Bap punch audio speakers

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Content:

• Massdrop x HIFIMAN HE350
• B.A.P - Kpop Offline Music
• 6 Best Studio Monitors for Hip Hop Production
• Robot or human?
• Best outdoor speakers 2021: portable, wireless, waterproof
• Best Bluetooth speakers 2021: portable speakers for every budget
• Adding a subwoofer amp...lc2i or speaker level inputs?
• Accuton speaker kits
• 200 greatest hip-hop songs of all time

WATCH RELATED VIDEO: 130507 - B.A.P - PUNCH @ CLUB NOKIA [B.A.P LIVE ON EARTH LA ]

Massdrop x HIFIMAN HE350

Elektron as we know it, began in as the innocent collaboration between three Electronic music loving computer science students from Gothenberg, Sweden. Just two years on, the trio would create their second instrument, which turned out to be one of the most groundbreaking pieces of music tech of the s: the Machinedrum MKI. It was a digital drum machine with four drum synthesis engines, one for classic Roland TR style sounds, one for percussive FM synthesis, one for Emu SP and Simmonds style drums and one for emulating acoustic drums.

This new approach to standard drum machine layout breathed new life into the Hardware side of electronic music production, and positioned Elektron as a major player in the space, with award-winning products like the Octatrack, still flying the flag for the Swedish trailblazers.

The often lauded internal engines remained the same, and the combination of features worked together to redefine what was expected of a digital drum machine in the new millennium. Even today, the Machinedrum is still arguably the most flexible box Elektron have ever created, featuring an unrivalled 16 tracks which can be assigned to any one of the 39 internal drum synthesis engines, sampling recording or playback, audio inputs, midi sequences or control voltage triggers.

Each track features its own LFO, which can be assigned to whichever of the 16 tracks you desire as well as individual EQ and FX control. IDM and Techno are its obvious forte, but its dynamic nature makes it fitting for a wide scope of sonic applications. The DMX was the second digital drum machine to be commercially released, hitting stores in The result is a perfectly formed hybrid of early 80s digital and classic analogue sounds, just as revered for its sonic dark magic as it is for its pricetag.

Two years after the initial release of the DMX, Oberheim released the DX — a simplified version with slightly less sounds. The Oberheim Prommer was a useful accompaniment that allowed you to burn your own samples to EPROMS for use with the DMX or DX but ultimately it was the original sounds having been engineered perfectly for the hardware that earned its acclaim.

Whereas previous drum machines had relied on analogue voice chips, resulting in rich but decidedly artificial sounds that shared little in common with their real world counterparts, the LM-1 employed actual sampled drum hits albeit in beautifully archaic 8-bit form. Being able to reproduce acoustic drum tracks with dynamics and swing was a game-changing advancement for and needless to say it shook the recording industry to its core.

Loaded with twelve 8-bit samples covering the basics bass drum, snare, three toms, hi-hats, tambourine, congas, claps, cowbell and rimshot , patterns could be recorded in real-time or step sequence, then saved to one of the storage slots.

These could then be chained together and saved in one of the 8 individual song slots, in turn meaning an eight song set could now be directly saved onto the unit itself, to be recalled anywhere, anytime. It cannot be stressed enough how much of a game changing advancement this was in With its eight song slots and saveable patterns, Artists could now use the drum machine as the rhythmic foundation for an entire project.

No longer a static studio entity or novelty sideshow, the LM-1 changed the way pop music was conceived, recorded and later performed, ushering in the kind of sequencing and electronic workflow that we now take for granted. Artists loved it for its punchiness and incredible timekeeping abilities.

Engineers loved it because they no longer had to worry about keeping drum mics in phase. By the original LM-1 had been succeeded by the Linndrum, which increased the sample rate and added ride and crash samples as well as increasing functionality with new feature such as trigger inputs etc. Later the Linn came along which was the grand finale of the series before genius creator Roger Linn set off to work on the MPC series for Akai.

It was the first Roland drum machine to incorporate a mysterious new technology called MIDI, as well as being the first Roland drum machine to break the all-analogue tradition of the TR series prior, with its incorporation of digital samples of hi-hats and cymbals to go alongside its very analogue and very Roland Kick, Snare and Tom sounds. The result was something special and if there is one word that immediately comes to mind when describing the sound of the ; its power.

The room rattling sonic profile of the is borderline inseparable from the very genres it helped spawn. Upon release however, TR was largely met with ambivalence from its target market professional pop producers who were more interested in the realism of the Linndrum sound. This unsexy feature had massive technical implications, in many ways setting the template for modern electronic music production as we know it.

And the winner is… The Roland TR not actually. To many, the sound of the is the ideal that all analogue percussion is measured against. Rest assured, realism was the original end goal but the analogue components had a mind of their own and took the sound of the in a distinctly artificial direction.

A certain transistor often rumoured to be faulty in origin myths imparted its character onto the output resulting in its distinct, sizzling sound. This was seen as a catastrophe in the eyes of the Roland brains trust, but proved to be a the happiest accident of all time, as it was this additional 10khz boost that gave the its phenomenal attack and bite, traits that have seen it grow to become the undisputed king of contemporary music.

Much like the TB bass synthesizer, the TR took a while to find its audience; but when it did, it spread like wildfire. Its distinct tonal characteristics, combined with its expressive performance-based layout, would prove the perfect vehicle for propelling the sound of popular music into the future. This expansive divide between kick and snare leaves an open canvas for melody and groove.

Sound wise, the individual outs on the open it up to all kinds of processing and sonic re-interpretation. By running its iconic sounds through a particular preamp, compressor or effect unit, producers are able to add a level of expression and personalisation to a very established set of elements. These helped improve the overall functionality of the unit by allowing the TR to sync with the control voltage analogue synthesisers of the early s.

As the years have passed since their initial production run between to , the has continued to evolve on a unit by unit basis, further increasing the challenge felt by contemporary manufacturers attempting to replicate the original. While it may be rare to find two original units that sound exactly the same, manufacturers will continue to try their luck with an array of clones and emulators flooding the market in recent times, but at the end of the day nothing beats the original.

To play an original is to many music producers, the equivalent of meeting The Pope. Needless to say, the is just that.

B.A.P - Kpop Offline Music

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6 Best Studio Monitors for Hip Hop Production

Vaudeville acts, for instance, had tunes for just about every major immigrant group: the Italian number, the Yiddish number, the Irish one, the Chinese. Some were sung in a spirit of abuse; others were written or performed by members of those groups themselves. And of course there were the minstrel shows, in which people with mocking, cork-painted faces sang what they pretended were the songs of Southern former slaves. This was how we reckoned with our melting pot: crudely, obliviously, maybe with a nice tune and a beat you could dance to. Sometime in the s, the mainstream saw its last great gasp of this habit. There was a simple notion behind all this stuff, and it was the belief that music, like food, came from someplace, and from some people. Even when it was played in a condescending ethnic-joke burlesque of who those people actually were — even when it was pretty aggressively racist — the notion remained: Different styles sprang from different people. Then all of this changed, and we decided to start thinking of pop music not as a folk tradition but as an art; we started to picture musicians as people who invented sounds and styles, making intellectual decisions about their work. But music is still, pretty obviously, tied to people.

Robot or human?

From there, aspiring emcees began rapping over the beat. The rest, as they say, is history. It makes ranking the greatest hip-hop songs of all time a tough endeavor. But we gave it a shot anyway. Hip hop, after all, has driven barbershop debates for decades.

Best outdoor speakers 2021: portable, wireless, waterproof

Finding the best Bluetooth speaker for your particular needs isn't the cake walk it might seem at first glance. It's nothing to do with shortage of options — every online manufacturer from Apple to Ultimate Ears is vying for a bite of the Bluetooth cherry and by association, your hard-earned cash. The challenge is knowing which model is most worthy of your precious pound coins. Fret not, for that is where we come in. We've done the heavy lifting and rounded-up our pick of the best Bluetooth speakers across all shapes, sizes and prices to ensure you discover a product you'll be over the moon with.

Best Bluetooth speakers 2021: portable speakers for every budget

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Adding a subwoofer amp...lc2i or speaker level inputs?

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Accuton speaker kits

RELATED VIDEO: B.A.P - Punch [Audio]

Len and Bigg Jus, he could hardly have known that he was going to change the hip-hop game forever. Ladies and gentleman, thanks for joining us here for our afternoon lecture. You know, we got lots of things to talk about, but I like to start these things off with a little bit of music. You have some new music, actually, in addition to the things I briefly mentioned in the introduction, and this actually came out, what, just a couple days ago, officially?

200 greatest hip-hop songs of all time

Elektron as we know it, began in as the innocent collaboration between three Electronic music loving computer science students from Gothenberg, Sweden. Just two years on, the trio would create their second instrument, which turned out to be one of the most groundbreaking pieces of music tech of the s: the Machinedrum MKI. It was a digital drum machine with four drum synthesis engines, one for classic Roland TR style sounds, one for percussive FM synthesis, one for Emu SP and Simmonds style drums and one for emulating acoustic drums. This new approach to standard drum machine layout breathed new life into the Hardware side of electronic music production, and positioned Elektron as a major player in the space, with award-winning products like the Octatrack, still flying the flag for the Swedish trailblazers. The often lauded internal engines remained the same, and the combination of features worked together to redefine what was expected of a digital drum machine in the new millennium. Even today, the Machinedrum is still arguably the most flexible box Elektron have ever created, featuring an unrivalled 16 tracks which can be assigned to any one of the 39 internal drum synthesis engines, sampling recording or playback, audio inputs, midi sequences or control voltage triggers. Each track features its own LFO, which can be assigned to whichever of the 16 tracks you desire as well as individual EQ and FX control.

Rapporter annonse. Offering impressive sound coupled with exciting built-in lighting effects, the N-Wave L is a compact self-powered 2-way monitor speaker system that is ideal for almost any situation. Built for Performance Large and powerful enough to have surprising output and punch, but trim enough to fit easily into tight spaces, the N-Wave L desktop monitor system is comprised of two matched speaker cabinets. The onboard amplification system delivers 40 watts of dynamic power for impressive, clear sound.