Fender telecaster dimensions
Its simple yet effective design and revolutionary sound broke ground and set trends in electric guitar manufacturing and popular music. Introduced for national distribution as the Broadcaster [1] in the autumn of as a two-pickup version of its sister model, the single-pickup Esquire , the pair were the first guitars of their kind manufactured on a substantial scale. A trademark conflict with a rival manufacturer's Gretsch Broadkaster led to the guitar being renamed in Initially, the Broadcaster name was simply cut off of the labels placed on the guitars leading to a limited run of nameless guitars known as "No-casters" and later in , the final name of Telecaster was applied to the guitar to take advantage of the advent of television. The Telecaster quickly became a popular model, and has remained in continuous production since its first incarnation. The base model has always been available, and other than a change to the pickup selector switch configuration, a thinning of the neck, and a few variations on the bridge design, it has remained recognizable and mostly unchanged from the s.
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Fender American Elite Telecaster
This item has been sold. Fender Telecaster Model Solid Body Electric Guitar , made in Fullerton, California, Blonde lacquer finish, ash body, maple neck, original brown leatherette gig bag case. This beautiful "Blackguard" Fender Telecaster was assembled at the company's original factory in Fullerton, California right around the end of It carries a very consistent set of date markings, with the serial number stamped on the bridgeplate. The neck is dated in pencil on the heel, while the body also carries a red-penciled date mark of the same month in the neck cavity, with the "Tadeo" signature above in grey pencil.
The potentiometer date codes are indicating the pieces were made the 33rd week of Mary wired this guitar up on and left her masking tape signature in the control cavity, as she did on many other original Telecasters. This guitar has been played but escaped many of the common modifictions early Fenders are prone to. The only alteration is the original electronics rig has been replaced with one wired to the "modern" Telecaster switching scheme to allow for more playing flexibility. The complete original rig pots, caps, and switch are in a baggie in the case pocket and the guitar can easily be restored to original if desired.
This substitution is very common in Telecasters of this period, as they were originally wired with a bass capacitor in position 1 and no available pickup blend setting. This exceptionally fine instrument is otherwise original except for a refret with appropriate wire and some associated overspray and polishing out to the fingerboard. The neck is fairly slim for a '53 and round backed, with some light burl figure visible in the maple.
All screws are of the Phillips-head type as is customary for The '53 Telecaster still has the same look and feel of the earliest Fender guitars from , although many of the fine details gradually evolved as the decade went along. This particular year is considered by many Fender aficionados as the peak of the company's early period and the apex of quality and consistency for their first Spanish guitar, before the introduction of the second Fender solidbody, the Stratocaster.
The "butterscotch" blonde ash body and maple neck are subtly changed from the earlier examples, with the neck profile being slightly sleeker than "Broadcaster" standards and the finish having a slight halo effect around the edges. Many players and collectors consider the Telecaster the most desirable example of the model.
In his authoritative and beautiful book "The Blackguard" author Nachos Banos references this and states "There is something really magical about these mid-'53 butterscotch finishes". Early Fender Telecasters of this period are considered one of the most collectable and historic of all electric guitars, and this is a very fine and playable example.
The instrument remains in well-played but nicely preserved condition with some typical wear but no major alterations from its original state. The guitar shows signs of use in the past, but the finish is unaltered and overall is not heavily worn. The original blonde lacquer shows a number of dings and chips overall mostly to the body edges but it is not heavily discolored, worn away, or abused. There is only minimal "smoke" darkening of the finish overall, more noticeable on the neck which is worn down to the wood on much of the back surface.
There is visible play wear through the finish on a good part of the lacquered maple fingerboard; again, typical of Fenders from this early period. There was a small "classic" cigarette burn on the headstock edge by the low "E" tuner and a small amount of lacquer has been chipped off a bit there. The pickguard shows some wear through the lacquer where the strumming hand impacted over the years. There is a fairly worn spot to the lacquered guard just below the treble side of the strings, and a few deep scratches across its face.
The pickups, bridge components, lacquered fiber pickguard, strap buttons, and all screws and other hardware are original. The original Kluson Deluxe tuners are still intact and funtional and no other tuners have ever been mounted. As noted the original pots, switch, and caps are not currently mounted but included. This allows the guitar to be played in "Modern" wiring scheme that allows blending of the pickups, but the stock rig has been preserved intact and can be re-installed if desired.
The jack and pickup leads retain the original cloth wire. The neck has had a well-done refret some time ago and the fingerboard was oversprayed at the time. There is no other finish work visible.
These frets still have a decent amount of life in them, and the guitar is just heaven to play. The instrument is accompanied by its original plasti-leather gig bag but that is in a semi-functional state; the zippers still work but some stitching is pulled out and the the handle not attached. It is also accompanied by a very nice reproduction Fender style shaped hard case. We love blackguard Teles more than just about anything else with strings and this is a wonderful example, used but not abused with vibe for days.
Excellent - Condition.
Telecaster dimensions pdf
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Fender’s 1951-’54 Telecaster
Read the current issue of VG. His guitar had to be made using the same machinery that made Fender lap steels, so there would be no fancy set neck or body carve. But soon after, Gretsch asked Fender to drop the name because it had been granted a trademark for its use on drums. The final burst of inspiration came when Leo borrowed a name from the television — the cutting-edge broadcast technology of the day. The guitar surprised naysayers by selling well in its first few years. And shortly thereafter, the solidbody guitar took flight as other companies jumped into the fray. Special thanks to S. For an in-depth look at the Telecaster, grab A. This article originally appeared in VG July issue.
Fender Telecaster 1953
General Comments: The Fender Telecaster guitar is one of the most popular solidbody electric guitar ever made, and is the solidbody guitar that started it all. Originality and condition are the two most important features of a vintage Fender guitar, and Fender Telecaster, Nocaster, Broadcaster, and Esquires Teles do seem to have been easily modified due to their "bolt together" nature. Serial number range for the Fender Telecaster are generally to and is stamped into the rear metal neck plate. Serial number range for the Fender Telecaster are generally to , again on the rear metal neck plate. If you need to figure out the exact year of your pre-CBS Fender Telecaster, use the serial number and the general features of the guitar.
Fender Telecaster and Stratocaster Dimensions
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Mexican Standard Telecaster Neck Dimensions
Examining this neck closely, it strikes me that from the late 50s onwards Fender was consistently ahead of the game on neck profiles as things at the factory became more standardised. Even after truss rods became standard, some manufacturers were slow to slim things down. Although there were exceptions, most lates Fender necks were comparatively slim, but they retained a rounded profile. During the early 60s, the neck depth reduced noticeably under the first few frets, then thickened considerably from the fourth or fifth fret onwards. In contrast to early s bridge pickups, later examples have staggered slugs. During the period between the introduction of serial numbers with the L prefix and the CBS takeover, Fender necks began to even out and open out from a D profile to more of a C shape. Depth increased under the lower frets, making for a more gradual transition along the length. The string wrap around the bridge pickup coil has darkened and become impregnated with dust.
OffsetGuitars.com
But start with a more acoustic-like platform and offer magnetic electric sounds alongside more conventional electro-acoustic sounds, and we have a whole different ballgame. In theory at least, this means that any image could be printed onto the face of the guitar. Not only are the flanks below the waist slightly chubbier, the body length is extended - both areas by between 6mm and 10mm. The
Fender G&G Dlx Strat/Tele Case BK
RELATED VIDEO: 9 Fender Telecasters: Player vs Performer vs Professional vs Vintage and More - ReverbFender Stratocaster Guitar Forum. Messages: 2, So I'm getting parts together for a Tele Partscaster and need some direction. What Fenders have the modern bridge slightly longer? Do most have the classic ashtray bridge length?
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