Gryphon diablo 120 price

High-end specialist Gryphon Audio Designs is renowned for the quality of its products in all aspects of design, be it style, engineering principles or sonic performance. Recently, the company has had considerable success with the astounding Diablo integrated, a powerhouse offering which, as the name suggests, is rated at watts per channel. But make no mistake, this is a Gryphon through-and-through, which translates to high power, unyielding command of your speakers no matter their current demands and the sonic beauty and subtlety that only the very best solid state amplification can achieve. The unit provided for review was a straight integrated amplifier sans DAC or phono stage. I hear great reports re the quality of both those optional modules — which, of course, can be purchased at any time independently — with many design aspects and performance features being trickle-downs from higher grade Gryphon fare. Adapting these to the Diablo architecture and re-imagining them to accommodate the lower price point meant very little, if anything, in the way of compromise.

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• Gryphon Diablo 300 review
• Gryphon Audio Diablo 120 Integrated Amplifier. Only 1 Month Old . With Warranty
• Gryphon Diablo 120 DAC Module
• 2018 Equipment Buying Guide
• gryphon diablo 120
• Gryphon Audio
• Gryphon Diablo 120 Integrated Amplifier
• Munich Preview Exclusive: Gryphon Diablo 120 Amplifier and Mojo S Loudspeaker system

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Gryphon Diablo 300 review

TAB log. If you want an integrated amp to reveal the liberties that the Mark Levinson No. Of the three expensive amps on test here, the Goldmund is both the most affordable and by far the lightest on facilities, with none of the configurable niceties that come with the Jeff Rowland or CH Precision.

Crisp, clean and extremely quick, the Goldmund is all about leading-edge impact and excitement, with just enough harmonic color and weight to back it up.

Its balance is distinctive enough to demand a significant shift in speaker placement; leave the speakers in the same place that you would for the CH Precision or Mark Levinson amps and the sound will seem lean and insubstantial; but push them back around a centimeter and it fills out appreciably.

Ironically, reach for something like the vivid, quicksilver phrases of Vivaldi, or even the studied patterns and structures of Mozart or early Beethoven and the speed, verve and clarity of the Goldmund breathe life and drama into performances. How much that matters will depend to some extent on your listening biases and musical tastes, but with the Vienna Acoustics Liszt speakers taking up some of the tonal slack, the combination was remarkably exciting and engaging when required -- and subtle, delicate and deft when necessary.

While staying just the right side of thin or insubstantial, the Telos Nextgen is definitely for the listener who values shape and structure over tonal beauty. If you are frustrated by systems that sound warm and clogged on the one hand and lean, bland and sterile on the other, the Telos Nextgen paired with an appropriate speaker could be just what the doctor ordered.

Cable matching was also interesting with this amp, the Vienna Acoustics speakers thriving on the speed, precision and clarity of the Nordost Valhalla 2, the Aperturas definitely preferring the Crystal Cable Absolute Dream, which added some needed sweetness and body to the top end.

As audio qualities go, this might not seem like the most sexy offering out there, but it is one of the most valuable, something reflected in the long-term listenability of the CH Precision amplifier.

Switching to the Vienna Acoustics speakers proved to be altogether too much of a good thing. Two slightly reticent performers in tandem produced a sound that was superbly cultured and shaded but lacked drama and the ability to reach out and grab the listener.

Instead it passes it on with as little fuss or interference as possible. It really does allow you to do almost anything, at least source-wise. So, for space-poor audiophiles who want a comprehensive, high-quality solution, this is it.

Fortunately, its poised and unexaggerated delivery makes it perfect for driving smaller spaces. A little judicious reworking of the control software by CH Precision and this could become the only show in this particular town. Nor is that Wpc claim fanciful. The Daemon goes loud -- seriously loud. But does it do more than that? Instead of the usual rubber-shod or plastic spacers found on most electronics, the Rowland offers a perfectly smooth Delrin base plate, uninterrupted by feet or fixings.

Fortunately, the fix is both cheap and simple: you need to place a trio of mechanical couplers between the amp and its supporting shelf. Anything from basic bamboo bricks to the likes of Nordost Sort Kones or Grand Prix Audio Apexes will do the trick, and while I settled on Apex Minis with steel balls in the end, I have to say that the freebie Grand Prix bamboo couplers that come with the Monza rack were remarkably effective and represent astonishing value given the performance gains.

The overall effect of lifting the amp clear of its support is to bring clarity, focus depth and dimensionality to the soundstage, welcome warmth and color to voices and instruments. You can advance the sound still further simply by carefully selecting the digital input you use.

With support and connectivity sorted, the Daemon starts to hit its stride. The Daemon is no exception to that rule. In part this reflects the contained grasp the amps exhibit, but it is also about their dynamic behavior. The lateral placement of the kit is explicit, the shift across it clear, but this is impact that depends on leading-edge speed more than weight. These drum beats are transients rather than the solid blocks served up by the Levinson No.

Reality lies somewhere in between, but this is the choice you need to make. The other thing this track makes apparent is the way in which the Daemon moves through the hesitations that presage those cannonades. Where the Gryphon or the Goldmund stretch the pause, adding to the anticipation and subsequent impact, the Rowland simply flows across the gap. That smooth, effortless, uninterrupted flow, more deep river than babbling brook, brings a stately poise and measured stability to recordings.

Unlike conventional amps, where that smooth power would suggest a warm, rounded balance, the Daemon is anything but. A little like a Grand Tourer as opposed to an out-and-out sports car, the Rowland excels on the long haul, taking everything in its stride. Despite a relatively modest power rating, it comes across as big, muscular and dynamically generous, long on substance, texture and color, less so on ultra resolution or etched transparency.

The digital inputs are excellent, with superb timing and dynamic coherence, a ready sense of rhythm and dynamic impact that matches the amplifier element and its analog inputs perfectly. The simple, incredibly elegant and ergonomic remote is one of the few such devices I actually use, and the styling is pure Gryphon -- black and blocky with a squat, powerful look. This amp is all about presence, energy and substance.

The poised rhythms and rapid pace changes of Danzas Peregrinas a stunning concerto for guitar, charango -- a kind of Andean 2x5-string lute -- and winds by Horacio Salinas [John Williams JCW3] might be more emphatic on the Goldmund, the instrumental separation more explicit on the Rowland, but the Gryphon captures the drama and enthusiasm in the playing of this modern piece.

It presents the music with a real sense of performance -- and it does it irrespective of the speakers, allowing the Viennas to project substance and luxurious color, the Aperturas that muscular structural clarity they do so well.

True to its heritage, the Diablo can sound a little on the dark, velvety side, but its rounded warmth and rich harmonics never clutter or clog musical progress or rob recordings of expressive range or impact.

Setting these five amplifiers next to each other is as fascinating an experience as it a complicated and demanding process. None of them are light and all of them are picky if you want to get the best out of them. But a little bit of perseverance goes a long way. For me, the Levinson No. It may lack the ultimate musical insight and communicative verve of the Gryphon, but it is easier to match and can accommodate both phono and digital sources in its No. It has just enough power and just enough facilities to get by, but its irrepressible musical enthusiasm is the very stuff of high-end audio, if not on the cheap then at least in the vaguely affordable range.

If you need a genuinely full-facilities system with high-end credentials and a performance to match, but space is at a serious premium, the compact but alarmingly dense form of the CH Precision I1 will certainly tick all the boxes. For some listeners, the ability to include a pair of independently configurable phono inputs, each with switchable EQ curves, will be reason enough to select the I1. For others, the fact that it can sit at the heart of a complete network music system will carry the day.

It may not be the most obvious or explicit-sounding amp in this mini survey, but that can work to its advantage too, at least as far as long term musical satisfaction goes. Its calm, poised and perfectly balanced view of proceedings is as even-handed as it is tonally neutral, as dependable as it is unflustered. Each has its own distinct virtues that make for a love-it or hate-it listening experience. Likewise, the Rowland Daemon brings its own specific qualities to the table.

With unburstable headroom and power to burn, this amp could partner with any speaker -- and electrically speaking that is correct. But its unusual combination of smooth, free-flowing musical progression and explicit separation means that, musically speaking, carefully matching it to speakers will reap significant dividends.

Its luxury fit and feel are a perfect match for its refined and sumptuous sound, and, once again, there will be those listeners who, on hearing the Daemon probably in partnership with a carefully chosen speaker will suddenly feel themselves relaxing into the musical performance.

That these five amplifiers are so similar when it comes to top-line facilities and functionality yet are also such individual and distinctive performers simply confirms that we still have a long way to go when it comes to audio reproduction -- and that putting a DAC inside an integrated amp is no short cut to audio nirvana.

What it does do, however, is change the very nature of the beast, from an amplifier -- technology where achieving a low transfer-function should be a given -- into a source, where all bets when it comes to musical thumbprint are very definitely off. Back when I listened to the Audio Research, VTL and Conrad-Johnson flagship line stages , they were all exceptional, each delivering a different flavor of excellence.

There again -- are you ever really going to turn your nose up at a Cheval Blanc?

Gryphon Audio Diablo 120 Integrated Amplifier. Only 1 Month Old . With Warranty

Gryphon audio are synonymous with a no compromise engineering approach to creating beautiful sounding high end audio products. The Gryphon Diablo Integrated amplifier embodies the same obsessive attention to detail in design to ensure a thoroughly captivating musical experience and continues the high end tradition into a new, more affordable price point. High-end specialist Gryphon Audio Designs is renowned for the quality of its products in all aspects of design, be it style, engineering principles or sonic performance. The company has had considerable success with the astounding Diablo integrated, a powerhouse offering which, as the name suggests, is rated at watts per channel. No doubt, this is a high current design further evidenced by its rated watts per channel into 8 ohms which then doubles down to watts at 4 ohms and capable of producing watts into 2 ohms.

Gryphon Diablo 120 DAC Module

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2018 Equipment Buying Guide

Forum Rules. Yes, the Tidal version, I only get the first unfold, even with that the was much better than the Usually the differences are more subtle.

gryphon diablo 120

A few years ago we visited Andy Payor at Rockport Technologies just after we decided to take on Rockport speakers. We were very impressed with the sound Andy created in his studio. He was using a pair of Gryphon single channel Class A amplifiers to power his speakers. The sound was glorious. Unfortunately, at the time Gryphon amplifiers were not being imported from Denmark.

Gryphon Audio

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Gryphon Diablo 120 Integrated Amplifier

Danish high-end manufacturer Gryphon Audio is a globally acclaimed company among audiophiles. Since its inception in , the company produced a number of legendary products, like its first very own integrated amp the Gryphon Head Amp. Founder Fleming E.

Munich Preview Exclusive: Gryphon Diablo 120 Amplifier and Mojo S Loudspeaker system

The Gryphon Diablo integrated amplifier is the next generation Atilla, bringing legendary Gryphon performance and styling to a new level of affordable cost and ease of use. The understated styling and forceful lines of the satin black, brushed aluminium chassis and gleaming black acrylic faceplate represent a superb level of fit and finish, exceptional audio finesse and a sense of unlimited power all on a single chassis. The casework, consisting of interlocking blocks of flawless acrylic and deeply brushed and anodized aluminium, is true to the acclaimed Gryphon house style, a complex construct of contrasting angles and planes that is both reassuringly intricate and impressively solid. Only the finest audiophile grade components have been selected based on strenuous, extended auditioning for sound quality, thermal stability and long-term reliability. The wire-wound emitter resistors in the original Atilla output stage have been upgraded to non-inductive types for Diablo

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More recently, however, evolved electronics component quality, advanced surface mount topologies and the benefits of CAD-assisted engineering have all contributed to a stream of high-end products which integrate the preamplifier and power amp stages, making a convincing — even seductive — impact in the high performance audio space. Strong affirmation of this trend is evident within the pages of our previous issue Audio Esoterica issue 4, Winter which featured several variations of the high-end integrated amplifier from various manufacturers across the globe. The traditional approach to the integrated amplifier has been to combine a line signal switching stage with level control and an amplification stage.