Speaker of house of representative of nigeria 2013 gmc

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Actors perform a scene at night while filming "October 1", a police thriller directed by Kunle Afolayan, at a rural location in Akure, southwest Nigeria August 26, Nigeria's movie business, often known as Nollywood, is one of the biggest in the world.

Most films are produced in local languages - Yoruba, Hausa and Igbo among them - while many others are made in English. Nollywood also has a growing audience among Africans living abroad, keen for a taste of home, whether watched in south London hairdressers or rented from Texas video stores. Nigeria shot its first film, "Palaver" Trouble , in Picture taken August 26, But one may ask, beyond the opportunities, are there inherent threats that lurk around the free trade regime?

For one, it is believed that any member State that fails to create an enabling environment for businesses to thrive within its country may lose rather than gain under the AfCFTA. In the Nigerian creative sector, for instance, the COVID pandemic has, amongst other things, exposed the linear revenue streams of the entertainment space, forcing most of the talents to start thinking of new ways of generating incomes beyond the traditional offerings in the industry.

It was evident during the peak of the pandemic that live events and huge gatherings were not possible forcing most of the talents to look for creative ways to stay afloat and connect with fans. People with multiple skill sets and creative minds used the opportunity to diversify into other creative sectors. For instance, as noted by a media personality who is familiar with the creative industry, a lot of comedians pivoted into online skits while others launched YouTube shows in a bid to maintain their fan base and generate incomes.

An out-of-the-box kind of thinking is required going forward. Beyond the challenges of the pandemic, the focus is now on the AfCFTA and its promises of an enlarged and liberalised market. Given that the creative industry thrives in a system that guarantees protection for innovations, it remains to be seen what safeguard is available under the AfCFTA for Intellectual Property IP right holders.

The Protocol on e-commerce was initially meant for Phase 3 but has been brought forward to Phase 2 because of the impact of Covid The pandemic has amongst other things, forced consumers to resort to e-commerce and digital space following the restrictions put in place by most countries to curb the impact of the virus. The scalability of the Nigerian creative industry within the AfCFTA will depend on the existence of a robust framework that supports IP rights and provides digital security.

With the recent incidents of cyber-attack in the United States, African countries should improve cybersecurity within the continent to support innovation and e-commerce. Related to this, is the need for data protection and localization on the continent. There is a relationship between a strong IP framework and heightened innovation.

The IP-reliant industry contributes more than 6. With the gradual transition to a knowledge and service economy and the growth of e-commerce on the continent, the importance of an effective IP regime for Africa cannot be overemphasized. The creative industry may well be one of the earliest vehicles that will drive the AfCFTA agenda and contribute to addressing the challenges of unemployment in Africa if properly harnessed.

Interestingly, the creative ecosystem is an evolving field and one that does not lend itself to a definitive term, making it difficult to be pigeon-holed or defined. As a result of this, the United Nations Conference on Trade and Development UNCTAD considers it as an evolving concept based on creative assets with the potential to generate economic growth and development.

It covers a diverse set of knowledge-based economic activities, such as advertising, architecture, arts and crafts, design, fashion, film, video, photography, music, performing arts, publishing, research and development, software, broadcasting, and digital assets.

However, there are both internal and external factors that may pose serious threats to the creative economy if not addressed. On the internal front, are challenges of poor infrastructure, obsolete and inadequate framework for the protection of IP rights, weak institution, fragmented market, and lack of access to funding amongst others. Externally, there is the fear around the possibility of an influx of talents and competition from other parts of the continent to the country.

But competition itself is not a bad thing as it aids efficiency and innovation. The Nigerian creative industry should therefore prepare itself for this possibility. The existing IP laws are weak and do not protect the chain of titles available to IP right owners both in the traditional and digital platforms.

The type of cooperation envisaged under Article 4 of the AfCFTA can only be made possible by the harmonization of the IP laws through regional framework. Unfortunately, Nigeria has not enjoyed that level of regional collaboration one would expect from a country that holds so much influence on the continent.

Speaking at the event, the Founder of the LBN, Ifeoma Ben an entertainment lawyer called on the Nigerian government to rejig its IP laws and policies to support indigenous content development by developing robust IP framework. Nigeria can learn from other African countries that are leveraging technology to liberalize their business environment and positioning themselves as innovation and tech hubs on the Continent.

Rwanda has invested heavily in infrastructure leading to reformation and ease of doing business. This has led to a rapid growth of tech-enabled startups in the country.

Just a month ago April , the Ethiopian government signed what has been described as the largest blockchain deal ever to be signed by a government aimed at creating a national database of student and teacher IDs using a decentralized digital identity solution. Despite the huge infrastructure deficit and regulatory challenges in Nigeria, Lagos has, against all the odds, remained a leading tech and innovation hub in Africa.

What follows from the foregoing is a call to action to develop a framework that will safeguard innovations and creative assets within the country. This will provide the youth and women who dominate this critical sector, the enabling environment to scale and by so doing, guarantee an inclusive free trade regime. When the suggested reforms and infrastructure are put in place, coupled with the collaboration required under article 4, the AfCFTA will be a win-win for African countries not only in the creative industry but across the sectors.

As an international trade lawyer, he has advised and represented both local and international clients and organizations on a wide range of issues involving cross-border trades disputes, maritime and international arbitration. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Home Opinions Columnists. May 28, Share on Facebook Share on Twitter. Related posts. The MTN prank and the dangers of freebies October 29, Nigerian pension funds double investments in Commercial Papers October 28, Leave a Reply Cancel reply Your email address will not be published.

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MRF Conference 2017

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Register your place for free. Tekedra N. Tekedra has more than two decades of experience advising consumer technology companies on how to advance their business interests around the world and is an expert in navigating complex high-profile issues. She began her career working with regulated technology and telecom industries, and leading global technology transactions. She has served as a trusted advisor to CEOs managing growth and risk-mitigation strategies.

Coronavirus: Why some Nigerians are gloating about Covid-19

The British Society of Gastroenterology Taster Weekend is a two day course which will take place virtually on 4th and 5th December It is aimed at foundation and internal medical trainees aspiring to become the Gastroenterologists of the future. We aim to provide an insight into the diversity and exciting opportunities the speciality provides, in terms of training but also as a consultant in the future. We are proud to deliver a very exciting programme this year, including interactive lectures, an endoscopic experience, GI emergency scenarios and practical advice regarding gastroenterology training. The course also provides application and interview advice for those who intend to apply for the next round of training posts.

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In order to help prepare your presentation please read the BOA presenting Speaker Guideline , it outlines how to prepare and upload your presentations. The BOA does not accept presentations in advance of the Congress. If you have any queries please contact the Events Team at events boa. Alwyn has spent 13 years on the Trauma and Orthopaedics front line as a Consultant and has recently commenced as Head of Service for trauma at the LRI. The highs and lows of working in the NHS notwithstanding he remains a committed clinician, manager, and trainer. Clinically, he particularly enjoys the challenge of salvaging infected, traumatised, and deformed limbs in his chosen field of Limb Reconstruction.

This is the first department of Plastic Surgery started in India on dated 15th December , under Govt. Late Dr. Balakrishnan was instrumental in starting the department and was the first HOD till Thereafter Dr. Sharma headed the department till The department was upgraded by Govt.

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