Home theater per ps3 error

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Content:

• How does the games industry solve its problem with music licensing?
• Onkyo TX-NR616 screen going black using PS3 and EPSON TW9000 projector problem
• Is There Still Room for Laserdisc in a 4k Home Theater?
• How to Fix It When Your PS3 Controller Won't Connect
• Hulu is no longer supported on my device
• Restricting use of network features

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How does the games industry solve its problem with music licensing?

Video games have been using licensed music in their soundtracks since the 80s. Midway's arcade game Journey featured 8-bit arrangements of the titular band's music, and the hip-hop track Megablast by Bomb the Bass was the title music for Xenon 2 Megablast on the Amiga. As video game hardware evolved throughout the 80s and 90s, the technical limitations that had previously limited the use of music in games started to disappear, and the music industry saw a new opportunity. Today, the relationship between the two industries is mutually beneficial: developers can license popular music to make their games appeal to certain audiences, while musicians benefit from instantaneous exposure to millions of new listeners and usually a lot of money.

It's a healthy relationship, but like all relationships it isn't without problems -- and many of the problems associated with music licenses can cause some games to be removed from sale. When developers want to feature music by bands and artists in their game, a licensing deal needs to be made.

These deals can be very complicated due to a variety of reasons, from the length of the licensing agreement to future releases of video games affecting the original contract. Such issues have affected games such as Obsidian Entertainment's Alpha Protocol and Remedy's Alan Wake , both of which were removed from sale, although Alan Wake appeared back online after its music licenses were renegotiated.

So if you are using recordings of songs, you'll need to license two sets of rights -- the song rights and the recording rights. If you want to use a co-owned song you need to get permission separately from each co-owner, any one of which can say no. This is important because, on the song's side, copying and communicating are often licensed separately.

On top of all that, copyrights might be owned by different people or companies in different countries, and rules vary around the world. That's a lot to take in, and most game developers aren't experts when it comes to the legalities around music licensing. If you want to feature licensed music in your video game, one of the easiest ways to protect yourself and your game is by working with music supervisors, who specialise in navigating the minefield.

Game developers who are not at a major game publisher probably can't go down this route. Usually the developer wants to pay a flat fee for the sound recording and for the sync rights to the song. This mistake usually only has to happen once and they [developers] learn the hard way. It's an old problem. Alan Wake is a high profile example of a game being removed from sale over music licensing issues. Randy Eckhardt, founder of Eckhardt Consulting, has a career spanning 25 years in the games industry.

He first started working with record labels at EA for the release of Road Rash in , which featured music by the popular rock act Soundgarden. As both industries were undergoing rapid growth, the arrangements around licensing music for video games were a work in progress.

A lot has changed since. The games industry, however, was still in the early stages of establishing itself. Then there's movie franchise game releases, game franchises becoming movies, and broadcast streaming and viewing of games taking the young generation by storm. As the industry has continued to grow and the shelf life of video games has grown as a result, there's been a more concentrated effort from developers and publishers to get music licenses granted in perpetuity -- but this can be costly.

Justin Andree, senior music supervisor at Cord Worldwide, believes that the issues affecting games such as Alan Wake and Alpha Protocol are more common than people realise, and will affect more games in the future. Q-Games' Pixeljunk Sidescroller was released for the PlayStation 3 in October , but it had to be removed from sale when the music licensing contract between Sony and the artist whose music featured in the game, Alex Paterson, expired.

It highlights a common issue affecting games were the music has only been licensed for a set number of a years. When music licenses in a video game expire that game must be removed from sale until a new licensing deal is agreed. Such an opportunity wasn't presented to Cuthbert, whose reaction to the game's removal was, "disappointment and disbelief Negotiating the rights in the first place was a more difficult and prolonged experience than I had experienced before.

When renegotiations do take place due to expired music licenses, Randy Eckhardt believes that it should never be too difficult for the two industries to work together amicably and find a solution. Q-Games experienced 'disappointment and disbelief' when Pixeljunk Sidescroller was removed from sale.

There are many variables to consider when labels enter negotiations with game developers and music supervisors. Music supervisors at EA will work up to a year in advance with music labels so they're aware of album schedules and new music releases.

Music managers and record labels will have to determine the value of the artists that feature in those games. Ariel Gross, founder of Team Audio and Audio Mentoring, has over 20 years' experience in game audio and says the cost of licensing music for a video game can vary from anywhere between a two-digit to a six-digit figure. If you're an upcoming artist and you can get your music featured in games like these it can launch your career. Thankfully, there are ways to keep costs down if you want to feature licensed music in your game and have a small team.

One of the easiest ways is using library music that has been written for commercial use. There are also many pieces of music in the public domain due to copyright expiring, which means a licensing fee does not need to be paid.

If developers are adamant they want a certain piece of music to feature in a game but simply cannot afford it, they may consider a 'soundalike' -- a recording of a song that has been created to closely resemble another track.

Many of these cases arise in advertising. If the new work is 'inspired by' it's going to depend a lot on the extent of inspiration, such as the Blurred Lines case. Because of the legal complexities surrounding them, developers should always enlist the support of a respected legal team if they are considering the use of soundalikes in a game. Of course, there's nothing stopping developers from directly approaching unsigned bands and artists to see if they're interested in composing music for their game.

Capy Games approached one of the team's favourite composers, indie-folk musician Jim Guthrie, to compose the music for their Superbrothers: Sword and Sworcery EP. The game has sold over a million copies, benefiting both the developers of the game and the composer, whose music was discovered by its players.

That's only going to continue. Despite the potential legal ramifications of featuring licensed music in video games, it's easy to protect yourself by working with professionals who specialise in music licensing, and ensuring you're aware of and have read any contracts detailing the use of music in your game. Also, it's a good idea to have one set of terms apply to all songs and all recordings.

If there is a composer, the score should be either owned by the developer or licensed in perpetuity. If you are actually manufacturing or authorizing a game publisher to manufacture, you have to be especially careful so you don't have product on the warehouse floor that is locked down because of a music rights clearance.

This may require a bigger budget than you think. Get an experienced music supervisor to help you if your needs become complex. Castle advises that bands interested in having their music featured in video games should be flexible to such requests, especially if they own all the rights.

Randy Eckhardt believes that while there are many who wish the processes around licensing music could be streamlined, it will always be time-consuming. Chris Cooke agrees that while streamlining the process will take time, one potential way to solve the issue in the future would be a central database of copyright ownership.

The aforementioned collecting societies have databases, but they aren't necessarily complete or publicly available, and different databases don't necessarily agree. Projects like this move slowly, but I think there will be some progress in the years ahead, not least because bad data is stopping artists and songwriters from getting paid. Request denied less than a week after it was filed, judge did not elaborate on reasoning.

Fortnite firm says Apple has failed to prove it would be irreparably harmed by court-ordered changes. What makes music licensing so complicated? Enter your email address. More stories Court refuses Activision request to pause DFEH suit over alleged ethics violations Request denied less than a week after it was filed, judge did not elaborate on reasoning By James Batchelor 2 days ago.

Epic urges court to deny Apple's request to pause anti-steering changes Fortnite firm says Apple has failed to prove it would be irreparably harmed by court-ordered changes By James Batchelor 2 days ago. It's always baffled me that the situation appears to be so much worse for games than films.

Games with pop music soundtracks are noticeably impaired if the music is patched out later due to expired licences; whereas old films with licensed music seem to be available without issue. I realise there are differences for games, but these are essentially opaque to the consumer.

Jeff Kleist Writer, Marketing, Licensing 2 years ago. That is definitely not the case The music licensing contracts signed in the 70s and 80s typically specified videocassette and laserdisc and nothing else.

They had to be renegotiated for DVD and the music industry went hog wild milking that cow for all it was worth. Television shows typically had NO home video clearances. Sign in to contribute Email address Password Sign in Need an account? Register now.

Onkyo TX-NR616 screen going black using PS3 and EPSON TW9000 projector problem

Post by SubJunk » Thu Oct 23, am. Post by snakebyte » Thu Oct 23, am. Post by Dypsis » Thu Oct 23, am. Post by Rocket » Fri Oct 24, am. Post by maracucho » Fri Oct 24, am. Post by Starrion » Fri Oct 24, pm. Post by Goose7 » Sat Oct 25, am.

Is There Still Room for Laserdisc in a 4k Home Theater?

Our Editor's Choice award goes to products that dramatically exceed expectations for performance, value, or cutting-edge design. Add to that the HD33's solid 2D performance, great color, radio-frequency glasses, and virtual absence of crosstalk and you've got a projector that is a solid value at twice the price. The glasses are actually purchased separately. We apologize for the error. The Viewing Experience While technical details can reveal a lot, the most important consideration for any home theater projector is how it looks--and the HD33, in a word, looks good. The default mode, Cinema, is also the best mode for movies and video, and we measured this mode at lumens with the lamp at full power. This is a lot of light, so the first thing we did was switch to low power, called Standard on this projector.

How to Fix It When Your PS3 Controller Won't Connect

CNET editors pick the products and services we write about. When you buy through our links, we may get a commission. For many, Bose is perceived as the ultimate audio visual brand. In reality, this simply isn't the case, but there's no denying the hugely successful niche Bose has carved out for itself, having virtually invented the "lifestyle" AV system.

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Video games have been using licensed music in their soundtracks since the 80s. Midway's arcade game Journey featured 8-bit arrangements of the titular band's music, and the hip-hop track Megablast by Bomb the Bass was the title music for Xenon 2 Megablast on the Amiga. As video game hardware evolved throughout the 80s and 90s, the technical limitations that had previously limited the use of music in games started to disappear, and the music industry saw a new opportunity. Today, the relationship between the two industries is mutually beneficial: developers can license popular music to make their games appeal to certain audiences, while musicians benefit from instantaneous exposure to millions of new listeners and usually a lot of money. It's a healthy relationship, but like all relationships it isn't without problems -- and many of the problems associated with music licenses can cause some games to be removed from sale.

Restricting use of network features

Last Updated: April 9, To create this article, 12 people, some anonymous, worked to edit and improve it over time. This article has been viewed , times. Learn more Prepare to use some tricky combinations of audio cables, adapters and converters for this project. There are a few different ways to connect a PS3 to computer speakers. If you have speakers with a digital optical input, connect one end of an optical output jack to the back of the PS3 and the other end to the audio jack on your computer.

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I have been a home cinema enthusiast for years and am always looking for the next upgrade or DIY project. Setting up and calibrating a home surround sound system can be a daunting task if you haven't done it before. This is an easy-to-follow guide that tells you exactly how to do it properly. I do go into some detail about what is going on, so if you want to understand your system, be sure to read it all! There are two types of surround sound system. You have the 'home theater in a box' type system where you buy everything from one manufacturer.

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