Speaking english karl wolf remix
Neumond Records lit. The tracks published under the label are mostly parodies and homages to real pop songs of the period "modified" to suit Nazi themes and doctrines. Neumond's Television Productions division appears to have had a direct connection to another part of the Nazi propaganda machine Paragon Pictures , which in turn suggests that the Nazi collaborator Chuck Lorentz may have also been involved with Neumond. After the event of the New Colossus, the company is forced to evacuate their employees, executives and resources out of the US due to the increasing activities of the American Resistance Network as well as the fact that the Nazi regime is losing control of the US at a fast rate. However, the most important fact is that nearly all of American people now had grown sick of Nazi propaganda.
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Karl Wolf - Carrera
We also produce educational programmes and collaborations with partner educational institutions to facilitate this process. On invitation, we delivers workshops tailored to educational institutions and interested groups in the Netherlands and abroad with artists we work with or our curatorial team. Long-term collaboration with artists and researchers is central to our work. These endeavours take shape in artistic practice Commissions and research into performance genealogies Research Projects.
While these new productions follow their own unique paths, they remain in dialogue with the field of inquiry underlying each respective biannual programme. Every two-year cycle coalesces around a field of inquiry invested in performance and performativity. Fellows lead a Reading Group to theoretically and artistically explore this material that is grounded in the social and political rituals of daily life.
The gleanings are shared in Open Reading Groups guided by guests, and unpacked in conversations with local practitioners on Radio Emma. Finally, Readers document this dynamic and collaborative research. Ty, and Reza Mirabi. Wednesdays, 13—17hr, till 22 September The exhibition is closed for holidays between 4 and 25 August. Vrhovec Sambolec and Steiner Shepherd. Lives in Amsterdam and Berlin is an artist and performer whose personas in art history, folklore and myth are invested in questions related to the contemporary conditions of women.
The making of her first feature film extends her interest in rituals that accompany stages of life. Furthermore, the ificantdance. Introduction Not Yet Shebang. Lives in Los Angeles uses meditative, durational, theatrical and actionist modes of performance to engage the energetic as a potential material in live work.
Enriched with ritual and theatricality, her work examines behaviours of power, such as global arms race, patriarchy and life on other planets. She creates a new theatre performance in which she focusses on defense mechanisms, telepathic means and the basic elements of matter. The piece is conceived specifically for the spaces and gardens of the Kunstfort, a former military fort on the Amsterdam defence line. As if in a perverted fashion show, self-armaments are done and undone, igniting the complicated entanglements between protection and oppression, spectacles and wars.
After the two evenings, remnants of the performance stay at the Kunstfort conjuring an afterlife of the dreams awakened. Purchase your tickets here. Purchase your ticket here. Thinking about oceanic and diasporic journeys, El Caldo focusses on the invisible ways in which people, in order to survive, communicate through waves, spores, winds and telepathies.
The radio transmission is one of the many manifestations of her performance commission Fire for Water. You can listen to the piece here. The audience is seated astride a sort of catwalk with a sword at one end. Lives in Amsterdam is a painter, body artist, writer and perfume collector with his main materials being thoughts, feelings, emotions and relationships.
His practice is indebted to various forms and permutations of intersectional feminist and queer art where Carolee Schneemann, Hannah Wilke and Adrian Piper serving as key coordinates. Through such strategies, the artist consciously and systematically links with the history of feminist art practice. The project is supported by the Rijksakademie van beeldende kunsten, Amsterdam. The architecture of giftsciencearchive.
They also share insights into their respective roles and shared tasks throughout the process. Free, live-streamed. Visitors are invited to peruse the GSA database and to pull materials from the collection for a closer look and, over a cup, for a story. Research Visits: Thursdays and Saturdays, 12—17hr Book here. Virtual Tours: Fridays, 17—18hr Book here. Exhibition folder. The exchange 26 June —6 February is available for the public as a quilt-like network of chapters at ificantdance.
What is trashy but valuable? Here, he shares on his multimedia practice, concentrating on its early beginnings in , in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection — a. An experiment in book making, which takes up the form of the LP record as a starting point for re-configuring the haptics of the printed book.
Presented as a collection of unbound pages inside a gatefold record sleeve, the publication includes a pressed record, as well as written, visual and sonic contributions from scholars, poets, artists, choreographers and DJs.
The publication is supported by the Netherland American Foundation. The live broadcast is hosted by the Sandberg Instituut where the space is transformed into a listening lounge replete with pillows, blankets, and cocktail selections.
At the finale of the marathon, Carter hosts a conversation on the performance-based research methods that inform his project. The live session in Amsterdam is followed by radio broadcasts in Los Angeles and Berlin.
Other broadcasts are realized in partnership with dublab Los Angeles and reboot. Black Revelry Quiet Storm, 3. Frequency: Return. Black Revelry Quiet Storm, 2. Dispersal: This groove is long, slow, and winding. Stretch, expand, and linger. Anecdotes on Gladys Knight and Marvin Gaye — and a circulating bottle of cognac — make for a connected vibe.
Civitanova Marche, Italy. Lives in Amsterdam is a curator, writer and educator with a background in theatre studies and semiotics. In questioning the cultural canons that created his persona, she focusses on the controversial legacy of actor, author and director Carmelo Bene b.
In this temporal and spatial loop, the figure of Italian actor, author, director, philosopher, and public persona Carmelo Bene is summoned to hopefully be dismissed once and for all. Bene is looked at by the author reluctantly and yet resolutely through inner voices of dissent, shame and rebellion. Lives in Nalliers, Nouvelle Aquitaine, France is a writer who began publishing in the early s. Her poetry considers the political energies and pressures that shape language as an aesthetic object and a record of historical desire.
She furthers her study of troubadour language as a phenomenon in which voice and text constitute each other. Robertson dwells on the transhistorical potential of this concept from the violent context in which it emerged to the troubling conditions of the present.
Embracing actualised and suppressed histories, the work testifies to words, friendship and readership as resistance across distances. The researcher shifts registers between poetry and academic study in examining rhyme and voice among medieval troubadours — the first European poets to write in their spoken regional vernacular — in the Languedoc region. Her outline of voice and vernacular as a space where power is constantly renegotiated and reconfigured is punctuated by readings from her poetry.
How do ritualistic practices and modes of display contribute to discussions on performance and performativity, while resisting traditional forms of visual consumption? Following the idea that rituals have participants instead of observers, a collaborative platform is generated for study and expanded activities.
Lives in London and Amsterdam , whose work embraces magic, evocation and invocation. Supported by an underlying interest in healing rituals, the piece beautifully untangles how ritual makes oneself present to oneself.
The magic in everyday reality — clear in the two issues of Womens Work , the first publication of performance scores by women including Pauline Oliveros — remains a concentration among the readings.
Special thanks to Irene Revell for sharing Womens Wor k and suggesting we experiment with the scores. How can the prophetess magnetize the future? How can silence be transformed into language and action? We look into instances where natural elements are used to divine the future and volcanic eruptions forebode the apocalypse while exposing the limits of rational thinking. Finally, the Oracle for a Reading Group by artist and researcher Hestia Peppe sees each of us become querent and oracle, questioning the agency of both and letting ourselves go.
Giulia Damiani introduces her work on Le Nemesiache and their extensive performance activity in Naples. The radio programme unpacks key terms from our research into Ritual and Display with invited local guests from various disciplines and practices.
How does display complicate the way objects and practices are perceived? What constitutes display, especially when it is the public showing of performative and ritual-based practices?
The resurgence of interest in ancient traditions and alternative systems of knowledge is coupled with an urgent need to rethink collections resulting from Western colonial displacement.
Yet displacement can also be generative for artists, addressing intergenerational knowledge and finding new shapes. How does one engage with rituals in daily life?
What is the state of ritual practices in Amsterdam? When you hear the word ritual, what do you think of? In this part of the world, traditional religious ceremonies and national rituals are losing momentum. That said, ritual-associated practices and ancient knowledges figure extensively in artistic and cultural contexts.
With change at its core, can ritual bring societal change? Response session with Sara Giannini and Megan Hoetger. Due to connectivity issues throughout the live-stream, the registration of this session has not been approved for public sharing.
The session included the screening of the documentary Delphine et Carole, insoumuses Callisto McNulty, , 71 minutes.
For copyright reasons, a full version of the film is not included in this registration. Please contact the Centre Audiovisuel Simone de Beauvoir for more information on screening accessibility. The series concludes with a roundtable moderated by art history scholar Elize Mazadiego in conversation with Damiani, Frank and Murray on collective strategies and performance-based research methodologies.
Special thanks to Centre Audiovisuel Simone de Beauvoir. Full programme. Special thanks to Le Nemesiache.
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Blacklight The Export, Vol. The Best Of. The Export Vol. Face Behind the Face.
25 Songs That Tell Us Where Music Is Going
We have listened to 71 extended play records from Canadian artists released from January 1 to June 30, , and settled upon our 16 picks for the best. We add capsule reviews of each of them below sorted alphabetically by title. We consider an EP as having at least 3 original tracks with a run time of less than 25 minutes. Arto Arto by Elliott Vincent Jones does an excellent job at providing well-written songs with an 80s synthpop vibe reminiscent of Blancmange or The Human League. The ride is a relaxed one with lots of electronic glitter to keep things interesting. Heliocentric by The Coriolis Project adds some ambient Vancouverite atmosphere in a cinematic ride through beauteous anthems dedicated to the four directions of the compass. Kaylee Johnston by Kaylee Johnston grants strong impetus to the west coaster as a pop singer destined for stardom. The pop EP comes in two language versions: English red and Spanish turquoise. No Place to Call by Gillian Nicola adds a very beautiful voice to pleasant singer-songwriter breezes emerging from Hamilton.
110 Funny Country Songs
A decision had to be made. The point being: Here, for a moment, was music that actively dragooned me into paying attention to it, based not primarily on sound, performance or composition, but on the rolling snowball of perspectives, close readings and ideological disputes accreting around it. When and where will we listen to it? Will other people be there?
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Sbeaking Engalish
Index of mp3 yungblud. Life On Mars? Save your music into high quality MP3 files, perfectly separated into individual tracks, and automatically tagged with all the song information. The world's best music blog. Instead, it does some statistical analysis to determine how loud the file actually sounds to the human ear.
The Xtreme BPM
Anime has morphed through countless phases—from amateur efforts, to nationalist propaganda fodder, to niche cultural export turned eventual global phenomenon—each iteration conforming to the shape of the times in which it was produced. The arrival of home video catapulted anime to its commercial and aesthetic apex, fanning outward from the island nation of Nippon to the far shores of North America and back, before again being revolutionized by the unprecedented accessibility of the world wide web throughout the nineties and early aughts. But where does one begin to tackle the aesthetic and historical precedent that anime film has left on pop culture and global entertainment in the last century? This list of the top anime movies is an attempt to do just that: to create a primer of one hundred of the most influential and essential films that Japanese animation has produced offer a thorough aesthetic, technical and historical breakdown of why these films matter.
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RELATED VIDEO: Karl Wolf Africa LyricsFlourishAnyway believes there is a playlist for just about any situation and is on a mission to unite and entertain the world through song. Country music has never been reluctant to have a little fun with even the most serious of situations. Find the humor in life with a playlist of funny country songs. One thing I love about country music is that it's always been able to poke fun not only at itself but also at serious life situations.
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Reviewed by Brandon Truett. The children gradually acquire information about their mother, who operates as an occluded presence around which the events of the novel circulate. At the age of twenty-nine, Nathaniel tries to make sense of these bizarre events, imbuing the narrative with the character of both a memoir and an investigation, the outcome of which promises a fuller picture of his own past as well as the true identities of his parents and their associates. The most defining feature of Warlight is the overwhelming feeling of darkness that modulates across a range of registers. The title itself refers to the unlit atmosphere of the Blitz, a tense period when London among other British cities had to institute blackouts and curfews in order to protect itself from the sight of German bomber planes. Ondaatje heightens the sense that there was only the ghostly presence of warlight, which names the dim illumination that emanated from small orange lights on the bridges along the Thames during the darkness of the Blitz.
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