350p preamplifier vs amplifier

Like all Neo models, the Neo P borrows aesthetically and technologically from the flagship Evolution Series. When married to one of our Neo power amplifiers, the combination is a true step up from the integrated amplifiers, providing you with even more of everything: stunning musical realism, dynamics, harmonic richness and accuracy. If you are a headphone fanatic, you will appreciate the extremely-well executed, high-end discrete headphone amplifier section. The Neo P is available with two options, which can be included at the time of purchase or added later on. We are in the business of creating satisfied customers. We hope you love your purchase, but in the event that you are not satisfied, you may return unopened and unused items within 30 days for a full refund of the purchase price.

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• MOON by Simaudio 350P Preamplifier
• Simaudio Neo 350P, Neo 350P Preamplifier Owner Manual
• Moon Neo 350P D3P esivahvistin
• Moon 350P Pre-Amp
• MOON 390 – Network Player / Preamplifier
• Simaudio MOON NEO series 350P Preamplifier used control amplifier
• Simaudio 350P Analog Preamp/DAC - Complete And Like New
• Moon 390 streaming preamplifier review
• Moon Neo 350P - Pre-Amplifier - £1,795

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MOON by Simaudio 350P Preamplifier

KEF R Loudspeakers. KEF Reference 1 Loudspeakers. Focal Sopra No2 Loudspeakers. Cocktail Audio X40 Music Server. Paradigm Founder Series F Loudspeakers. Yamaha A-S Integrated Amplifier. Vimberg Amea Loudspeakers. Bryston B Cubed Integrated Amplifier. In , Doug Schneider, founder of the SoundStage! Network, reviewed the Simaudio Moon P preamplifier and found it to be a lot of performer for the money, mostly due to its neutrality and high transparency.

But how does it sound? The fit and finish of the heavy-gauge panels of my black-and-dark-gray sample were excellent. The other special-order color options are silver and the one I found most attractive, two-tone: a mix of black and silver. The aesthetic touches continue underneath, to the silver-accented feet. In each of the finishes, the styling of the curved front panel and controls, and the attractive overall design, make the Moon Neo P a beauty to behold and pleasant to the touch.

To the left of the display is an array of five pushbuttons: Standby, MP media player , Display, and Input. Rather than use a simple disc for the volume control, Simaudio designed theirs with a subtly curved depression where the fingers grasp it. This small touch made it feel as if the dial had been customized to fit my hand.

The level indicator on the volume knob and the large-lettered display screen are red LEDs easily readable from across the room. I found myself often neglecting the remote-control handset and taking the time to use the front-panel controls, for their highly satisfying tactile feel and mechanical feedback. On the rear panel are four pairs of single-ended and two pairs of balanced inputs. The volume control affects the balanced outputs and the pair of single-ended outputs labeled Var for Variable , but for the second pair of single-ended outputs, labeled Fix Fixed , the P routes a line-level signal to a recording device.

There are also pairs of single-ended inputs and outputs labeled Monitor; when activated by pressing the Monitor button, these bypass the volume control and form a loop to connect the output to an external component such as a processor or recording device, then back into the preamp if required. Simaudio says that, for best performance, the Moon Neo P should be left powered up at all times.

In addition to the standard features included in my review sample, Simaudio also builds the Moon Neo P with optional DAC and phono-stage boards. When the DAC board is installed, the digital inputs are at the upper middle of the rear panel. The phono section supports moving-magnet and moving-coil cartridges, and offers adjustment of the resistance, capacitance, and gain settings. To hear how well an audio component can handle extremes of high and low frequencies, I like to use electronic music.

Composers of electronica tend to use copious amounts of strong, deep bass and brilliant highs. It begins with melancholy singing -- the system easily reproduced this voice, with the expected emotion intact. As the singing grows stronger and more uplifted, the track builds to a big, complex, extravagant arrangement of pulsing bass, floating ethereal melodies, and wildly processed voices.

The sound goes from simple to complex and back again, and the Neo P nailed it at both ends of the audioband. The deep bass of the more complex section of this track was tightly presented, the transients of low-frequency sounds all being clear, distinct, and with appropriate slam -- there was none of the sensation of blurred bass or bloated low tones that are often produced by more modestly priced preamps. This high level of refinement was also audible at the top end of the audioband: the high-pitched sounds that are fairly forward in this recording remained forward and were clearly articulated, without becoming bright or drawing undue attention to themselves.

The preamplifier reproduced the ensemble with tremendous refinement. The soundstage was broad, extending beyond the physical boundaries of my Paradigm Prestige 95Fs, and providing suitable aural space for all of the musicians -- nothing felt cramped.

There was also a good sense of depth, which provided sufficient dimensionality to the aural images of instruments, and made it easy for me to envision actual performers arrayed on a stage. Through the Neo P, the Orpheus neither sounded lost in a huge space nor jammed together in a practice room. The Neo P easily projected the power of a group of violins playing together, allowing them to have a strong, appropriately forward sound when that was called for, without drowning out the instruments playing in more quiet support.

It also laid out the notes from the lower strings as a firm base for the melodies, while remaining detailed and firmly controlled. As with the electronic bass sounds mentioned above, there was a wonderful clarity in the sound of the lower instruments -- rather than blending into their neighbors, each was distinctly imaged. The first movement, Fanfares , contains a strenuous workout for the brass -- they tackle both the melody and most of the background support.

It was easy to pinpoint individual performers in space, from left to center to right. The dynamic range of the brass was clearly displayed, the transition from piano to fortissimo easily discernible. There was a trace of glare in the trumpets in the loudest transients, but otherwise, the sound was neutral -- no part of the audioband was recessed or emphasized -- and the strident melodies were accurately more forward than the underpinning harmonies without overwhelming them.

Later in the Sinfonietta, accents of very high pitch on piccolos and flutes never sounded shrill or overemphasized, which often accompanies brass glare in playback. Again, I found the imaging to be fabulous, as the work transitioned into passages for full orchestra and the players were spread out over a soundstage of convincing width and depth.

Consequently, the sound felt neither forward, pushing specific instruments into my lap, nor did it sound laid-back, distant, or relaxed. This preamplifier allowed the music to be exactly what I felt was in the recording.

While distinguishing single male from single female voices is normally easy to do, in this song the words are often sung by multiple singers singing the same note or in very close harmony. The larger drums in this track were rendered clearly and accurately enough that I could almost see the vibrations moving across the drum heads.

This ability to easily envision real musicians playing was something I quickly found satisfying with each good recording I played. Further listening to the Hunger Games album, with its many well-recorded male and female singers and acoustic instruments, strengthened my growing conviction that the Moon Neo P faithfully reproduced everything on each recording. I kept coming back to the well-worn notion of the ideal preamp: a straight wire with gain.

I know that the circuits inside the Neo P are actually complex -- but its sound approached that simply expressed ideal. A strange thing happened -- the heavily processed voices seemed at times attenuated, and at others nearly absent. The supporting instrumental music, most of it in the midrange, sounded unemphasized and fairly clear. With headphones, soundstaging has always been hard for me -- the music sounds artificial when laid out along an imaginary line drawn between the centers of my ears.

No instrument dominated inappropriately, and none of the background performers actually disappeared into the background. The grouped strings were clearly presented, but with no sharpness of sound. That said, the performance felt rolled off at the lower and higher frequencies.

For headphone part-timers like me, the Neo P provided acceptable performance; for serious headphone listening, a dedicated headphone amp would certainly be better -- and Simaudio makes some. I consider both of these models to be high-quality performers in this busy price region. The Simaudio and Hegel sounded similar -- each had notably neutral and transparent sound.

As a result, the comparison of the Canadian and Norwegian models requires a discussion of nuances. Although I consider both neutral, the Hegel has an ever-so-slightly forward character. I found that each projected a broad, deep soundstage of similar size and provided accurate spatial images.

No winner there. Where the two most differed was in their ultimate clarity -- the empty space in the soundstage was more clearly empty through the Neo P. The distinct presentation of sounds was also slightly clearer with the Simaudio. All transients, throughout the audioband, were subtly more accurate with the Neo P -- it sounded more incisive than the P In contrast, the Hegel P20 presented sound transitions that were very slightly less precise, but left me with the feeling of sounding more lifelike because they felt more relaxed.

It was like the difference between a great recording played on both a great high-resolution digital system and a great turntable system. Both will sound excellent, but the digital version will sound razor-sharp and precise, like the Simaudio, whereas the Hegel has a bit of ease. I own the Hegel, but my time with the Neo P has made me think about whether or not I should consider making a change. Interestingly, that added warmth in the ever-important midrange was the only area where the Rogue felt like a tubed device -- otherwise, I heard none of the rolled-off highs that can happen with tubes.

Nor did the feeling of tube-like warmth extend into the highs or lows. By contrast, the Neo P displayed all of the source signal clearly, and without coloration. Simaudio has given the Moon Neo P preamplifier a visual beauty that was not part of the original Moon P. The qualities of manufacture, visual appearance, and tactile feel of my review sample were all excellent.

That same excellence extended to its formidable sound -- the Neo P had a neutral transparency that presented each recording played through it without embellishment. I never felt that it was holding back the music because of its own limitations -- it let all details flow through. The width and depth of its soundstage were excellent. Erich Wetzel erichw soundstagenetwork. Warranty: One year parts and labor ten years with product registration. Simaudio Ltd. Network Sites SoundStage!

Network portal SoundStage! Access SoundStage! Australia SoundStage! Global SoundStage! Hi-Fi here SoundStage! Simplifi SoundStage! Solo SoundStage! Ultra SoundStage! UK SoundStage! See all of our videos in one spot. Most-Read Reviews Last 5 Years. Most-Read Reviews Last Days.

Simaudio Neo 350P, Neo 350P Preamplifier Owner Manual

This year Simaudio has taken both cosmetic concepts and circuit advancements from their Evolution products and used them to update and upgrade many of the current products in the standard Moon line. The new units retain their old model numbers but have been designated "Neo" to differentiate them from the older ones. All of these models now have a much more impressive and heavier faceplate with curved and sculpted accents similar to those of the Evolution line. As for electronic improvements, the preamplifier and all of the integrated amplifiers have had significant changes made to the volume control circuitry a refinement to the buffering circuitry of the volume control , as well as a different calibration of the output section. Power amplifiers and the power sections of integrated amplifiers have had improvements in the design parts matching and calibration made to the gain circuitry.

Moon Neo 350P D3P esivahvistin

Read more here ». Five stars for the from What Hi-Fi. At the heart of the Hi-Fi system based on separate components, the preamplifier connects the devices to each other; all sources CD player, network, radio or Blu-Ray connect to it. It also transmits the signal to the amplification system to which it is connected. The preamplifier, which is used with an amplifier or active loudspeakers which integrates an amplifier , is used to select the source to play and adjust the volume to the desired level. A separate preamplifier allows you to use the amplifier of your choice in the Hi-Fi system. Our preamplifiers stand out for their exceptionally quiet operation — no background noise — that delivers outstanding listening quality. Featuring a DAC, preamplifier, headphone amplifier, phono stage and network streaming capability, it is a truly flexible music system. Simply connect it to a power amplifier or active loudspeakers to hear an exceptional audio performance.

Moon 350P Pre-Amp

Extremely powerful, yet with a delicacy and articulation of the best amplifiers out there, the M Power Amplifier can take on virtually any loudspeaker you connect it to. Delivering a bottom-end slam, with authority and weight to the foundation of the music, it will transport you into a live concert environment. On the top end of the musical spectrum, the M delivers finesse, detail and refinement that can challenge your perception of reality vs. When used in conjunction with the P Preamplifier , the results are without equal.

MOON 390 – Network Player / Preamplifier

The first product off the production line was the now legendary "GS ", an integrated Class A transistor amplifier capable of an impressive albeit modest 22Wrms per channel. The initial success of this rugged, reliable solid-state integrated amplifier prompted further developments of PERREAUXS product offering and lead to the release of high quality preamplifiers, power amplifiers and loudspeakers into both the New Zealand domestic and professional audio markets. After much study and experimentation, the company discovered that the power MOSFET could, if used correctly, go a long way towards achieving the perceived warmth, sweetness and realism of thermionic valves combined with the physical practicalities and reliability of transistors. The resulting reaction in the marketplace was overwhelmingly positive. This was a welcome and exciting period of growth for the company however it soon became apparent that the current production capacity would not satisfy predicted market needs.

Simaudio MOON NEO series 350P Preamplifier used control amplifier

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Simaudio 350P Analog Preamp/DAC - Complete And Like New

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Moon 390 streaming preamplifier review

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Table Of Contents. Owner's Manual. Table of Contents. Previous Page. Next Page. Moon P Owner's Manual 20 pages.

Moon Neo 350P - Pre-Amplifier - £1,795

KEF R Loudspeakers. KEF Reference 1 Loudspeakers. Focal Sopra No2 Loudspeakers. Cocktail Audio X40 Music Server. Paradigm Founder Series F Loudspeakers. Yamaha A-S Integrated Amplifier. Vimberg Amea Loudspeakers.

This control hub has become something of an electronic chameleon over the decades, remoulding itself on multiple occasions to match the changes in hi-fi fashion. In the early days of analogue, stereo preamps had to have a phono stage, multiple tape loops, tone controls and various filters to optimise vinyl replay, if they were to be taken seriously. As time went on and CD rose to prominence they became simplified line-level units and gained remote controls.