Heresy speakers comparison
Well well. It has been a long time since I have done an audio review, and for good reason. Being an audiophile, I knew it was a matter of time until that itch I have had for years needed to be scratched, and lately that itch has festered into a full blown scratch fest for a speaker I have been wanting to own or at least try, for much of my life. For decades I have heard about the Klipsch Heresy speakers. Ever since I was a teen I had been eyeballing these, and now in their MKIII version, they are supposedly better than they have ever been.
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- Klipsch Heresy I, II, or III looking for opinions
- Review Klipsch Heresy IV: the 3-way compact speaker
- Klipsch Heresy IV Floorstanding Speaker Made In USA
- klipsch heresy iv vs klh model 5
- Music without makeup: the Klipsch Heresy III loudspeaker
- Klipsch Heresy IV Speaker Review. Klipsch steps into the Audiophile Realm.
- Heresy III Floorstanding Speaker
Klipsch Heresy I, II, or III looking for opinions
New customer? Create your account. Lost password? Recover password. Remembered your password? Back to login. Already have an account? Login here. Ian Dunmore 20 minute read. They differ in their fundamentals … specifically how they achieve what they do. In addition to their impressive measurements see below , both amplifiers feature the same high power outputs the highest in their class, by some margin , with maximum power into various impedances as follows:.
Additional items, particularly for the comparison section, are called out specifically there and or in various accompanying pictures. Hearing such differences at all requires focus, attention to detail, a suitable chain and environment, as well as understanding how to listen and what to listen for.
The rear of the units feature the usual RCA inputs and pre-outs, along with toggle switches for both power and gain setting, along with the power-entry jack. Heresy offers a reference presentation with a clean, clear, crisp and fast delivery. Timbral rendering is natural, and instruments sound largely lifelike, with appropriate scale, although some, particularly wooden-bodied instruments, like the violin family, felt like they lacked a little body and their natural resonances seem a tad muted.
Trumpets, horns and brass in general exhibit appropriate bite and glare, though when really pushed their innate brassiness can take on a slightly thin and steely character. Vocals are nuanced and clear, with their overall tone reflecting the neutral character of the amp, with no apparent emphasis anywhere. Higher-voiced, edgier, female voices sometimes felt a little shrill, but never strayed into sibilance.
Distortion, even at distinctly non-obvious subconscious levels, tends to result in the brain perceiving things being louder than they actually are. A dead give-away for this in extended listening sessions is a progressive desire to lower the volume over time combined with faster onset of listening fatigue.
In fact, the opposite is the case, with my having a general tendency to be slowly tweaking the volume higher as listening continued. Micro-dynamic resolution is good, but not quite to the same level as with raw detail. Though the opposite end of the dynamic range is powerful and convincing, with big dynamic swings in music conveying appropriate scale and drama.
Otherwise, the performance was transparent, with good instrumental separation, and allowed one to make out differences between sources without difficulty. The background, here, is completely black. No noise at all. Whether paired with sensitive, low-impedance, IEMs or more demanding, high-impedance, full-size cans, is in utterly stark contrast when the music starts or the piece picks up again. Stage is rather flat, and rather up-front, with little front-to-back depth and no depth-wise layering even with imaging-capable cans.
To this point, I could be writing about several of the amplifiers that I did comparisons with as part of this review. However, the Heresy does set itself apart in one particular area, and that is with its raw grunt. Channel balance is often an issue with powerful amplifiers on the cheaper end of the spectrum.
It is simply the nature of the necessarily less-expensive potentiometers that can be employed. There is often lots of unit-to-unit variation in this regard, but unless I was using high-gain with IEMs, there was no audibly-apparent imbalance with this particular unit.
It is sufficiently discernible to be the primary difference heard in blind comparison, and the most reliable trait to key on for identifying which amplifier was which also blind, but after sighted practice sessions. Bass, especially sub-bass, feels more visceral and impactful to the extent that you can have viscerality with headphones and hits harder.
Similarly harsher brass notes remain sounding like brass rather than stepping over the line and becoming steely. This is most notable in emotion-laced vocals, where very small fluctuations in level are more readily audible, and which add both character and depth to the delivery.
Though you this ability is also audible with things like brushes on drumskins, bows drawn across strings, and even in the glissando of a trombone as it reaches towards full extension.
Driving the MySphere headphones, there is more depth-wise delineation vs. Additionally, I found my general listening sessions were an album or two longer here, than with the other amps in this lineup. Other factors, like channel balance with sensitive IEMs was, similarly, not an issue with this unit, although variance can occur between different volume pots even within models of the same line.
For the blind comparison here, while not necessarily to the standards of a full-blown clinical-grade double-blind test, it did involve level matching to within 0. Listening levels were set to avoid channel balance issues and to stay well within the available power limit of the least powerful amplifier. Once this was done, I set about doing some sighted practice listening between the three Schiit amps, in an effort to see if I could tell which was which in a subsequent unsighted test.
A neutral, even, tone with a little welcome extra body and tonal weight vs. No harshness to speak of, better stage, and both instrumental and vocal timbre were the most pleasing to me. Has no pre-amp output, but does feature two inputs 1x RCA, 1x 3. Second lowest power output though ample for most headphones , has the most features here, with an unconventional pre-amp output see below , dual gain settings and two inputs 1x RCA, 1x 3.
The pre-amp output on the Atom appears to be tapped either after the gain stage or from the actual headphone output, and results in significantly higher voltage outputs than either the Liquid Spark or any version of Magni and likely higher noise - though still below audible levels. The Liquid Spark has a warmer signature even than the Magni 3, and a more present, if not necessarily quite as well-controlled, low-end than any of the other amplifiers listed, and this comes at the cost of a slight loss in clarity, resolution and, of course, perceptual neutrality.
This is a very engaging listen, however, and is generally smooth and easy to listen to. A better fit for brighter headphones and more forgiving of marginal source material. This is based on both the outputs of my blind comparison as well as spending multiple days with these units simply listening for pleasure and at length, with the latter being a much more significant factor.
Three of these units Magni Heresy, Atom and Archel 2 Pro are audibly indistinguishable to me, so choosing between those really comes down to other factors, such as available power, features, form-factor, price, aesthetics and so on.
Comments and questions should be directed to the appropriate threads, linked above, on the headphones. Getting your product to you as fast as possible is important to us! And it's free! Does not apply to special-order, open-box or sale items. Create your account Lost password? First name. Last name. Your cart is empty. Sound Magni Heresy Heresy offers a reference presentation with a clean, clear, crisp and fast delivery. There is none of that with the Magni Heresy. Comparisons For the blind comparison here, while not necessarily to the standards of a full-blown clinical-grade double-blind test, it did involve level matching to within 0.
The overall end results were interesting: I could not audibly discriminate between the Magni Heresy, Atom or Archel 2 Pro at all. Magni 3 the original proved to be relatively straight forward to identify. JDS Labs Atom Audibly indistinguishable from Magni Heresy or Geshelli Archel 2 Pro Second lowest power output though ample for most headphones , has the most features here, with an unconventional pre-amp output see below , dual gain settings and two inputs 1x RCA, 1x 3.
Overall Preference This is based on both the outputs of my blind comparison as well as spending multiple days with these units simply listening for pleasure and at length, with the latter being a much more significant factor. Summary Three of these units Magni Heresy, Atom and Archel 2 Pro are audibly indistinguishable to me, so choosing between those really comes down to other factors, such as available power, features, form-factor, price, aesthetics and so on.
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Review Klipsch Heresy IV: the 3-way compact speaker
I had always heard of the legendary Klipsch "Heritage" speakers as being some of the best from any era: the Klipschorn, La Scala, and Heresy. Each one of these big cabinet speakers was first made in the s, and can still be ordered hand-made from Klipsch's Arkansas foundry. Such is the respect for these designs, that the Klipschorn, La Scala, and Heresy have had little more than cosmetic upgrades over their nearly 60 years in production. The Heresys?
Klipsch Heresy IV Floorstanding Speaker Made In USA
This week we reviewed the Klipsch Heresy IV loudspeaker, the fourth generation of the iconic three-way speaker created over 60 years ago. This last version brings its fair share of innovations, among which are new speaker drivers, a modified crossover filter and a bass-reflex enclosure. This is the first time a Klipsch Heresy loudspeaker has implemented this type of enclosure. The Klipsch saga began in the late 30s when Paul Wilbur Klipsch began developing his first speakers inside a small hangar in Hope, Arkansas. Met with great enthusiasm from his audiophile friends, Paul Wilbur Klipsch decided to found his company and commercialize his first loudspeaker, the Klipschorn, in This patented model was developed for a very specific purpose: to reproduce the emotion of a live concert at home. In , Klipsch introduced the first version of the Klipsch Heresy loudspeaker, a 3-way model made to accompany a pair of Klipschorns and deliver the center channel in high fidelity.
klipsch heresy iv vs klh model 5
Log in or Sign up. Steve Hoffman Music Forums. Location: Decatur, AL. I recently wrapped up my auditioning and measurements of the Klipsch Heresy IV.
Music without makeup: the Klipsch Heresy III loudspeaker
The Heresy IV offers unparalleled sound quality from a relatively small speaker. Whether it's for your burgeoning vinyl collection, home theater or whatever, the Heresy IV will knock your socks off. Even if you never turn them on, they are the first thing someone notices in a room — and when you do turn them on, their clean, crisp sound can impress even the most discerning speaker aficionados. With cabinetry that is proudly handcrafted in Hope, Arkansas for over 50 years, the Klipsch Heresy IV speaker is a testament to the quality Klipsch demands from each and every of its audio products. When Paul W.
Klipsch Heresy IV Speaker Review. Klipsch steps into the Audiophile Realm.
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Heresy III Floorstanding Speaker
Contributor : Michele Surdi. Spoiler stand-down. No scoops here.
Note 1: I reviewed this speaker approximately a year ago using quasi-anechoic methods. If you are interested in seeing my review of the Klipsch Forte IV click this link. The review on this website is a brief overview and summary of the objective performance of this speaker. It is not intended to be a deep dive.
Klipsch Heresy IV Review. Klipsch steps into the Audiophile Realm. Note: This review was done after approximately 72 hours of burn in, and listening to hundreds of songs on the speakers over many many hours of late night and morning listening sessions. In fact. You may thank me later ;.
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