Guitar eq using
An EQ pedal may not be considered as the most exciting addition to your pedalboard, but if used well, it can transform your tone for the better. Representing the universal spectrum of sound, an equalizer defines where certain frequencies sit on this spectrum and is used to boost or cut them via linear filters. This process allows you to therefore manipulate the audible qualities of a sound or instrument, and in this case — a guitar. Essentially, an EQ pedal is employed as a tone-shaping tool to improve the sound of your rig. A compact equalizer pedal will let you affect guitar-centric frequencies only. Generally, the human ear can identify frequencies between 20Hz and 20kHz, but a guitar will typically occupy an area between 80Hz and 10kHz.
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Content:
- 10 ways to improve your acoustic guitar sound using EQ
- Acoustic Guitar EQ: 6 Simple Steps To Studio-Quality Sound
- Guitar Amp Pro EQ in Logic Pro
- Guitar equalizer pedal: Tips, tricks and all the ways to use it
- 4 REASONS WHY YOU NEED AN EQ PEDAL
- A guitarist's guide to EQ: how to make your guitar tone bigger and better than ever before
- Purchase to view this tutorial
10 ways to improve your acoustic guitar sound using EQ
I thought I would share some of my findings on the subject of guitar EQ. One thing to remember about tone is that it's merely an audio opinion. There are many ways to approach sound.
You can listen to five guitarists or engineers talk about guitar tone, and each will have a different approach. So use my process as a springboard to find what works best for you and your sound. A lot of guitarists make mistakes because they don't know how the EQ operates on their guitar or bass amps. If you ask a guitarist how the EQ works on a Fender amp, they will tell you placing everything in the middle is neutral. This is not true. Leo Fender designed the Fender EQ circuit to be flat will all knobs on This may surprise some of you, but Fender EQs are subtractive.
Not all amps use subtractive EQ, so it's essential to research your particular amp. The first thing I do when developing a guitar tone is to plug straight into the amp and remove all effects pedals or pedalboards.
I want to hear how the amp sounds on its own. At this point, I will radically move the EQ knobs around to hear how it's changing the tone.
When you radically adjust the EQ knobs on an amp, you will also hear how it changes the gain staging of the amp. For instance, placing the EQ knobs on 10 flat on a Fender amp will push the amp into saturation breakup sooner than with the knobs dialed down and the frequencies cut. If you're looking for less saturation on your guitar amp but need to EQ, it's time to start thinking about adding EQ after the microphone.
EQ plays a vital role in amp gain staging. If your amp is breaking up too early, check and make sure your EQ dials aren't up too high. Changing the EQ on the amp can significantly modify its character. Even if an amp doesn't have a midrange knob, there are still ways to adjust the midrange balance.
Take the Fender Princeton amp. The Princeton doesn't have a midrange knob. Its midrange is preset in the circuit. By cutting bass or treble, you will allow more midrange to come through. The Vox AC15 works in a similar way. The more you dial back the treble knob, the more the upper mids will pop out. The more you cut the bass, the more the lower mids will pop out. Learn your amp! You will need to adjust the EQ depending on the guitar you're playing, the room you're in, and the effects you use.
Throw out the notion that you can fix it later. Some amps, such as a Marshall Plexi , allow for you to bridge channels connecting two channels together on a 4-channel amp.
Some players do this to get added gain from the amp. But it can also be another way to EQ the amp. The normal and high treble channels on a Marshall Plexi sound every different from each other. Plexi high treble channels are known for being very bright.
With the right guitar combo, they can peel the paint off the walls. Blending in the normal channel can fill in the tonal blanks and mellow out the tone. It involves a dance between the individual channel volumes and the overall EQ. On classic Marshall Plexi amps, each channel doesn't have its own dedicated EQ. I find it essential to spend time playing with the guitar and amp before setting up mics.
You don't take a picture without taking off the lens cover, do you? I rarely use an EQ pedal. For the music I record, I find I don't need one. It depends on your needs and what you're trying to do, though.
Metallica has been known to use a graphic EQ at the amp to sculpt their tone. I would suggest thoroughly playing with your amp controls before plugging in an EQ pedal. These pedals can be helpful but they add a whole other set of variables that you may not want, such as tone loss and noise.
You can get more surgical with a graphic or parametric EQ. I try to get the amp as close as possible to the recorded sound I want before the mic. For me, that means the amp is a little brighter in the room than it would be if I were just playing and not recording.
To tame the harshness of digital, I use a lot of analog gear emulations that include tape. The added warmth allows me to add more treble at the amp without its getting harsh. This may not be the case with your recording setup—each recording environment is different.
You may have to record a little darker. Some engineers say they never add EQ when recording. I think this can be greatly exaggerated. Not every situation is the same, and recording in the analog realm with a console differs from recording ITB in the box. When recording ITB, things don't work that way. In theory, you could have an EQ loaded on every single track to emulate a console, but that would take up a lot of DSP digital signal processing. For some of us, it's vital to conserve DSP.
I use the same approach with compression. I'm a firm believer in getting sounds as close to finished as possible. Make decisions! My EQ decisions while tracking aren't radical. I'm often cutting or adding by just a few dB on a chosen band. If I'm adjusting too radically with the EQ after the mic, I know something is wrong earlier in the chain. Unless, that is, I'm going for a unique effect. Each of these excels on acoustic and electric guitar.
I print EQ, compression, and tape emulation. Let's say you got an excellent amp tone and applied EQ to the recording but need to make a few more tweaks.
It not only sounds great but also allows incredible flexibility over EQ. FabFilter is my go-to surgical EQ. It has some compelling features that other EQ plugins don't, like brick wall filters and dynamic EQ. A good example is the low end. You might not hear anything below 50 Hz on the guitar, but when you open FabFilter you will see there is definitely some action below 50 Hz. This can muddy up your mix or make a compressor work harder than you want.
I will often use FabFilter to eliminate frequencies I'm not hearing. We've all experienced acoustic guitar that has been recorded too closely. The low end pops out on specific notes. You could high pass the acoustic, but you may lose some of the roundness of the guitar.
Using a dynamic EQ will suppress that woof frequency when it's popping out but will otherwise leave it alone. The result is a more rounded tone. I like bus mixing. In a broad sense, you can think of a bus as a subgroup of instruments, like drums, bass, guitar, and keyboards. I get a little deeper into bus mixing, though. I create a sub bus for guitar groups.
Meaning I have a bus for a double-tracked guitar part. Or guitar parts that share the same tone. This lets me add broad strokes instead of having to adjust each individual channel.
Often, you don't have to EQ individual tracks unless you need to get surgical. Let's say we have a double-tracked guitar part and they're panned left and right. They sound great, but they need a little silky top end. Some EQs might be too aggressive for this purpose. I find the Clariphonic lifts the blanket without making it harsh. The Clariphonic opens up the guitar tone without changing the guitar tone. I do love a Pultec, but for this purpose, I prefer the Clariphonic.
There are many times when the only thing I do after the guitar is recorded is add Clariphonic to the guitar bus. A lot has been written about EQ ranges for guitar.
Acoustic Guitar EQ: 6 Simple Steps To Studio-Quality Sound
By purchasing this tutorial, you'll get immediate access - your purchase helps create new and exciting content and this site survive! Using EQ to add presence and dynamics to a Guitar Line video tutorial explains how to use a dynamic equaliser to process guitars. It happens to all of us. You record a great guitar take and drop the stem in your mix project and on playback you notice that the guitar is lacking in dynamics and has lost focus. We can remedy this by getting creative with equalisation but any old EQ will simply not do. We need something far more powerful and detailed with all manner of processing modes and the dynamic that ticks all these boxes is a dynamic equaliser. A dynamic equaliser applies the gain change directly to the gain parameters of a multiband parametric equaliser.
Guitar Amp Pro EQ in Logic Pro
An equalizers can be a powerful tool for shaping your tone. Equalizers EQ are commonly used to alter or balance frequencies by either cutting or boosting. Depending on the equalizer unit, this could either be a specific frequency, like studio EQs or EQ pedals, or a frequency range, like the EQ controls on your guitar amplifier. This means that each filter or slider can both cut and boost the selected frequencies. In other words, each slider is a master volume for that specific frequency. Almost all guitar amplifiers, with a very few exceptions, have a passive EQ. This can be a bit confusing because we usually think of 5 or noon as flat or neutral but 10 is actually flat. So when you turn the bass, treble and middle all the way up on your amp, you got a flat frequency response. Anything lower than 10 is cutting that frequency. The Boss GE-7 has been his favoured EQ and during the 80s, 90s and s his rig has featured several GE-7s assigned to different gain pedals for tone shaping and alteration.
Guitar equalizer pedal: Tips, tricks and all the ways to use it
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4 REASONS WHY YOU NEED AN EQ PEDAL
EQ is a fundamental part of mixing. Through the use of parametric EQ , pass filters and shelving filters , you can manipulate the frequency response of the instruments in your session. Doing so allows you to alter the character of an instrument, increase separation, create effects, and more. Acoustic guitar recordings can exhibit a number of different characteristics at different frequencies. These characteristics include things like body, presence, attack, brightness, and many more.
A guitarist's guide to EQ: how to make your guitar tone bigger and better than ever before
Getting a good acoustic guitar tone isn't as simple as just plugging in and turning up; it requires a careful understanding of how EQ frequencies interact and function in a band. With that in mind, here are 10 top tips, divided into recording and live sound. Your six-string never sounded so good…. The busier the mix, the more excess bass will be an issue. If you find yourself radically EQing things just to get a workable sound, you probably need to rethink the recording process. High-quality, smaller-body guitars can have plenty of strength here for lovely vintage-style sounds, but cheap guitars can sound exactly that without a bit of care in this area. You can get a great lift in presence in the mix without having to increase the overall volume.
Purchase to view this tutorial
Want to learn how to EQ a guitar amp? EQing your guitar amp is the quickest and easiest way to sound amazing quickly. Guitar amps are the heart of your guitar tone. If it is, you will.
Image via Shutterstock. You asked, and you shall receive, Sonicbids blog readers. Per multiple requests, here's my guide to, "When the hell do I start turning these knobs, and where do they go? I'm not going to tell you "always notch this 9 dB here and add 3 dB here with a wide boost and, voila, perfect sound! So before you message me, "Aaron, I notched out so much Hz out of my snare, I snapped the knob off the console, and it still sounds muddy!
But used correctly, an EQ pedal can be one of THE most important secret weapons in your tonal arsenal. Just like on your guitar amplifier. But as you can see already, instead of just having one knob for bass, mids or treble, a graphic EQ pedal gives you much more control within each frequency range. And the cool thing is that when you move the sliders around, the screen updates in real time to show you what the EQ curve is looking like! If you place the EQ pedal in front of your amp, it will have more of an effect on the response of your amp same as turning the volume down on your guitar knob, or using a different boost pedal.
And, equalizing acoustic guitars can be challenging, especially when their bass is strong and unstable, or when they have harsh frequencies. So look it up at the end of the article. Bonus: There is a free super helpful cheat-sheet for EQing an acoustic guitar at the end of the article.
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