful of buttons actually operate the phono preamp. Or Cyrus could have made a separate remote altogether for this unit.
But there are plenty of inputs, the sound is seriously talented and it comes bursting with texture and insight. Highly recommended. Pathos is known for its striking designs, so we were a little disappointed to see its In The Groove. A bit conservative, no? Still, you can't deny it feels like a premium piece of kit.
It sounds great too - there's a sweetness to the presentation, and the balance is fluid and full-bodied. It all adds up to a versatile phono preamp that will do you proud with lots of different systems. Read the full review: Pathos In The Groove. It might be crazy money, but then this is a crazily good unit. The sound is out of this world, providing you pair it with some worthy turntables, that is.
The midrange is beautifully layered, the treble full of insight and its ability to convey low-level dynamic shifts is truly mesmerising. If you want one of the very best, this is for you. Read the full review: Aesthetix Io Eclipse. Switching between moving magnet and moving coil cartridges is as easy as flicking a switch on this, which is welcome, as pricey kit isn't always so user friendly. It boasts pretty much every feature on our wish list, including a bundled test record to fine-tune the balance.
And the sound? It packs plenty of punch, but without compromising the warmth we've come to associate with Burmester. Read the full review: Burmester Phono Premplifier. Our pick of the best record players. Hear this: 12 of the best vinyl test records.
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Phono Preamplifiers
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US UK. Switching between stores will remove products from your current cart. Item : Since many modern amplifiers no longer have a dedicated phono input, the phono box mm from Pro-Ject is the perfect addition to your turntable setup.
Pro-Ject Audio - Phono Box DC - MM/MC Phono preamp with line Output - Blk
US UK. Switching between stores will remove products from your current cart. Item : Worth Every Penny Okay. So, what did I get for my money? Nothing short of amazing sounds and value.
Pro-Ject – Phono Box RS2 – First Look
Most of today's amplifiers are built without a specific phono cartridge input. The Phono Box E is an ideal phono preamplifier for hi-fi systems wit StudioPhono replicates the wide bandwidth transparency Mobile Fidelity Sound Lab mastering engineers demand. Tim De Paravicini, the designer respon Although specifically t Connectivity is straight forward.
View Office Location. Distortion negligible from 20Hz to 20kHz. Excellent overload margin and channel separation. In omitting the common tiny DIP switches to select loading, Musical Fidelity includes five pair of specific loading plugs to set the exact loading required for your specific cartridge—a much better option for a cleaner signal path and lower noise floor.
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The Peachtree has watts per channel into 8 ohms and watts per channel into 4 ohms! This new breed of Class D amplification samples many times that of the original modules making the smooth and extended. Review of vintage hi-fi NAD preamplifier. It was made in Taiwan. The Q Acoustics i is bigger and bulkier than the Fyne Audio F and effortlessly drives the large room with the W per channel US power amp doing its bidding. We especially want to note the underlined neutrality of sound and detached manner of feeding audio material. The is modestly rated at 25 […] NAD ignored a number of rules when it released the original D amplifier.
Add to Favorites. I expected an upgrade but this really brought my turntable system to life. It sounds great!
Let the scribe go to the record book